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Full title: Chinese school: Mountain landscape, ink and colours on silk, 20th C.Description:The painting: ca. 107 x 53 cm The scroll: 185 x 63,5 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Chinese school, with the signature of Qian Du (1764-1844/45, é’±æÅ“): 'Mountain landscape', ink and colours on silkDescription:The painting: ca. 109,5 x 61 cm The scroll: ca. 166,5 x 74,8 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Chinese school, with the signature of Zhao Zhiqian (1829-1884, èµµä¹â€¹è°¦): 'Qing gong', ink and colours on paperDescription:The painting: ca. 232 x 39 cm The scroll: 671 x 43 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Chinese school, after and with the signature of Sheng Quan (1682-1760, æ²Ë†é“¨): 'Peacock under a Chinese umbrella', ink and colours on silkDescription:The painting: ca. 140,5 x 90,5 cm The scroll: ca. 278 x 106 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Chinese school, with the signature of Fu Baoshi (1904-1965, å‚…æÅ ±çŸ³): 'Landscape with waterfall', ink and colours on paperDescription:The painting: ca. 140 x 33,5 cm The scroll: 168,2 x 48,2 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Chinese school, with the signature of Wu Changsuo (1844-1927, å´æËœÅ’ç¡â€¢): 'Fruit', ink and colours on paperDescription:The painting: ca. 135,5 x 34 cm The scroll: 229 x 49,5 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Chinese school, after and with the signature of Chen Mei (1694-1745, 陈æÅ¾Å¡): 'Boys', ink and colours on silkDescription:The painting: ca. 69 x 64 cm The scroll: 183 x 73,5 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: A Chinese blue and white lotus scroll bowl, Guangxu mark, 19th/20th C.Description:H 7,2 cm - Dia.: 16,5 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: A Chinese famille rose vase with scholars admiring a scroll, 19th/20th C.Description:H 43 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: A Chinese blue and white 'bajixiang' lotus scroll bowl, Xuande mark, 20th C.Description:H 7,4 cm - Dia.: 20,2 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Maqbool Fida Husain (Indian, 1915-2011)Mother-V printed Chinese signature upper left and signed and edition 16/100 versohand painted in silk screen203.5 x 101.5cm (80 1/8 x 39 15/16in).Footnotes:CELEBRATING 75 YEARS OF THE PROGRESSIVE ARTISTSProvenanceArcher Graphic Studio, Ahmedabad. These works come from Husain's Chinese scroll series that he created between 2005-2009. They are a set of 29 large-scale serigraphs featuring two of his iconic themes, Mother Teresa and horses. Husain painted them, after which they were developed into silkscreens and were mounted onto black scrolls so that they could be hung like traditional Asian paintings. The series which included 18 and 11 prints of Mother Teresa and horses respectively, debuted as a complete collection in an exhibition that travelled to Dubai, Singapore, Beijing and Shanghai.In this series, Husain is paying homage to both East Asian artists and Mother Teresa. It was in 1952 that Husain visited China and was struck by ancient Chinese pottery and paintings, in particular that of the Sung dynasty renderings of horses and by the works of Xu Beihong. The dramatic monochromatic lines had the deftness of certainty yet also the fluidity of motion. Husain remained fascinated with the subject throughout his life, his early encounter with a horse being in his childhood when he saw the procession to mourn and commemorate the Prophet's grandson, Husayn ibn Ali, when an effigy of Husayn ibn Ali's horse was carried through the streets. As Husain has best surmised 'My horses, like lightening, cut across many horizons, hop across spaces, from the battlefield of Kerbala to Bankura terracotta, from the Chinese Tse Pei Hung horse to St Marco's horse, from the ornate armoured Duldul to the challenging white of Ashvamedha...the cavalcade of my horse is multidimensional.' (M.F Husain, 1987)Husain's first encounter with Mother Teresa was in 1979, when he met her at Delhi airport. She left a deep impression on him and become one of his most famous protagonists. The theme of motherhood was close to Husain's heart having felt the absence of his own mother, who died whilst he was an infant. Mother Teresa therefore represents ideal motherhood, nourishment, empathy and strength, however she is always painted without a face, as if to represent all mothers. The children are often seen clinging to her arms and clothes, a closeness that Husain wished he had with his own mother.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Japanese 'ghost scroll' painted in ink on silk, Meiji Period, depicting a ghost holding a woman's decapitated head, signed and sealed, 88cm x 31cm and two pieces of Oriental calligraphy, one depicting the Chinese characters Zhi Jin Cheng, signed and sealed, 137cm x 70cm, the other depicting Zhen Long Tian Zi, Huang Di Bao Zuo and Chui Lian Ting Zheng CONDITION REPORT: Fragile and stained but complete
A Chinese hanging scroll,20th century, painted with Ji Gong in tattered monastic robes with a double gourd tied to his waist and a fan in his right hand, inscribed, dated year of Dingchou and signature of Wan Ming, ink and colour on paper,129.5 x 64cmCondition ReportLight creasing and cockling throughout.
A Chinese bronze Buddha,20th century, wearing a long robe with scroll borders, seated cross-legged on a lotus pedestal, his hands in Bhumiparsha mudra with a bowl in his left hand,14cm high746.6gCondition ReportSurface scratches and dents, small holes, verdigris in various locations. 746.6g.
Early 19th century scroll painting by Wang Liankui (Chinese, 18th/19th c), depicting a mountainous landscape after a painting by Fan Kuan (Chinese, ca. 960-ca. 1030). Ink on satin. With a 20th century Japanese mount.Huaxin; height: 65 1/4 in x width: 16 1/4 in. Scroll; height: 71 1/2 in x width: 18 1/2 in.
An Edwardian silver rose bowlLondon, 1904 by Charles Stuart Harrisembossed with vacant C scroll framed reserves, scrolls and foliate garlands, on a domed circular foot, on an associated Chinese hardwood stand (2) height 13.6 cm., weight approx.14.19 oztCondition:Good condition. Marks slightly rubbed.
Late 19th/Early 20th Century Carved Bone Chinese Short Sword21 1/4 inch, single edged, plain blade. Scroll edge bone crossguard. Bone grip with carved face to the front and geometric design. Bone panel covered wooden scabbard with carved dragon to the front and rear panels. Small section absent from the base. Together with a WW2 pattern military machete. 15 inch, single edged, wide blade. Black composite slab grips secured by five copper rivets. Blade rusted. 2 items.
A CHINESE BRONZE FIGURE OF A BODHISATTVA AND A GILT-BRONZE VAJRA QING DYNASTY The figure wears an elaborate headdress and sits on a high lotus throne in dhyanasana, the open base with a prayer scroll, 969g and 253g, 17cm and 13cm. (2) Provenance: from the collection of Dr E Lionel Pavlo (1906-89), and thence by descent. Dr Pavlo was an American civil engineer who designed and built many bridges and other structures around the world.
A CHINESE PARCEL-GILT BRONZE ARCHAISTIC VASE 17TH CENTURY The square-section pear-shaped body, cast with stiff leaves and square scroll-diaper bands, the sides applied with loose ring handles, all raised on a flared foot, 1.1kg, 20.5cm. Provenance: an Irish private collection, Dublin. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
MAO NIANCI (QING DYNASTY) LADY ON HORSEBACK A Chinese fan painting mounted on a hanging scroll, ink and colour on paper, inscribed and dated wuwu year, signed Mao Nianci, with two artist's seals, which read Nianci and Yixuan, 53cm. Provenance: formerly from a private collection, purchased in Tokyo in the 1940s.
ATTRIBUTED TO ZHENG ZHONG AND OTHERS PORTRAIT OF SHAKYAMUNI A Chinese scroll painting, inscribed and dated jiachen year, title-slip with the signature of Wu Hufan, together with an ink rubbing and three other Chinese scroll paintings, 113cm x 52cm max. (5) Provenance: formerly from a private collection, purchased in Tokyo in the 1940s.
CUI ZIFAN (1915-2011) AUTUMN LOTUS A Chinese scroll painting, ink and colour on paper, inscribed, dated September yichou year (1985), signed Zifan with one artist's seal which reads Cui Zifan, 138cm x 68cm. Provenance: an English private collection, Chichester, bought directly from the artist. Exhibition: A Selection of Paintings by Cui Zifan, A Contemporary Master of the People's Republic of China, at the Pacific Asia Museum, Pasadena,California, 1995. Publication: Pacific Asian Museum, A Selection of Paintings by Cui Zifan, A Contemporary Master of the People's Republic of China, California, The Lotus Pond, p.36, no.22.
CUI ZIFAN (1915-2011) KINGFISHER AND LOTUS A Chinese scroll painting, ink and colour on paper, dated jiazi year (1984) and signed Zifan with one artist's seal which reads Cui, 66cm x 44cm. Provenance: an English private collection, Chichester, bought directly from the artist. Exhibition: A Selection of Paintings by Cui Zifan, A Contemporary Master of the People's Republic of China, at the Pacific Asia Museum, Pasadena,California, 1995. Publication: Pacific Asian Museum, A Selection of Paintings by Cui Zifan, A Contemporary Master of the People's Republic of China, California, The Lotus Pond, p.42, no.28.
CUI ZIFAN (1915-2011) THE LOTUS POND A Chinese scroll painting, ink and colour on paper, inscribed, dated yichou year (1985) and signed Zifan with one artist's seal which reads Cui Zifan, 95cm x 45cm. Provenance: an English private collection, Chichester, bought directly from the artist. Exhibition: A Selection of Paintings by Cui Zifan, A Contemporary Master of the People's Republic of China, at the Pacific Asia Museum, Pasadena,California, 1995. Publication: Pacific Asian Museum, A Selection of Paintings by Cui Zifan, A Contemporary Master of the People's Republic of China, California, The Lotus Pond, p.38, no.24.
A CHINESE PORCELAIN TABLE SCREEN LATE QING DYNASTY/ 20TH CENTURY Set with a rectangular panel painted with a mountainous landscape with figures before a waterfall beneath an inscription, with a red seal mark, which reads Wang Ping, the hardwood stand with scroll feet and shaped panels, 75cm x 50cm x 23cm. (2)
A CHINESE IMPERIAL EDICT QIANLONG, DATED 1752 Written on silk woven with clouds, mounted as a hand scroll, the text arranged in kaishu and Manchurian in standard form reading from right to left, opening with a character title feng tian gao ming flanked by a pair of dragons, dated 25th of the 11th month in 1752, 281cm x 29.5cm. Provenance: formerly from a private collection, purchased in Tokyo in the 1940s.
A CHINESE GILT-BRONZE FIGURE OF VAJRAPUTRA 17TH/18TH CENTURY The luohan seated in dhyanasana, with his right hand held in shuni mudra, the left hand supporting a vase, dressed in a loosely fitting shawl and dhoti detailed with floral scroll borders, his head framed by elongated earlobes, curly hair and a beard, 1.96kg,17.5cm.
Pair of 20th century Chinese porcelain circular bowls and covers and a Japanese bowl. The first with yellow ground, each with four characters roundels, on a dense scroll and flower ground, with red character marks to base (damages and repairs), and a Japanese bowl painted with a crane and trees in underglaze blue, iron-red and green
AFTER WANG FU (19TH CENTURY) PINE AND ROCK A Chinese scroll painting, ink on paper, with the signature of Wang Mengduan, inscribed and with the signature of Song Ke, with an artist's seal which reads Zhongwen, with seven collectors' seals, 63cm x 39cm. Provenance: from the collection of Dr Oliver Impey (1936-2005), and Dr Jane (Mellanby) Impey (1938-2021), of Cumnor Place, Oxford. According to Oliver Impey's archive, the scroll was purchased at PS & N in October 1966.

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17386 item(s)/page