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LATE NINETEENTH CENTURY CHINESE CARVED HARDWOOD AND ENAMELLED PORCELAIN TABLE SCREEN, the oblong plate painted with figures and dwellings in a mountainous river landscape, with a floral pierced frame and conforming stand, with scroll carved end supports, 24" (61cm) high, 17" (43.2cm) wide overall
An extremely rare Queen Anne Chinese lacquer eight-day longcase clock Daniel Delander, London, early 18th century The five finned pillar rack and bell striking movement with 12 inch square brass dial with subsidiary seconds dial, calendar aperture and silvered oval plate signed Dan. Delander, London to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles with gilt Indian mask and scroll cast spandrels, in a case with flambeau urn finials and tall caddy decorated in raised polychrome and gilt with flowering foliage above scroll pierced fret to upstand over moulded cornice and conforming fret to frieze and three-quarter columns with brass caps and bases flanking raised foliate spray decoration to the glazed hood door, the trunk with silvered leafy-scroll carved wood decorative corbels to throat above door finely decorated in raised polychrome and gilt with birds and a mallard in flight near a blossoming shrub issuing from a rocky outcrop with two standing crane birds, the sides with particularly fine relief gnarled tree trunk decoration issuing leafy sprays, on plinth base further decorated with aquatic birds within a naturalistic setting over moulded double skirt with squab feet, 254cm (100ins) high excluding top finial, 269 (106ins) high overall. Daniel Delander is recorded in Loomes, Brian The Early CLOCKMAKERS of Great Britain as born circa 1678 and apprenticed to Charles Halstead before being transferred to Thomas Tompion and gaining his Freedom of the ClockmakersÕ Company in 1699. He initially worked as ÔservantÕ to Thomas Tompion from Devereux Court and later (after TompionÕs death in 1713) from Ôwithin Temple BarÕ, Fleet Street. He was a fine maker whose work was clearly influenced by his master but is perhaps best known for his series of particularly fine duplex escapement longcase clocks as well as long duration clocks often with refinements such as equation of time. Delander appeared to also share his masterÕs exacting standards with regards to the quality and design of the cases for his clocks, with his table clocks often mirroring those of Tompion and his successor George Graham. The case of the current lot appears to be an extremely rare, if not an unique surviving example of Chinese lacquer decoration applied to a case made in London. The construction of the case is typical of English work of this period however differs in that the carcass is made almost entirely of pine (only the cleats in the trunk door appear to be oak) rather than being of the usual mixed pine/oak for ÔjapannedÕ cases. This departure from the use of oak for any of the surfaces/principal structural elements of the current lot supports the view that the case was designed to be shipped to China for decoration; indeed accounts exist confirming that deal timber was sent to China as it was deemed well suited for lacquer work (see Bowett, Adam ENGLISH FURNITURE 1660-1714 page 149). The decoration itself is of fine quality with every element formed in relief built-up using a hard brick-red coloured clay based lacquer compound (rather than white gesso) indicative of Chinese/Japanese practice. The design is relatively restrained and is principally composed of naturalistic asymmetric forms contrasting with delicate blossom detail inhabited by birds. This slightly restrained approach perhaps displays a Japanese influence however such work during this period was only undertaken in China; it is perhaps appropriate that the trunk door is decorated with a pair of crane birds which are deemed a symbol of longevity in Chinese culture. We would like to thank Adam Bowett for his assistance with the footnote for this lot.
Chinese painted scroll of a tiger on a rocky outcrop beneath a crescent moon, in textured silk mount; Chineseembroidered silk panel of tiger; Chinese silk robe material, mounted on support fabric, of old gold ground embroidered in colours with dragons pursuing the flaming pearl of wisdom;Japanese embroidered picture of a lion and lioness. (4)
A Chinese cloisonne model of an ox and cart, late 19th/early 20th century, the ox standing four-square with head facing forward, the body enamelled all over with archaistic scroll patterns on a turquoise ground, the detachable gilt yoke joined to the rectangular shaped cart with large rotating wheels and removable roof lid, enamelled with scrolling foliage. 49cm
A large Chinese famille verte punchbowl, the deep vessel elaborately decorated in typical palette with a central medallion of ladies examining scroll paintings on a terrace, surrounded by alternating reserves of further genre scenes and bird and flower motifs, all on a diaper gropund beneath a floral and foliate band, the exterior with similar panels, details in gilding, diameter 40cm, 19th century . Provenance: The property of a lady.
Chinese Scroll, Chen Banding (after), Magpies After Chen Banding (Chinese, 1877-1970), Magpies, ink and color on paper, the left bearing signature `Chen Banding`, the upper right with an inscription bearing the signature `Qi Gong`, along with four seals, 50"h x 14.75"w, overall (scroll): 73.75"h x 18.125"w
Chinese Scroll, Wang JIan (after), Landscape After Wang Jian (Chinese, 1598-1677), Landscape, ink and color on paper, the upper section inscribed with a long colophon, dated cyclical year bingyin, bearing signature Wang Jian, along with four seals, one reads `Yuanzhao`, the left mounting with an additional collector`s colophon with the studio name `Hongye hui`, 40"h x 21.5"w, overall (hanging scroll): 90.5"h x 28"w
Chinese Scroll, Wu Changshuo (after), Landscape After Wu Changshuo (Chinese, 1844-1927), Landscape, ink on paper, the upper left with a colophon, bearing signature Wu Changshuo, dated 78th year (=1921) and with three seals: Wu Changshi, `Wu Jin zhi yin`, `ku yi jin kuang`, 41.5"h x 15.3"w, overall (hanging scroll): 60.5"h x 18"w
Chinese Blue-and-White Porcelain Charger, Beauties Chinese underglaze blue porcelain charger, Qing dynasty, featuring a scene of a beauty and attendant sitting near the doorway of a pavilion with an opened scroll while gazing at a young man who stands outside with a horse under a tree, the left with a seven character couplet `yu jing xian fu tan hua lang, ji yu pu dong tiao yao niang`, the recessed base marked `Yuanyin Tang qi` (chip and hairline crack), 13.125"w
Pair of Chinese `Vietnamese huanguali` Side Tables (lot of 2) Chinese `Vietnamese huanguali` and wood side tables, inset with a rectangular floating top within a plain edge, with key-frets to the waist above lotus petals to the shoulder and an apron carved with dragons and phoenixes, joined to straight supports with scroll terminals, 47.75"w
A Persian design carpet, the red ground with a central shaped medallion amidst C scroll decoration within broad and narrow panelled borders, 220 cm x 160 cm, a Chinese superwash rug, two small rugs and two mohair rugs (6) CONDITION REPORTS The rectangular rug with rust ground appears to be relatively modern and has machine bound edges, wear and dirt. Fringing missing to ends and additional sections sewn on to the ends on to the underside. The other three rugs are all modern rugs with heavy wear, dirt and stains and some damage and losses.
A CHINESE PALE CELADON JADE HANGING VASE, the central oval vessel carved with a dragon and a phoenix, hanging from a double dragon top on chain links to the scroll sides, with further ornaments below, late Qing/Republic, the whole hanging from a naturalistically carved stand with scroll base, the jade hanging 16" long overall, the stand 22.5" high
A CHINESE BLUE AND WHITE BOWL, decorated with auspicious characters on a lotus scroll ground, lappet border, interior mon device, bearing a ‘Ch’ien-lung’ blue seal mark, and old paper label, diameter 13cm. . 696. A PAIR OF COALPORT PERSIAN DESIGN COVERED BOTTLE VASES, 19th Century, elaborately decorated in polychrome and soft gilding, height 18cm (covers restored) (2)
CHINESE SILVER COLOURED METAL TWO HANDLED SUGAR BASIN AND MATCHING MILK JUG by Wang Hing, oval with bamboo pattern scroll handles and gilt interiors, embossed with winged insects on leaves, the lower bodies with close studded bands, 3 1/2" (9cm) high, stamped marks to bases TOGETHER WITH A set of six Chinese silver coloured metal COFFEE SPOONS, with character embossed tops and a SIMILAR PAIR WITH LEAF EMBOSSED TOPS, unmarked, 17oz in total (10) EST 400-500
Fine quality Royal presentation antique Chinese carved amber snuff bottle, decorated with two lion's head ring-handles and monkey with fruit and birds in trees, with gilt metal orange stained ivory lid, 8cm overall and a fine quality antique Chinese green jade vase and cover with carved leaf and floral scroll decoration and sceptre handles, 12cm overall, contained in a velvet-lined giltwood framed display case with gilt metal escutcheon - From H.M. King George V (3)

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17386 item(s)/page