We found 17386 price guide item(s) matching your search

A Chinese scroll painting depicting bamboo and calligraphy and seal marks, 36 by 127cm (14 by 50ins).

A brass bound Chinese hardwood travelling dressing table/box, of rectangular form, the top lifting to reveal an inset mirror plate, the front hinged in two parts, swinging open to reveal a series of drawers and compartments with blind cut scroll carving detail, raised on a plinth and set with carrying handles, 22cm high x 27cm wide x 39cm deep

A Large Chinese landscape watercolour scroll. Measures 106x210cm

19th/ 20th century Chinese charger painted in polychrome enamels with three figures painting a scroll, D40cm and an 18th/ 19th century Chinese charger painted in the Japanese style with Pagodas in a mountainous landscape (2) Condition Report Click here for further images, condition, auction times & delivery costs

Chinese Art A scroll painting depicting seated BuddhaChina, dated December 1962. . .

A Chinese scroll painting on silk mounted on paper and silk of an Arhat, size 57 x 207cm.

A Chinese watercolour on paper of two poets talking in a pavilion mounted as a scroll with silk surround. 225 x 81cms.

A Good Italian Carved Gilt Wood Rectangular Wall Mirror of "Chinese Chippendale" Design, the Rococo pattern frame surmounted by a pagoda hung with three small bells, the borders fretted and carved with two Ho-Ho birds and leaf and C-scroll ornament, plain mirror plate, 58ins x 36ins overall

A 19th century Chinese hardwood connoisseur's vase box, the sliding cover enclosing a silk-lined interior fitted to accommodate a jade or porcelain meiping, brass swan neck carrying handle, 24cm long; a Chinese hardwood circular vase stand, carved as a lotus, shaped scroll feet, 19.5cm diam; another, rectangular, faux bamboo frieze above a pierced apron of scrolling prunus, 18cm wide (3)

A pair of German World War One Trench Art mantel spill vases, each salvaged from a pair of Patronenfabrik Karlsruhe Kp. 5. 18. shell cases, well-engraved in the Chinese taste with precious objects, jardinières of flowering peonies and chrysanthemums, further foliage and butterflies, below a wrigglework S-scroll border, the base with a lotus and foliate demi-lunes on a scale border, 41cm high, the bases dated Aug. 1917 and Juni. 1918, (2)

Chinese School Guanyin, framed circular scroll, ink on paper with artists seal marks 30cm x 30.5cm Provenance: By direct descent of Katy Talati. Born in 1922 in Beijing Katy received private painting lessons with Prince Pu Quan from 1945 until her departure to London in 1948. Her painting are evidence of her fully accomplished technical skills in Chinese painting after having studied with various teachers in Beijing prior to her departure

Cloisonne bowl Chinese, Qianlong (1736-1795) with panels of lotus within a scroll surround, engraved marks to the underside of the base and with gilt interior 16cm diameter x 5.75cm high Provenance: Private collector from Oxford 

Xu Zonghao (1880-1957) orchids growing on rocks, scroll, ink on paper with artists seal mark 92cm x 27cm Provenance: By direct descent of Katherine Talati. Born in 1922 in Beijing Katherine received private painting lessons with Prince Pu Quan,(great grandson of the emperor Daoguang) from 1945 until her departure to London in 1948. Her paintings are evidence of her fully accomplished technical skills in Chinese painting after having studied with Pu Quan and various teachers in Beijing prior to her departure

Chinese School Xu Tian Shui Yue charting of a donkey, hanging scroll, ink on paper, seal in red Jiang Shang Wai Shi 110cm x 30cm

Chinese School Landscape scene, 18th Century, hanging scroll, ink on paper, Japanese style kakemono mounting 42cm x 26cm

Soapstone oval scroll weight Chinese engraved with a dragon above clouds 11 x 6.75 x 2.75cm a carved wood small dish, 13cm and two small metal dishes, 7.5cm. (4)

Nine jade pendants Chinese each carved in the form of a pig 3.5cm across and a carved jade boy holding open a scroll. 7.25cm high (10)

Wang Xuetao (1903-1982) vegetables and fruit, scroll, ink on paper with artists seal marks 99cm x 46.5cm Provenance: By direct descent of Katherine Talati. Born in 1922 in Beijing Katherine received private painting lessons with Prince Pu Quan, (great grandson of the Emperor Daoguang) from 1945 until her departure to London in 1948. Her paintings are evidence of her fully accomplished technical skills in Chinese painting after having studied with Pu Quan and various teachers in Beijing prior to her departure

Peking knot panel Chinese 31cm x 24cm embroidered with a vase of flowers, two other framed Chinese embroidered panels and a painted scroll with inscription, 86cm x 21cm (4)

Hardwood Luohan day bed Chinese, circa 1900 with carved foliate scroll end and open supports 190cm x 55cm, 59cm high

Katherine Talati (1922-2015) Da Shunming (Chinese name) river scene, mounted scroll, ink on paper with artists seal mark 98cm x 28cm Provenance: By direct descent of KatherineTalati. Born in 1922 in Beijing Katherine received private painting lessons with Prince Pu Quan, (great grandson of the emperor Daoguang) from 1945 until her departure to London in 1948. Her paintings are evidence of her fully accomplished technical skills in Chinese painting after having studied with Pu Quan and various teachers in Beijing prior to her departure Bibliography: Shelagh Vainker and James C.S Lin,'Pu Quan and his Generation. Imperial painters of Twentieth-century China,Oxford' : The Ashmolean Museum 2005; Fans from the East,London:Debretts Peerage Ltd and the Victoria and Albert Museum 1978,chapter 5: Katy Talati,pp 73-84

Katherine Talati (1922-2015) Da Shunming (Chinese name) flowers, mounted scroll, ink on paper with artists seal marks 36cm x 54cm Provenance: By direct descent of Katy Talati. Born in 1922 in Beijing Katy received private painting lessons with Prince Pu Quan from 1945 until her departure to London in 1948. Her painting are evidence of her fully accomplished technical skills in Chinese painting after having studied with various teachers in Beijing prior to her departure

Blue and white porcelain charger Chinese, Kangxi (1662-1722) with flowering lotus and scroll designs, Kangxi artemisia leaf mark 38.5cm across

Katherine Talati (1922-2015) Da Shunming (Chinese name) figures on a rocky outcrop, mounted scroll, ink on paper with artists seal mark 34cm x 44cm Provenance: By direct descent of Katy Talati. Born in 1922 in Beijing Katy received private painting lessons with Prince Pu Quan from 1945 until her departure to London in 1948. Her painting are evidence of her fully accomplished technical skills in Chinese painting after having studied with various teachers in Beijing prior to her departure

Porcelain 'European shape' tankard Chinese, Qianlong period painted with a central panel of figures around a table examining a scroll 11cm high

A Collection of Oriental and Asian Items to Include Scroll, Miniature Chinese Cork Diorama Carved Immortal Face, Inlaid Charger Etc.

A firescreen containing a Chinese woolwork tapestry of a immortal unfurling a scroll and riding a crane through the skies, internal dimensions 72.5cm x 62.5cm

Decorated with Chinese figures in garden on scroll, in Famille Rose enamels with gilt accents, 23 cm. in diameter, small chip on edge.

Chinese School, Archer with Sword, ink scroll painting, on fabric, signed, 74cm x 42cm, framed

A magnificent Chinese silk kesi 'Peach Festival' hanging scroll, Qing dynasty (1644-1911), richly embroidered in bright colours with a lively scene depicting immortals celebrating the birthday of Xiwangmu, Queen Mother of the West, of a pantheon of Daoist immortals and deities, including He He Erxian, Liu Hai, Shoulao and the Eight Immortals, on a garden terrace with lingzhi , pine and peach trees issuing from rockwork, awaiting the arrival of Xiwangmu, who descends from the sky seated astride her phoenix with her entourage of attendants, a crane in flight above, 175 x 89cm The ‘Peach Festival’, according to legend, takes place every 3000 years at the Jade Palace in the Kunlun Mountains in the Western paradise. A traditional Daoist theme, the festival is part of the celebrations for Xiwangmu’s birthday, during which she gifts immortals with the Peaches of Eternal Life, so their immortality may continue. This scroll captures the moment the immortals wait in anticipation for Xiwangmu, who is seen making a grand entrance on the back of a phoenix. The panel’s auspicious theme made it ideal to present at birthdays. For a similar lot, see Sotheby's, London, 13 May 2015, lot 122. 清 缂丝蟠桃会图挂幅

A collection of Chinese jades, comprising: one armrest in the shape of a tree trunk with scroll feet and blossoming prunus in relief, four-character Qianlong mark, 10cm long, another armrest, carved with literati in a rocky landscape, a crane flying above, inscribed, 18.7cm long, and a plaque, with three literati seated under a pine tree, an attendant alongside, 9.1cm long (3)

A Chinese gouache hanging scroll, 20th century, painted with a pavilion and a river in a rocky landscape, inscribed, signature of Fan Hanqing, dated June, Year of Jisi (1989) , ink and colour on paper, 144 x 78cm approximately

A Chinese gilt bronze bodhisattva, Qianlong (1736-1795), wearing elaborate beaded jewellery and a long robe, seated cross-legged on a double lotus pedestal, his hands resting in his lap and holding a jar with flame decoration, in front of a mandorla with scroll and beaded border, 12.3cm high 清乾隆 铜鎏金菩萨坐像

A Chinese ivory stand, early 20th century, of rectangular form on four mask and scroll feet, pierced and carved with two mythical beasts chasing a ball, 8.5cm long 二十世纪初 象牙雕异兽纹底座

A CHINESE EMBROIDERED SILK SCROLL OF FLOWERS AND A BIRD, 28 X 110CM OVERALL, EARLY 20TH C

Large Chinese Canton famille rose porcelain baluster vase, the frilled rim over gilded dog of Fo applied handles with four dragons to the shoulder, painted with reserves of figures, birds of paradise and insects within scroll and Greek key borders upon a gilt highlighted scroll ground in typical palette, 19th century, 18.5" high

A GOOD CHINESE HANGING SCROLL PAINTING OF A LANDSCAPE, the paining depicting scenes of a native landscape with calligraphy to the upper right section.

A GOOD 19TH CENTURY CHINESE HARDWOOD AND SILVER INLAID DISPLAY STAND, stood on raised adjoined scroll feet, the top and sides inlaid with silver decoration, 12cm high x 42cm wide x 23.5cm deep.

AN 18TH / 19TH CENTURY CHINESE HAND PAINTED SCROLL OF SEVEN IMMORTAL FIGURES, the scroll painted to depict seven immortal figures, 156cm X 74cm

A GOOD 19TH CENTURY CHINESE CARVED WOOD & POLY CHROME DECORATED FIGURE OF GUANYIN, stood in traditional attire and holding a scroll, 57cm high.

THREE 19TH CENTURY CHINESE CARVED IVORY TUSK VASE SECTION, the larger with carved and pierced decoration depicting figures in landscape settings, with a scroll carved lower frieze, 12cm high x 9.5cm wide, together with two smaller similar vases, 9cm & 8cm. (3)

A pair of substantial Chinese hardwood armchairs, each cartouche shaped back crested by a boldly carved shell, and inlaid with mother-of-pearl and abalone with birds and flowering branches, scroll arms carved manchette, shaped apron, scroll feet, 79cm wide (2)

A unusual Chinese hardwood fan-shaped room centre display stand, arched cresting above an arrangement of niches for porcelain and objects, scroll bracket feet, 165cm high, 175cm wide

A pair of tall Chinese baluster vases, painted in underglaze blue with robed playful figures and precious objects in a stylized landscape on a pale celadon ground, scroll twin-handles, 44cm high, 19th century

A large Chinese porcelain baluster vase, painted in underglaze with wise elders instructing youth in a stylized landscape, each section delineated with concentric borders, scroll and diaper base, 37.5cm high, four-character mark, late 19th century

A Chinese porcelain figure, of a musician, he stands in flowing robes holding a bamboo flute, his other hand extended in a greeting, painted in polychrome enamels, two-tone scroll base, 35cm high, five-characters in black calligraphic script, 19th century

A Chinese famille rose porcelain ovoid ginger jar and cover, of small proportions, painted in polychrome enamels with a boldly blossoming pink peony, further flowers, a pair of birds seated on a leafy branch and a dragonfly in flight, the shoulder with scroll and lappet-shaped reserves of leafy tendrils on a red ground, domed cover, 16cm high, Kangxi concentric circles, 19th century

A Chinese Export porcelain cylinder mug, painted puce en camaïeu with scattered foliage, broad border painted in polychrome enamels and gilt with alternating scale, meander scroll and feathered bands, entwined branch handle, 13.5cm high, Qianlong reign, c.1780

A Chinese bamboo six-section scholar's table screen, each painted with a vignette of the natural world of birds and blossom with accompanying verse in black calligraphic script and a red seal mark, pierced and shaped pediment above fan-shaped reserves and a ground incised and picked out with scroll clouds, the lower sections with further rectangular tableaux of nature, carved and pierced aprons and feet, 29.5cm wide, 51.5cm wide, second-quarter 20th century

A Chinese dark-patinated bronze candlestick, globular sconce cast with lion masks and tripod scroll feet, circular base, 9.5cm high, 19th century

A Chinese hardwood rail, carved throughout with leafy bamboo shoots, two oversailing bar rails above two pilasters, scroll cabriole feet, 86cm high, c. 1900

A Chinese soapstone carving, of Shou Lao, clutching the peach symbolic of longevity, wearing a flowing robe incised with scroll clouds and picked out in tones of red and traces of gilding, the two-tone hardstone matt and polished, 14.5cm high, 19th century

A Worcester tea bowl, finely potted, and transfer-printed after designs by Robert Hancock and then picked out in polychrome enamels, 4.2cm high, 7cm diameter, c.1765; a Worcester coffee cup, painted in onglaze enamels with traditional Chinese figures and precious objects, en puce camaïeu landscape vignettes, gilt leafy scroll ground, grooved loop handle, 6.9cm high, c.1770; another Worcester Chinoiserie coffee cup, c.1770; a Worcester Chrysanthemum tea bowl, the exterior moulded in shallow relief, the interior printed in underglaze blue, 7.5cm diameter, 4.5cm high, underglaze blue crescent mark, c.1770; a Worcester Mansfield pattern coffee cup, grooved loop handle, 6cm high, workman's mark, c.1770 [5]

A Chinese silver presentation cup, repousse chased with a ferocious dragon, scroll handles, domed circular foot, 18cm high, Wang Hing & Co, c.1890, 9.5oz Condition Report: A few small dents, needs a polish, 301.6g

A Chinese hardwood low tea table, rectangular panel top above a deep frieze carved with trellis, scroll end supports, 33cm high, 93cm wide, early 20th century***Please note that this lot may have been affected by flood water***

A Chinese late Qing Dynasty (1664-1912) Tianqiuping vase, the bulbous body rising to a shaft neck, with allover variegated ochre ground, depicting two outlines of five-clawed dragons in pursuit of the flaming pearl, with overglazed ruyi fire-scroll decoration, 43cm high.

A Chinese blue and white Kangxi style rouleau vase, the body painted with scenes of immortals and attendants in a rocky landscape, below concentric and traditional scroll borders, unmarked, 40cm high.

A Chinese Kangxi (1654-1722) period vase, of baluster form, the body decorated with a series of lotus flowers and meandering tendrils, before a 'C' scroll ground, 31cm high, Kangxi circular line mark to base, (extensive damage and converted to lamp base).

A pair of Chinese cloisonne vases, each of slender ovoid form, the blue ground of each detailed with kingfisher, sparrow before flowering lotus branches, below ruyi scroll ground, 22.5cm high, unmarked. (S/D) (2)

A Chinese huanghuali style robe stand, the tubular supports with scroll top and openwork panels, raised on yoke form supports united with tubular supports, height 188cm.