We found 32316 price guide item(s) matching your search

Ink sketch of a young boy with sand castles on a beach, indistinctly signed 4½ x 6in. (10 x 15cm)

Walt Disney (1901-1966) American Animator, autograph in orange crayon, and a Ward Kimball (1914-2002) American animator and one of Disney`s Nine Old Men, sketch of Mickey Mouse with caption `This Is Not Bugs Bunny!` with signature below, mounted and in a single framed, 33 x 41cm

Spike Milligan pen sketch inscribed "A man can`t have everything - where would he put it" 8 x 5in. (20 x 13cm)

English School (late-19th / early 20th century) The Introduction pen, ink and watercolour sketch on grey paper pasted onto board 11 x 15in. (28 x 38cm.), another pencil sketch pasted verso, together with another double sided charcoal and chalk sketch of ladies by the same hand, and a 19th century pencil portrait of a lady, all unframed. (3)

Pierre Eugene La Coste (French, 1818-1908) Reclining female nude charcoal and chalk sketch on grey paper, dated 1860 7 3/8 x 12½in. (18.75 x 31.75cm.), unframed; together with five other pencil and charcoal portrait and figural studies by the same hand, one framed; and a pen and ink and wash drawing of a courting couple in an interior by Paul Emile Detouche (French 1794-1874), 4 3/8 x 4 1/8in. (11 x 10.5cm.). (7)

Bryan Hanlon (British, b.1956) Studies of Spectacled Bears watercolour and pencil, signed, inscribed and dated Spring `88 7 x 10½in. (18 x 26.5cm.) * This is a sketch for the Jersey Wildlife Preservation Trust 25th Anniversary poster of endangered species.

Bryan Hanlon (British, b.1956) Studies of "Jambo" watercolour and pencil, signed and inscribed lower right "`Jambo` J.W.P.T. Spring `88. Sketch for the 25th Anniversary poster" 7 x 10 3/8in. (18 x 26.5cm.)

English School (mid-19th century) A portrait of a Russian Guard, full length pastel, black chalk and bodycolour, inscribed and dated lower right `1st sketch from nature at Charlemagnes, St. P. Decr. 2. 1859` 13½ x 9¾in. (34.25 x 24.75cm.) * `Charlemagnes` probably refers to the studio of Adolphe Josefovich Charlemagne, one of St. Petersburg`s foremost artists in the mid-19th century, undertaking official commissions for Alexander II and awarded the title of Artist of His Imperial Majesty in 1875.

William Marlow (British, 1740-1830) Study of a man walking with a cane watercolour on octagonal paper 4¾ x 2½in. (12 x 6.5cm.); together with two other similar figural studies by the same hand, all bearing St. Helier Galleries labels verso, all framed; and a sketch of two French dandies conversing, pen and ink and wash, inscribed `Beau Tracy 1750`, 6 x 7 3/8in. (15.25 x 18.25cm.), unframed. (4)

Sir David Wilkie, R.A. (British, 1785-1841) A portrait sketch of Helen Fansen pencil, signed with initials `D.W` and inscribed to lower corners, unframed 11¼ x 6½in. (28.5 x 16.5cm.); together with three other portraits of ladies, including one in pencil and pastel by Benjamin Burnell, a pencil drawing of a lady seated painting dated July 1827 and a watercolour sketch signed `E. de Blaas`; and a sepia watercolour by G. Mattia of a classical scene, all unframed. (5)

A small collection of Third Reich passbooks etc, including R.A.D., Heer (Army), Personal Ausweis (British Zone), a copy of `Mein Kampf`, English translation April 1942, a Kriegsmarine booklet, three photocards of Adolf Hitler, a pencil sketch of a German bandsman, signed and dated `13-8-1943`, and a pencil sketch of a lady, signed and dated `8-8-1943`, contained in their cardboard tube, and a small framed photograph of a Luftwaffe officer.

Paul Taggart: crayon and wash sketch "Boats in Wales", 12½" x 16", signed with monogram, another watercolour painting of a flower; 4 prints

A group of four watercolours, including sheep in a landscape by a follower of Samuel Palmer, a pencil and wash sketch of a cathedral, cattle crossing a bridge, and a flower urn on a terrace, various sizes.(4)

Leonor Fini (1908-1996), Scene Mythologique, pen and ink heightened with white, signed, 37cm x 29cm.; together with another ink sketch by the same hand.(2)DDS

A late 19th Century Scrap Album, containing a number of watercolours and drawings by different hands, the inside cover inscribed Sarah F Hewett, a number of pen and ink and watercolours drawings attributed to Francis Wheatley RA, British 1747-1801, three of which entitled "Henrietta Vol 2 Book 5 Chap 4", "Theodosius & Constansia" and "Pamela Vol 4", 11x6cm., (two) and 9x7.5cm; together with two further pen and ink and watercolour studies of classical scenes, ovals, 8.1x6.3cm., ea., a study of a group of figures, tondo, 6.5cm., dia, a drawing en grisaille of three figures in an interior, oval 8.4x6.9cm., and a further 6 ornamental studies of decorative cartouches in pen and grey black ink and wash possibly by the same hand, average 14.3x9.5cm: a further number of watercolour, pencil and charcoal studies by and attributed to different hands, to include J a inter, George Cattermole, F Taylor, Octavius Oakley, W Page, J Pyne, W Hunt, J Baker and others; a watercolour sketch inscribed `Mr Prout at Sydey (sic) N S Wales with Mr Earl`s compliments`, sheet size 16.7x14.6cmoverall

Small framed pencil sketch of a lady, indistinctly signed, bearing exhibition label, 10ins x 7ins

Attributed to Harry Becker, oil sketch, landscape, bearing stamp verso, 13ins x 10ins

Alan Roe, watercolour of Duntisbourne Rouse, Cotswolds and another watercolour by the same artist, Tunworth, Hants, a monochrome watercolour of a sailing ship, pencil sketch of a nude female and four various large oils

15 various makes including Tri-ang Minic clockwork Sherman Tank, Dinky Centurion Tank 651, Dinky Talbot-Lago Racing Car 23K, 3 x Dinky aircraft 734/736/737, Dinky Army 1-ton Army Truck 641, Britains Anti-Aircraft Gun, Chad Valley Escalado horse race game with Daily Sketch, 3 December 1962, Bayko Building Set plus Converting Set 1x, Lesney Yesteryear Bentley 4.5 no 5, etc. Most items boxed, some wear/damage, items QGC to VGC.

Three original poster designs and a bust portrait sketch

Leonard Raven-Hill (1867-1942) - Up to Date, cartoon study for Punch, pencil, signed lower right, 22 x 25cm; and one other by the artist - Impressions, ink sketch, monogrammed lower right, 13 x 19cm (2)

WEST GERMANY AUTOGRAPHS A 7" x 5" colour hand signed photo of Uwe Seeler in Hamburg kit and a hand signed postcard of a sketch of Uwe Seeler in Hamburg kit, a 5.5" X 4" hand signed colour photo of Helmut Haller and a 8.5" X 4.5" signed by Gerd Muller. Good

Thomas Sidney Cooper (1803-1902) Cattle and sheep beside a pond Inscribed on the frame, signed and dated 1855 verso, oil on panel, 22.5cm by 30.5cm Provenance: The Brodrip collection and bearing the wax collector`s stamp verso Fairly good condition, it is clearly an oil sketch. It has reasonably painted areas in places with some light minor paint shrinkage and crackelure, discoloured varnish and dirt. The original gilt plaster frame is a little rubbed as well as the original gold leaf slip (220113)

Philip Naviasky (1894-1983) Portrait of an Aboriginal girl wearing a yellow blouse Signed, oil on canvas board, unfinished, 61cm by 51cm A preparatory unfinished sketch, a charcoal line running from top to bottom on the right edge done purposefully by the artist. Small drawing pin hole in the top right corner, it does have some surface dirt but this is minimal. Contained within a good quality, possibly London made, plaster and wooden frame with a decape finish and inner canvas slip (240113)

A George III Mahogany Cellaret on Stand, by Gillows, circa 1790, the hinged domed lid crossbanded in tulipwood within boxwood strung lines, enclosing a compartmentalised interior, with original brass carrying handles, stamped Gillows Lancaster, the lock by J Bramah, the stand of fluted form with flowerheads at each corner, on plain brass cappings and castors, 59.5cm by 46cm by 78cm The stand formerly reduced in height, but now raised to its original dimensions using the 1788 Gillows sketch and 18th century mahogany; the interior compartments re-arranged but retaining the original timbers. From 1789/90 until the mid 1790`s Gillows used two blocks, such as used on the present cellaret, to make the stamp GILLOWS LANCASTER, which narrows its date of manufacture to c. 1790 - 1795. This drawing of the cellaret is retained in the Gillow Archives housed by the City of Westminster Archives Centre, volume 344, number 94, pages 238-239, published in 1787-1788. It is described as a Guardevine with trunk to hold 9 bottles, with a loose frame, rail flutes and taper legs with lid. The estimated costs are given as follows: Feb 14th 1788 - a Guardevine with trunk lid; 8 ft of ¾ inch mahogany and birch vin[ee]r - 10s 9d; 2½ ft of 1 inch mahogany - 4s 4½d; 2 ft of ¼ inch mahogany the same - 2 s 2d; 1 ft of 1 inch ditto the legs - 10½d; 2? ft of ½ inch ditto the bottom - 1s 1¾d; 1 pair of stop hinges - 1s 0d; 1 lock and escutcheon - 1s 5d; 1 pair of lifting handles - 2s 2d; 1 sett of sockett castors ? inch - 2s 6d; 1 small cock - 5½d; 3 dozen of ¾ inch and ½ inch screws - 4d; 17 pound of lead at 3d per pound - 4s 3d; Lining ditto Mr Stewart - 5s 9d; Making ditto Henry Walling, Compute - 19s 6d; Rails fluted & carved rows per Mr Gibson - 4 s 9d; Total cost: £3 1s 3½d. Henry Walling was apprenticed for 7 years from 5.3.1770 to Henry Baines and William Bruce, cabinet makers of Lancaster. He became a freeman in 1779-1780. In 1785, with 32 other workmen, he signed the Gillow wage agreement. His work is recorded at Gillows from c. 1785-1796. Henry Gibson (1736-1797) was apprenticed to Christopher Walker, joiner and cabinetmaker of Lancaster, from 10.6.1753. He probably began working for Robert Gillow & Son on completing his apprenticeship. He was described by Richard Gillow in December 1789 as their best carver. Note on Joseph Bramah: Originally a cabinet maker, Joseph Bramah (1748-1814) patented a lock in 1784 which, due to its complex design, remaining unpicked for more than 50 years. As such it was a popular choice for pieces of furniture which held valuables, such as fine wine. Note on Gillows: Gillows and the furniture they made are renowned for several reasons. First, the quality of construction is considerably higher than that of the majority of contemporary cabinet-making firms. Second, with the firm`s proximity to the port of Liverpool and the trading links to the West Indies, the firm was actively (and very profitably) engaged in the importation of not only top quality mahogany, satinwood and other timbers, but also in the sale of British goods to Jamaica and the importation of other West Indian produce for sale in Britain. Third, the innovation of their designs and the preservation of the designs` uniqueness were highly important to the success of the business. If a pattern book was published, its designs were anyone`s (a problem often encountered when attempting to attribute furniture without a secure provenance to Thomas Chippendale). Because Gillows never published their designs, they were always striving for novelty and protecting their patterns from industrial espionage. Gillows` sober and restrained designs, the exceptionally high quality of timber and workmanship, and the exclusivity of their patterns have contrived to create in Gillows the quintessential English cabinet-making firm of the late 18th and 19th century. Good colour and condition throughout. Top with very minor bruising, all consistent with age. Very fine natural split on brackets and stand. Rejoined (as full catalogued). Small bruising around legs, fluted frieze and moulding consistent with age. 080313

A Royal Worcester Artist`s Proof Copy Porcelain Figure ``Red-Breasted Nuthatch on Oak``, by James Alder, RW3997, from the North American Birds Collection, black printed crown and wheel mark and copyright 1977 (no number as artist`s proof), 29.5cm high, with certification that James Alder modelled Red-Breasted Nuthatch on oak for Royal Worcester. This is the artist`s proof copy presented by The Royal Worcester Company to the artist, signed by the artist, and numbered RW3997, also sketch impression of the model, and a further page of sketches dated Sept 2 1976, and a photocopy of the Royal Worcester brochure, contained in secure wooden and cardboard case; and Another, ``Chestnut Collared Longspur on Prickly Pear``, RW3995, 19.5cm high, sold with single pencil sketch for this group and certification, cased (2) Nuthatch - appears good throughout. Longspur - similar to proceeding. Due to the incredible fragility and delicacy of these pieces the prospective buyer must satisfy themselves as to the condition of the same. Not subject to return. 290013

A Royal Worcester Artist`s Proof Copy Porcelain Figure ``Dickcissel on Sunflower``, by James Alder, RW3993, from the North American Birds Collection, black printed crown and wheel mark and copyright 1977, 37cm high, with pencil sketch by the artist dated Aug 2 `76 and photograph of the wax model, as well as certification that James Alder modelled Dickcissel on sunflower for Royal Worcester. This is the artist`s proof copy presented by The Royal Worcester Company to the artist, signed by the artist, and numbered RW3993, also sketch impression of the model, and a further page of sketches dated Sept 2 1976, and a photocopy of the Royal Worcester brochure, in protective case; and Another, ``Ruby Crowned Kinglet on Cypress``, RW3996, 14cm high, with two pencil sketches, one of the bird and one of the Cypress and related foliage, with certification and Royal Worcester brochure Dickcissel - appears good throughout, but due to the incredible fragility and delicacy of these pieces the prospective buyer must satisfy themselves as to the condition of the same. Not subject to return. Kinglet - appears to be one chipped leaf on the rear Cypress twig. Due to the incredible fragility and delicacy of these pieces the prospective buyer must satisfy themselves as to the condition of the same. Not subject to return. 290013

A sketch/autograph album, amassed by J M Benjafield, contains a sketch of two figures, signed by Bruce Bairnsfather See illustration

A 1920's leather bound autograph and sketch book with G.K. Chesterton's autograph.

Assorted prints to include 'Sorry for the Kippers'; 'H.M.S. Sheffield' - Philip West (not signed); Sketch of Railway Porter - Crewe Station - P. Greensmith (not signed); Photo of four ships; 'H.M.S. Lancaster photo 1997'; Photos of Aircraft Carriers in Malta, Victorious 1940 / Ark Royal 1938 / Ark Royal 1955 H.M.S.Eagle 1924 / H.M.S. Eagle 1951 / Idomitable 1940 Illustrious 1939 / Bulwark 1950 / Hermes 1959; Photos H.M.S. Tumalt and Princess Iris 1945; Photo H.M.S. Hood; Miscellaneous black and white photos of Ships of the Fleet

A sepia sketch of two owls perched on a branch; two framed prints. (3)

Collectables: Illustrated London News, original foolscape advertising circa 1900s, two A3 folders with 48 and 38 full page colour adverts including Cadburys, OXO, Sunlight Soap Mazawatte Tea and others, a few from the Graphic and Sketch, circa 1891-1909 mainly 1900-1903, sold with five `Welcome` and one `Secrets` magazines circa 1958 (gd/vg)

ROBERT LENKIEWICZ (1941-2002) pencil sketch two head portraits, signed, 23cm x 16cm

ROBERT LENKIEWICZ (1941-2002) signed pencil sketch `Workman`s Café` circa 1960, 24cm x 18cm

ROBERT LENKIEWICZ (1941-2002) pencil sketch circa 1970 `Portrait of a Man`, signed, 33cm x 21cm

Charles Handrup (early 20th Century)Autographed profile silhouettesSigned on a sketch verso and dated Feb: 4th 1919285 x 220mmWith a further silhouette of a gentleman standing by the same hand (2)++A few minor blemishes

Arthur H. Davis (fl. 1871-1893)Branksome Chine Bournemouth; In the Talbot Woods, BournemouthA pair, both signed and dated ~86, the first also inscribed Sketch Branksome Chine, both also signed and titled versoBoth oil on boardEach 32 x 22cm; 12½ x 8½in (2)++Good condition, could be enhanced by a light clean

Owen Dalziel (1860-1942)Ladies seated on a beachSigned, with a further sketch of a coastal view versoOil on panel, unframed24 x 17cm; 9½ x 6in

Matsumi Kanemitsu: a pen and ink sketch of a nude, 16 1/2" x 12 1/2", in linen lined strip frame

Attributed to Perch Lancaster, `Catherine Hay`, monogrammed, monochrome and pencil, 15 x 23cm, `Welsh Springer Spaniels`, lithograph after Scott Langley, and a pen and ink sketch of the zodiac sign `Pisces`, 15 x 21cm

A pencil sketch of a young girl inscribed Rosie together with a watercolour of a lady in period costume

JOHN HENRY HENSHALL (1856-1928) Farther on `Mither baith` signed `Henry Henshall R.W.S.` (lower right) watercolour 10 1/2 x 6 1/2in (26.7 x 16.5cm); and a watercolour portrait sketch as by William Hunt depicting A Boy Reading, two (2)

A collection of five figural scenes to include a framed and glazed charcoal sketch by Claude Rogers, an oil on board of a sleeping nude together with two other oil on canvas examples and a pastel village scene (5)

A fine gilt framed late 19th century pencil sketch of a nude male signed and dated lower right

A gilt framed pen sketch of various females drawn on L`hotel Lancaster Paris headed paper.

A gilt framed pencil sketch of fishing boats on the sand banks circle of Joseph Stannard.

A framed pencil sketch on the road to Wendover signed Dobson (Margaret Sterling Dobson) details enverso.

Pr gilt framed prints taken from `Albert Hendschels Sketch Book 1880`

A Edwardian autograph and sketch album, containing drawings, silhouette of children, humorous cartoons, and a schoolboy stamp album (2)

Beilby, Knott and Beilby - An historical and descriptive sketch of Birmingham, 1830.

PACE, INTERIOR OF BRAMWITH CHURCH, YORK, pen, ink coloured crayons and charcoal sketch of the proposed new ceiling, signed and inscribed, framed and glazed, 23cm by 29cm. Note: this is an architectural drawing for a restoration

HENRY WILLIAM BUNBURY (1750-1811) THOMAS BRETHERTON ‘MARCH 1782’ ON HORSE BACK, pencil, pen and ink sketch, signed and inscribed, in a maple & gilt frame, 23cm by 25.5cm

A pencil sketch portrait by Robert Buhlar, 10.5 x 13cm, and two 18th century sepia stipple engravings.

Alistair Gordon, Amy Reading Kenneth Clarke's "The Nude" a pencil sketch signed and dated 1995.

An interesting Edwardian sketch and prose album inscribed "Ethel Bertha Sayer Jesmond Newcastle on Tyne 1901", with numerous poems, good luck messages, sketches etc.

VALERIUS de SAEDELEER (1867-1941); oil on canvas, Cardigan Bay, Aberystwyth, mounted in arched slip, signed lower right, framed and glazed and another by the same artist; pastel and pencil preparatory sketch, a house in the artists village, signed twice lower right, with arched mount, 20 x 40cm and 23.5 x 31cm, framed and glazed. Provenance: During WWI the family of the vendor housed numerous refugees in Aberystwyth. It was during this time they befriended Valerius de Saedeleer. The first painting was executed whilst de Saedeleer was staying in Aberystwyth, and given, along with the second painting reputedly of his own house in Belgium, as a token of thanks before he left. CONDITION REPORT: Cardigan Bay - contains strong colours, good and original with original backing and appears in very good condition, The other has seen water damage. This has altered the colours in the image and has rippled the canvas which is laid on board and shows surface wear. There are also nail holes to each corner where it has been tacked to the mount.

James Ensor (1860-1949) Ink Bottle, Pencil graphite drawing on paper, ""James Ensor (1860-1949) Ink Bottle, Pencil graphite drawing on paper, Signed lower right. From sketch book #18. On verso, scribbling in ink, cartouche with erased writing. Sheet dimensions: h: 9.875 x w: 6.34 in. Provenance: Dr. and Mrs. Robert Schermer, Shaker Heights, OH. Janet and John E. Marqusee Collection, Far Gallery NY. Starting Price: $1800

Two Illustrations by James Moore Preston (1873-1962), 20th Century, ""Two Illustrations by James Moore Preston (1873-1962), 20th Century, Watercolor, graphite, and chalk on paper. One depicting a London street scene with additional sleigh riders sketch on frame backing, and another depicting tourists with a tug boat. Largest dimensions: h: 10 x w: 8 in. Starting Price: $30

Collection of Sketch Books and Watercolours: To include Olle Hemmarsten The Bar at Spa Hotel, Album 1910-11 with 17 Drawings/Watercolours, 2nd Album 1920 with 26 Drawings/Watercolours together with some loose Illustrations (All ideal for framing separate)

Brackenbury (George). The Campaign in the Crimea: An Historical Sketch, illust. William Simpson, First & Second Series, 1855-56, eighty-one tinted litho. plts. (inc. addn. tinted litho titles), scattered spotting, a.e.g., modern morocco gilt, large 8vo (2).