Two rare mid-18th century Chinese export European mythical subject plates, polychrome painted with the Judgment of Paris within gilt scroll and rococo shell border, circa 1750, 22.5cm (both riveted) and two 18th century Chinese export plates decorated in enamels (4) CONDITION REPORT Pair of mythological plates - both have breaks and are riveted. The two other plates have rim chips
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An early to mid 20th century Chinese hardwood and black lacquered open armchair, with curved arms and single rectangular splat, rectangular flat seat with stylised cloud scroll apron, raised on plain column legs joined by peripheral stretchers, decorated all over with birds and flowering chrysanthemum blossoms, 67 by 50 by 103cm high.
A Chinese porcelain sleeve vase with flared rim, 18th century, decorated in underglaze blue with a scholar and servant in a reserve, scrolling foliage, stylised clouds and flower head border to the rim, and and geometric scroll borders to the foot, bears Kangxi four character mark, 26cm high.
A Chinese famille rose jardiniere, Qianlong period, (1736-1795), of ovoid form, decorated in polychrome enamels with bats within a meandering foliate scroll ground punctuated by lotus flowers, the foot rim with a blue Greek Key border, soft gilt rim, turquoise glaze interior and base, unmarked, height 20cm (s.d)
THIS LOT WILL BE INCLUDED IN THE SALE ON 04/03/16 - A Chinese bronze figure of Buddha, purchased 21 April 1969 from Sotheby & and Co Lot 84 as described in the catalogue: A bronze figure of Buddha seated on a lotus pedestal with right hand in Bhumispara murda, his robes with engraved scroll borders, traces of gold lacquer, 13.5 inches 17th Century. Note: catalogue entry and copy of Chinese character label found on underside with this lot on sperate sheet of paper
19th Century Chinese hardwood jardiniere stand, the circular top with inset blue and white landscape panel, shaped apron with inlaid bat and Shou symbol design, carved scroll supports and ball and claw feet, 51.5cm tall and 37cm wide CONDITION REPORT: Paqnel on top-scratches to surface and minor fritting and small piece wood missing at 1 top joint around blue and white panel Apron; two atreas of damage at joints, one triangular shped 3.5cm tapering, reglued and another, small triangular piece loose to concave waist above. 1cm tapering with small piece missing, crack to concave piece above Some glue at one apron joint Glue at one stretcher joint
Chinese silver beaker, of squat form with scroll handle, initialled I W, 5.1oz, monogrammed and a Chinese cigarette case and a gilt brass and enamel abacus, boxed (3) CONDITION REPORT: Beaker small outer dimple, some tiny dents, some tiny dents to the rim Cigarette case, gilt interior, rather dirty, slight damage (crack) and small hole at one end of hinge, some small bashes to surfaces Abacus; in a PR china paper covered box Marks to trau, particularly on the base
A Chinese porcelain blue and white glazed teapot, 18th/19th Century, of small circular rounded form, surmounted by a domed and wide brimmed cover, with shishi moulded finial, painted with segmented glazed panels detailed with alternating figural and precious object depictions, flanked by a short loop handle and scroll loop handle, 10cm high.
A Pair of 18th Century Painted German Rococo Girandoles carved with high relief scrolls forming a pierced canopy, surmounted by a polychrome foliate scroll, entwined with branches, flowers and buds, 43cm wide, 112cm high This pair of South German girandoles with their rich expressive rococo carving are related to a group of pieces associated with the oeuvre of a group of carvers, designers and gilders working in the 1760's in and around Munich, and in particular at the Schloss Nymphenburg. Throughout the period white ground polychrome furniture and decorations gained in popularity. The Emperor Maximillian III was Prince-elector and Duke of Bavaria from 1745-1777, and it is under his guidance and artistic patronage that this taste became fashionable. He founded the Nymphenburg porcelain factory, and was a patron of Francois de Cuvillies, a pioneer of the rococo style. Another one of his circle was the musician Mozart. White porcelain which had its roots in Chinese blanc de chine, stylistically pervaded all areas of the decorative arts and the illustrated girandoles testify to the Emperor's influence in the sphere of the furniture.
THREE EASTERN SILVER ITEMS including an Indian white metal cigarette box with a scene of a man being devoured by a tiger, 9cm wide; an Indian white metal match box holder engraved with a scrolling design; and a chinese silver snuff bottle, pierced scroll work with dragon detail, coral and turquoise set lid, hallmark stamped to base, 7cm high (3)
A GOOD QUALITY CHINESE CLOISONNE & GILT BRONZE TRIPOD CENSER & COVER, circa 1900, the sides decorated with a formal design of scroll and leaf-stemmed lotus, the pierced cover with the 'Three Friends' beneath a ruyi decorated finial, the sides with double buddhistic lion-head handles, 5.7in high overall.
A VERY RARE CHINESE HAND COLOURED WOOD CUT MAP OF PEKING FOLLOWING THE BOXER REBELLION, circa 1900, mounted as a scroll, showing the division and occupation of the city by foreign powers in the year following the ending of the Boxer rebellion, the laid down map itself 24in high x 20.7in wide.A similar example is held in the Library of Congress. According to the vendor this map was acquired by his grandfather Captain Oswald Tuck in the early 1900’s around the time when he was a naval attaché at the Tokyo Embassy in the Far East; also around that time he was an official observer in the Russo-Japanese war. References to Captain Tuck can be found via an internet search.
A GOOD QUALITY EARLY 20TH CENTURY CHINESE REPUBLIC PERIOD CLOISONNE WRIST REST, with scroll-form feet, its top surface unusually centred by a circular panel of a cricket, the panel reserved on a turquoise ground embellished with formal scrolling lotus, the base with a Shou mark, 5.75in wide x 2.7in x 0.8in high.
A PAIR OF CHINESE FAMILLE ROSE TONGZHI MARK & PERIOD PINK GROUND PORCELAIN BOWLS, each of quatrefoil section and painted with various small foliate and bird panels reserved on a ground of formal scroll-stemmed lotus, each interior turquoise, each base with a Tongzhi seal mark, 7.4in wide x 5.6in x 2.8in high.

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