A pair of rare 18th Century Chinese Queen Charlotte pattern tea bowls, Kangxi period, Qing dynasty, spirally gardrooned with alternating panels of scrolling foliate garlands in underglaze blue, iron red and puce enamels with gilt highlights, with iron red floral scroll around the rims, each bowl with pseudo cross-swords Meissen mark and 'S' in underglaze blue, probably Chinese replacement copies of English examples, copied in turn by Meissen, 6.5 cm diameter (2)
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An 18th century Chinese famille rose plate painted in puce enamels with peonies within an iron red and gilt ring and conforming floral scroll border, Qianlong period (1736-95) Qing dynasty, 23 cm diameter to/w an 18th century Chinese famille rose floral painted tea bowl, 8.5 cm diameter (2) The plate with hairline extending from the rim, both items with wear to gilding and/or enamels
A pair of 18th century Chinese famille rose plates, Qianlong period (1736-95) Qing dynasty, painted in fencai polychrome enamels with a central montage within an iron red and gilt scroll octagonal frame draped with flowers, floral spray borders overlapping the yellow band around the rim, the reverse of each plate with three red lingzhi motif, 26 cm diameter (2)The first plate with hairline extending towards the centre from the rim, approx 6 cm, with stapled repair, the second plate with large areas or old restoration and rim chips, both with wear to enamels
Three 18th century Chinese blue and white miniature vases, Kangxi period 1662-1722, Qing dynasty, comprising a lobed baluster vase painted in underglaze blue with elegant ladies and flower filled jardinieres within lotus leaf panels, geometric and scroll banding around the spreading foot and single character 'yu' mark to the base, 10 cm high, a square baluster vase painted with alternating landscape and floral designs 10.5 cm high and a baluster vase and domed cover painted with a continuous idyllic landscape, also in underglaze blue, 10.5 cm high (3)The lobed vase has restored neck, baluster vase and cover with large rim chip and chip to cover, all with small chips/frits and other superficial surface wear commensurate with age
A 19th century Chinese cloisonne 'longevity' bowl, the interior decorated in polychrome enamels with a spotted deer, crane, pine trees and prunus around a central roundel with a Koi carp amongst waves, the exterior with a continuous floral scroll design and the base with four-character Jing Tai Nian Zhi mark but late Qing dynasty, 22 cm diameter x 11 cm high Areas of the rim and footrim misshapen, the interior with heavy wear, fading and rust marks
A CARVED WOOD PEDESTAL OR JARDINIERE STAND Of square baluster form, the four sides decorated with butterflies, a phoenix, birds and other beasts, and a scroll with Chinese characters, on detachable square plinth base 98cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Chinese cloisonné panel, possibly Jiaqing, of rectangular form with shaped corners, decorated with a flock of geese, a number in flight against a blue ground sky detailed with crescent moon, others stood upon a grassy outcrop detailed with flowering vines, set within a foliate border with black ground, the underside with scroll design, H35cm W50cm
Yuan Yunyi (袁韻宜) (1920-2004) - Chrysanthemums, Republic of China scroll painting dated 1944, ink on paper attached to fabric-covered wooden rollers, a loose translation of the script indicates that this was gifted by Army Lieutenant General Du Yuming of the Kunming Defense Command to a member of the British Embassy as a gesture of loyalty and commemorates the annual Double Ninth / Chong Yang Festival, bearing four seal stamps and inscription label verso, image dimensions 94 x 39.5cm, full dimensions 223 x 51cmNotes: Tu Xi-ming (Du Yuming) (1905-1981) was a Kuomintang field commander controlling Nationalist forces against the Communists and Japanese. He won several important battles, but was relieved of command in 1947 and later captured and held as a POW by the Communists for a decade. His successful ‘re-education’ led him to live out the rest of his life with a position as an official historian in the Communist Government until his death in 1981.Mr Martin ran the Kunming branch of the Press Attache’s office of the British Embassy in China. This ostensibly focused on translating pieces from the Chinese press involving economics and politics, but was also part of a wider Allied network collecting intelligence and organising supplies through the region.Yuan Yunyi was a female painter and playwright for the Peking Opera. She was the second wife of artist Pang Xunqin, founding member of the Storm Society who aimed to bring a Parisian-style art world to China, and published a biography of him in 1995. Mid-20th century China was in a state of flux. The end of monarchical rule in 1912 was followed by the establishment of the Republic of China. However the power struggles continued between Nationalists and Communists, which led to civil war, and were exacerbated by the Japanese invasion and World War II. The British and Americans worked alongside the Nationalist (KMT) government under Chiang Kai-shek against the Communists and Japanese.The Chong Yang Festival (Double Ninth Festival) takes place on the auspicious date of the 9th day of the 9th month. Celebrations involve drinking chrysanthemum liqueur and exhibiting chrysanthemums.Numerous creases but no tears.Some staining but largely only to borders.
A Chinese Porcelain Plate, Yongzheng/Qianlong, painted in famille rose enamels with flowering branches within a foliate and scroll border23cm diameterA Similar Plate, painted with birds amongst peony within panelled, diaper and foliate borders23cm diameterA Similar Plate, painted with peony and bamboo within panelled, diaper and foliate borders23cm diameterA Pair of Moulded Saucers, Kangxi, painted in underglaze blue with foliageA Similar Saucer (6)2nd plate with star crack to base. 3rd plate broken in half and restored. All with typical minor flakes, wear and scratching.
A Chinese Porcelain Saucer Dish, Kangxi, painted in underglaze blue with foliage amongst rockwork within lappet and foliate borders23cm diameter A Similar Pair of Saucers, painted with landscapes and panels, cafe-au-lait ground to reverse22cm diameterA Saucer Dish, Jiaqing reign mark, painted in underglaze blue with carp amongst weeds within a lotus scroll border, bears six-character reign mark in underglaze blue25cm diameter (4)First saucer dish with heavy finishing, foot rim heavily chipped, the pair of saucers free from damage, the carp saucer free from damage and repair
A Chinese Porcelain Vase, Kangxi, of baluster form, painted in underglaze blue with foliage amongst rockwork below a scroll border19cm highThe top rim is unghlazed suggesting the vase has been ground. Crack across the base. Another crack to the side near the foot. Some glaze fritting, pitting and wear. No restoration. Some minor light patches of staining. The vase is also quite dirty.
A FIRST PERIOD WORCESTER PORCELAIN RUBBER TREE PLANT DESSERT DISH, c.1770-75, of lobed square form, painted in underglaze blue, four character Chinese mark, 7 3/4" square, together with a similar Bow kidney shaped dish, 7 1/2" wide (2) (Est. plus 21% premium inc. VAT)Worcester has a noticeable 10cm crack running from rim to base, with chip and loss on rim. Bow has one restored handle (obvious) and glazed over chip to other scroll handle
A CHINESE CHAMPLEVE ENAMEL VASE of baluster form with two angular handles, decorated in colours with precious objects within scroll panels on a yellow ground, and with enamelled base, 9 1/2" high (Est. plus 21% premium inc. VAT)chips to red enamelled rim and foot rim and handles, cracks to interior rim
Two Lowestoft blue and white teabowls c.1772-75, one printed with two exotic birds standing on a foliate scroll, the other with the Squirrel pattern depicting a Chinese figure seated in a garden setting beside a large squirrel, the interior rims with a painted zigzag border, a little chipping and staining, 8cm dia. max. (2) Provenance: a private collection in East Anglia.
A pair of small delftware plates c.1720-40, each painted in blue with a Chinese boy punting before a two-storeyed pagoda on an island, a large bird in flight above, and a London delftware plate painted with a stylized flower spray within a formal scroll border, the small plates broken and restuck, 22.6cm max. (3)
A vintage Chinese-export diamond line bracelet. In the form of 53 round brilliant diamonds approx. 3.18cts total, grain set in pairs within white-rectangular two-stone panels with scroll-pierced sides, on a single-stone push snap stamped with three Chinese character marks and 'K', approx. 17.25cm long overall, 11.6g gross. Condition Report: Condition report Overall very good condition. The diamonds each measure approx. 2.5mm diameter, colour about G/H, clarity about VS. The panels (and therefore the bracelet) are approx. 3.4mm wide overall.
A vintage Chinese-export diamond line bracelet. In the form of 53 round brilliant diamonds approx. 3.18cts total, grain set in pairs within white-rectangular two-stone panels with scroll-pierced sides, on a single-stone push snap push snap stamped with two Chinese character marks and 'K', approx. 17.4cm long overall, 12g gross. Condition Report: Condition report Overall very good condition. The diamonds each measure approx. 2.5mm diameter, colour about G/H, clarity about VS. The panels (and therefore the bracelet) are approx. 3.4mm wide overall.
A Chinese carved hardwood boxlate Qing dynasty, circa 1900of rounded rectangular form, the hinged lid and sides carved with undulating serpents, shou medallions and other Buddhistic devices, the lid centred by a scroll entwined wheel medallion, with key, 11cm high, 32.8cm wide, 20cm deepFor further information on this lot please visit Bonhams.com
A pair of Chinese carved agate leaf bowls or dishes, with scroll work decorated wooden stands, 8.2 cm x 5.6 cm x approx 2 cm deep (not including stands) (one very damaged and amateur glued repair) CONDITION REPORTS Stands basically sound though one with one support missing - see images. Leaf dishes, one with large area of damage from the stalk of the leaf towards the centre all the way down the centre rib and from the centre to the edge with amateur repair. The other leaf with brown flecking is broken in half and missing the stem to the base - see images for further detail
Five Chinese Yixing teapots, 20th century, all of dark plum brown colour, one moulded with prunus branch handle and spout and dark turquoise slip, 9cm high, one with bamboo mouldings, 7cm high, one with scroll and cloud mouldings, 9cm high, one plain ovoid form incised with cursive script, 8cm high, and one miniature of compressed globular form, 5.5cm high, with zhuanshu seal or script marks. (5)The scroll and cloud form has chips to the inside of the cover. The miniature has a small chip to the cover rim. The remainder have only negligible signs of age.
A gold oval pendant with Chinese character motifs within a scroll pierced surround, detailed '14K', weight 4.4g, length 4.7cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A GEORGE III STYLE CARVED MAHOGANY MINIATURE EIGHT-DAY LONGCASE TIMEPIECETHE DIAL BEARING A SIGNATURE FOR THOMAS TOMPION, CIRCA 1900 The four pillar single fusee movement with tapered plates and anchor escapement regulated by 16.5 inch lenticular bob pendulum, the 6 inch brass break-arch dial with matted centre within silvered Roman numeral chapter ring, blued steel scroll hands and winged cherub mask spandrels to angles, beneath arch centred with a circular convex boss engraved Tompion, London, in a case well executed in the Chippendale style with rocaille shell centred scroll pediment over acanthus carved scooped angles to frieze, ogee break-arch cornice and hinged glazed dial aperture flanked by Corinthian pilasters to the canted front angles of the hood, the trunk with dentil cavetto throat moulding and Chinese lattice blind fretwork frieze over shaped-top caddy moulded door flanked by fluted canted angles, the tall plinth base with leaf-carved top mouldings and Gillows style applied panel mouldings to front, over generous ogee bracket feet with leaf carved apron between.158cm (62.25ins) high, 30cm (11.75ins) wide, 19cm (7.5ins) deep.
A GEORGE III MAHOGANY EIGHT-DAY QUARTER-CHIMING LONGCASE CLOCK WITH CENTRE SECONDS AND MOONPHASETHOMAS RICHARDSON, WEVERHAM, CIRCA 1780The substantial five pillar triple train movement chiming the quarters on a graduated nest of eight bells and sounding the hour on a further larger bell, the going train with anchor escapement planted low-down for the centre seconds and regulated by seconds pendulum, the 13.5 inch brass break-arch dial signed to an oval reserve Thomas, Richardson, WEAVERHAM to the recessed scroll engraved centre incorporating annotations for the concentric calendar to outer edge, within applied silvered Roman numeral chapter ring with scallop-shell half hour markers and Arabic five minutes beyond the outer minute track, with pierced blued steel hands and richly cast rococo scroll cast spandrels to angles, the arch with rolling moonphase incorporating mounts cast as putti riding eagles to lunettes and annotations for the age of the moon to the circumference of the lunar disc beneath curved silvered plate fitted with a central fixed pointer for the lunar calendar and engraved That man is yet unborn, that duly weighs an Hour to outer margin, the case executed in the manner of Gillows of Lancaster with architectural dentil moulded open swan neck pediment centred with a pierced upstand and fronted with gilt scroll decorated verre eglomise infill, over break-arch mouldings centred with a keystone and hinged glazed dial aperture flanked by free-standing Corinthian columns with brass caps and bases, the trunk with concave throat moulding and 'Chinese Chippendale' style blind fret frieze over shaped-top caddy moulded flame figured trunk door flanked by fluted quarter columns with further blind fret panels beneath, the plinth base with stepped ogee top mouldings over ogee-arch shaped raised caddy moulded panel flanked by canted angles applied with architectural quoin detailing, on ogee bracket feet.221cm (87ins) high, 61cm (24ins) wide, 28cm (11ins) deep. Thomas Richardson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Weaverham (Cheshire) circa 1795.Condition Report: Movement is in relatively clean working condition having been well maintained by the vendor since purchase in the 1980's; however, a precautionary light clean/service is advised. The movement shows no evidence of alteration or significant replacements although some of the wheels within the trains may have been pinioned at some point in the past (a few collects vary very slightly from the others - only noticeable on very close examination as all collects are essentially of the same form). The movement therefore survives in good operational condition and entirely in its original form/specification. The dial is generally in very good condition however the lower left-hand corner of the plate has a section (triangular in shape approx. 2cm across) missing from the plate. This appears to be a break across a casting weakness however a good clock restorer should be able to let in a new piece of appropriate yellow brass without a great deal of difficulty. All the dial functions are connected and are operational; the moon disc has some slight wear/rubbing and some very slight historic re-touching otherwise is in fine original condition. The silvering is now a little tarnished with some spotting hence now has a slightly mellow appearance; the engraving is strong with minimal wear. The movement retains what appears to be its original seatboard which rests directly onto the cheek uprights of the case which appear essentially untouched. From this we are of the opinion that the movement and dial are most likely original to the case.The case is generally in good original condition. The hood is missing two of the small scroll-shaped 'dentils' to the cornice and the verre-eglomise panels have either been repainted or are replacements. The hood otherwise is in fine condition although there are two vacant sockets for finials (no longer present) to the top. The trunk door retains its original lock and hinges, the lower margin has some shrinkage cracking but no apparent losses. Faults to the case are otherwise limited to relatively minor age-related bumps, scuffs, shrinkage and other blemishes commensurate with age and use.Clock is complete with pendulum, three cast iron weights, winder and case key. Condition Report Disclaimer
19th century Chinese scroll painting, portraying a Kangxi Emperor, dressed in formal yellow and blue tunic with a beaded necklace and elborate headdress seated on a carved dias with footstool, signed with character marks and two red seals. This may be a print with some overpainting. July 21st Condition ReportsWatermark to the upper middle, signature is slightly smudged.
A LARGE CHINESE EMBROIDERED SILK PANEL OF QINGMING FESTIVAL The composition based on the scroll Along the River During the Qingming Festival, in the Taipei Palace Museum, depicting a river scene with figures in boats, on a bridge and market stalls, inscribed to the right hand side The panel 53 x 150cm; the frame 82 x 212cm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

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17386 item(s)/page