We found 17386 price guide item(s) matching your search

A GOOD QUALITY CHINESE HANGING SCROLL PAINTING ON SILK, with polished bone end pieces, depicting two well painted deer in a mountainous landscape, the painting itself approx. 40.5in x 12.5in.

A CHINESE HANGING SILK SCROLL PICTURE, depicting a mountainous river landscape, the picture itself approx. 35.25in x 10.3in.

ANOTHER CHINESE HANGING SILK SCROLL PICTURE, depicting a hut beneath pine and before a towering mountain, the picture itself approx. 35.25in x 10.3in.

A CHINESE HANGING SCROLL PICTURE ON PAPER, depicting pine before a mountainous river landscape, the picture itself 29in x 15.5in.

A LARGE PAIR OF 19TH CENTURY CHINESE CANTON FAMILLE ROSE YELLOW GROUND PORCELAIN VASES, each painted with scroll and ruyi bordered panels of battling warriors, 17.6in high.

A 19TH/20TH CENTURY CHINESE BAMBOO CARVING OF A SCROLL BEARING SAGE, seated on the back of a water buffalo, 5.4in wide at widest point & 5.5in high.

AN EARLY 20TH CENTURY CHINESE CARVED WOOD VASE STAND, with pierced scroll frieze, 13in wide at widest point & 7.1in high, to support a vase with a foot rim no greater than 8.4in diameter.

A CHINESE HANGING SCROLL PICTURE OF COCKERELS AMIDST FLOWERS AND ROCKWORK, the picture itself approx. 35.75in x 22.5in.

A 19TH/20TH CENTURY CHINESE CARVED IVORY MODEL OF A DOCTOR’S LADY, together with a fitted scroll-footed wood stand, 2.3in high overall, the ivory itself 6in long.

ANOTHER EARLY 20TH CENTURY CHINESE CARVED WOOD VASE STAND, with pierced foliate scroll frieze, 10in wide at widest point & 5.6in high, to support a vase with a foot rim no greater than 7.5in diameter.

A 19th century Chinese huali centre altar tableThe rectangular top above a pierced roundel and scrolling frieze, on square tapering legs joined by side stretchers, on scroll feet, 109cm wide, 39cm deep, 81cm high.NB: Requires a CITES license if exported outside the EU

A pair of George III style giltwood carved girandolesin the Chinese Chippendale styleEach with rectangular plates with pagoda and acanthus carved crestings, scrolling leaf and branch carved frames, with pierced double 'C' scroll carved aprons below issuing double scrolling candle branches with gilt metal sconces, each 92cm high, 42cm wide. (2)

An almost matching pair of 19th Century French carved "Throne" Chairs, in the manner of Gabriel Verdoit, decorated in the Chinese taste, with gilt decorated dragons, and "S" shaped pierced backs, scroll arms, covered in pink fabric, on cabriole legs with ball n' claw feet. (2)

Ancient Chinese pottery ovoid-shaped vessel with traces of red and white painted scroll decoration, on circular foot, 32cm high x 35cm wide CONDITION REPORT Good original condition. Some old chips around foot, some old scratches, scuffs and scorch marks

A Good Quality Chinese Hardwood Rectangular Stand with Blind Carved Decoration and Four Scroll Feet. Signed. 27x22.5cms

A Signed 19th Century Chinese Ivory Okimono of Elder with Scroll Riding Carp. 15cms High

Antique Chinese bronze and cloisonne figure of Buddha in contemplative pose, holding a scroll, raised on lotus circular base, total height 40cm

Chinese scroll painting, two birds and flowering branches, seal mark and signature, woven silk border, height of painting height 123cm width 40cm

A Chinese scroll painting depicting a red-crowned crane amongst rocks and peonies with pine trees in the distance, 179cm x 48.5cm

A Chinese Sang de Boeuf Glazed Brush Washer, probably Yongzheng period, of cloud scroll form moulded with further cloud scrolls, 20cm wide, with hardwood stand See illustration VAT Notice This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

A Chinese Porcelain Dish, Kangxi reign mark but not of the period, painted in famille verte enamels with a central panel of carp amongst waves on a ground of dragons chasing the flaming pearl within ruyi scroll borders and panelled lattice rim, bears six character mark in underglaze, 4.5cm diameter

A Royal Worcester blush ivory loving cup painted with floral sprays to the exterior with two scroll handles with a smaller similarly decorated tig, 6cm high, a Swedish Orrefors bubble glass candle holder, 11cm wide, a Victorian staffordshire mug initialled MB, 1862 with gilt highlights against a claret ground, 8cm high, and a further named cup, along with a Chinese cloisonne box and cover and a small dish (7)

A Chinese oil on canvas scroll of figures and deities, 18th/19th century, with columns of script verso, 125 x 56cm.

A LARGE CHINESE PRINT, and a Chinese hand painted scroll (2)

A 19th century Chinese carved hardwood low opium table, the cleated top over a convex frieze and pierced fruit and foliate scroll apron, raised on cabriole style legs with ball and claw feet, 31¼ x 17¾in. (79.5 x 45cm.), 11in. (28cm.) high.* Condition: VG colour and patina. A few small pale water and ring marks to one end and one edge of top. No damage, losses or repairs to pierced apron or legs.  

An antique Chinese glazed stoneware figure of a Samurai warrior, possibly Shiwan, 19th century, the seated figure in full armour with polychrome enamelled decoration, holding a fan and a fan and a scroll, signed with two character mark, 15¼in. (38.75cm.) high, damages.

A Chinese carved hardwood jardiniere stand with inset marble top, 19th century, the circular top with foliate carved border over a foliate and scroll carved pierced frieze, raised on foliate carved swept tapered legs with pierced foliate and floral carved undertier, on paw feet, 24in. (61cm.) high, 12½in. (31.75cm.) diameter.

A Chinese carved hardwood jardiniere stand with inset marble top, 19th century, the scalloped circular top with foliate carved border and beaded edge, over a pierced frieze carved with fruit and foliage, raised on four similarly carved shaped supports with beast mask mounts and stiff leaves, on everted scroll carved toes, 36½in. (92.5cm.) high, 15¾in. (40cm.) diameter.* Condition: No sign of any damage but the glue has dried out on the four sections of the frieze allowing movement and gaps.

A Chinese Canton carved ivory brooch, late 19th century, the oval plaque carved with figures on a wooden palace terrace, in a reversible mount with glazed photo frame to the opposing side, within a rope twist, scroll chased rolled gold frame, 2½ x 2¼in. (6.3 x 5.1cm.) overall.* Condition: Tiny chip to hand of one figure, otherwise ivory is good. Rolled gold mount in good condition.  

A Chinese export porcelain sparrow beak cream jug, late 18th century, painted in blue and white pagodas around a lake shore, with bead moulded scroll handle with ruyi thumbpiece, 4½in. (11.4cm.) high, with handwritten label to base, 'From Dorothy Nov. 1920'; together with a similarly decorated Chinese blue and white export teapot with fluted body and Fitzhugh border, 7in. (17.75cm.) high, chip to lid; a globular Chinese teapot painted with blue and white flowers, lead repair to handle; and a blue and white bowl with lake landscape decoration. (4)* Condition: - Cream jug: Yellowed discolouration to glaze on spout tip with remains of gilt paint. No other faults.- Teapot: Large chip to edge of cover and finial has been off and glued back. Firing cracks to top of spout and handle. No other faults.- Small teapot: Handle has been repaired/replaced with lead. There is a large crack from the bottom of the handle around the body. Glaze frits to tip of spout.- Bowl: Hairline down whole side of bowl.

A Chinese Republic period scroll painting of mountain scene, unsigned, image 64.5cm x 52cm.

A SMALL COLLECTION OF EROTIC PAPER EPHEMERA, SHUNGA 19TH/20TH CENTURIES Including three Japanese woodblock prints of couples engaged in erotic pursuits, ukiyo-e, all mounted on board; a Chinese framed and glazed scroll painting of the same couple in many different positions; and a Japanese handscroll printed with depictions of Dutchmen and Japanese women in coitus, 83cm max. (5) Provenance: the shunga woodblock prints purchased from Clive Fuzzard.

A modern Chinese scroll painting of two birds, a book 'The Chinese Drama Facial Making Up Paper-cut 'Three Kingdoms' edition', an enamelled glass plate, a cinnabar vase and other modern Oriental items

A CHINESE SILVER SCROLL CASE LATE QING DYNASTY The cylindrical reticulated body decorated with coiled dragons, scrolling clouds and decorative roundels, with acorn-shaped ends, together with a reticulated hardwood stand, 20cm, 543g. (3) Provenance: a Hong Kong private collection, purchased from Freeman's Philadelphia, 16th September 2008, lot 170.

A CHINESE FAMILLE NOIRE VASE 19TH CENTURY The slightly tapered square-section body with a rounded shoulder and a cylindrical neck painted with various blossoms and rockwork, the base with a scroll mark, 50cm.

A CHINESE BONE FIGURE OF GUANYIN MING DYNASTY Standing, wearing long flowing robes, with a tall chignon covered with a veil, her head with elongated earlobes turned to the side, holding a scroll in her right hand, the left supporting her robes, her attendant carrying an offering, traces of red lacquer and gilt decoration, mounted on a wood stand, 22.5cm.

A CHINESE WHITE JADE CARVING OF A ZODIAC ANIMAL QING DYNASTY OR LATER With a human body and the head of a ram with curved horns, seated with his legs crossed, holding a scroll in his left hand, 6cm.

An oak occasional table, of Chinese scroll form, with single frieze drawer, 41cm H, 100cm W, 50cm D.

A Chinese bronze Censer, of bombé form with two loop handles, on three feet, cast 4-character mark to base, together with a Japanese bronze censer and cover, Japanese bronze scroll weight as a terrapin-dragon, a Japanese bronze figure of Hotei, and a tripod censer and cover A/F (5)

AN ANTIQUE GEORGE III STERLING SILVER TEA CADDY BY WILLIAM VINCENT, LONDON 1771 of straight, cylindrical form, the body segmented by foliate scroll engraving forming six panels, five engraved with various Chinese symbols, one with a crest, 10.5cm, 362g.

A CHINESE WHITE JADE CARVING OF SHOULAO 18TH CENTURY The Immortal stands, leaning on a staff with a scroll tied to its top, holding the long stem of a lingzhi in his right hand, handing it to a small attendant boy, together with a later wood stand, 13cm. (2) Ł5000-8000 十八世紀 白玉雕壽老立像

A CHINESE WHITE JADE HAIR ORNAMENT, BIAN FANG LATE QING DYNASTY With a long plain shaft, the terminal carved as a scroll, 26.6cm. Ł200-300 明（可能） 灰白玉雕仿古瑞獸擺件來源：肯特私人收藏，購於1970-1990年代。

A PAIR OF CHINESE BRONZE DRAGON SCROLL WEIGHTS HAN DYNASTY Cast as sinuous chilong with bifurcated tails, 13cm. (2) Provenance: purchased from Bluett & Son Ltd. Ł300-500 清 黃楊木雕仙人立象來源：Heliot舊藏。英國多賽特私人收藏，1983年6月24日以£1,540的價格購於John Sparks，附發票複印件。

A CHINESE BLUE AND WHITE BAOYUEPING 19TH CENTURY The flattened body decorated to each side with panels of peaches and bats within lotus scroll borders, with ruyi-shaped handles flanking a waisted neck, a six character Qianlong mark to the base, 23.8cm. Ł1000-2000 民國（可能） 粉彩開光花卉紋蓋碗《大清咸豐年製》

A LARGE CHINESE HARDWOOD SCROLL TABLE 19TH/20TH CENTURY With a reticulated frieze carved with designs of endless knots, linked rings and formal scrolls, the two end supports with straight rectangular-section legs joined by stretchers, 107cm x 245cm x 48cm. Ł2000-3000 十九世紀 黃地繡百鳥圖屏來源：英國私人舊藏，1990年12月16日購於Lacy Gallery（附發票複印件）。

A CHINESE ZITAN FIGURE OF GUANYIN REPUBLIC PERIOD Seated on a rock pedestal in a relaxed pose, wearing long flowing robes, a tall tiara and a beaded necklace, holding a scroll in her left hand, her right hand resting on a raised knee, 25cm. Ł1000-2000 民國 紫檀雕水月觀音坐像

AFTER ZHANG DA QIAN SCHOLAR UNDER A PINE TREE A Chinese scroll painting, ink and colour on paper, inscribed, dated wu zi and signed with two artist's seals, 97cm x 26cm. Provenance: from the collection of Lin Wen Zhi (d.1970) acquired in the 1950s and thence by descent. Lin was the oldest son of a wealthy and influential family, he studied at the University of Shanghai during the 1920s, he was sent from Shanghai to Singapore to help in his uncle's business. After the Second World War, he went on to start his own businesses, then he re-established the family tea business in his late 70s. 張大千（傳） 松下高士圖 設色紙本 立軸款識：戊子十一月張大千爰大風堂下。鈐印：張爰大千父、蜀君。來源：林文治收藏（逝于1994）之後由其女兒收藏至今。林文治是民國時期大戶人家長子，1920年代畢業於上海大學，畢業之後移居新加坡幫助其叔叔的生意，之後重新創立家族茶葉生意。

GAO SHI KUI (20TH CENTURY) PEONIES A Chinese scroll painting, ink and colour on paper, inscribed and signed with three artist's seals and one illegible seal. Together with another butterflies and flower painting by Wang Xue Tao, ink and colour on paper, inscribed and signed with one artist's seal, 88cm x 48.5cm. (2) Provenance: from the collection of Lin Wen Zhi (d.1994) acquired in the 1950s and thence by descent. Lin was the oldest son of a wealthy and influential family, he studied at the University of Shanghai during the 1920s, he was sent from Shanghai to Singapore to help in his uncle's business. After the Second World War, he went on to start his own businesses, then he re-established the family tea business in his late 70s. 王雪濤及高士魁 兩件 花卉 設色紙本 立軸來源：林文治收藏（逝于1994）之後由其女兒收藏至今。林文治是民國時期大戶人家長子，1920年代畢業於上海大學，畢業之後移居新加坡幫助其叔叔的生意，之後重新創立家族茶葉生意。

XU CAO (1899-1961) PORTRAIT OF ZHONG KUI A Chinese scroll painting, ink and colour on paper, inscribed and signed fu zi tian lai Yan Sun Xu Cao with an artist's seal which reads Xu Cao, 57cm x 31.5cm. Provenance: from the collection of Lin Wen Zhi (d.1994) acquired in the 1950s and thence by descent. Lin was the oldest son of a wealthy and influential family, he studied at the University of Shanghai during the 1920s, he was sent from Shanghai to Singapore to help in his uncle's business. After the Second World War, he went on to start his own businesses, then he re-established the family tea business in his late 70s. 徐操（1899-1961） 鐘馗送福 設色紙本 立軸款識：福自天來，燕孫徐操。鈐印：徐操來源：林文治收藏（逝于1994）之後由其女兒收藏至今。林文治是民國時期大戶人家長子，1920年代畢業於上海大學，畢業之後移居新加坡幫助其叔叔的生意，之後重新創立家族茶葉生意。

KANG YOU WEI (1858-1927) COUPLET IN RUNNING SCRIPT A Chinese scroll of calligraphy, ink on paper, the couplet reads shan rong qian zhong shi chuan liu yi mo yun, signed by Kang You Wei with two artist's seals, 142cm x 38cm. (2) Provenance: from the collection of Lin Wen Zhi (d.1994) acquired in the 1950s and thence by descent. Lin was the oldest son of a wealthy and influential family, he studied at the University of Shanghai during the 1920s, he was sent from Shanghai to Singapore to help in his uncle's business. After the Second World War, he went on to start his own businesses, then he re-established the family tea business in his late 70s. 康有為（1858-1927） 行書對聯 水墨紙本 立軸款識：山茸千重石，川溜一抹雲。康有為。鈐印：康有為印、維新百日出亡十六年三週大地右邊四周經三十一國行六十萬里。來源：林文治收藏（逝于1994）之後由其女兒收藏至今。林文治是民國時期大戶人家長子，1920年代畢業於上海大學，畢業之後移居新加坡幫助其叔叔的生意，之後重新創立家族茶葉生意。

AFTER BA DA SHAN REN (QING DYNASTY) CAT AND BUTTERFLY A Chinese scroll painting, ink on paper, inscribed and signed Ba Da Shan Ren with three artist's seals, 128cm x 38cm. 八大山人（傳） 貓戲圖 水墨紙本 立軸款識：虎豹不足數，九河可以鑑。當時傳考虜，老南鷗零零。 鈐印：八還、驢書、畫舧。

AFTER LENG MEI (19TH CENTURY) PORTRAIT OF MAGU IN THE SONG DYNASTY STYLE A Chinese scroll painting, ink and colour on silk, inscribed and dated the geng chen year, signed Leng Mei, with one artist's seal, 97.5cm x 47.5cm. Provenance: formerly a private European collection acquired between the 1950s and 1980s. 冷枚（傳） 麻姑圖 設色絹本 立軸款識：時在庚辰秋日仿宋人法，臺門畫史冷枚。鈐印：冷枚。來源：歐洲私人舊藏，購於1950-80年代。

AFTER LENG MEI (19TH CENTURY) LADY GONG SUN'S SWORD DANCE A Chinese scroll painting, ink and colour on silk, signed Dong Ming Leng Mei zhi, and one illegible seal, 63cm x 30cm. Provenance: from an English private collection, acquired c.1999 with a label which reads Christie's 24 June 1999, lot 328. Lady Gong Sun's inventive sword dances in the Kaiyuan reign (713-741) of the Tang dynasty inspired the cursive calligraphy of Zhang Xu (c.675-741) and poetry of Du Fu (712-770). Wu Dao Zi (680-750), the great master of figure painting, was similarly inspired by the sword dance of General Pei. A burning candle shows that this is a night scene. 冷枚（傳） 公孫大娘舞劍圖 设色绢本 立軸款識：東溟冷枚製。鈐印：一印漫漶不辨。來源：英國私人收藏，購於1999年，附佳士得1999年6月24日·編號328標籤。

ANONYMOUS (MING) WATCHING THE WATERFALL AT THE LU MOUNTAIN A Chinese scroll painting, ink on silk, 113cm x 59cm. Provenance: from an English private collection, acquired c.1990. While the painting is untitled and unsigned, the principal figure may well be the Tang dynasty poet Li Bai, who wrote a poem about the famous waterfall at the Lu Mountain in Jiangxi Province. 佚名（明） 李太白廬山觀瀑 水墨絹本 立軸來源：英國私人收藏，購於1990年代。

ATTRIBUTED TO WU LI(QING DYNASTY) LANDSCAPE A Chinese scroll painting, ink on paper, inscribed, dated the xin hai year and signed Wu Ying, with two artist's seals, and six collectors' seals, 160cm x 46cm. 吳歷（傳） 山水 水墨紙本 立軸款識：擬黃鶴山樵法，辛亥三月為紫老學長兄書，漁山吳應。鈐印：吳應、漁山、臥雪山人、錫蕃審定、石逸珍藏、南徐安松溪藏、楊氏炳炎珍藏、一印漫漶不辨。

ATTRIBUTED TO YONG RONG (QING DYNASTY) LANDSCAPE OF PENG LAI ISLAND A Chinese scroll painting, ink and colour on paper, inscribed, dated the xin si year and signed Huang Liu Zi (the sixth son) with two artist's seals, 102cm x 44.5cm. Provenance: an English private collection, acquired in the 1960s. Yong Rong was the sixth son of the Qianlong Emperor, then he was adopted into the lineage of his great uncle Yun Xi as Xi's Grandson. Yong Rong was a poet and painter with knowledge of astronomy and mathematics, he was best known as one of the general editors of the grand book Si Ku Quan Shu. 永瑢（傳） 蓬萊山水 設色紙本 立軸款識：仙人源自愛蓬萊，瑤草金芝次第開，欸乃櫂歌青雀舫，逍遙響屧鳳皇臺。辛巳仲冬，皇六子。鈐印：質王之印、永瑢。來源：英國私人收藏，購於1960年代。

AFTER YUN SHOU PING (QING DYNASTY) PEONIES A Chinese scroll painting, ink and colour on silk, inscribed, dated the gui chou year and signed Nan Tian cao yi Shou Ping with two artist's seals and four collectors' seals, 121cm x 44.5cm. 惲壽平 （傳） 富貴牡丹 設色絹本 立軸款識：送秋人尚為畫忙，與客同傾花下觴。四角燒燈中立炬。枝枝畫工葉光芒。癸丑重九對話寫此，南田草衣壽平製。鈐印：壽平、惲正叔、陳氏書畫、智弘道人、白雲外史、華農珍藏。

WANG WU (19TH CENTURY) CRANES AND WILLOW TREES A Chinese scroll painting, ink and colour on silk, title-slip reads Wang Qin Zhong lu he tu san shi wu nian shi yue chong zhuang, signed Wang Wu with two artist's seals, 80.5cm x 46cm. Provenance: formerly a private European collection acquired between the 1950s and 1980s. 王武（傳） 楊柳鷺鶴圖 设色绢本 立轴署簽：王勤中楊柳鷺鶴圖，三十五年十月重裝。款識：王武。鈐印：王武之印、字勤中。來源：歐洲私人舊藏，購於1950-80年代。

LUO PIN (19TH CENTURY) A LUOHAN A Chinese scroll painting, ink and colour on paper, signed wo long mian ju shi Luo Pin hui, with two artist's seals and one collector's seal, 136cm x 57cm. Provenance: formerly a private European collection acquired between the 1950s and 1980s. 羅聘（傳） 羅漢持淨瓶 設色絹本 立軸款識：臥龍眠居士羅聘繪。鈐印：羅聘，二印漫漶不辨。來源：歐洲私人舊藏，購於1950-80年代。

XU BEI HONG (1895-1953) BAMBOO A Chinese scroll paining, ink on paper, inscribed, dated and signed by Xu Bei Hong, with two artist's seals, and one collector's seal which reads xin zhong cang zhi, 80cm x 32.5cm. Provenance: an English private collection. The inscription to the left says it was given to Mei Nu dao zhang, (Xie Mei Nu 1913-1991 was a famous seal carver and calligrapher) as a gift, and then given to Li Shou Zeng (1889-1962, a collector) for his generous donation to the China Academy of Art in 1932. 徐悲鴻（1895-1953） 墨竹圖 水墨紙本 立軸款識：新篁類長留，梅奴道長惠存。悲鴻。李壽增先生所藏伊汀洲書，寶天下巨蹟，今捐美術學院先生寶怡終之。卅二年夏日重慶南岸，涼風埡遣真。悲鴻。鈐印：徐、東海王孫、來源：英國私人收藏，藏家父親獲贈于1960-1080年代。據羅光磊（謝梅奴學生）2009年2月1日在長沙晚報上面刊登的一篇《謝梅奴與徐悲鴻的白梅圖》記載，梅奴先生回憶當時徐悲鴻為了保護伊秉綬（1754-1815）的四條隸書屏，請梅奴先生幫忙聯繫到了當時的此隸書藏家李壽增。李先生知曉徐悲鴻是為國家保護文物而不是私人想買深為感動，願將四條屏贈予中央美術學院。徐悲鴻獲悉后為表達謝意特地送了一幅當時在重慶的舊作《墨竹圖》並提款說明收藏伊秉綬隸書屏的經過以志紀念，後又贈送了文章提到的白梅圖，此件拍品便是當時徐悲鴻所贈的竹圖。謝梅奴（1913-1991）師從書法篆刻家唐醉石及藝術大師齊白石，自幼酷爱书法篆刻傾心研究數十年，蜚聲海外。三十年代就與徐悲鴻交往甚密并為其刻章。李壽增（1902-1968），李氏四兄弟開設四怡堂藥店，壽增曾任經理。其弟李景陶曾任上海儲備銀行長沙分行行長，因而李氏兄弟有名譽長沙金融界。李壽增解放前為孤兒院、公醫院，救濟原董事長等。長沙和平解放後，他積極參與重建工作并以開明紳商選為長沙市人民代表會議代表等。