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A Chinese two colour cinnabar lacquer tray and hard wood stand, Qianlong Period (1735-1796), of circular form with pronounced everted rim, intricately carved to the centre with auspicious scenes of boys playing in gardens beside a river enclosed in scrolling floral borders, the rim decorated with four evenly spaced quatrefoil cartouches containing foliate motifs separated by stylised floral meanders, the reverse with a densely carved design of flowers and foliage above a shallow foot rim with geometric scroll design, the black lacquer base with a six character Qianlong mark, the hard wood stand simply carved with stylised ruyi bat detail, 38.5cm diameter, 43cm high on stand
A Chinese cinnabar lacquer ingot form box and cover on a carved hardwood stand, early Qing Dynasty, the cover with a central cartouche carved in relief showing a scene of figures in landscapes, each side of the base and cover with scenes of deer in landscapes enclosed within scrolling cartouches and rectangular quatrefoil panels, surrounded by deeply carved foliate detailing, each rim with geometric scroll border, the carved hardwood stand with ruyi and floral pattern detail, 25cm high on stand x 30cm length x 22cm at widest point
A Chinese bronze and cloisonné zoomorphic figure of a long-tailed bird, Late Qing Dynasty (1644-1912) The bird modelled in standing position with tail raised, it's applied cloisonné enamel wings, detailed with scrolling ruyi and traditional scroll designs, with open aperture at the top, possibly constructed as a censer, 16cm high, 32cm long.
"20th century AD. A fabric scroll with wooden rods, applied paper panel with painting of eight running horses in black and red, calligraphic text and two red chop seals; attributed to Xu Beihong. 191 grams, scroll: 357 x 25cm panel: 276 x 20cm (141 x 9 3/4"). Xu Beihong, 1895 - 1953, is primarily known for his ink and brush paintings of horses and birds and who was instrumental in changing the traditional artistic styles during the 20th century. He was also the first Chinese artist to produce monumental oil paintings that were influenced by Western models. Ex Li collection; acquired in the 1990s. [No Reserve]" Fine condition.
A CHINESE MUTTON FAT JADE SQUARE SIDED PLAQUE FORM pendant with scroll work top and bottom decorated with panels of flowering prunus, two characters, with wood stand, early 19th Century and another Chinese mutton fat square form jade pendant, carved bird on flowering prunus and reverse with Fu character symbolising good fortune and happiness, early 19th Century, with wood stand
A GOOD QUALITY CHINESE GILT DECORATED IRON-RED PORCELAIN VASE, the base with a Qianlong seal mark, the sides decorated overall with a formal design of bats, butterflies and scroll-stemmed lotus within formal borders, the moulded handles in the form of pierced stylised dragons, the interior and base turquoise, 11.75in high.
A GOOD LARGE CHINESE UNDERGLAZE-BLUE & COPPER-RED PORCELAIN MOON FLASK, each side decorated with panels of the Eight Buddhist Emblems radiating from a central raised circular boss, the edges with scroll and leaf stemmed lotus beneath double scroll handles, the base with a Qianlong seal mark, 18.75in high.
A GOOD QUALITY CHINESE CLOISONNE & GILT BRONZE TRIPOD CENSER & COVER, circa 1900, the sides decorated with a formal design of scroll and leaf-stemmed lotus, the pierced cover with the ‘Three Friends’ beneath a ruyi decorated finial, the sides with double buddhistic lion-head handles, 5.7in high overall.

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17386 item(s)/page