We found 17386 price guide item(s) matching your search

YOSHIIKU UTAGAWA (1833-1904) AFTER KATSUKAWA SHUNSHO (1726-92), AND OTHERS MEIJI AND LATER, 19TH AND 20TH CENTURY Three Japanese woodblock prints, the first from the 'Brave Samurai Series' by Yoshiiku, the second after a design by Shunsho depicting Actor Ichimura Kichigoro in an unidentified role, and the third a small view of Mount Fuji, together with two Chinese paintings of flowers on rice paper, and a scroll painting with goldfish. (6) Provenance: an English private collection, and thence by descent. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

ANONYMOUS MEIJI ERA, 19TH CENTURY Three Japanese makimono (handscroll paintings), two a pair painted in ink and colour on paper with many depictions of Chinese scholar's items; together with a scroll made up of rubbings of archaeological finds, many architectural fragments, in a tomobako wood box, 288cm x 29.5cm max. (4)

KODOJIN GAKUSHIN (PROBABLY 19TH CENTURY), AND ANOTHER MEIJI ERA, 19TH CENTURY AND LATER Two Japanese kakemono (hanging scroll paintings), both in ink on paper, the first depicting bamboo by rockwork, unsigned but with two seals reading Gakushin no in and Kodojin; the other with long grasses issuing from a hanging rock, a seal reading Gyoun; together with a Chinese painting by Dayuan Huang Lian, inscribed Shaojue xiansheng zheng, Huan Lian and depicting gnarly branches of prunus; two with tomobako wood boxes, 135.5cm x 44.5cm max. (5)

URAGAMI GYOKUDO (1745-1820) EDO PERIOD, 18TH/19TH CENTURY A Japanese kakemono (hanging scroll painting), ink on paper, depicting a mountainous river landscape, with three boats sailing in the distance, with an inscription translating as 'a painting of a bay in the spring', signed Gyokudo utsusu and sealed Takeuchi Kaijin no mago, 26cm x 21cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford. According to Oliver Impey's archive, this painting was bought from Kegan Paul in July 1967. See Christie's, New York, Japanese and Korean Art, 22nd September 2055, lot 159, for another painting by Gyokudo with a comparable composition. Uragami Gyokudo was a fascinating Edo period artist. He was a qin (Chinese zither) player, and an amateur painter. He specialised in landscapes rendered in large brush strokes and with abstract shapes, in a style reminiscent of Chinese literati painting.

WATANABE SHOKA (1835-87) RENZAN GANTOKU (1805-59) KOKUSEN (ACT. C.1800), AND OTHERS MEIJI ERA, 19TH/20TH CENTURY A Japanese kakemono (hanging scroll painting), ink on paper, depicting Mount Fuji towering above wooded hills, signed and with two red seal marks for Gantoku, 133cm x 56cm; another kakemono in ink and colour on paper of a mountainous river landscape, with a scholar in a pavilion by a bridge in the foreground, signed Kokusen and sealed Ryu cho, 114cm x 27cm; a third depicting a landscape with pine trees, signed Shoka dojin and sealed Watanabe kai in and Watanabe shokyo, dated 1874; the fourth a depiction of an extensive snowy landscape, inscribed 'A painting of auspicious snow anticipating the spring', signed Tian Xiong and possibly Chinese, together with another landscape painting. (5) Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford. According to Oliver Impey's archive, both the Fuji painting and the Kokusen one were purchased at Glendining.

A LARGE CHINESE LONGQUAN CELADON TRIPOD INCENSE BURNER MING DYNASTY The deep rounded sides rising to a slightly everted rim, carved to the exterior with stylised peony sprays beneath a continuous scroll, covered overall with a rich greyish-green crackled glaze, 33.3cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford.

A CHINESE HARDWOOD ALTAR TABLE LATE QING DYNASTY The rectangular top with curved lingzhi scroll ends, the frieze with turned and cash-shaped support, the straight legs joined by stretchers, 83cm x 45cm x 170cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford.

A CHINESE HARDWOOD SCROLL TABLE LATE QING DYNASTY The long rectangular top above a frieze, carved in relief with lotus foliage and flowers, all raised on straight rectangular legs joined by stretchers on rectangular plinths, together with a glass top, 85cm x 41cm x 189cm. (2) Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford.

A CHINESE HARDWOOD SCROLL TABLE LATE QING DYNASTY The long rectangular top above a pierced frieze of formal scrolls and tied cash designs, all raised on rectangular-section end supports, 86cm x 43cm x 209cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford.

GUO DAWEI (1919- 2003) OWL AND FLOWER Two Chinese hanging scroll paintings, ink and colour on paper, both signed and with artists' seals, and inscribed by Qi Baishi (1864-1957) and signed with his seals, 96cm x 29cm max. (2) Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford. According to Oliver Impey's archive, the painting of the flower was purchased in Oxford in 1962.

WANG GEYI (1897-1988) CHRYSANTHEMUM AND ROCK A Chinese hanging scroll painting, ink and colour on paper, inscribed and dated gengwu year, with three artist's seals, one reads Wang Xian siyin, 137cm x 34cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford.

REN YI (1840-1895) PARROT AND PEACH BLOSSOM A Chinese scroll painting, ink and colour on paper, the title-slip reads Ren Bonian bitao yingwu tuce gua, by Shiyuan jushi, Zhang Kehe, with an artist's seal, signed Ren Yi, with an artist's seal, which reads Yi yin, with a collector's seal, which reads Qian Jingtang jianding Ren Bonian zhenji zhiyin, 25cm x 32cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford. According to Oliver Impey's archive, the scroll was purchased from Mrs Fang Zhaolin (1914-2006, Zhang Daqian's student, also a famous painter) in October 1966. Qian Jingtang (1907-83), also known as Qian Dexin was a renowned Shanghai collector and connoisseur of Chinese painting. He was a good friend of Zhang Daqian and Wu Hufan.

CHEN WENXI (CHEN WENHSI, SINGAPORE 1906-1991) HERONS A Chinese hanging scroll, ink and colour on paper, inscribed and signed with two artist's seals, 86cm x 47cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford. According to Oliver Impey's archive, the painting was bought by Oliver Impey in Singapore in 1960s.

AFTER ZHANG DAQIAN AND PAN GONGSHOU SCHOLAR UNDER A PINE TREE A Chinese scroll painting, ink and colour on paper, inscribed with a signature which reads Yuan, bearing three artist's seals; together with a landscape by Wang Weibao; a landscape by Pan Gongshou; a pine tree by Sun Song; grapes by Qi Liangchi; and crabs in a river by Li Gongheng, on silk, together withn a stone rubbing, 58cm x 51cm max. (7) Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford. According to Oliver Impey's archive, the painting by Pan Gongshou was formerly in the collection of W W Winkworth, and was bought in November 1966; the painting by Qi Liangchi was bought at PS & N in October 1966; and the painting by Wang Wenbao was bought at Christie's London on 23rd November 1995.

ANONYMOUS (QING DYNASTY) PORTRAIT OF SHAKYAMUNI A large Chinese hanging scroll painting, ink and colour on paper, title-slip reads Ru Lai Fo zhen xiang tu, reframed in the winter of xinhai year, 132cm x 70cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford.

AFTER WU CHANGSHUO ZHONG KUI A Chinese scroll painting, ink and colour on paper, inscribed and with the signature of Wu Changshuo, with two artist's seals, one reads Wu Changshi, the other reads Wu Jun zhiyin, 136cm x 44.5cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford. According to Oliver Impey's archive,the scroll was bought in December 1965. Exhibited: Ashmolean Museum, Oxford, 23rd August, 2005.

AFTER REN YI PRUNUS AND ROCK A Chinese handscroll painting, ink on paper, inscribed and dated winter of yiyou year, with a signature and an artist's seal, together with another painting by Ren Bonian (Ren Yi), Grasshopper and Plantain Leaves, 35cm x 80cm max. (2) Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford. According to Oliver Impey's archive, the Prunus and Rock scroll was bought at PS & N in October 1966.

AFTER LÜ CHENG (19TH CENTURY) BAXIAN CELEBRATING SHOULAO'S BIRTHDAY A Chinese scroll painting, ink and colour on silk, the title-slip reads Lü Cheng hua Baxian yao tai tu, renzi zhong xia chong zhuang, inscribed and signed with two artist's seals, 169cm x 91cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford.

ATTRIBUTED TO WU CHANGSHUO PEONY AND FLOWERS A large Chinese hanging scroll painting, ink and colour on paper, inscribed and dated the summer of wuwu year (1918), with the signature of Wu Changshuo, with two artist's seals, one reads Wu Changshi, the other reads Wu Jun zhiyin, 148cm x 80cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford. According to Oliver Impey's archive, the scroll was purchased by Oliver Impey in Singapore in 1960s. Exhibited: Ashmolean Museum, Oxford, 23rd August, 2005.

TWO JAPANESE SATSUMA DISHES BY KINKOZAN MEIJI ERA, 19TH CENTURY One dish decorated with a large kakemono (scroll painting) depicting thatched pavilions in a mountainous river landscape, with coopers working on barrels in and out of the buildings, the trompe l'oeil painting signed with a red gourd-shaped seal mark for Sozan and on an ornate silk mount decorated with chrysanthemum mon, a basket of fruits before it; the reverse with an elaborate mark painted as two books and flowers, a long inscription reading Dai Nihon Kyoto, Awata, Kinkozan seizo, Sozan ga; the other dish painted with two scrolls, one depicting a landscape and the other three Chinese sages, both with a red seal mark for Sozan and with a model of a takarabune (treasure boat) and chrysanthemum before them; the reverse also with an elaborate signature reading Dai Nihon Kyoto Kinkozan seizo; 18.6cm and 19cm respectively. (2)

Large Chinese wall scroll, Tong dynasty script

Large Chinese wall scroll, Safe travels

A Chinese Doucai Porcelain Censer, Qianlong reign mark, of ovoid form with scroll handles, painted with Buddhistic emblems amongst scrolling foliage within formal borders, on tripod legs, bears six-character reign mark in underglaze blue, with carved and pierced hardwood cover and stand28.25cm high foot to handle, 28.5cm handle to handle, 22.25cm foot to rim, 17.5cm diameter of opening porcelain 3,762 gramsProvenance; consigned from a North Yorkshire Estate along with other Chinese porcelain and Meissen in the sale, the censor by repute has been in the same family for three generationsPorcelain free from chips, cracks and restoration. Tested under UV light. Plinth and cover with opening to joints and polish very dry. Plinth with central roundel detail detached.

Ink and color on gilded paperJapan, 19th centuryDimensions: Height 88 cm Wide 62 cm with frameWeight: 3385 gramsThe bald headed God of longevity is sitting on a warped trunk of a pine tree and holds a gnarled stick and a scroll. He is flanked by a boy offering a peach to him. Kept in a wooden frame fitted with a piece of glass. Jurojin originated from the Chinese Taoist God Shouxing.

A pair of Chinese hardwood moon-gazing armchairs, 20th century, each with carved scroll top rail above simulated slatted back and seat, flanked by scroll arms, on scroll legs united by stretchers, height 93.5cm, width 58cm, depth 86.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A Chinese silver and plated model of a naval gunship, early 20th century, mounted on a carved and pierced hardwood stand, height 30cm, within a hardwood and glazed rectangular case, on scroll legs united by stretchers, total height 44cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A Chinese hanging scroll painting depicting four lines of black calligraphic text, three red seals to lower left corner and another red seal to right margin, 177cm x 43cm (faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A Chinese red painted hardwood stool, late Qing dynasty, the rectangular top above a pierced apron on block legs united by stretchers and terminating in carved scroll feet, height 40.5cm, length 74cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Scroll of a rubbing of a Chinese bronze bo bell, with calligraphies and seals, ink on paper picture size 119cm x 51.5cm青铜镈拓片Condition Report: two areas of splitting and one area of rubbing to the paperCondition Report Disclaimer

A Chinese soapstone figure of a luohan, the figure shown casually seated and holding a scroll in his left hand, dressed in long, loose robes that are incised with foliate decoration and fall in long folds around the body, traces of pigment on the figure, 10.2cm high寿山石罗汉Condition Report: stone with natural cracks to the body and neck of the figure, on the base with two small chipsCondition Report Disclaimer

Y A Chinese coral standing figure, late Qing Dynasty, wearing long flowing robes, approximately 22cm high, glued into wood base and overall height with wood base 25.5cm and a Chinese coral carving of Guanyin, late Qing Dynasty, seated holding a scroll, 7.6cm high (2) Provenance: From a private Cheshire Collection formed in the mid-20th century晚清 珊瑚仕女及观音像两件拍品来源：英国Cheshire郡私人女士收藏，购自上世纪中叶Condition Report: The tall figure in good condition other than natural flaws to coral as far as can be seen but glued into the wood baseGuanyin also in good condition other than natural flaws to coral Condition Report Disclaimer

An attractive Chinese silk scroll embroidery, Qing Dynasty, circa 1820, depicting twinned cranes perched in a pine tree, all symbols of longevity, embroidered in fine satin stitch on a paper backing, overall size 186cm x 57cm 约清1820年 蓝地缎绣松鹤屏  Condition Report: mounted as a scroll so some creases and tears to paper backinggenerally silk very fresh and in good presentable condition Condition Report Disclaimer

A Chinese underglaze-red pear shaped bottle vase, yuhuchun, possibly Ming Dynasty but probably later, well potted and painted with leafy tendrils, each bearing a lotus blossom and forming a continuous scroll around the mid-section of the pear-shaped body below a band of detached scroll-filled leaf tips, all within double-line borders, 32.5cm明（可能）缠枝莲纹釉里红玉壶春瓶Condition Report: minor wear to the surfaceCondition Report Disclaimer

A Chinese iron-red and black painted hu vase, Yongzheng, depicting Daoist immortals to the fours sides, with openwork scroll handles, 29.5cm high 清雍正 墨彩道教人物双耳壶Condition Report: neck badly damaged and glued and with piece missing from neck approximately 3.5cm x 2.5cm and other chips and small pieces missing some minor wear to gilding and enamels Condition Report Disclaimer

A Chinese Export Famille Rose Armorial plate, Qianlong, circa 1755, with the arms of Llandaff and the Leeward Islands impaling Byam of Antigua, finely decorated with a basket of flowers and scroll work in iron-red and gilding enclosing a bianco-sopra-bianco band, 23cm diameter清乾隆 外销粉彩家族纹章盘Condition Report: plate has been in half and restored Condition Report Disclaimer

Four Chinese Famille Rose serving dishes, Qianlong, painted with a harbour scene with figures and oxen to the foreground, floral and scroll border, 25.6cm wide (4)Provenance: From the china store of a Somerset country house清乾隆 外销粉彩盘一组共4件拍品来源：英格兰萨默塞特郡乡村大宅Condition Report: one dish in good condition with no damage and very minor weartwo dish in good condition with no damage but some wear to border especially the gilding one dish with unmatched replaced riveted to rim approximately 3.5cm long x 11mm and with wear to gilding an painted with a different scene to the other three dishes   Condition Report Disclaimer

Five Chinese Export Famille Rose bowls, Qianlong, painted with alternating panels of figures and flower within scroll and rope borders, 11cm diameter and four large saucers matching, 15.2cm diameter and six Chinese Export Famille Rose bowls, Qianlong, each painted with two oval panels with figures, with gilt borders reserved with scroll borders of birds in branches, 8.7cm diameter (15)Provenance: From the china store of a Somerset country house清乾隆 外销粉彩杯碟一组共15件拍品来源： 英格兰萨默塞特郡乡村大宅Condition Report: one of the 11cm bowls with 3cm hair crack and all with minor wear to gildingone of the saucers with pieces glued to rim 5cm x 2cm and rim chip 3mm x 3mm and all with some wear to gilding of the six bowls three with hair cracks and these two also with small rim chips and two other bowls with rim chips and one okay but with with some minor wear to gilding Condition Report Disclaimer

A Chinese Famille Rose vase, Republican Period, painted with children surrounded by flowers and with hens and cockerels, formal scroll, key-fret and stiff leaf borders, with apocryphal Guangxu six-character mark in iron-red, 22cm high 民国 '' 大清光绪年制'' 款粉彩瓶Condition Report: in good condition Condition Report Disclaimer

18th century Chinese framed part scroll, frame size 68 x 22cm.

19th century Chinese scroll with images of Samurai, frame size 107 x 57cm

A Chinese imperial edict scroll, Tongzhi, Qing dynasty, written in gilt and ink on a woven silk brocade, the edict describing an imperial promotion conferred upon an official, dated the 13th year of the Tongzhi reign (corresponding to 1874), the text written in Chinese and Manchu scripts, picture size 162cm x 30cm清同治 同治十三年诰命Condition Report: some creasing and extensive fading Condition Report Disclaimer

An attractive Chinese Famille Rose 'Rockefeller' pattern part dinner service, Qianlong, each piece enamelled with a different central scenes of figures at leisure on terraces, in pavilion interiors and in rocky riverscapes, comprising some with violet diaper band and some without, the borders with landscape panels in iron-red and brown on a dense gilt foliate ground, comprising: Fourteen dinner plates, 25cm wide (some chips and extensive wear to gilding on the borders of some plates)Five soup or dessert bowls, 24.5cm wide (some wear to gilding on the borders of four plates and wear throughout)  An oval meat dish, with moulded well and standing on two feet, 40.5cm wide (good condition other than minor wear)An oval basket and stand, the basket with arched handles, with violet diaper pattern bands, the basket, 24cm.wide and the stand 27.4cm wide (basket restored and stand in good condition other than minor wear)An oval basket and stand, the basket with scroll handles, 21.5cm wide and the stand 25.8cm wide (basket with handles restored and the stand good other than minor wear)Two circular food warmers, 28cm wide(wear to gilding and one with hair crack and chip to spout) An oval serving dish, 27.2cm wide (in good condition other some kiln grit firing blemishes)(27) Provenance:Formerly from a private family collection prior to 1934 and by descent to a lady until sold Dreweatts, 12th November, 2018, lot 237, (£44,000).This group of wares once formed part of a larger service sold in Dublin, 16th October, 1934, lot 545, Catalogue of the valuable contents of Kilmoroney, Athy, Co. Kildare, by direction of Sir Anthony Weldon, Bart, by Messrs. Jackson Stops & Joyce. In the Dublin sale catalogue lot 545 was described as a: 'Very important dinner and desert service of Oriental porcelain ... 147 pieces. Finely painted in enamel colours ... depicting domestic life, amusements and occupations of the Chinese.' The full description is located on page 21 of the 1934 catalogue, and there is also a photograph of part of the lot illustrated on the facing page. The service features a design loosely known as the 'Rockefeller pattern' or 'Palace' ware. This is not an 18th century name, but reflects the fact that a very handsome and extensive service of this pattern was once owned by the distinguished American collector John D. Rockefeller Jnr. Americans also call similar wares 'Palace ware' which was a term used by the generation of buyers in New York, Boston and Philadelphia in the 1930s.For similar examples see, Ronald W. Fuchs, Export Porcelain from the Leo and Doris Hodroff Collection at Winterthur, Winterthur, 2005, p.99, no.57 for a tureen and cover and see Howard and Ayres, China for the West, fig 187. Also, Micheal Beurdeley and Guy Raindre, Qing Porcelain, p. 170-171, where they note, 'the quality of the decoration and the range of colours suggest that the entire service was made in the great imperial factory of Jingdezhen'.清乾隆 广彩描金山水人物洛克菲勒瓷餐具一套（28件）拍品来源：英国私人家族于1934年之前旧藏  Condition Report: see text descriptionThis lot when previously sold in 2018 also included a tureen base which was donated to a Chinese museumCondition Report Disclaimer

A very large Chinese powder-blue ground and gilt fish bowl, Kangxi, the exterior powder-blue with traces of elaborate gilt exterior, the outer rim with iron-red floral and cloud scroll band, the inside painted with four large fish interspersed with smaller fish and weeds in green, black, iron-red and yellow enamels, the foot unglazed, 60cm diameter x 49.5cm high 清康熙 洒蓝描金鱼藻纹大缸Condition Report: no cracks or repair but exterior gilding worn and some surface scratches and the interior with some wear to enamels some typical firing blemishes to glaze Condition Report Disclaimer

A Chinese pale celadon jade 'Boy' pendant, the pebble carved in the round as a boy riding on a toad, his hands holding a scroll incised with two characters, 5.5cm long 青白玉吉祥童子Condition Report: in very presentable conditionCondition Report Disclaimer

A Chinese pale celadon jade 'lychee' oval box and cover, Ming Dynasty, 17th century, the cover carved with two fruit and foliage within scroll border, 6.5cm long x 5cm wide x 2cm high 明 青白玉荔枝纹盖盒Condition Report: in good condition other than natural flaws to jade Condition Report Disclaimer

A large Chinese yixing inscribed panel, Qing Dynasty, one side inscribed with poem and signed, the reverse in relief applied with the scene depicting five scholars enjoying a scroll, 25cm x 38cm清 紫砂《皇太后阁诗及观太极图》挂屏Condition Report: minor wear to the surfaceCondition Report Disclaimer

A Chinese carved hardwood low altar table, L. 160cm, H. 45cm. Minor scuffing to scroll ends.

A Chinese white glazed porcelain circular box and cover, Yuan dynasty, the cover and base moulded with a band of scroll motifs, 10.5cm diameter元 德化白釉印花卷草紋蓋盒 品相報告 Condition Report: Nibbles around the edge of both the box and cover, with a shallow hairline crack/deep scratch to the cover. Surface wear commensurate with age.

A Chinese export famille rose 'Mandarin pattern' bowl, 18th century, painted with figures at discussion before pavilions within scroll pattern borders 29cm diameter十八世紀 粉彩繪人園景圖紋潘翠盌Please refer to department for condition report

A Chinese famille rose 'chickens' oval platter, Qianlong period, painted with flowers rockwork and two chickens in a fenced garden landscape inside a foliate scroll border to rim, flat unglazed base, 38x32cm清乾隆 粉彩繪花卉錦雞圖紋大盤Please refer to department for condition report

Two Chinese blue and white vases and a small jar, 19th century, the twin handled vase decorated with birds among flowers, the baluster vase with a stepped foot painted with a carp jumping over the dragon gate, the small jar painted with lotus flowers among scroll foliage, the vases each with Chenghua and Kangxi four-character marks to base, 4.5 - 26cm high, the small jar with hardwood stand. (3)清十九世紀 青花瓶兩件及小罐連木座品項報告 Condition report Chips to the mouthrims of both vases. Two hairline cracks present to the surface. General wares commensurate with age. Please see additional images for condition overview.

A Chinese lacquered wood scholar's stand, 17th century, modelled as a miniature altar table with raised scroll ends, with a ruyi-head frieze, the legs conjoined with pierced panels decorated with lotus flowers, 40.8 long x 16.6 high x 12cm deep十七世紀 木雕漆頭案式檯座 品相報告 Condition Report: Grazes and chips to the edges, particularly to the ends of the scroll ends. Glued repair to one of the scroll ends. Loss to one of the ruyi heads to the frieze. Old marks, nicks and splits to wood commensurate with age.

19th century Chinese school, ink and colour on silk, hanging scroll, painted with two birds perching on a flower branch, with three seals, 94.5cm x 25.5cm十九世紀 花鳥圖設色絹本Please refer to department for condition report

After XU BEIHONG (Chinese, 1895-1953), ink on paper, hanging scroll, study of a galloping horse, with colophon and seal, dated to the winter of the wu zi year (1948), 78 x 38cm徐悲鴻(款) 奔馬 水墨紙本 立軸 一九四八年作款識：戊子始寒，悲鴻。鈐印：「悲鴻之畫」 品相報告 Condition Report: Hanging thread damaged. Discolouration to mount, with dirt and staining present. Tears to edge of mount. Tears to paper, with heavy creasing causing some cracking.

20th century Chinese School, ink on paper, hanging scroll, calligraphy, dedicated to Mr Powell, from the Asiatic Petroleum Company in Shanghai, dated 1948, with the company's seal, 89cm x 37cm.一九四八 上海亞細亞火油公司獻卜威爾先生書法水墨紙本，立軸Please refer to department for condition report

20th century Chinese school, ink and colour on paper, hanging scroll, painting of a scholar on horse within landscape, signed by the artist with two seals, 80cm x 35.5cm二十世紀 高士騎馬圖設色紙本，立軸款識：府寫程白門Please refer to department for condition report

20th century Chinese School, portrait of Tao Yuanming, print, hanging scroll, accompanied by a paragraph of 'Home Again' by Tao Yuanming to the top of the portrait, 111cm x 33cm二十世紀 陶淵明像（印刷）Please refer to department for condition report

Jin Qinhe (1914 - ?), ink and colour on paper, hanging scroll, painted with a couple with faces of westerners in Chinese robes within between two pine trees within a garden, dated 1948 with a seal of the artist, 100cm x 45cm金琴鶴 （1914 - ？）人物園景圖設色紙本，立軸款識：酒介齊眉；戊子新秋金琴寉寫。鈴印：「琴寉」Please refer to department for condition report

A large Chinese painting of Avalokitesvara, 20th century, hanging scroll, depicting an eleven headed, thousand-armed Avalokitesvara in the centre, two lamas painted to the bottom corners, and six Buddhas to the top of the painting, 138cm x 88cm excluding mount二十世紀 十一頭千手觀音，設色紙本，立軸Please refer to department for condition report

Chinese School19th Centurylarge hanging scroll depicting multiple scenes of torture, each with an inscription and with long inscription above, watercolour on paper, 123cm x 113cm approxIn poor condition with marks, stains, holes and tears