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ATTRIBUTED FU BAOSHI (1904 - 1965)'Yuan An Reading a Book'Ink and colour on paper, 95 x 48 cmWith inscription and four seals, mounted on scroll hanging A celebrated painter of China’s modern period, Fu Baoshi is known for creating images, which honoured Chinese cultural heritage during a time of considerable flux in the country. Coming of age as an artist during the Communist Revolution impacted Fu’s aesthetic and visual language. While there was a movement in the early decades of the 20th century, towards a modernization of traditional artistic techniques, particularly in the area of calligraphy and ink wash painting, Fu still saw value in the older forms of artistry. He worked to incorporate the calligraphic brushwork of traditional Chinese painting, with a stronger use of colour and washes to produce greater tonal range. The nationalistic subject matter can be seen in this present work attributed to the artist. An inscription on the painting translates as ‘Yuan An Reading a Book’, presumably referring to the man we see sitting at desk by the window. Yuan An was an important scholar and statesman in the Han Dynasty (206 BC - 220AD) serving at the courts of both Emperor Zhang and Emperor He. Considered the ‘golden age’ in Chinese history, the Han Dynasty spanned over four centuries. It was period of significant economic prosperity as well as major developments in areas of science and technology, in particular the process of papermaking. It is understandable why Fu would choose to depict a figure of such importance from a period of great pride for Chinese people. Even to this day the majority ethnic group in the country refer to themselves as ‘Han Chinese’ and the written script is known as ‘Han Characters’. There is a nostalgic tendency to Fu’s work in which he is looking to the history of the country as inspiration and expression of the Communist ideal. Set within the beautiful Chinese countryside, the grandeur of the country’s landscape is captured in the monumental mountains, luscious vegetation and surging rivers. Yuan is nestled in amongst the trees, surveying the world around him. The layered application of ink, almost dripping down the scroll in - to borrow a term from western artistic tradition - an abstract expressionist manner, creates a composition of deeply charged atmospheric effects.
A FINE PAIR OF CHINESE BLUE AND WHITE BAULSTER VASES, 18th century, each with broadly potted necks applied with coiled dragons and headed by Greek key banding, the bodies painted all over in vivid blue with meandering lotus scroll over a band of pointed upright leaves, 36cm highNote: A near identical example of these vases forms part of the Chester Beatty Collection on display at Dublin Castle.
SELECTION OF BRASSWARE including an Arts and Crafts tray with entwined motif decoration; a fire companion set on stand; two irons, one with stand; a pair of candlesticks; a shell cartridge table gong with stand, the stand marked 'To Janet and John from Tommy. Egypt 1946' (AF); a desk blotter with Aesthetic style floral and scroll decoration, and a Chinese bowl decorated with stylised dragons
Chinese bronze censer, Chinese Jade vase, pierced and mounted metal work decoration, H11.5cm, carve Tigers Eye Dog of Fo, blue and white cup, ebonised page turner with four faced Buddha terminal, Japanese Satsuma stick pins, Chinese vase, Tang style Horse, scroll painting by Wong Che Fei etc Condition Report Click here for further images, condition, auction times & delivery costs
A near pair of late 19th/early 20th century Japanese Kutani ware plates with panelled decoration featuring figures, flora and fauna in alternating landscape and interior scenes against red ground with profuse foliate scroll detail, both with Kanji characters to reverse, diameter of each 25.5cm, also a Chinese Export famille rose plate (3). Additional InformationSome minor glaze scratching and pitting, minor rubbing to detail, otherwise ok. The Chinese plate shows heavier wear.
A Chinese celadon ovoid vase, with elephant scroll handle, pierced hardwood bases, 23cm high, 19th century Provenance: From the Estate of Lady Elizabeth Georgiana Alice Cavendish CVO (24 April 1926 -15 September 2018), daughter of Edward Cavendish, 10th Duke of Devonshire, Chatsworth House, Derbyshire
A framed 19th century Chinese kesi work civil rank badge, fifth civil rank, the central silver pheasant standing amongst stylised clouds, bats, peony and scroll-work on a dark ground, 30 cm x 30 cm to/w a framed Chinese 'butterfly' panel made in two sections, 35.5 x 32.5 cm and Chinese panel embroidered with large vases within a border decorated with various auspicious symbols, 49 cm x 49 cm and a machine embroidered silk panel or warriors (4) - measurements do not include the frames Clean condition, possible muted colours but still strong and vibrant, no damage and clean
A large Chinese 18th century blue and white bowl with a wide everted rim, the interior painted in underglaze blue with lotus scroll decoration, the exterior with three underglaze blue bats, 37 cm diamLarge areas of restorations, large chip on the rim approx 3.5 cm, several hairline crack and other small losses/chips
A 19th Century Regency period Chinese Export Chinoiserie black lacquer ladies work table sewing box tidy. Raised on hairy pad feet with shaped lyre legs united by stretchers. Beautifully decorated with court scenes of figures and buildings with with floral scroll details and borders. Work box to lower tier.
A late 19th to early 20th Century Sevres Chinese style celadon glazed vase converted to lamp base, possibly Paul Milet, the bottle form vase, inscribed in the Chinese manner with stiff lappet borders lotus tendrils and traditional scroll and ruyi borders, factory mark to base, vase height 24cm.
A collection of various Chinese, Tibetan and Himilayan items, to include a Tibetan ghau prayer box, Tibetan bone and filagree snuff bottle, a Tibetan bell, a giltwood scroll weight, a rectangular enamelled tray, a hammered metal alms bowl, a Sino-Tibetan dagger/knife (blade perished), a Tibetan prayer wheel, metal pendants etc. (10)
A collection of 19th to 20th Century Chinese and Tibetan metalwork items to include a Chinese silver pagoda chess piece, a mandarin duck scroll weight, a miniature archaic form incense burner (censer), a shishi seal, a votive figure, a pair of finger guards, and further items, largest height 7cm high. (10)
A Chinese porcelain powder green bowl, circular cushion form, the shoulders applied with two small dragons, bearing the impressed seal mark of the Qianlong Emperor but considered 20th century 12cm high together with a large and decorative Chinese porcelain vase, late 20th century, moulded in relief with a dragon on a blue lotus scroll ground, seal mark of the Qianlong Emperor in blue but later, 43cm high (2) No damage See pics

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17386 item(s)/page