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Lot 1262
Cecil Aldin, a hunting scene, the mount signed in pencil, and with small pastel sketch of hound's head, I.33 x 68.5cm; together with another similar colour print of a huntsman, the mount similarly decorated and signed, further blindstamped, I.28 x 37.5cm; and a further pair of prints by the same. (4)
Lot 141
G Deason. Five charcoal and chalk sketches, three of Continental landscapes, one entitled France, the other Flingen, and another dated 1967, 28cm x 23cm, 41cm x 29cm, 32cm x 28cm, another dated 1907, 30cm x 42cm, and a similar sketch of leopard's head, in oval plate, unsigned, 36cm x 31cm. (5)
Lot 12
Damien Hirst (b.1965 - ), Becks Beer bottle, offset lithograph 'Opium spot design is signed in ink with a sketch of a butterfly. At the solo exhibition In and Out of Love, which depicted butterflies including live butterflies emerged from pupe affixed to canvases, the bottle is unopened with contents. Provenance: The vendor was involved with the construction work on Damien Hirst's house in Coombe Martin North Devon in the mid to late 1990's. Mr Hirst gave the bottles to him. Twenty years later in 2015 the vendor requested Mr Hirst to sign them for him, not only did he sign them, but also included a drawing on each, an accompanying letter from the vendor.
Lot 10
Damien Hirst (b.1965 - ), Becks Beer bottle, offset lithograph 'Opium spot design is signed in ink with a sketch of his famous Tiger Shark. After the 1990's artwork 'The Physical Impossibility of Death in the Mind of Someone Living' depicting a preserved tiger shark submerged in formaldehyde, unopened with contents. Provenance: The vendor was involved with the construction work on Damien Hirst's house in Coombe Martin North Devon in the mid to late 1990's. Mr Hirst gifted the bottles to him. Twenty years later in 2015 the vendor requested Mr Hirst to sign them for him, not only did he sign them, but also included a drawing on each of the bottles, the lot above is the drawing of the shark, covering letter is included.
Lot 11
Damien Hirst (b.1965 - ), Becks Beer bottle, offset lithograph 'Opium spot design is signed in ink with a sketch of his famous diamond skull, after the 2007 work 'For the Love of God' a platinum cast skull encrusted with 8601 flawless diamonds, unopened with contents. Provenance: The vendor was involved with the construction work on Damien Hirst's house in Coombe Martin North Devon in the mid to late 1990's. Mr Hirst gave the bottles to him. Twenty years later in 2015 the vendor requested Mr Hirst to sign them for him, not only did he sign them, but also included a drawing on each of the bottles, the lot above is the drawing of the diamond skull, copy of a covering letter is included.
Lot 162
Six Drawings and Prints: M. Knox - 1930s pencil study of a kneeling nude, label attached verso, 21 x 13 cm; Watercolour sketch of a girl reading, initialled 'C.G.' lower left; George Baxter - Three licensed prints; together with George Cruikshank - hand-tinted etching, all framed and glazed (6)
Lot 79
Manner of Sir Joshua Reynolds (British, 1723-1792) - Half length portrait sketch of Mrs Crewe, reading, the pose related to the portrait of Frances Anne Crewe as St Genevieve (engraving of this portrait is in the Yale Centre of British Art, Paul Mellon Collection) watercolour, chalk and bodycolour on paper, indistinctly signed with old label verso from JR Cookson of Kendal inscribed 'Reputed Mrs Crewe by Sir Joshua Reynolds PRA, (A Sketch)', 21 cm max oval, in gilt frame (Lady Crewe was a friend of Sir Joshua Reynolds and a prominent political hostess for the Whig Party, her circle including Charles James Fox, Richard Brinsley Sheridan, etc)
Lot 335
° ° Ford, Madox Ford (Ford Madox Hueffer) - a collection of 16 works - The Soul of London: A Survey of a Modern City, Alston Rivers, London, 1905; Under the pseudonym of Daniel Chaucer - The New Humpty-Dumpty, London, 1912; Henry James: A Critical Study, 1st edition, Martin Secker, London, 1913; with Violet Hunt - The Desirable Alien: At Home in Germany, London, 1913; Between St. Dennis and St. George: A Sketch of Three Civilisations, London, 1915; The Marsden Case, London, 1923; Some Do Not…, London , 1924; New York is not America, New York, 1927; A Little Less Than Gods: A Romance, London, 1928; No Enemy, New York, 1929; Return to Yesterday: Reminisces 1894-1914, Victor Gollancz, London, 1931; When the Wicked Man, London, 1932; The Rash Act, New York, 1933; It Was the Nightingale, London, 1934, Henry for Hugh, 1934 and Vice Le Roy, 1936.
Lot 375
°Hardy, Thomas - The Well-Beloved: a sketch of a temperament....First Edition. etched frontis. and the Wessex map, half (and series) title; publisher's gilt cloth, 1897; sold with 3 other Wessex Novels (Return of the Native, Trumpet Major, Two on a Tower - all publisher's cloth, 1895); together with 2 others - Life’s Little Ironies, 6th edition, 1894 and Tess of the D’Urbervilles: A Pure Woman, ‘’5th edition’’ (Purdey p.77) and 6 related books on Hardy and Wessex, (12).
Lot 58
Abraham VAN DIEPENBEECK (1596-1675) "Justice", wash sketch, known for his stained glass windows, drawings and illustrations. He is, for example, the author of the stained glass windows in the Carmelite convent church in Boxmeer. - Weight: 2.30 kg - Shipping unavailable - Sizes: H 475 mm x 550 mm avec cadre. - At first glance: normal wear / patina of use
Lot 7598
Autographs: Stars of Stage and Screen (1920s-1940s) An Autograph Album containing 60+ signatures, mostly signed on both sides of a page, many dedicated to wardrobe mistress, Mrs Tomlinson Tommy, includes, Stewart Granger, James Mason, Robert Donat, Gina Malo, Marie Glory, Betty Jardine, Robert Morley, Wynne Gibson, Gracie Fields, Michael Redgrave, Anthony Asquith, Eric Portman, Phyllis Calvert, Richard Tauber and others; together with, a Photograph Album containing a group of twenty-eight loosely inserted black and white film publicity photographs and postcards, sixteen of which are also signed and dedicated to Tommy, including Lillian Gish, Jackie Coogan, Robert Donat, Wynne Gibson, Winifred Shotter, William Hartnell, others unsigned include, Dianna Durbin, Gina Malo, Mary Miles Minter, Marie Glory, Evelyn Dall and others, various sizes, the largest 8 x 10 inches; with a loosely inserted pencil sketch of Mrs. Tomlinson on the set, titled and signed Never Idle, V.O. Wheeler, July 1941. (2 Albums)Provenance: The signatures were all signed in person for Mrs. Tomlinson, known as 'Tommy' throughout her career as a wardrobe mistress in the film industry. Condition Report: overall good condition, mostly with strong signatures.
Lot 105
Nuremberg Chronicle - Creation of Man - Sanctification - Dürer sketch -1493 / Description: Two impressive Old colored woodcuts from the Sixth and Seventh day of creation involving Albrecht Durer for the design, most notable in the four winds. The woodcuts are on recto and verso of a sheet from the first edition of Hartmann Schedel, "Liber Cronicarum", from 12 July 1493. The wood blocks were designed by Michael Wolgemut and his stepson Wilhelm Pleydenwurff and their assistants, including the young Albrecht Dürer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, who was Dürer's godfather. Wohlgemut was Albrecht Dürer's tutor between 1486-90. The young Dürer was working in the workshop in the years 1486-1489 when many of the early designs for the Chronicle were made and he was probably involved in a certain amount of them. In the case of this 'creation of Man - work of the sixth day, the sketch was previously not found in the archives known to contain drawings by Wolgemut and his workshop. Only in 1972 it was rediscovered on the end papers of two volumes of the Koberger German bible of 1483 in the Nuremberg City Library. These design drawing for the seven days of creation still exist. The drawer of the designs is not identified but possibly involves Albrecht Dürer. This attribution is supported by the striking resemblance of the four winds in the woodcut for the Sanctification of the Seventh Day who are attributed to Dürer by Dr. Sladecsek based on the comparison with the winds on plate 7 of Dürer's Apocalypse woodcut. (See Adrian Wilson - 1976: The making of the Nuremberg Chronicle, p.94.). Here we have a fine oldcoloured example of this impressive woodcuts from the old colored luxury editions of the Cronicarum who were of the most expensive ones. / Dimensions: 27,30 and 22,40 cm height x 22,50 cm width / Condition: Very good and fresh condition. A crack in the bottom of the paper carefully closed. / Literature: Liber Chronicarum, here a first edition , printed by Anton Koberger in Nuremberg on 12 July 1493 in old coloring. The luxury editions in old coloring are mentioned in literature and were of the most expensive. --- Adrian Wilson - 1976: The making of the Nuremberg Chronicle. / Medium: Woodcut /Circa: 1493 900
Lot 4
Iain Macmillan (British, 1938-2006): Two prints of The Beatles on Abbey Road,1969,two original vintage chromogenic prints, the first depicting the Beatles walking from right to left (frame no.2), signed and numbered 13/25 by Iain Macmillan in silver metallic pen, together with a second print depicting the Abbey Road street sign with the girl in the blue dress as seen on the back of the album, signed and numbered 13/25 by Macmillan in silver metallic pen, framed and glazed, with a copy of the letter of provenance from Iain Macmillan, each sheet 20in x 24in (51cm x 61cm)each 28 1/4in x 29in (71.5cm x 73.5cm) framed(2)Footnotes:Provenance:Having met John Lennon at the Indica Gallery with Yoko Ono in 1966, Lennon later invited Macmillan to photograph the Beatles for the cover of their final album, Abbey Road. Given the Beatles recorded most of their music at the EMI Studios on Abbey Road, St John's Wood, London, they decided to name their last album after the road. Armed with a sketch Paul McCartney had given him a couple of days before of what the picture should look like, Iain knew he didn't have long to get the right shot for the world's most famous band.On 8th August 1969, at around 11:30 am, a hired policeman stopped the traffic, Iain climbed up a large stepladder in the middle of Abbey Road and took just six pictures of the Beatles on that now-famous street crossing. In approximately 10 minutes, Iain shot the band in various orders, but it was frame no.5 that was used for the cover of the album - the only photo where all four of them are striding in perfect formation.'The whole idea was McCartney's. A few days before the shoot, he drew a sketch of how he imagined the cover, which we executed almost exactly that day. I took a couple of shots of the Beatles crossing Abbey Road one way. We let some of the traffic go by and then they walked across the road the other way, and I took a few more shots. The one eventually chosen for the cover was number five of six. It was the only one that had their legs in a perfect 'V' formation, which is what I wanted stylistically.' - Iain Macmillan.After the shoot, Macmillan went to find a road sign for use on the back cover. Over 50 years on, the cover for Abbey Road is undoubtedly one of the most iconic album covers of all time.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 57
δ Lucian Freud (1922-2011)Still Life With PlantPen and ink on paper, circa 1940-1949, sheet 247 x 180mm (9 5/8 x 7 1/8in)Provenance:James Kirkman, Lucian Freud's agent;Where acquired by the present owner;Raymond Hall, friend and model of Lucian Freud;Returned to the present owner, having been torn up by the artistLot Essay:The current owner initially came into possession of Still Life With Plant through his relationship with the modern art dealer, James Kirkman, for whom he did framing work. Forty or so years ago, Kirkman - who was Freud's agent at the time and worked closely with Frank Auerbach - sold the current owner the pen and ink drawing depicting a potted plant for a paltry £90.A few years down the line, in an attempt to scrabble together some funds for a holiday, the owner removed Still Life With Plant from the sketchbook and sold it to Raymond Hall. Also known as Raymond Jones, the buyer was one of Freud's close friends and favoured models, who sat for masterpieces such as Naked Man with Rat (1977-8, Art Gallery of Western Australia).However, upon his return from his holiday, our vendor arrived home to find a letter from Raymond explaining how he had shown the sketch to a horrified Freud, who had promptly shredded the work on the spot. Apologetically enclosed in the letter were the individual fragments of the sketch. Now back in his possession, the owner had the work restored, but the scars still reveal the work's fascinating history.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 7038
James Bond Goldfinger autographed giclee print by Nicholas Watts, showing Bonds Aston Martin DB5 in a scene from the film with a further pencil sketch underneath, numbered 2/50 & one of just 2-3 to be accompanied by cast autographs, this one believed to be the most extensively autographed, including Sean Connery, Honor Blackman, Gert Frobe, Harald Sakata, Guy Hamilton, Shirley Eaton and 5 others, mounted, framed with an acrylic face, with Automobile Art International provenance to the reverse, framed and glazed, 41 x 42 inches.
Lot 71
Shropshire.- Joffroy (L.) Views of Porkington, lithographed pictorial title & 3 views only of the house at different periods, all on india paper and mounted, lithographed coat-of-arms (duplicated), no text, title and views lightly foxed (marginal on two), modern half morocco, gilt-stamped morocco label to upper cover and spine, with original printed wrappers bound in, n.p., 1835 § Companion (A) to the Leasowes, Hagley, and Enville; with a Sketch of Fisherwick, 3 engraved plates, one aquatint, advertisement leaf at end, final two leaves lacking lower outer corner not affecting text, book-label of Percy J.Pond and bookplate of John Harris (by Reynolds Stone), modern half calf over marbled boards, [Abbey, Scenery 421], Birmingham, [1800] § [Hill (Jane)] Some Account of the Antiquities of Hawkstone, only edition, 5 lithographed views on 4 plates, wood-engraved illustrations, original cloth, paper label (chipped), rubbed, preserved in modern morocco-backed cloth slip-case, spine gilt, Shrewsbury, printed by W. & J.Eddowes, [c.1830]; and 8 others on Shropshire, v.s. (11)⁂ The first is a very rare but incomplete suite of plates depicting Porkington Hall (now called Brogyntyn), near Oswestry, once home of the Ormsby-Gore family but sold by Lord Harlech in 2001. Not recorded by Library Hub or WorldCat a copy sold at Sotheby's in 1979 for £160 but contained a title and 8 plates.
Lot 42
Kent.- Martin (Charles Wykeham) The History and Description of Leeds Castle, Kent, first edition, 8 mounted albumen prints by J.Cruttenden, plan, pedigree and facsimile letter, original cloth, rubbed and marked, recased preserving original spine, [Gernsheim 458], 1869 § Amsinck (Paul) Tunbridge Wells, and its Neighbourhood, engraved frontispiece,30 plates and illustrations, list of subscribers, light foxing to plates,bookplate of John Hutton of Marske and morocco label of Eric Sexton, handsome contemporary calf, gilt, g.e., a little rubbed, rebacked preserving old gilt spine, 1810 § [Willis (H.Norton)] Biographical Sketches of Eminent Persons, whose Portraits form part of the ...Collection at Knole, first edition, 2 engraved plates, 4pp. advertisements at end, later half morocco, spine gilt, John Stockdale, 1795 § Bridgman (John) An Historical and Topographical Sketch of Knole, first edition, half-title, engraved plates, errata leaf at end, foxing, contemporary half calf, rebacked, spine gilt, 1817 § Darell (Rev. W.) The History of Dover Castle, engraved title and plates, foxed, modern half calf, 1797; and 8 others on Kent including some late guides to Knole, and a group of 13 double-page engraved plates (views of houses by Kip & Harris after Badeslade) and 2 maps from Harris's History of Kent, 1750, 4to & 8vo (c.30)
![Iacovleff (Alexandre) [Jacovleff].Dessins et Peintures D'Asie. Executes au cours de l'Expedition Citroen Centre-Asie. Troisie](https://cdn.globalauctionplatform.com/e059a77c-8158-49b2-9a2f-b07300e6f070/9f8a276d-5c9e-443b-b936-b0d500f9d7c7/468x382.jpg)
Lot 63
Iacovleff (Alexandre) [Jacovleff].Dessins et Peintures D'Asie. Executes au cours de l'Expedition Citroen Centre-Asie. Troisieme mission G._M. Haardt, L Audouin-Dubreuil.Paris: Lucien Vogel chez Jules Meynial, no date [1934], numbered limited edition of 500 copies (plus 220 hors commerce), folio, stitch-bound text volume and fifty chromolithographed plates, loose as issued, each preserved in original portfolio with title to front board and cloth ties. A little foxing to front leaf of plate fifty, otherwise contents generally VG, portfolio worn and dust marked with faint pencil sketch.The scenes were recorded by the Russian artist when appointed 'artistic director' on the Trans-Asia 'Yellow' expedition in 1931-32. The expedition was organised by Citroen to promote their vehicles. There is a focus on the inhabitants of the countries through which he travelled. These include Iran, Iraq, Afghanistan, India, Xinjiang and Vietnam.
Lot 443
A Flight, Barr and Barr Worcester cabinet cup and stand, circa 1825The cup with gilt high handles, bands of applied white 'pearls' around the neck and cavetto, the cup printed and hand-coloured with a portrait of 'Futteh Ali Shah, King of Persia', raised enamel highlighting the detail on his ornate reserved on a green ground within a raised gold border, cup 8.7cm high, cup with title and script mark, stand with printed mark, both referring to Coventry Street address (2)Footnotes:ProvenanceBonhams, 2 May 2018, lot 432Charles Dawson CollectionThe source for the portrait of Fath-Ali Shah Qajar was an engraving published in 1821, after the sketch made from life by Sir Robert Ker Porter.For further information on this lot please visit Bonhams.com
Lot 88
A box of various theatrical ephemera, to include signed programmes, fliers, theatre posters, plans, etc. including Barry Manilow's signature, other personalised items.Prince of Wales Theatre Programs, Brochures and Posters;Promises Promises, 1969, Main Cast Bob Sherman and Dilys Walting.The Good Old Bad Old Days, 1972, Anthony Newley and Leslie Bricusse.South Pacific and Royal Gala Performance 1988.An Evening with Tommy Steele 1979.Way Out in Piccadilly. 1966, Frankie Howard and Cilla Black.Evening with Paul Daniels 1983.Paris by Night 1955, Benny Hill.The World of Suzie Wong 1959.I Love my Wife 1977. Bedroom Farce 1978.Guys and Dolls 1985. 7 Brides for 7 Brothers 1986. Underneath the Arches 1982. Canterbury Tales 1987. City of Angels 1993. Allo Allo 1986. Paul Daniels Magic 1980 and 1981.Little me 1984. Copacabana 1994 (Includes the autograph of Barry Manilow). the Witches of Eastwick 2001. Hello Dolly 1983. Smokey Joes Cafe Poster.Programs;Chess 1988. The Magic of the Minstrels 1969.Bal Du Moulin Rouge Paris 1971.42nd Street 1980. Saturday Night Fever 1998.Cinderella 1967. Aladdin 1968.Dana Holiday Spectacular 2005.Lido Grand Prix 1969.Le Lido De Paris 1971. 1963 and 1968, Stardust, Las VegasTwo Gentleman of Verona 1972. Startime 1979 and 1981. Sugar Babies 1979. Man of Manch 1969. You Know....1968. The Comedians 1973. Applause 1972. Lauren Bacall.Marti Caine Showtime 1979. The Danny La Rue Show 70,78,80 and 82. Babes in the Wood 1969. Little and Large 1982. Fancy Free 1978.Robinson Crusoe 1970. Camelot 1976. Folies en Fetes 1964. La Traviata 1974. Crazy for you 1993. Les Ballets Africans 1966. The Worlds Wonder Show 1937 to 1962 (13 in total).Theatre Plans, some copies some originalStage Plan 1974 Roundhouse.Fly Plan 1967 Palace Theatre ManchesterStage Plan 1971 Her Majesties London.Fly Plan and cross section of The Liverpool Empire 1965 and 1982.Rag Trade stage Plans Piccadilly Theatre Wolfe Production 1973 Stage and Fly Plan on 1958 Apollo Theatre.Maggie May hanging Plot 1963. AdelphiTheatre Plan Phoenix Theatre. Stage Plan 1978. Stage Plan 1973 Opera House.Stage Plan 1961 Palace Theatre Manchester.Sleeping Beauty Stage Plan and False Pros 1968 Saville Theatre.MiscellaneousAspects of Love 1989 Prince of Wales Theatre, Piece of Scenery. Music Sheets from the Prince of Wales Theatre with Photo board of the Queen and Cast.Cinderella stage setting Plan.Handwritten notebook, Accounts Book and Bank Journals.Steptoe and Son 1963 live performance (Record)Norman Wisdom, Beware and Heart of a Clown (Framed Record).Peter Cook Tribute Script and rehearsal 2002.Get Some in 1955 35 b/w film show print.Stars on Parade 35 b/w film.Photos;Rocking the Town 1956 Harry Secombe.Tommy Cooper with Benny HillFelicity KendalFrankie HowardJames Stewart on HarveyNumerous other photos and negatives of Stars.Mamma Mia 5 Year Anniversary;T Shirt and card from Abba.Souvenier Brochure, Sketch of Cast and Congratulations card,T Shirts (unworn);Smokey Joes Cafe, Virginia Theatre New YorkWest Side StoryLong Sleeve Fosse.
Lot 579
Sailing Directions and Anchorages: West Coast of Scotland Sixth edition, published for the Clyde Cruising Club by Gilmour & Lawrence Ltd., Glasgow, 1951 Together with a full set of 1958 sketch charts of anchorages on the West Coast of Scotland and the Clyde Condition Report:Available upon request
Lot 665
Rackham (Arthur, illustrator). The Sketch-Book of Geoffrey Crayon, Gent. by Washington Irving, 2 volumes, New York: Knickerbocker Press, 1895, monochrome illustrations by Arthur Rackham (frontispiece) and others, light damp stain to fore margins of first volume, top edge gilt, original publishers gilt decorated brown full calf, rubbed and some marks, limited edition 2/175, large 8vo, together withDulac (Edmund, illustrator). Edmund Dulac's Picture-Book for the French Red Cross, London: Hodder & Stoughton, circa 1915, original decorated grey cloth in dustwrapper, some marks and wear, torn and near detached along upper joint, with two original printed advertisements (one for the exhibition of Dulac's drawings at the Leicester Galleries, November- Christmas 1915 and the other for the publication of the picture book) loosely inserted at the front, 4to, plus Cecily M. Barker. Fairies of the Flowers and Trees, reprinted, London: Blackie & Son, circa 1950, colour illustrations, original green cloth gilt, 8vo, and other miscellaneous illustrated literature, including Hergé, The Adventures of Tin Tin, Black Island, 1st English edition, 1966 & Tin TIN and the blue Oranges, 1st English edition, 1967, and five other reprint English editions of Tin Tin, 8 art deco printed illustrations advertising Rilette cigarettes, circa 1920s, each framed and glazed, a run of Cassell's Magazine, 12 volumes, 1896-1904, several issues of The Gentle Woman for 1900, several Tarzan paperback editions, two framed and glazed lithographs of illustrations by Georges Redon entitles Il a bu de l'Eu, and Ne buvez jamais d'eau, etc.QTY: (100)
Lot 670
* Robinson (William Heath, 1872-1944). Harry Tate, Fishing, circa 1921, colour lithograph poster on three sheets, published by John Waddington Ltd. Leeds, a few marks and minor losses to folds where previously creased, some insect predation to blank margins, laid down on linen, 223.5 x 97 cm (88 x 38 ins), framed and perspex-framedQTY: (1)NOTE:Large-scale original advertising poster for the famous music-hall sketch Fishing, written by Harry Tate and Wal Pink and performed by Harry Tate, circa 1921. A copy of the original printed booklet containing the text of the performance accompanies this lot, published by Reynolds & Co., 62A Berners Street, St., London, W1.Harry Tate (1872-1940) was a well-known music hall comedian who performed sketches on golf, motoring, and fishing. This poster is the first produced by Heath Robinson and appears to be unrecorded in the relevant literature.
Lot 313
Beuys (Joseph). The Secret Block for a Secret Person in Ireland, Oxford: Museum of Modern Art, 1974, numerous monochrome illustrations, original printed wrappers, with artist's presentation inscription to foot of the foreword 'to Lawrence Gowing, Joseph Beuys', with a sketch of a hat above, 4to, together with Murken (Axel Hinrich). Joseph Beuys und die Medizin, 1st edition, Munster: F. Coppenrath Verlag, 1979, colour and monochrome illustrations, original brown felt binding, with printed circular title labels mounted to upper cover, the spine title printed on a separate strip of brown felt (a little wear), small square 8to, plus other Beuys publications, including Appeal by Joseph Beuys, translated by R. C. Hay and B. Cleer, Free International University, 1979, P. S., Primary Sources on the International Performing Arts, number 1, June-July 1979, Some Artists, for example, Joseph Beuys, multiples, drawing, videotapes, May 15-June15, University of California, Riverside, [1975], stapled as issued, some toning and a little wear to spine, Joseph Beuys, Zeichnungen Tekeningen Drawings, 1979-80, Caroline Tistall, Jospeh Beuys, London: Thames & Hudson, 1979, Joseph Beuys, Coyote, Munich: Schirmer-Mosel, 1980, Anthony d'Offay, Joseph Beuys, Words that can Hear, 1981, and several related photocopied textsQTY: (9)
![[Apianus, Petrus]. Cosmographiae introductio cum quibusdam Geometriae ac Astronomiae principiis ad eamrem necessaris, Venice:](https://cdn.globalauctionplatform.com/f76c836e-8902-455b-9c0b-b0c2011e8969/8b5ac001-82e6-4e42-98d4-b0cb010c2eb2/468x382.jpg)
Lot 198
[Apianus, Petrus]. Cosmographiae introductio cum quibusdam Geometriae ac Astronomiae principiis ad eamrem necessaris, Venice: Francis Bindonis, 1554, large woodcut vignette of globe to title, further full-page woodcut to title verso, smaller woodcut illustrations to text (including two maps of Greece), woodcut printer's device to final leaf, C2 with brown ink sketch to woodcut, two small wormholes to text, early notations in brown ink to final leaf verso, endpapers and blanks renewed, 20th-century brown panelled morocco gilt, 8vo (15.5 x 9 cm)QTY: (1)NOTE:A scarce edition of this work, an abridgement of the Cosmographicus Liber. There is early mention of America on C6.
Lot 464
* Browne (Tom, 1872-1910). Sailors, watercolour, depicting two well-dressed sailors, one standing on the yard leaning against the mast smoking a pipe, the other sitting down on the yard pipe in hand, possibly a design for a tobacco card, signed to lower right 'Tom. B', mount aperture 31.7 x 19.4 cm, framed and glazed (60 x 47 cm)QTY: (1)NOTE:Browne was a member of the London Sketch Club.
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