A CHINESE LANDSCAPE SCROLL PAINTING ON PAPER AFTER YUN SHOU PING PROBABLY 20TH CENTURY Depicting a temple and dwellings in a mountainous setting, mounted on silk, with two lines of calligraphy, two artist's seals and a seal of Chen Ren Tao (a 20th century Hong Kong collector), 164.5cm x 55cm. Provenance: an English private collection, acquired in 1980. 惲壽平(傳)《山水》 設色紙本 立軸 題識:竹塢山居,臨趙伯駒本,壽平 鈐印:壽平之印(朱)正叔(白)金匱寶藏陳氏仁濤(白) 來源:英國私人收藏,購於1980年代
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A CHINESE SCROLL PAINTING ON PAPER BY GU QIAO (1614-1700?) 17TH CENTURY Depicting a romantic scene of figures living in small huts in an extensive landscape, inscribed as a birthday gift and with a poem and with three artist's seals, 174cm x 51cm. 顧樵(1614-1700) 《山居圖》 設色紙本 立軸 題識:喬木鶯啼春書長,新晴溪路綠陰涼。寨帷時有香風入,吹落松花滿石床。 甲子春寫并題為百生禪師壽。顧樵 鈐印:顧樵之印(白)樵水(朱)
A CHINESE SCROLL PAINTING ON SILK AFTER LENG MEI MID QING DYNASTY Depicting a beautiful young lady holding a staff, signed chen Leng Mei gong hui and with two artists' and five collectors' seals, 96cm x 42.5cm. Provenance: formerly the property of a lady of title. 清中期《仕女圖》設色絹本 立軸 款識:臣冷枚恭繪。 鈐印:臣(朱)枚(朱)八征耄念之寶(朱)心清聞妙香(白)惟精惟神(白)宜子孫(白)即事多所欣(朱) 來源:貴族夫人收藏
A CHINESE IMPERIAL EDICT DATED 1829 Written on silk, woven with a pattern of cranes and clouds, mounted as a hand scroll, the text arranged in standard form reading from right to left, opening with a character title feng tian gao ming flanked by a pair of dragons, 217cm x 30cm. Cf. Christie's London, 18th May 2012, lot 1088 for a related edict. 清道光道光八年聖旨
A CHINESE IMPERIAL EDICT DAOGUANG 1821-50 Written on silk, woven with a pattern of cranes and clouds, mounted as a hand scroll, the text arranged in Manchu script, reading from left to right, opening with a character title feng tian gao ming flanked by a pair of dragons, 175cm x 31cm. Cf. Christie's London, 18th May 2012, lot 1088 for a related edict. 清道光道光聖旨
A CHINESE SCROLL PAINTING ON PAPER BY XIE ZHI LIU 20TH CENTURY Depicting a large chrysanthemum spray, inscribed Fei Jia De xian sheng ya zheng and with three artist's seals, 79cm x 46cm. Provenance: an English private collection, given by the artist between c.1960 and 1980. 謝稚柳(1910-1997)《墨菊》設色紙本 立軸 題識:費嘉德先生雅正,謝稚柳 鈐印:稚柳(白)謝(朱)夕陽(朱) 來源:英國私人收藏,1960-1980獲贈畫家
A CHINESE BLUE AND WHITE TALL SLENDER BALUSTER VASE KANGXI 1662-1722 Painted with twelve large aster flowerheads amongst scrolling branches and leaves between two scroll bands and a further band of petals to the shoulder beneath the flared rim, a six character Xuande mark to the base, 45.3cm. Cf. C R Min, The Gu Gong Museum Collection of Qing Dynasty Blue and White Porcelain, Shunzhi and Kangxi Period Underglaze Blue, pp.143-146, nos.287 & 288 for vases of this form. 清康熙青花纏枝花卉紋瓶 來源:英國私人收藏
A late 19th Century carved Chinese Export wooden Desk, the plain top with blind fretwork border, and with a beaded edge, the front and back central friezes with a pierced dragon head and scroll design, and flanked each side by two carved and shaped drawers, with dragon, and carved side panels, over four profusely carved and decorated legs depicting dragons with inset eyes, approx. 100cms (39")w; 71cms (28")d; 67cms (30")h. (1) Provenance: The Bewley Family (Tea & Coffee Emporium) by direct family descent.
A CHINESE CARVED IVORY BRUSH POT, Canton, 19th century, of cylindrical form, carved in deep relief with continuous scene of court figures, scholars and pagodas on a pierced scroll work base. 15cm high, 10cm diameterPLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORYBidders should be advised that importation regulations of several countries, including the US, prohibits the importation of ivory, or any goods containing ivory. Therefore Adams advises prospective purchasers who intend to ship this lot to another country to familiarise themselves with the relevant importation regulations prior to bidding. Adams will not be responsible for shipping items herein and the onus will be on the buyer to organise shipping at their own behest.
A Chinese style blue and white punch bowl, 20th CenturyThe 'U' shaped bowl, adorned in under glazed cobalt depicting two dragons in pursuit of the flaming pearl, within scroll and ruyi clouds, set within gilt line borders, 16cm high, 37cm diameter, unmarked. CONDITION REPORT: Split on rim 3cm long underglaze,Otherwise good condition.
A collection of blue and white Chinese ceramicsTo include a large baluster form vase with traditional scroll handles decorated with snarling dragons in pursuit of the Flaming Pearl, 45cm high, together with a Chinese blue and white Kangxi style teapot, two porcelain plates and a fan shaped panel depicting boys at play (5). CONDITION REPORT: Plates - both in good condition, very minor glazing faults only,Vase - heavily restored,Teapot - good condition,Panel - good condition.
A Chinese Qing Dynasty 18th Century Blanc de Chine porcelain censer of shallow compressed circular form with an everted rim, raised to three spread spru feet, unmarked, width 9.5cm, together with a similar period cylindrical example with relief moulded ring and incised geometric detail, raised to three scroll feet, unmarked, height 7cm, both S/D. (2)BR - 1944/16BR - 1944/31
A Chinese hardstone inlaid and stained hardwood Bitong (brushpot), late Qing Dynasty/Republic, Apocryphal Qianlong four character signed tablet, of cylindrical form on three integral low feet, decorated in coloured stones and mother of pearl with a vase of flowers beside a scroll, a censer, a chess board and a string of cash, 5 ½ in. H.
A Christian's Liverpool flared oval sauceboat, circa 1765, painted in a famille-rose palette with Chinese figures, stands and tables beneath a scroll-moulded rim, the interior painted with a single flower beneath an iron-red loop and dot border, 15.5cm wide. IllustratedProvenance: Roderick Jellicoe, London.
A Chinese faux-marble enamelled porcelain brush pot,Qianlong (1736-1795), in the shape of two partially unrolled scrolls of different heights tied together with a turquoise ribbon, one scroll painted with flowers and a landscape in famille rose within shaped panels, against swirling washes imitating marble, the other scroll with gilt bats amongst clouds against an iron-red ground, four character mark of Qianlong,9cm清乾隆 仿石釉流云百蝠纹书卷式笔筒 《乾隆年制》矾红篆书款
Lots 265 to 292The Collection of Mary Ann Frederica HarrisonMary Ann Frederica Harrison was born in London on 13 April 1838, the seventh of eight children. After her marriage in 1876 to thriving tea merchant, Thomas Thomas, Mary went to live in Canton, China and gave birth to two children there. In the late 1800s, Mary and her husband returned permanently to London, where Thomas died in 1892. Mary had a keen interest in painting, particularly using oils and pastels, and her artistic nature is evident in the attractive items from her collection now offered here for sale.A Chinese cloisonné brush pot,Qianlong/Jiaqing, in the form of a scroll, the exterior enamelled with Kuixing, the God of Literature standing with his right leg on the head of a huge legendary turtle above spuming waves, his right hand with a brush pen to announce the name of the scholar who was first in an exam, the other side with a carp turning into a dragon, all amongst bats and clouds against a blue ground, 14.2cm, wood stand (2)For a similar lot, see Sotheby's Hong Kong, 'Fine Chinese Ceramics and Works of Art', 8 October 2008 - lot 2600.Literature: For a similar example, see 'The Complete Collection of Treasure of the Palace Museum, Metal-bodied Enamel Ware', Hong Kong Commercial Press, 2002, p.178.清乾隆/嘉庆 掐丝珐琅魁星点斗图书卷式笔筒 连木底座

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17386 item(s)/page