A Chinese silver filigree canted-rectangular box and cover, stamped `97` and a character in one rectangular punch, late 19th century, with an hexagonal spire finial to the domed radial design cover, the sides with flowering scroll foliage, the angles with a flower head trellis, on four pierced ovoid feet, 9.5cm (3 3/4 in) high, 8.3cm (3 1/4in) wide, 168g (5.4 oz)
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A Chinese Kangxi famille verte octagonal bowl, with figured panels divided by diaper motifs and rice heads, interior seated an immortal reading a scroll, on diaper ground, diameter 19.5cm x height 9.5cm and a famille verte teapot of beehive form floral decorated, height 10cm. (damaged). (See illustration)
Chinese bamboo Parfumier or incense holder having finely carved decoration depicting various animals amongst open scroll work, bearing two seal marks, one regarding the Wu family, horn mounts to either end, one inscribed `J.J. Shanghai 7.4.1875` and having circular hardwood covers, overall length 25.5cm
Late nineteenth century / early twentieth century Chinese white metal three piece teaset of globular form with engraved bird and floral decoration, base stamped with Chinese characters, comprising teapot with engraved hinged domed cover surmounted by ball finial and scroll handle with leaf terminal, matching sugar and cream jug, teapot 14cm overall height (3) Further images and condition reports are available at www.reemandansie.com
A Chinese Famille Rose Porcelain Bowl, with French Ormolu Mounts, circa 1900, the semi-ovoid bowl enamelled only externally with a pair of long-tailed birds perched in willow branches near pink blossoms, four character mark, with gadroon applied rim and acanthus scroll tripod feet, 15cm diameter, 11.5cm high
A Chinese Famille Verte Porcelain Ginger Jar, Kangxi (1662-1722), cellular shoulder band enclosing four panels of buddhistic precious emblems, the main body with birds amongst extensive flowering magnolia and peony blossoms amongst rocks, 20.5cm high, with associated carved and scroll pierced cover
A Chinese Export Gilt White Metal, Enamelled, Appliqué and Painted Fan, Canton, 1st half 19th century, the leaf decorated with numerous figures around a palace complex, with silk clothes and painted ivory/bone faces, the scroll pierced filigree sticks with blue and green enamelled floral detail, the guards with applied "lacework" floral trails, 52cm wide
A Chinese Canton Enamel Shallow Circular Dish, circa 1920, with a central circular reserve decorated with numerous women and a gentleman scholar in a courtyard, the cavetto with birds amongst foliage and scroll edged figurative cartouches, the underside with three foliate devices in famille rose colours, 38cm diameter, on the reverse with paper label Presented to Mr Osbert & Lady Joan Peake on their marriage 1922 Mr Oliver by the late Chanc. of Exchequer, Lady Moira Lyttleton, now Viscount & Viscountess Chandos
A Chinese Pale Celadon Jade-Type Carving, early 20th century, as a flat sided gourd enclosing moveable yin yang roundel and floret, with scroll surmount, 8.1cm, on a carved and pierced wood elaborate small stand, 13.1cm high; and A Pale Celadon Jade-Type Pendant, early 20th century, as a vase with scroll handles supported from three-link chain, 7.8cm high, on a carved hardwood "door-frame" decorative stand (2)
A Chinese scroll painting within a frame, by Yu Shoubo, Qing dynasty (1644-1911) finely painted on silk, with three birds underneath a large spray of peonies in white and red, with a long calligraphy inscription from the poem of "Yu lou chun ci" by Fan Chengda in Southern Song dynasty, signed as Haiwu, the courtesy name of the artist, the seal on the top reads as "Was once invited by the court for viewing" and a personal name seal followed the inscription, the painting was in boneless style from Xu Chongsi, the imperial artist in Northern Song dynasty, the painting within an old mounting and framed Yu Shoubo, with courtesy name of Haiwu, was a native of Jiangsu province. Yu was a famous artist in Qing dynasty specialising in bird-and-flower genre painting Painting: 75.5cm x 138cm (Frame: 85cm x 146.5cm) Commensurate with age, some area of silk worn, with worm holesView on auctionatrium.com
A set of six Chinese scroll paintings, late 19th century ink and colour on paper, each scroll painted with figures in various settings, all with stylised clouds or landscape on the borders as decoration, in various themes but some are recognizable such as "The blessings from the heavenly official" and "The catch of the one-year-old baby", in the Shanghai school figure painting style from late-Qing to the early Republican (6) Painting within mounting: 206cm x 51.5cm (each) In good condition overall, with stains on the paper.View on auctionatrium.com
A Chinese blue and white bowl, Xuande six-character mark, Qing dynasty the steep sided body with everted rim, the exterior decorated with two five-clawed dragons chasing flaming pearls amongst cloud scrolls above a lappet border in a deep and rich underglaze blue, the interior with a writhing dragon and cloud scrolls within two concentric circles and a scroll border to the rim, the base with Xuande six-character mark in underglaze blue 21.4cm diameter A chip to the rim with a hairline crackView on auctionatrium.com
A Chinese `smart` agate pendant, early 20th century using the dark brown tints on the agate, the pendant smartly carved with an image of scholar gathering together and looking at a scroll of painting, a small hole on the top middle 5.5cm high, 4cm wide, 1cm deep In excellent conditionView on auctionatrium.com
A Chinese yellow ground famille rose bowl, Daoguang seal mark and of the period (1820-1851) of deep form with short straight foot, the yellow ground famille rose bowl decorated with six flower heads and stylised scroll foliage on the exterior, the interior with five iron-red bats in the centre of the bowl, the base with a six character Daoguang seal mark The five bats (wu fu) are a familiar design often seen in the Ming and Qing dynasties, and are symbolic of the Five Blessings or Five Happinesses which represent the wish for health, longevity, wealth, a virtuous life and a peaceful death Literature: A similar piece can been see in Imperial Porcelain of Late Qing from the Kwan Collection, Hong Kong: The Chinese University of Hong Kong, 1983 and Roger Keverne Summer 2009 catalogue, pg.62 8cm high, 18.5cm diameter In good condition overall with no restoration, one very minute chip to the rim which also has two minute burst glaze bubbles; the interior with a small area of very slight stainingView on auctionatrium.com
A pair of Chinese famille rose rouleau vases decorated with figures, mid-19th century of typical form, decorated in the Yongzheng style in predominantly pink, lilac and green enamels, with mirrored narrative interior scenes of male figures holding young babies around a central official, or other figure, standing in front of an altar on which is a bowl of peaches and a vase of peonies, the background with scenes of crashing waves and stylised mountains, the neck with a central raised band, again decorated with similar scenes, the shoulder with a flower scroll collar in green enamel, above alternating pink and lilac diaper pattern blocks separated by a single chrysanthemum bloom The subject of this vase could be alluding to fertility and a wish for many sons, from the bowl of peaches and presence of many children, the combination of peaches and peonies could also be symbolic of wealth and rank as well as longevity, perhaps significant to the central figure who looks to have some official status who perhaps is giving his blessings to the young children around him 45cm high In good condition, some minor scratches and wear to the surface of the glaze, and some small areas of glaze poolingView on auctionatrium.com
A fine Chinese iron-red and gilt double gourd vase, Qianlong seal mark and of the period (1736-1795) the vase of compressed double gourd form with a wide neck, the exterior finely and delicately decorated in gilt with lotus scrolls between geometric bands, the top and bottom of each gourd section with circle, dot and linear borders on raised bands, the waist with flower and scroll work band, on four compressed ruyi feet, the interior with turquoise ground, the base with Qianlong seal mark in underglaze blue within a white square on a turquoise ground For a similar example, dated Qianlong but without the mark see Christie`s London, Exhibition of Important Chinese Ceramics from the Robert Chang Collection, 2-14 June 1993, no.114 11.5cm high, 17cm diameter In excellent condition, some wear to the enamel to the base of the feetView on auctionatrium.com

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