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Lot 1890

JEAN DRYDEN ALEXANDER (1911-1994) EFFIE ALEXANDER AND ARDROSS, 1935 Signed, inscribed and dated Mum and Ardross/January 1935 verso, oil on thin panel, unframed 49 x 38cm.; with a watercolour and pencil sketch of a dog, Buffy, by the same artist, 1940, 14 x 22cm. (2) Provenance: The family of the artist ++ The oil sketchy, with some cracks and a little warped; the watercolour good

Lot 1901

VINCE PETERSON (Contemporary) AXMOUTH Signed, hunting scene (sketch) verso, oil on board 29.5 x 39.5cm. ++ Good condition

Lot 1702

GEORGE RICHMOND, RA (1809-1896) PORTRAIT OF MISS SANDHAM, c.1839 Half length seated, signed, watercolour and pencil sketch 21 x 18cm.; with a pencil portrait of Gena Gore-Booth, inscribed and dated Sept 21.1872, 20.5 x 20cm. (2) Provenance: (Richmond) London, Thos. Agnew & Sons, Ltd, January 1972 ++ Richmond needs a light clean to remove slight light staining in paper; the latter with slight foxing

Lot 1709

THOMAS ROWLANDSON (1756-1827) A WOODED RIVER (SKETCH) Pen and ink with pencil and blue and grey washes 21 x 27.5cm. Provenance: London, Sothebys, November 20th, 1986, lot 50 ++ Handling marks at sheet edges; needs a light clean; slightly pale

Lot 1713

WILLIAM PAYNE (c.1760-1830) FIGURES IN A LANDSCAPE BENEATH RUINED TOWERS Watercolour 20 x 29cm.; with a woodland study attributed to Thomas Barker of Bath, 21 x 24.5cm.; and a small watercolour sketch of Paris, c.1960, 13 x 16cm. (3) ++ Payne has graze in sky and some fading; `Barker` faded; the other satisfactory

Lot 1764

LIONEL EDWARDS (1878-1966) 10th HUSSARS (FRENCH) 1818 Signed and dated 1899, also inscribed with title and further inscribed 2 hours sketch/ London Sketch Club/ May.99, watercolour and pencil 31.5 x 21.5cm. ++ Some fading and light staining

Lot 1860

Works of H. Parker, sketch book including images of pen and ink, pencil sketches, flowers and plants, along with Dutch coastal oil painting of Dutch vessel, river scene oil painting of sailing vessels (both pictures unframed) (3)

Lot 482

French School (19th century), Study of a gentleman, pen and ink, 12cm x 4cm., together with a pencil sketch of a lady in an interior by another hand.(2)

Lot 550

•Marjorie May Macbeth Raeburn (1902-?), `Sally`, a dog reclining on a chair, oil sketch on board, signed, inscribed and dated 1960, 30cm x 40cm.

Lot 1040

Mme Jeanne Trois Fontaines: Dressmaking: Designing, Cutting and Fitting, a folder of 1930`s patterns and a student`s notebook/sketch book once belonging to Gertrude E Pritchard

Lot 1479

An Etch a Sketch in original packaging, John Bull printing outfit No.9, Airfix and other toys - contents of one suitcase.

Lot 465

John. Sketch of a seated old lady, pencil, signed and dated 5th March 1938, 51cm x 33cm

Lot 83

A Victorian print "Grace Darling", a pair of sepia prints, "London Bridge" and the "Houses of Parliament"; Wallace Ardern, still life of flowers, watercolour, signed, an Edwardian pencil sketch, head and shoulders of a woman and other watercolours

Lot 442

David Roberts: "Baalbec", pencil sketch, signed, 5" x 5½" (a.f.)

Lot 640

After Graham Sutherland (British 1903-1980) TWO UNFRAMED PRINTS, ‘Pembrokeshire landscape 1936’ and ‘A sketch book page from Picton Beach’ each published by Wales Gas by kind permission of the Picton Castle Trust, within card mounts. 39cm(h) x 38cm(w)

Lot 682

George Blackie Sticks (British 1843-1938) A WATERCOLOUR SKETCH depicting steep cliffs, choppy sea and billowing clouds, signed and dated 1884 lower right, indistinctly titled in later hand verso, within a moulded oak frame and under glass. 14cm(h) x 22cm(w)

Lot 113

LAURA KNIGHT (1877-1970) BLACK CRAYON SKETCH Two ballet dancers signed with intials 7 1/2" x 6 1/4" (19cm x 16cm)

Lot 121

ATTRIBUTED TO LAURENCE STEPHEN LOWRY (1887-1976) PENCIL AND BLUE CRAYON DRAWING Country road with hill in background signed with intials and dated (19) ‘30 5 1/4" x 3 1/2" (13cm x 9cm) (a page from a sketch book-mounted but unframed)

Lot 240

Coach building an important group of late 19th c documents and ephemera relating to Arthur Mulliner the famous Northampton based coachbuilder who made the transition from building horse drawn coaches into the design and build of luxury motor cars in the early 20th c – mainly for Daimler and Rolls Royce. The group comprises original letters of Mulliner an original pencil sketch of a coach design printed coach designs with ms annotations a letter from Mulliner ordering crest designs (for incorporation on the side of one of his coaches) a further letter in which he explains he is building an omnibus a further sketch for a crest on the back of a letter from Read & Co carriage builders and harness makers of Bedford Street near the Tennis court Royal Leamington Spa a letter from Joseph Bettridge coach builder of Wellesbourne further letters of Mulliner and a printed advertisement featuring a Mulliner coach. A most interesting and informative lot concerning coach building just at the time when horse drawn vehicles were coming to an end.

Lot 265

WWI – Bruce Bairnsfather (attrib.) original cartoon entitled ‘The Flanders Sealion’ showing ‘Old Bill’ as a sealion with used mess cans and a flagon around him. See above for discussion on this cartoon as to its attribution. Drawn on a single leaf of sketch paper somewhat browned and creased approx 11x 7ins.

Lot 266

WWI – Bruce Bairnsfather (attrib) original cartoon entitled ‘Poor old Fritz’ showing a dishevelled and wounded German soldier smoking and looking wistfully at a German army cap in his hand. Presumably that of one of his dead colleagues according to the title which this cartoon was subsequently given (see below) See above for discussion on this cartoon as to its attribution. This cartoon was published with the title ‘Alas ! Poor Herr von Yorick – Fricourt July 1916.’ The attribution and title places this sketch firmly within the first few days of the Battle of the Somme – and suggests the popular belief that the ‘Great Push’ of the allied forces against the German positions would be an overwhelming success. Events were to prove a different outcome. Drawn on a single leaf of sketch paper somewhat browned and creased approx 11x 7ins.

Lot 267

WWI – Bruce Bairnsfather (attrib) original cartoon untitled showing a trench scene with an older soldier talking to a young lad and with the caption: ‘Up last Draft : ‘I suppose you ‘as to be careful ‘ow you looks over the parapet about ‘ere. Out since Mons ‘You needn’t worry me lad the rats are going to be your only trouble’. This cartoon was published in ‘Fragments from France’ with the additional title ‘The Long and the Short of it’. Drawn on a single leaf of sketch paper somewhat browned and creased approx 11x 7ins.

Lot 268

WWII sketch book containing a fine series of approx 12 coloured cartoons by an Italian prisoner of war in England during WWI dated 1943. The cartoons show prison life in a humorous way and are finely executed with an autograph inscription by the artist. Approx 10x8ins good condition. Together with a copy of ‘On with the Motley’ – a privately published series of cartoons by W Turner Lord featuring members of Headquarters No 2 Group in the British Army in WWII.

Lot 391

India – watercolour sketch Book of a Voyage to India Original painting book belonging to R Southey nephew of the poet Southey of various scenes on his journey to India around 1910 views include Alexandria 1910; Dead Sea Nov 1910; Narkanda; Shrine at Narkunda 1909; unfinished sketch of Aden and Aden Harbour; and a further 11 unidentified watercolour of hill scenes probably in India some loose binding splitting. Sold as seen. 29cm x 23cm.

Lot 535

* After Sir Joshua Reynolds PRA, British 1723-1792, 18th/19th century- "The Holy Family with the Infant St John", 1788-9; oil on canvas, 75.5x63cm Notes: In David Manning`s article in the Burlington magazine 1991 on Reynold`s oil sketches he notes that little is known about the working practises of the artist. Occasionally Reynold`s did make preliminary sketches in oil, one such is in the Tate collection; the sketch for `The 4th Duke of Marlborough and his Family` circa 1777. He rarely made preliminary sketches and they were always executed in oils `in a slight manner to determine the general effect`. In Giuseppe Marchi`s (Reynold`s studio assistant) sale at Squibbs on 30th June 1808 over seventy of Reynolds sketches were itemised and sold in lots of four or five.

Lot 102

MICHAEL LYNE (1912-1989) "Study of stags", pencil sketch, unsigned, 32.5 cm x 45 cm (ARR)

Lot 103

MICHAEL LYNE (1912-1989) "Study of a horse", pencil sketch, unsigned, 33 cm x 31 cm (ARR)

Lot 104

MICHAEL LYNE (1912-1989) "Study of racehorses", pencil sketch, unsigned, 36 cm x 45 cm (ARR)

Lot 137A

IN THE MANNER OF MYLES BIRKETT FOSTER "Children in a doorway looking at a cat with mouse on path with landscape rising beyond", watercolour heightened with white and body colour, in gilt slip titled "Birkett Foster, sketch", 16 cm x 24 cm (ILLUSTRATED)

Lot 198

L J "Jars, jug, onions and carrots on a stone ledge", still life study, oil on board with sketch of chickens feeding verso, initialled and dated `77, 12.5 cm x 16.5 cm (ILLUSTRATED)

Lot 85

ROSE HILTON A birthday card with an ink sketch of a young girl with her doll. Inside is a poem by William Sydney Graham and inscribed "With love from Roger and Rose".

Lot 161

JOSHUA CRISTALL Three washerwomen at a lake. Ink and pencil sketch. Signed. 10.5 x 15cm.

Lot 162

JOSHUA CRISTALL Cum Bucchau. Pencil sketch. Inscribed. 11.5 x 17.5cm.

Lot 264

MAURICE SUMRAY Seated nude with necklace. Pencil sketch. Signed and dated 1941. 35.5 x 25cm.

Lot 265

MAURICE SUMRAY Seated nude in an interior. Pencil sketch. Signed and dated 1941. 26 x 37cm.

Lot 296

MARGOT MAECKELBURGHE A greetings card with attached mixed media sketch on paper. Monogrammed. Inscribed within "To Terry (Frost) with much love and all our good wishes for a very happy and special birthday and a special person, Margot and Willie. 1990". 21 x 15.5cm.

Lot 373

SIR TERRY FROST R.A. Abstract sketch. Green crayon. Signed and dated `49 to the back. 10.5 x 13cm.

Lot 260

Stephen Ward pastel sketch of Sally Norrie.

Lot 572

Prints and pictures - tapestry and needle-point embroidery pictures; framed prints; floral pastel sketch

Lot 277

Geoffrey A. Stansfield (1933 - 2011) Nude signed, dated `89, charcoal sketch, 29cm x 41cm; another, 37cm x 57cm (2)

Lot 115

Meall (Louis A.). Great Yarmouth Illustrated in a Series of Twenty-Four Engravings, Including the Principal Objects of Interest in its Neighbourhood: With Letter-Press Descriptions Illustrative of Their History, Topography, & Antiquities, pub. Great Yarmouth, 1848, twenty-four eng. plts., occ. spotting, contemp. half calf gilt, some wear to extrems., large 8vo, together with A Calendar of the Freemen of Great Yarmouth, 1429-1800, pub. Norfolk & Norwich Archaeological Society, 1910, bound with orig. wrappers, contemp. half calf gilt with morocco label to spine, some fading, 8vo, together with Turner (Dawson), Sketch of the History of Caister Castle, 1842, num. eng. plts., occ. spotting, orig. blindstamped cloth gilt, rubbed, 8vo, plus In and About Ancient Yarmouth. A Portfolio of Reproductions of Old and Unique Pictures of Byegone Yarmouth, pub. Alfred Yallop, 1905, ninety-six b & w plts. (correct as list), orig. wrapper pasted to front pastedown, 20th-c. cloth gilt, faded in places, large 4to (limited edition 20/250 copies), and five other Yarmouth related. (9)

Lot 218

North America. Cowperthwait (Thomas), Map of the State of New York, Compiled from the Latest Authorities, pub. Philadelphia, n.d., c.1854, hand coloured engraved map, inset maps of Niagara, Rochester, Albany and New York, slight fraying and staining largely confined to margins, central fold strengthened on verso, 415 x 670 mm, together with Wyld (James), Sketch of the Recent Discoveries on the Northern Coast of America by Messrs. Dease & Simpson, 1840, engraved map with outline colouring, inset map of North America and Canada, 305 x 475 mm, mounted, with Melish (John), United States of America Compiled from the Latest and Best Authorities, pub. Murray, Draper, Fairman & Co., Philadelphia, 1818, engraved map with contemp. outline colouring, old folds, repaired closed tear, 415 x 500 mm, plus one other similar. (4)

Lot 285

* Walpole (Hugh, 1884-1941). Small head and shoulders pencil sketch of Hugh Seymour Walpole (HSW), in profile, light grey wash background, on paper, inscribed in ink beneath ‘Drawing of me by Mr. Darwin of Dryburn, Durham, made when I was twenty-one years of age. Hugh Walpole - 1939’, a few minor marks, 18 x 12.5 cm, desk frame, glazed. Hugh Walpole spent four years as a day boy at Durham School. He would have been twenty-one in 1905, some four years before the publication of his first novel. Dryburn House is a mile or two outside Durham which was for some centuries in the possession of the Wharton family, until a daughter married Charles Waring Darwin (cousin to Charles Darwin, the naturalist). This sketch was probably executed by the son, Charles John Wharton Darwin, born 1894, and so eleven at the time of this drawing. (1)

Lot 373

Thackeray (William Makepeace “M.A. Titmarsh”). The Irish Sketch-Book, 2 vols., 1st ed., 1843, half titles, engraved frontispiece to each, wood-engraved illustrations, light spotting to endpapers, hinges reinforced, contemporary green calf, neat old reback, 8vo . (2)

Lot 472

Tajima (Shiichi). Masterpieces by Motonobu: With Critical Descriptions, and a Biographical Sketch of the Artist, vol. 2 only, pub. Tokyo, 1904, b&w plts. throughout, a.e.g., orig. dec. cloth gilt with purple ties to spine, some rubbing, folio, (ltd. ed. 5/2000, signed by the publisher), together with Binyon (Laurence), Chinese Paintings in English Paintings, pub. Paris & Brussels, 1927, num. b&w plts. and illusts., orig. cloth gilt, rubbed, large 4to, plus Strehlneek (E.A.), Chinese Pictorial Art, pub. Shanghai, 1914, num. col. and b&w plts., occ. spotting, orig. gilt dec. cloth with ties to spine, rubbed and some spotting, 4to, plus forty-four other Chinese art related. (47)

Lot 667

KELL,C.F. (printer). Architectural Association Sketch Book, New Series, London, 1881-1893. in 12 vols. Lge. Fo. 1/2 leather bds. glt. titles. T.e.g. scuffed. Tog.with 2 additional volumes dated 1876, 1879. bds. det. 14

Lot 689

A FOLDER of Misc. Architectural Plates, mainly relating to Cathedrals, The Builder... Tog.with An Architects Sketch Book, 1853. 2

Lot 277

The Sketch, 1895, Country Life 1902, Country Life 1897-1898

Lot 120

ROBERT LENKIEWICZ blue biro abstract sketch with Studio seal 17cm x 10cm

Lot 121

ROBERT LENKIEWICZ pencil sketch of a figure with Studio seal 34cm x 16cm

Lot 243

A quantity of pictures and prints, and a sketch book

Lot 833

A vintage "Shoot" game; a David Nixon Conjuring set; an Etch-a-Sketch in original box; a solitaire

Lot 46

A Victorian decoupage scrap album, together with a school sketch book, etc.

Lot 166

Ruskin Spear (1911-1990). A study of the artist`s studio, pencil sketch, signed, 43cm x 30cm.

Lot 915

AFTER GAY O’NEILL Tina, a limited edition print; another similar Gay O’Neill print; Lee Gallagher, a pen and ink sketch depicting an abstract figure; a limited edition lithograph by Martin Ryan entitled St. Mary’s; a lithograph depicting Noonan’s pub front; a watercolour by Jeremy Williams entitled The Market, Limerick; an oval portrait of a young girl; and three other miscellaneous pictures. (10)

Lot 258

19thC officers sketch-wook by W.H.Grimston `Queens 13th Light Infantry` containing a large collection of mainly pencil sketches of African and Tribal scenes, as well as some home service and shipping drawings

Lot 648

A very interesting late 19th/early 20th century autograph album containing many signatures including that of Ivor Novello, with associated sketch.

Lot 2174

A double sided sketch by Benjamin Williams Leader and various other pictures.

Lot 456

SNAFFLES - A Half Century of Memories", 1950, with dustwrapper, and "My Sketch Book in the Shiny" (2 vols)

Lot 578

AFTER JOHN KING "The Croome & West Warwickshire Foxhounds, Leaving Aston Hays - White Ladies Aston", A limited edition colour print, no.132/250, signed in pencil by artist to margin, 35 x 49.5cm in moulded glazed frame (see label verso with sketch and names of hounds)

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