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‡ Wilfred Gabriel de Glehn RA (1870-1951) Sketch for Rhoda Studio stamp on stretcher verso numbered 37 Oil on canvas, unframed 76 x 63.5cm Rhoda was a life-model at the Slade School of Fine Art. She met Wilfrid de Glehn through his niece, Barbara Tebbitt, who studied at the Slade from 1925. ++Unlined, good condition, two nail punctures to lower margin, a little surface dirt and one or two spots of bloom
‡ Edna Clarke Hall (1881-1979) The Quayside; At the Window Two, both signed, one dated 1901 Both pen, ink and watercolour 22 x 22cm and 18 x 21.5cm (3) With a small sketch book by the artist, a Slade Centenary Exhibition catalogue of the artist's work and letters to Richard Smart Exhibited: D'Offay Couper Gallery, London, October 1971, Cat No. 21 and 34 Provenance: Alexander Gallery, Bristol, 22/1/73, No. 130387/18 Camden Fine Art, Bath Richard Smart ++1. Paper discoloured, a stain right side centre - probably original; 2. Several repaired tears, some staining, again possibly original
Sir John Lavery RA (Irish 1856-1941) Mr Sheriff, W. Lacon Threlford [A study for the presentation to His Majesty King Edward VIII of the Charter of the Master Mariner's Company] Signed and titled Oil on canvasboard, labelled Reeves' Dalston verso 50 x 35cm Provenance: Letter from Wakefield House regarding the presentation and the sketch Pawsey & Payne Ltd, London
MNA na hEIREANNA small collection including an Easter 1916 Memorial Card signed by Kathleen Clarke (widow of Tom), signed at rear by others including M[arie] Ffrench-Mullen, Nell Humphreys, Winifred Carney [James Connolly's secretary, who served with him in the Post Office] and [Dr.] Kathleen Lynn, medical officer to the Citizen Army; with a prayer card signed by Mrs. Pearse (mother of Padraic), 1930; an unsigned ink sketch of an actor in Celtic costume, well executed; and a leaflet headed 'English Horrors in Irish Jails', July 1918, signed at head by Sighle nic Amhlaoibh [niece of Michael O'Rahilly].As a collection, w.a.f. (1)
Dublin Indenture of 1804Weldon (James) Printed Indenture on vellum dated 4 January 1804, whereby James Weldon of Dublin, tin plate worker, grants premises in Westmorland Row, Ranelagh, to George Oakley of the same, gent. A lease for two lives of at a rent of £32. Bounds and dimensions given. Sketch map of the property attached. As a m/ss. (1)
Edith Oenome Sommerville, 1858-1949Pen & Ink Sketch: an illustration from "Further Experiences of an Irish R.M." L. 1908, page 256, approx. 28.5cms x 25cms (11 1/4" x 9 3/4"), signed with initials, mounted; Paddy, His first Landscape, approx. 18cms x 23cms (7" x 9"), signed with initials and dated August 1899, unmounted. (2)Provenance: The Coghill Family by descent to the present owner.
Edith Oenone Somerville, 1858 - 1949Wash on Paper: Sketch of head for The Goose Girl, (c. 1888), wash on paper, (5" x 4 1/2") signed, and with Exhibition label on reverse, gilt frame. (1)Note: The above is a study for the fine painting "The Goose Girl," presently on loan to The Crawford Gallery Cork, from Cork Corporation.Provenance: The Coghill Family, by direct descent to the present owner.
With Original Sketch by Jack B. Yeats To Colm O'LochlainnMac Greevy (Thomas) Jack B. Yeats, An Appreciation and An Interpretation, 8vo, D. (Victor Waddington Publication - Three Candles) 1945 - Lim. Edn. 250 Copies Only. Orig. cloth backed boards, now in special cloth bound clam case, mor. label. (1)* A unique association copy. Presented by the subject of the volume, the artist Jack B. Yeats, with a delightful sketch to the printer of the volume, Colm O'Lochlainn.
Original Drawings of Temperance Hall, SligoCo. Sligo: KILGALLIN (or Kilgallen), Patrick J., Architect - Three Architectural Drawings and a Watercolour Sketch for the Temperance Hall at Sligo (foundation stone laid 1903), signed, with four attractive watercolour drawings for door panels at same, all signed; also a perspective sketch for the 'New College' [Summer Hill College, Sligo], 1890, signed, and a photograph of the finished building; with some Kilgallin family documents, memorial cards, (including one of the Architect), a photograph probably of the family home, a postcard from the front (1915), etc.As a collection, w.a.f. (1)
Co. Waterford: Sketch Book: An interesting Anglo-Irish Sketchbook containing a variety of mainly humorous sketches of the pursuits of the gentry, possibly by Pauline Baron, whose permit to copy paintings at Pisa is laid in at front, with a letter to 'Dear Pauline' from F. Villiers-Stuart mentioning Frances De La Poer and others. The drawings, in a straightforward attractive style, include vignette drawings of faces at the Jubilee Review, Aldershot 1887, Waterford tennis tournament 1893, Pic Nic to Bignor, September 1890, Bee hunting at Woodlands 1891, and similar subjects, an evocative record of bygone days and customs. In a much worn quarto album, pages loose, upper cover almost separated, would benefit by some loving care. (1)* Baroness Prochazka, was a member of the Watercolour Society and lived for a time at Lyrath Kilkenny.Provenance: Lyrath, Kilkenny.
Irish Travel: Head (Sir F.B.) A Fortnight in Ireland, 8vo L. 1852. First Edn., fold. map frontis, 16pp cat. at end, fine in orig. cloth; [Thackeray (W.M.)] The Irish Sketch Book, by Mr. M.A. Titmarsh. 2 vols. 8vo L. 1845. Second Edn., hf. titles, 2 frontis, text illus., fine in orig. cloth. (3)
Alternative Design for O'Connell Monument, 1864Daly (Malachy) A fully worked and very competent submission for the O'Connell Monument competition, 1864, submitted by Malachy Daly from a Rome address, including an attractive and very detailed drawing with watercolour of the elevation facing Carlisle [now O'Connell] Bridge, scale 1/2 inch to a foot [circa 38" x 21", two sheets joined together], with attendant side-figures and lettering, signed; also a smaller sketch, 19" x 9" a detailed plan in ink and watercolour, 16" x 14 1/2" and the printed competition prospectus.Daly's entry is numbered 29. he was not successful; indeed no entry was selected, and the commission was awarded to John Henry Foley, who declined to submit himself to competition. Foley was soon very busy with the Prince Albert Memorial in London, and the O'Connell memorial was eventually completed by his assistant. Daly was of Co. Galway stock. (1)
Economic Pamphlets: Woodfall (Wm.) An Impartial Sketch of the Debate in the House of Commons of Ireland, on a Motion made ... 1785 .. by the Rev. Thomas Orde, .. for leave to bring in a Bill for Effectuating the Intercourse and Commerce between Great Britain and Ireland, on permanent and equitable Principles, for the mutual Benefit of both Countries. 8vo D. n.d. [1785]. First Edn., [2], 200, [24]; Bound with Free Thoughts upon the Present Crisis, in which are stated The Fundamental Principles upon which alone Ireland can, or ought to agree to any Final Settlement with Great Britain, In a Letter from a Country Gentleman... 8vo D. 1785. First Edn., 69pp, calf, worn. (1)
With Original Pencil SketchClarke (Harry) RHA [1889-1931] The Year's At The Spring An Anthology of Recent Poetry compiled by L. D'O. Walters and Illustrated by Harry Clarke, with 24 plates (12 in colour). Brentano's, New York, 1920, quarto, first edition, one of the limited edition of 250 copies signed by Clarke, in a fine decorated vellum binding, t.e.g., other edges untrimmed. A superb copy virtually in original condition.With an original pencil sketch by Clarke for one of the plates in the book (Alice Meynell's 'The Shepherdess'), showing the lady with her sheep, a line of poplars in background, 9 ½ ins x 7 ins, framed and glazed. The drawing is not identical with the finished plate (in which the poplars are replaced with a stream), but is clearly a preparatory study. (2)
A rare Elsa Schiaparelli couture military inspired evening coat, 1935, Schiaparelli London label, numbered 26519, of heavy red twill 'Rouge Gaulois' wool by Ducharne, the triangular front yoke with six pendant gilt curleque buttons, designed by Jean Cocteau, with unfinished, top-stitched seams, half lined in red silk, bust 86cm, 34in The wool used in this coat is redolent of British Horse Guards uniforms. The stiffness of the fabric emphasises the severe, clean lines of the tailoring.Provenance: Margaret Allsopp, a beautiful Canadian socialite who lived in London and thence by family descent.See 'Elsa Schiaparelli: Empress of Paris Fashion' by Palmer White pp98-99, for a reproduction of a Christian Berard sketch of the coat which is accessorised by fingernail gloves, face-mask fan and a snood.See 'Shocking!' by Dilys Blum pp101-2 for illustrations of this model.The Metropolitan Museum has an identical coat, accession no 2009.300.2625. CONDITION REPORT: Exterior is fresh and good, nice even colour. Very, very slight soiling to hem edge (minor). Buttons are good. Coat is half lined in silk. Lining has split and perished generally - mainly centre back fold area, underarms and cuffs. Overall the piece is good condition
An original Yves Saint Laurent fashion sketch, Spring-Summer 1977 couture, signed, pencil and ink, the model's ensemble with wide sash tied low on her hips, 12 by 32cm and in frame; together with original newspaper feature, dated January 26th 1976 (2) Provenance: The sketches lots 17-19 were specially commissioned by Helena Matheopoulos for her fashion feature in the Daily Express 'Eye' supplement. CONDITION REPORT: His signature in red has partially faded. The paper is discoloured at the top and bottom edges where it has been glued onto yellow sugar paper mount. Newspaper has yellowed with age. Faint brown discolouration to right edge. Mounting paper is stained and worn.
An original Yves Saint Laurent 'Russian Collection' fashion sketch, Autumn-Winter 1976-77, signed, pencil and ink, the model's ensemble with waistcoat, tasselled hat and wide belt, 12 by 32cm and in frame; together with original newspaper feature, dated April 5th 1976 (2) CONDITION REPORT: Sketch in good condition, upper edge with faint grey line probably from glue on reverse. Newspaper has yellowed from age.
A Jeanne Lanvin couture eau de nil organza summer dress, probably Summer, 1931, un-labelled, the skirt insert with tulle circles, with matching capelet, bust 92cm, 36inThis gown is similar to the 'Arabebsque' model Summer 1931 which is believed to be a collaboration between Jeanne Lanvin and Sonia Delaunay, where they experimented with geometric shapes. See 'Lanvin' Palais Galliera p311 cat 96 for a fashion sketch. Also see 'Femina' August 1931, for a Lanvin gown with skirt inset with similar circles.Provenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: Perspiration stains at underarms, tulle areas in need of conservation, brown droplet stains down front right skirt area above hem. Small spot stains and discolouration over shoulder on matching capelet. Waist seam needs re-stitching approx. 3cm.
GUILLERMO MEZA (MEXICAN 1917-1997)Yo, Sacerdote del Viento, 1964oil on canvas70.5 x 60 cm (27 3/4 x 23 5/8 in.)signed and dated lower right; signed, titled and dated on verso, additional oil sketch of a plant on versoPROVENANCEGaleria Merkup A. C., Mexico CityCollection of Kurt and Diana BerciThence by descent to the present owner
MARSHALL M. FREDERICKS (AMERICAN, 1908-1998), BRONZE SCULPTURE, H 10 1/2", W 13", D 5", "SPIRIT OF DETROIT"Was the original sketch model for the "Spirit of Detroit", presented to Frederick C. Matthaei, Sr., October 13, 1960 (see photo details); signed. Estate of Frederick C. and Malora Matthaei.- For High Resolution Photos visit Dumouchelles website.
Slipper's ABC and four illustrated books on fox hunting and country pusuits. Somerville, Edith. Slipper's ABC Of Fox Hunting, London, 1903. Elephant folio, 20 colour plates by the author. boards and spine very worn, interior very good; Ross, Martin and Somerville, Edith, A Patrick's Day Hunt, London, 1902, condition, very good.; Edwards, Lionel, My Irish Sketch Book, London, 1938; Armour, G.D. A Hunting Alphabet, An A B C. London, 1929, condition, very good; and Caldecott, Randolph. Last "Graphic" Pictures, London, 1888, condition, good. (5)
GIBRAN KAHLIL: (1883-1931) Lebanese-American Artist & Poet. A charming original pencil drawing, heightened in watercolour, signed ('KG') by Gibran with his initials at the foot, on the verso of a folded 4to sheet (effectively therefore 8vo), the recto of which bears the printed heading of The Imported Grocery Co., of Gloucester, Massachusetts, n.p., n.d. Gibran's attractive drawing depicts a female nude standing in a three quarter length pose, her arms raised above her head as she holds an infant child on her right shoulder. Two further pencil studies appear in the margins, one of the lower part of an arm and the other showing the outline of a small child. Accompanied by an A.L.S., Barbara Young, by Henrietta Breckenridge Boughton (1878-1961, Gibran's secretary and companion from 1925 until his death), one page, 8vo, New York City, 26th April n.y. (1931), to Mr. Isham, on the printed stationery of the Grand Hotel. Young states 'You have been many times in my thoughts since the hour you spent with the great pictures in the Studio' and continues 'All that is now over. We are sailing May 4th….for England, then the continent and eventually Syria. The pictures will go almost intact to Beshari', adding that some will remain in the Metropolitan Museum in New York. Young further adds 'I am sending you a sketch which Gibran once sent me in a letter - and was therefore….by his own hand. This is my recognition of your beautiful understanding of his work.' A large, neat tear runs diagonally across the upper third of Gibran's drawing and has been repaired to the verso. Young's letter with some extensive, neat splitting to the folds, partially repaired to the verso, and with a few small tears and signs of age wear to the edges, G, 2 Gibran had died in New York City on 10th April 1931 at the age of 48, just over two weeks prior to Young's letter transmitting Gibran's original drawing. In the present letter Young makes a reference to Bsharri ('Beshari'), the birthplace and final resting place of Gibran, and the location of The Gibran Museum. Kahlil Gibran is regarded as a literary and political rebel, most famous for his 1923 work The Prophet, an early example of inspirational fiction which was especially popular during the counterculture period of the 1960s. Gibran's romantic style was at the heart of a renaissance in modern Arabic literature. In Lebanon he is still celebrated as a literary hero and is the third best-selling poet of all time, behind Shakespeare and Laozi.
A WW1 military lot related to D. H. Pratt to include; framed exam result sheet for admission to the Staff Colleges at Camberley and Quetta, two Royal Military College 1911 photographs, two wedding photographs plus another, bust length portraiture by Chase Studios and another later bust length sketch print and 1952 dated document of promotion to Officer of the Home Guard.
Charlotte Audrey Fawley (British, b.1934) Sleeping Beauty, contemporary depiction of feline ballet dancers, bodycolour and silver marker, entitled, signed and dated '86, framed and mounted under glass, 43 x 36 cm, together with one other similar framed work by the same artist 21 x 28 cm, and three further unframed examples, one incorporating a foiled paper collage, each approximately 28 x 42 cm (5) Charlotte Fawley graduated from the Blackpool School of Art and worked for two years as a publicity designer with the Manchester Guardian Newspaper. Following this role she moved to London where she split her time between working as a book illustrator and working as an art director for some of the UK's leading advertising agencies, including Young and Rubicam, Collet and Dickinson and Pearce. A major part of Fawley's oeuvre has since been involved in the world of theatre, namely ballet and opera, where she continues to sketch rehearsals at the Royal Opera House Covent Garden as an invited artist.
A watercolour sketch entitled - On the Windrush - authenticated by Lady Holmes 1937 to be by her husband Sir Charles John Holmes verso 1868-1936 - 26cm x 35cm - tear to edge, unframed, NOTE- in 1900 Holmes began exhibiting with the N E A C, he became a director of the National Portrait Gallery in 1909 and moved to be director of the National Gallery in 1916, he was Knighted in 1921
Quantity of Doctor Who Cyberman Items, including boxed Character 12inch Action figure, Animatronic Cyberman (loose in box) Doctor Who age of steel Cyberman figure set, Action figure series 2 wrecked Cyberman, Limited Edition collector bust, 2 x Etch A Sketch, Shower radio, 2 x Air freshener, 4 x sweet filled money box heads and two pencil cases (15 items)
K DIX; gouache and pencil sketch, "Bosham Harbour (near Chichester)", signed to lower left, dated verso, 1989, 28 x 51.5cm, and LINDA POGGIO; ink pen and watercolour, view of Looe, signed, titled and dated to lower right, 1973, 29 x 45cm, both framed and glazed (2). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
Local Interest - Bray (William, F.A.S.), Sketch of a Tour Into Derbyshire and Yorkshire; Including Part of Buckingham, Warwick, Leicester, Nottingham, Northampton, Bedford and Hertford - Shires, second edition, B. White, London 1783, vii + [i] + 402pp, complete with antiquarian engraved plates as issued (9), late 19th/early 20th century watered buckram boards, with MS Derbyshire index inserted, 8vo; Glover (Stephen), The History and Gazetteer of the County of Derby [...], Edited by Thomas Noble, Esq., Henry Mozley and Son, Derby 1831, viii, xiv, 365, 110pp, contemporary cloth boards, 4to; Sutton (John F.), The Date-Book of Remarkable and Memorable Events Connected With Nottingham And Its Neighbourhood 1750-1850, Simpkin & Marshall, London 1852, contemporary half-leather, 8vo; Adam (W.), The Gem of The Peak [...], fourth edition, Longman & Co., London 1845, 12mo; White (Francis, & Co), History, Gazetteer and Director of The County of Derby, With The Town of Burton-Upon-Trent [...] Directory of The Borough of Sheffield [...], James Ward, Sheffield 1857, contemporary leather spine and cloth boards, 8vo; Lloyd (Rev. John), Thesarus Ecclesiasticus [...], Lockyer Davis, London 1788, xi, 504pp, contemporary calf boards, 8vo [6]

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32316 item(s)/page