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CHINESE HARDSTONE INLAY LACQUER SCREEN PANEL Heavy Chinese hand crafted hard stone inlay lacquer panel depicting wisemen holding a scroll with floating pagoda above their head. Verso has hand painted bats amongst clouds. 19th/20th century. Measures 57 7/8" height x 38" width x 2" depth (147cm x 96.5cm x 5.1cm). Provenance: Christie`s East Asian Decorative Arts sale, March 24, 1998, lot 52.
IMPORTANT CHINESE SCROLL PAINTING BY LI KU CHAN Important Chinese scroll by Li Kuchan (CHINESE, 1899-1983). Has a fan shape and depicts two pelicans fighting over a fish. Another pelican looks on with hungry eyes in the distance. Painted on fan shaped paper. Has calligraphy poem to lower right with two red seals. Measures 7 1/4" height x 15 1/2" width (18.4cm x 39.3cm).
LARGE CHINESE PORCELAIN BLUE & WHITE ELDER FIGURE Large Chinese porcelain blue and white porcelain figure depicting a wiseman in a standing position and holding a wooden staff. To his left hand is a scroll. His flowing layered robe depicts flowers with items throughout. Has a glaze design throughout with matte finish to face, beard and hands. Holds impressed and written two character calligraphy marks to bottom. Late Qing to Republic period. Measures 23" height (58.4). Total weight of 6.58 kilograms. Provenance: Sam Feldman Collection.
"A Chinese scroll hanging with a figure in a mountain gorge, signed, inscribed and seal mark, black ink and watercolour, 136x 30cm, another scroll hanging with figures in an interior, 136x 30cm and a bronze head mirror, 19thC, and a Chinese earthenware conical bowl, the blue ground incised with celestial kylins amongst clouds, 18th/19thC., 28.1cm dia"
A primitive design beige Celadon type glazed pouring Vessel of spherical form having concentric ring decoration, four applied stylised flower blooms to the shoulder, a small loop handle and brief scroll decorated spout, crazing to the glaze and small chips to base, probably Vietnamese or Chinese, 6 1/4'' high, 6 1/2'' diam. approx.
A 14TH/15TH-CENTURY MING DYNASTY CLOISONNÉ VASE HANDLE AND SILK BANNER LOOTED AT THE SACK OF THE OLD SUMMER PALACE, PEKING, 1860, the 7in. handle with brass dragon’s head and terminating in scroll foot; the red silk banner with applied characters reading SI CHUAN / DU ZHONG / TOU QI -- 110 x 78in. (279.5 x 198cm.); together with autograph card inscribed a handle torn from a large vase at the ‘sack’ of the Imperial Summer Palace at Pekin 1860 - curious metal work inlaid with lapis-lazuli / Dr. Clarke A. Ducket, RN. , (3), Provenance: Dr. C.A. Duckett, RN, to family friends and thence by descent., The Old Summer Palace was a vast complex of gardens and palaces founded in 1707 and which was under constant expansion until the mid-19th Century and is several miles from the Summer Palace, also in Peking (now Beijing). During the Second Opium War of 1860, two British Envoys (Henry Loch and Harry Parkes) accompanied by a Times journalist and a small escort met the Prince on September 29th to negotiate peace under a flag of truce. After a day of talks they were imprisoned and tortured, resulting in about twenty deaths - the bodies almost unrecognisable. To deter the Chinese from using kidnap as a bargaining tool again, Lord Elgin, the British High Commissioner to China, reacted by ordering the destruction of the Old Summer Palace, which was carried out on October 18th by 3,500 British and French troops and took three days to set the whole complex ablaze. Dr. Duckett was aboard one of the ships carrying marines which assisted and where he acquired this lot. Charles Gordon, a contemporary officer in the Royal Engineers, gives a flavour of the episode: We went out, and, after pillaging it, burned the whole place, destroying in a vandal-like manner most valuable property which [could] not be replaced for four millions. We got upward of £48 apiece prize money...I have done well. The [local] people are very civil, but I think the grandees hate us, as they must after what we did the Palace. You can scarcely imagine the beauty and magnificence of the places we burnt. It made one’s heart sore to burn them; in fact, these places were so large, and we were so pressed for time, that we could not plunder them carefully. Quantities of gold ornaments were burnt, considered as brass. It was wretchedly demoralising work for an army., The banner removed/acquired by Duckett was the personal banner for a visiting official from one of the provinces.
A Chinese porcelain yen-yen vase the body painted in blue with a pair of deer and two cranes in a rocky landscape containing pine trees, the neck with a pair of recumbent deer and cranes in a similar landscape between narrow cloud scroll and fretted borders, 44.5 cm, blue concentric rings to base, Kangxi.
A Chinese porcelain vase of reticulated square shaped form with raised flaring neck, each pierced facet enamelled in the famille verte palette with a pair of Lohan within a thunder key band, the shoulders with peony scroll the neck with a raised band of bats below stiff leaves, 36 cm high, embossed Qianlong seal mark, significant losses to rim.
A Chinese porcelain vase of oviform with garlic shaped neck enamelled in the Wucai palette and underglaze blue with two five clawed dragons chasing a pearl amongst cloud and lightning between stiff leaves and thunder key band the neck with a broad peony scroll and lappet band, the rim with apocryphal six character mark for Jaijing, early 20th century.
A Chelsea figural posy vase modelled as a seated Chinese man supporting a pierced baluster vase with one hand and holding a fruit in the other, wearing a puce robe with floral apron, on scroll base applied with flowers, gilt ‘G.S.T.’ mark, circa 1765, 18 cm high, damage to head, right hand and flowers, minor rubbing to gilt.
Chinese bronze censor, rounded rectangular body cast with fabulous animals amidst breaking waves, lion mask handles below the rim and a continuous gadroon scroll around the raised foot, the highlights gilt. Six character mark of Xuande, 17/18th century to/w a hardwood cover with ivory Kylin knop, 15.5 cm wide including handles, 7.5 cm high excluding cover. Condition Report Good condition - commensurate with age. Base weighs 21 troy oz, lid weighs 5 troy oz.
CHINESE SCHOOL "A woman holding a broom in a rocky landscape" and "A Chinese woman playing the flute in a boat in the marshes", watercolours on silk, a pair, both signed, mounted as one on embroidered paper, as a scroll, CHINESE SCHOOL "A waterfall in a mountainous landscape with prunus trees", watercolour on embroidered paper, signed with character marks and two red seals, 45 cm x 88 cm, mounted as a scroll and CHINESE SCHOOL 'Two Oriental urns flanked by foliage', coloured lithograph, bearing character marks and seals, as a scroll with wooden handle, image size, 66 X 135 cm (ONE ILLUSTRATED) CONDITION REPORTS The lithograph with folds and creases. Dirt and scuffs. Some smudging and some stains. The pair of silks depicting ladies are both deteriorated and with dirt and holes. The waterfall picture has some general wear, dirt and stains and scuffs.
A Chinese blue and white porcelain garlic-necked `lotus scroll` bottle vase, with bulbous rim, slender waisted neck set with ribbed band dividing a painted stiff leaf border, the pear-shaped body painted with classic lotus scrolls in the Ming style, and painted with scroll and petal shaped borders to footrim, 13.75ins (349mm) high (Qing Dynasty, Qianlong period)Provenance: Purchased by the vendors mother before the second World War from a house sale in Reigate, Surrey
A Chinese "Cantonese" ivory rectangular glove box, the rim and base of shaped outline, the lid finely carved with pavilions and figures in a garden scene within carved leaf and floral scroll borders, conforming side panels, 10.15ins (257mm) x 4.25ins (110mm) x 2.5ins (64mm) high (Qing Dynasty - 19th Century - joints opening around base and sides
A pair of Chinese red cinnabar lacquer two-handled baluster shaped vases and stands, each vase with four shaped panels carved in relief with figures in a landscape on a floral and scroll carved ground and with elephant head pattern handles, 19.75ins (500mm) high, and stands for same, 8.25ins (210mm) diameter x 6.75ins (172mm) high (Qing Dynasty - late 19th Century - one stand missing one section of undertier)
An early 20th Century Chinese blackwood display stand, the whole boldly fretted and carved with floral and leaf scroll ornament, the framing carved with scrolled leafage, fitted three tray topped tiered display areas and various niches, on block feet, 30.5ins (775mm) wide x 12.25ins (312mm) deep x 66ins (1677mm) high
An unusual late-18th century Chinese small lidded vase of ovoid form, with a fine line-drawn scene, in the European style, of Apollo, naked but for a cloth draped over one shoulder, playing a gilded lyre in a black and grey rocky setting, the shoulders and domed lid encircled by butterflies and trailing foliage, standing on a flared foot rim encircled by alternately reversed, applied scroll decoration, 5in. (12.5cm.) high.
Two Chinese export spoon rests late-18th or early 19th century, of extended six lobed lozenge form with rounded ends and steeply angled sides, one decorated in the famille rose manner with a scene of three ladies and a child in a garden, the sides with floral decoration in scroll edged panels, the second decorated in the European manner with a delicate design of flowers in puce and grey on both base and sides, 5in. (12.75cm.) long. (2)
15th C CHINESE BLUE & WHITE VILLAGE SCENE VASEAn antique Ming dynasty period Chinese blue and white Mei ping form vase having a hand painted scenes depicting wisemen playing games of go and traveling with attendant holding scroll. Made Yongle to Hongzhi period. Measures 8 3/4" height x 7" diameter (22.2cm). Total weight of 1794 grams.
A Chinese famille rose export porcelain tea caddy, Qianlong period, the ovoid body painted with figures, on a scroll moulded base, together with a Canton famille rose cylindrical brush pot, mid-19th Century, painted with pierced and moulded figural scenes within borders of bats and flowers on a gilt ground (some faults).

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17386 item(s)/page