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Siren (Osvald). Early Chinese Paintings from A.W. Bahr Collection, London: Chiswick Press, 1938, 27 tipped-in plates, a few colour, a few minor spots front and rear, top edge gilt, original cloth gilt, a few water stains to upper cover, slipcase (some splits and edge wear), folio, limited edition 145/750, presentation copy, inscribed to half title: 'To my old friend A.E. Cooper, with good wishes A.E. Bahr, London, 10 October 1938', together with The Metropolitan Museum of Art. Ch'ing Ming Shang Ho. Spring Festival on the River, A Scroll Painting (ex coll. A.W. Bahr) of the Ming Dynasty after a Sung Dynasty Subject reproduced in its entirety and in its original size in a portfolio of twenty-three collotype plates and twelve enlarged details, with an introduction and notes by Alan Priest, curator of Far Eastern Art, New York, 1948, 30 collotype plates and text loosely contained in original cloth-backed portfolio, with cloth tie and bone toggle (spine faded), folio, limited edition of 500, with two presentation inscriptions to Abel William "Billie" Bahr to front pastedown, and two copies of a typescript letter on Metropolitan Museum of Art New York headed paper, dated November 17, 1948, from Marshall B. Davidson, Editor of Publications, announcing the publication of this work, and one other typescript letter to A.W. Bahr from the librarian of the Art Association of Montreal, January 21, 1949, thanking him on behalf of the President, F. Cleveland Morgan for his gift of this publication to the Library of the Association, loosely insertedQty: (2)NOTESFirst work inscribed from Chinese art collector and authority Abel William Bahr (1877-1959) to British artist Alfred Egerton Cooper (1883-1974). Siren's work above illustrates Bahr's collection of Chinese paintings, most of which were purchased by the Metropolitan Museum of Art in New York in 1947.
An early 20th century Chinese ivory figure of a religious travelling gentleman, carrying a staff, scroll and large lotus flower, symbol of spirituality, height excluding hardwood stand 25.5cm. CONDITION REPORT Age related wear, no missing parts, no cracks or splits to the ivory, no obvious signs of restoration
An early 20th century Chinese ivory figure of a religious travelling gentleman carrying a staff with dragon's head, scroll and a large lotus flower, symbol of spirituality, height excluding hardwood stand 26.6cm. CONDITION REPORT Age related wear, no missing parts, no cracks or splits to the ivory, no obvious signs of restoration
A Chinese Hardwood Square Jardiniere Stand, with bowed fronts, the top inset with pink veined marble panel, the borders carved with flowering trees, boldly fretted aprons and bold carved uprights, 21.75ins (55cm) square x 23.5ins (59.5cm) high, (reduced in height), and one other Chinese hardwood jardiniere stand with quatrefoil top inset with plain pink veined marble plaque, boldly fretted and carved apron, on scroll supports with leaf capped scroll toes, 15ins (38.1cm) square x 19.5ins (49.5cm) high
An extensive Chinese blue and white 'rice grain' pattern part dinner and coffee service, 20th century, comprising 9 dinner plates, 2 large and 2 small dished plates, a large tea pot in basket,14 cups, 12 saucers, 13 side plates, a large pair of bowls, two large graduated salad bowls and four servers, two large tureens and covers, 10 x 12.5cm diameter bowls, 11 x 10.5cm diameter bowls, 17 large and 13 small spoons, 3 x oval stands, 11 sauce dishes, 3 square shape sauce dishes, 11 fish shape chopstick rests and 9 scroll shape chopstick rests, (171 pieces)Qty: 171Condition report: No obvious faults
A Chinese porcelain octagonal bowl, late 19th century, with turquoise ground interior, the exterior decorated with panels of red bats and stylised flowers, between floral and blue scroll borders, hand painted red Tongzhi six character seal mark, 14.5cm diameter, 7cm high, on a half paper scroll wood stand, together with a later presentation boxCondition report: A tiny chip to the interior rim, some light surface marks. Otherwise in good condition.
A rare Longton Hall teapot and cover, circa 1756-58Of barrel shape with a distinctive scroll handle with spur thumbrest, the lower section of the curved spout moulded with scrolls, the cover with an acorn finial, painted in blue with the 'Ruined Castle' pattern of a Chinese landscape with an oriental fisherman in a sampan, an oriental hut and two crenulated towers in the distance, the cover with a smaller landscape vignette, 10.2cm high (2)Footnotes:For the so-called 'Ruined Castle' pattern, see Bernard Watney, Excavations at the Longton Hall Porcelain Manufactory, Post Mediaeval Archaeology, Vol.27 (1993), pl.3 where a teabowl and saucer of the pattern is illustrated alongside glazed fragments found on the factory site.For further information on this lot please visit Bonhams.com
Herend Apponyi, 6 soup bowls and 6 plates.6 Soup bowls, hard paste porcelain, white ground, with Chinese raspberry decoration,gilt banding, 2 scroll handles. Marked blue Herend mark, Herend, Hungary, Handpainted. Height: 5.5cm Diameter: 11cmUnder plates: hard paste porcelain, white ground, with Chinese raspberry decoration,gilt banding, Marked blue Herend mark, Herend, Hungary, Handpainted Height: 3cm Diameter: 16.5cmMinima wear to gilt. No chips cracks or crazing
An antique Chinese bronze covered censer, the cover surmounted by a Buddhistic lion, the rounded base having a band of fret decoration beneath the flat projecting rim, a large pair of plain upturned S-scroll handles, standing on three tall lion mask feet, slight traces of gilding, possibly Ming Dynasty, 11.5" high overall.
A Chinese armorial dish and plate18th centuryThe octagonal dish with full coat of arms and with gilt scroll and diaper border, together with a blue and white Fitzhugh pattern soup plate, the centre enamelled with a coat of arms,29cm wide (2).For further information on this lot please visit Bonhams.com
Three Chinese pottery funerary figures, Han Dynasty, including a pair of standing attendants in long robes, one holding a flute and the other a scroll, with partial sancai type green and ochre glazes, 19cm high, the third an unglazed attendant in long robes and skull cap, 23cm high (head adrift). (3)
AN IMPORTANT AND RARE IMPERIAL QUALITY CHINESE BEIJING ENAMEL WINE EWER AND COVERHu, Qianlong four-character mark and of the periodOf rectangular outline and tapering form with squared handle and spout, raised on scroll-ended feet, finely painted in colours with peonies and foliage, the shoulder with scrolling foliage and further flowers, the cover with a raised finial to the centre of painted flower petals, all against a bright lemon yellow ground, the exposed metal edges finished in gilt, 8.5cm high.NOTE: TO BID ON THIS LOT YOU MUST REGISTER DIRECTLY WITH HANSONS - WE WILL NOT BE OFFERING ONLINE BIDDING ON THIS LOT - CONTACT accounts@hansonsauctioneers.co.ukProvenance:UK private collection in excess of fifty years. Believed acquired by the owner's grandfather while stationed in the Far East during the second World War, thence by descent.Additional provenance information: The owner of the wine ewer has much military memorabilia showing his grandfather served in the Royal Army Corps during WW2 in Burma and India. The Royal Army Service Corps (R.A.S.C.) was a branch of the British Army which served on the Eastern Frontier of India and Burma. The Battle of Pakokku and Irrawaddy River operations were a series of battles fought between the British Indian Army and the Imperial Japanese Army and allied forces over the successful Allied Burma Campaign on the China Burma India Theatre during WW2. Possible reasons why the Chinese wine ewer was obtained: Client remembers Grandfather mentioning The Irrawaddy River . It was surrounded by temples and his grandfather obtained the item during the Burma CampaignDuring WW2 clients grandfather also developed a special friendship with a very wealthy Indian family who traded with China. Could the object have been a gift from them is what client suggests could be other reasonFootnote:An identical wine ewer can be found in the collection of the National Palace Museum in Beijing, inscribed with a Kangxi reign mark. The present lot compares very favourably to another example sold by Sotheby's Hong Kong, 8 April 2010, lot 1804. The art of enamelling on copper was still relatively new to China when this piece was produced, having been brought over from Europe during the late 17th to early 18th Century. Gifts from visiting dignitaries and missionaries to the emperor Kangxi included enamels from Europe, such as those made at Limoges, which greatly impressed. So much so that Kangxi introduced the art to the palace workshops in circa 1700-1715. Clearly the art was mastered swiftly, as evidenced by this wine ewer and its twin in the National Palace Museum.Condition: Small sliver of enamel has flaked from the underside of the cover Very small flat enamel chip near the top corner on one side. Faint surface cracklure visible against the light - not disfiguring and barely visible. wear to corner edges of gilding on copper. Examined under UV light not obvious repairs or defects detected. Weight 362g.NOTE: TO BID ON THIS LOT YOU MUST REGISTER DIRECTLY WITH HANSONS - WE WILL NOT BE OFFERING ONLINE BIDDING ON THIS LOT - CONTACT accounts@hansonsauctioneers.co.uk
A Chinese carved softwood figure of a horse, possibly Ming Dynasty, modelled in a dramatic pose with head turned back, stepping over a rocky base, painted in colours, 30cm high, together with a Near Eastern lacquered and painted figure of a mythical bird of prey, perched on a sloping base worked with scroll forms, 22cm high. (2)Condition: Horse - paint faded throughout. Slightly loose on the base associated with a split to the front left leg. Some fine splits and drying out of wood in places. Bird - wear and flaking to lacquer and paint throughout.
A pair of Chinese hardwood vase stands, each inset with cloisonne panels depicting birds on a branch and flowers in a jardiniere, with scroll carved friezes, W.1ft .5in. D.1ft .5in. H.2ft 11.5in.CONDITION: One stand notably lighter in tone than the other, minor surface scuffs and dents commensurate with use but both in good condition, thought to date to the early 20th century.
A pair of Chinese hardwood two tier vase stands, inset with marble panels, width 32.5cm, depth 19cm, height 28cm, and another similar vase stand, width 17cm, depth 17cm, height 21cm width 17cm, depth 17cm, height 21cmCONDITION: The pair of stands have slightly differing colours to the timbers with one a lighter tone and equally slightly different insets and minor differences to the scroll carving, single stand has a rouge marble insert and is in good condition.
A Red Chinese Amber Necklace, formed of three round cabochon red ambers in yellow rubbed over settings with a rope detail border, to a star and bar chain, length 42cm; A Red Chinese Amber Bracelet, formed of six oval cabochon ambers connected via star and bar chain links, in yellow rubbed over settings, length 18cm; A Red Chinese Amber Ring, the cushion shaped cabochon amber within a yellow ropetwist border, to a tapered shoulder plain polished shank, finger size L; A Pair of Red Chinese Amber Drop Earrings, formed of a round cabochon amber chain linked to a cushion shaped cabochon amber, in yellow rubbed over settings, drop length 3.5cm, with screw fittings; and A Red Chinese Amber Brooch/Pendant, formed of a cushion shaped cabochon amber within a yellow scroll border, with a locket compartment to the reverse, measures 2.5cm by 2.5cm see illustration. The necklace is in good condition with slight scuffing to the surface of the amber, it fastens with a bolt ring catch. The bracelet is in good condition with slight damages to the amber including a crack through one of them, it fastens with a tongue and box catch. The ring is in fair condition with an area of scuffing. Earrings are in fair condition with a chip to one circular cabochon, a crack through the other circular cabochon and a crack through one cushion shaped cabochon, they are stamped '9CT'. The brooch/pendant is in good condition, it fastens with a pin and hook catch. With three Sac Feres cardboard boxes and a Sac Feres ring box. Gross weight 81.2 grams. CR made 27.07.20.
A CHINESE TRANSITIONAL BALUSTER VASE painted with a winged dragon, shishi and birds of prey on rockwork before a raging sea and amongst cloud scrolls, ruji head band to neck, adapted as a lamp and with gilt metal rococo scroll mounts, 57cm high, overall Condition Report: neck broken and repaired , large crack to body and pitting to body.

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17386 item(s)/page