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Chinese polychrome saucer dish, bearing Quanlong seal mark, designed with peaches and bat motifs, painted in coloured enamels, diameter 15.5cm; and a Chinese export famille rose plate, scroll design, birds and flowers, diameter 23cm.CONDITION REPORTSaucer - no chips or cracks, some wear to decoration, good.Plate - chips to rim, no cracks, some wear to decoration, firing defects.
Collectables, including; A bed pan warmer, a textile sheet with flowers, a Kraak style porcelain blue and white small dish painted with a central grasshopper on a rock, 21cm diameter, sixteen Chinese rubbings of Luohans, an Indian Bidri ware small bowl, a Cairo ware small brass bowl, a Chinese hanging scroll of an old man with cherry and a single glass engraved with flowers.
CHINESE SCROLL PAINTINGS comprising: two orange and black letter paintings, 125 x 31cm, pink lilies, 136 x 33cm, flower vase with teapot and teabowls, 81 x 25cm, red and black characters, 161 x 32cm, red crested crane and pine, 122 x 30cm, two similar (damages), Gods of Wealth and War, 55 x 35cm, embroidered scroll (worn) and two prints (11) Condition Report: Available upon request
A CHINESE SCROLL CALLIGRAPHY PAINTING 129 x 62cm, red and black printed scroll, 121 x 66cm, a black and white printed scroll, 160 x 70cm, panel of calligraphy Order of Precious Star 50 x 60cm, watercolour trumpets and five dancers, 59 x 92cm, calligraphy on mottled ground, 130 x 52cm, dragon painting (disintegrating) and a TB chart and a small print (10) Condition Report: Available upon request
A CHINESE GILT METAL AND ENAMEL ORDER OF THE DOUBLE DRAGON,FIRST GRADE cast with sinuous beasts surrounding a crystal radiating medallion, characters and C scroll borders, signed, 9cm diameter, in silk box with silk embroidered collar, 24cm wide and banner decorated with dragons, 44cm long (3) Condition Report: enamel surface scratches to back and gilding worn. silk strip faded to one side and worn collar worn.
A 19th Century Blue and White Chinese Baluster Vase. The vase painted with chasing dragon amongst cloud scroll with bats, approx 20 cms, bearing Kangxi marks to base.Originally purchased from the 5 day Christies Sale of Ronald Summerfield's Effects at Cheltenham Racecourse. Mr Summerfield was a well-regarded collector of antiques who amassed an extensive collection is his life-time.
A 19th Century Chinese Export Superb Quality Double Wall Silver Goblet Circa mid-China trade period (1840-1880) bearing character mark and maker's mark 'S.S' for Sun Shing, one of the first and finest silversmiths operating in Canton and later in Hong Kong. The whole, of tulip form with triple banded rim; the body profusely ornamented in relief with scrolling floral and foliate repeat. Finished with four scrolling ovoid cartouches to body, each depicting landscapes with temple dogs, deer and Chinese white pine trees; central cartouche bears an empty shield above single temple dog. The stem terminates in stylised scroll hexagram form raised on a stepped circular foot. Wonderful condition and quality. Height, 9.75 inches - 24.5cm. Please see accompanying image
A pair of Chinese carved Hongmu vases, circa 1960/70, each with relief carved scroll decoration with integral Ruyi head feet, height 17 cm and a Chinese carved lacquer bowl with Taotie mask decoration upon a carved hardwood stand, diameter 11.2 cm. CONDITION REPORT: Both vases are in good condition with no obvious faults. Using a magnifying glass there are some anomalies on the rim but in our opinion these have been produced in the factory and are factory flaws. These include a 1 cm long section that is rough to touch and is just ever so slightly proud of the surface. There is a tiny section approximately 2 mm long on the base of the black border that shows the red underside. There appears to be a very fine line of raised lacquer terminating in two small raised pools. Otherwise it appears to be in good order throughout with no obvious visible further faults, cracks or restorations.
Four Chinese blue and white plates, 18th century, two of octagonal form decorated with a hare seated upon a viewing rock within a fenced garden flanked by flowering peony and pine tree with birds, another with two cranes flanked by peony and pine and two further circular plates one decorated with lotus the other with a scroll decorated with rock work and peony, 22 - 22.5 cm.
A Chinese enamelled blue and white vase and cover Six-character Kangxi mark but 19th Century Of ovoid form and decorated with boys standing beside large decorative vases, each painted in the famille verte palette, surrounded by flowering prunus branches, a ruyi-head border to the rim, the domed cover probably associated and with lion finial, 32cm high, together with an enamelled blue and white bowl, decorated with scroll-bordered panels of flowers and foliage, 23cm dia. (2) Vase: Cover restored but probably associated. Vase appears in good condition. Bowl: Multiple hairlines to the rim.
A pair of Chinese ormolu mounted celadon bottle vase table lamps Qing Dynasty, 19th Century Of elegant bottle form and decorated with a uniform pale green ground, the gilt metal mounts probably French comprising palmette cast rims, twin lion-head handles and scroll feet, 38cm high, together with a celadon vase converted to table lamp, of baluster form and incised with a lotus bloom issuing from scrolling foliage, set on a carved hardwood stand, 31cm high (42cm high including fittings). Pair: Appear good. No light fittings attached. Single: Vase good. Wood base has some small losses.
A 19th Century Majolica Floor Vase:Attributed to George Jones, the cobalt blue background representing the sky, with Chinese terrestrial earth symbol and bright yellow stars, the larger multi-coloured light blue designs representing clouds. A Chinese sky dragon is climbing the side of the vase towards the sun symbol. The base of the vase is decorated with brown scroll designs. Decorator's mark to base. H 69cm
A Chinese porcelain hexagonal jar and cover, Qing dynasty, painted in underglaze blue with alternate panels of a sage and attendant and flower sprays within foliate and scroll borders, 22cm high, mounted on a bronze foot. Cover with two flat rim chips, each approx 1cm long. Some minor surface wear throughout. 160718
Late 19th/early 20th Century Chinese hardwood low or 'opium' table, the rectangular top above carved friezes of bats and clouds, on four scroll-backed stiff cabriole legs with scroll toes, 83cm x 48cm x 31cm high Condition: In need of a re-polish, two of the corner brackets are possibly old recarved replacements - **General condition consistent with age
Chinese ovoid jar having blue and white painted decoration with two reserves showing antiques and artefacts on a prunus decorated cracked ice ground, pierced hardwood cover, 19cm high Condition: The wooden cover has extensive losses to the pierced scroll work and to the lower frieze, the porcelain body has general wear and scratching to both panels and has some potting flaws and imperfections however there are no chips or signs of restoration - **General condition consistent with age
A GEORGE III SILVER TEA TUB (CADDY), THOMAS HEMING, LONDON, 1766 square, imitating a wooden Chinese tea chest, engraved to the sides in the workshop of Robert Clee with simulated planks and twice repeated Chinese pictograms for 'Yi' (righteous, patriotic and justice) and 'Chang' (prosperous, glorious and good) within borders of scroll foliage on a linear ground, the flush-hinged lid with cast flower sprig finial and similarly bordered 9.4cm wide, 410gr (13oz) For an another caddy with the same engraving (including the border details), but with a differing finial, marked Aaron Lestourgeon, 1768, see the Ashmolean Museum, Oxford, No.WA1955.46 and another similar sold Sotheby's, New York, 16 April 2005, lot 274, marked Parker & Wakelin four times, circa 1770. Examples of this model of caddy or canister (called a 'tea tub' at the time) appear between about 1765 and 1773, many with Lestourgeon's maker's mark. Helen Clifford, in her book Silver in London: The Parker and Wakelin Partnership 1760-1776, (Yale University Press, 2004) reconstructs the fascinating system of outworkers who produced these caddies for Parker & Wakelin. The bodies were formed from sheet by Ansill and Gilbert or by Aldridge and Woodnorth for £1 8s. each, the former also supplying three sizes of sprig finial. Aaron and William Lestourgeon then fitted the locks and lined the interiors in lead for 5s. each. The borders and characters were subsequently engraved in Robert Clee's workshop, opposite Parker & Wakelin's shop in Panton Street, before delivery to the retailer. It would seem the process, from start to finish, took under three weeks. Apparently they were retailed by Parker & Wakelin for about £9. The same procedure would have been followed for the supply of these caddies to another leading goldsmiths of the day, Thomas Heming, who had been appointed Principal Goldsmith to the King in 1760. 'The career of one specialist silver engraver, Robert Clee (c.1710-1773), has been studied in depth by Robert Barker. In addition to silver, Clee engraved a number of signed trade cards, including those of the chemist Richard Sidall and the goldsmith Thomas Heming. Barker has demonstrated that Clee's establishment, which included both apprentices and outworkers, provided extensive engraving services for the prominent London retailers Parker and Wakelin as well as for Thomas Heming. Although it is impossible to distinguish among the various engravers he employed, it seems likely that much of the best silver engraving carried out during this period passed through Clee's workshop.' (Beth Carver Wees, English, Irish & Scottish Silver and the Sterling and Francine Clark Art Institute, New York, 1997, pp. 338-340) Interestingly Robert Clee's will (National Archives, PROB 11/987) stipulates: 'I give and bequeath to Mr Parker Mr Wakelin and Thomas Heming Esquire a Diamond Ring Each of the value of Ten pounds to be made by themselves'.Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
ϒA pair of carved padouk or rosewood seats, third quarter 19th century, in the French taste, possibly Colonial, each carved and pierced throughout, decorated floral foliate motifs, each cartouche shaped back above the solid seat flanked by serpentine shaped and moulded arms, each shaped frieze above moulded tapering cabriole legs terminating in scroll carved feet, each 110cm high, 130cm wide, 58cm deep overall The unusual blend of design and timbers suggests these seats could be of Chinese or Indian Colonial origin. It seems likely they were made to commission as a pair to furnish specific position, perhaps in the hallway or landing of a house. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

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17386 item(s)/page