Signed photograph of Francis Edward Younghusband, dated 1886-7, letter signed by Col. Vickers, map and other ephemera related to the Tibet Mission 1903-04: 1904 mounted Waddell's Plan of Lhasa, March 1904; Skeleton Map of Sikkim, 1903; Sketch Map from Sikkim to Lhasa, 1903; Sketch Map of Bhutan, Sikkim and a portion of Tibet, 1903; cloth Sketch Map of Communication in Sikkim and Tibet, 1904; cloth route Sketch Map Tuna to Gyang-Tse Jong by Hazrat Ali, 1904; Skeleton Map of Tibet, 1903; Native Route Report Gyantse to Lhasa; mounted Extracts from staff diaries of the Tibet Mission Escort as reported by The India Gazette dated November 12, 1904 pp. 844-853
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Woolf (Virginia).- Palmer (Herbert Edward) The Judgement of Francois Villon, 'out of series' copy from an edition limited to 400 copies, loosely inserted publication notice and limitation note both in Virginia Woolf's hand in purple ink, original parchment-backed boards, dust-jacket, browned, 1927 § Hamnet (Nina) Laughing Torso, first edition, signed presentation inscription from the author to Otto Theis, plates, light foxing, original cloth, dust-jacket, chipped and torn with tape repairs, New York, 1932 § Van Doren (Carl) Sinclair Lewis. A Biographical Sketch, first edition, signed presentation inscription from the author to Louise Morgan, frontispiece, original cloth, New York, 1933; and c.70 others, early 20th century modern literature, some inscribed, v.s. (c.75)
§ Elisabeth Vellacott (British, 1905-2002) Sketch for "Chesil Beach", circa 1952 pencil 18 x 38cm (7 x 15in) Other Notes: Elisabeth Vellacott made trips to the Scillies, Wales and Scotland and produced masterly studies of rock formations and mountain rivers - people, trees and flowers were also to be depicted in compositions formed from thousands of tiny pencil or chalk strokes. Jim Ede bought several such landscapes for his Kettle's Yard museum and gallery at Cambridge and it was here that the artist enjoyed a 90th birthday exhibition. The present pencil sketch is a preliminary drawing for the ink and wash painting "Chesil Beach" which now hangs in the collecton at Kettle's Yard, Cambridge. Vellacott referred to these drawings as her "inkwash drawings". Condition is fine.
§ William Sidney Causer (British, 1876-1958) Menton, France, with a view of Saint Michel Basilica, from across the harbour, watercolour, signed lower right "Sidney Causer", 39 x 54.5 cm (15.5 x 21.5in); together with a watercolour sketch on buff paper of Dieppe, May 1948, signed lower right "Sidney Causer", 19 x 27 cm (7.5 x 10.5in) (2) Provenance: The late Sir Richard Parsons Condition appears fine.
§ Kenneth Green, RP (British, 1905-1986) Study of a Walberswick Fisherman, signed lower left "Kenneth Green 1926", oil on canvas, unframed, 36 x 26cm (14 x 10in); together with a pen and ink sketch of Walberswick Fishermen, signed lower left "Kenneth Green 1925", 28 x 39cm (11 x 15.5in); Portrait of Miss Silcox, Headmistress, St Felix School, Southwold, signed lower right "Kenneth Green '25", etching, 27 x 23cm (10.5 x 9in); and a watercolour of Rome, signed lower left "Kenneth Green 22.9.34", 30 x 40cm (12 x 16in); with three other sketches in charcoal and another in pen and ink (8) Various sizes, some creasing, unframed.
§ Roy Frederick Carnon (British, 1911-2002) "Your Place or Mine?" signed lower left "Ray Carnon" and inscribed "Maggie - Love and Good Wishes for your birthday '96 - Ray" watercolour and collage, unframed 17 x 31cm (7 x 12in) Provenance: By descent within the family of the artist Other Notes: A birthday present from Roy Carnon to his girlfriend, Maggie, later to become his wife. Roy Frederick Carnon, born in England in 1911, grew up in Isleworth, London, briefly attending art school in Chiswick. He became an illustrator, working mainly for advertising agencies. During the Second World War, he continued to sketch even when working as a fireman during the London Blitz. He subsequently joined the RAF ground crew and was dispatched to Africa, India and the Far East. After returning to civilian life, Carnon continued to work in advertising, as well as producing book covers and jackets, particularly for Corgi Books. In 1965, Carnon joined the team responsible for visualising space craft and film sets for 2001: A Space Odyssey. After his first foray into the movie business, Carnon worked on other films including the Bond movies, Superman, Raiders of the Lost Ark, Return of the Jedi. In addition to all his film work, Roy Carnon was a prolific and unusually versatile painter. He had the ability to turn from set design to portraits, from technical drawing to lively figure drawing, sketches and landscapes. Some of his film artwork is in the Victoria and Albert Museum. Unframed and colours are good.
[DOCUMENTS & EPHEMERA]. ASSORTED comprising a watercolour portrait of Napoleon, unsigned, 20.5cm x 14.5cm, framed and glazed; a sketch book of equine, canine and figural studies, some humorous; an illuminated coat of arms for the Yates family; a typed Memoranda of the History of the Yates Family Relations, 1906, believed to be unpublished; an album of photographs and genealogical notes relating to the Yates family of Wellbank, Sandbach; a copy of The Star newspaper, 9th Aug. 1791; a first class certificate confirming that Lieut. A.J. Luttrell, Grenadier Guards, is qualified to instruct in the theory and practice of musketry, 1879, framed and glazed; an official communication confirming the award of £36 15s. compensation to Lieut. Luttrell, 3rd Batt. Grenadier Guards, following the loss of his horse, framed and glazed; and other items, (box).
Latrobe, Rev. Christian I. JOURNAL OF A VISIT TO SOUTH AFRICA London: L. B. Seeley, 1818 FIRST EDITION, INSCRIBED BY AUTHOR, 4to, vii + [1] + 406 + [2] ad pp, frontis foldout map + 12 hand coloured aquatint plates + 4 topographical outline sketch plans, quarter bound in pigskin and marbled boards, vignette portrait and provenance note laid down on flyleaf, 14 pages with extensive foxing, otherwise light foxing, pencil marks on 4 pages, Frikkie Botha bookplate, inscribed “Benj. Henry Latrobe from the Author”
Little, James S. SOUTH AFRICA, A SKETCH BOOK OF MEN, MANNERS AND FACTS, 2 VOLS London: W. Swan Sonneschein & Co., 1884 FIRST EDITION, 8vo, Vol I: xix + errata + 224 pp, Vol II: [ii] + 225 - 505 pp, original blue cloth, new eps, top edge gilt; Vol I: foxing on prelims, restitching visible at spine in few places, foxing on edge of text block, some pages more heavily foxed; Vol II: minimal foxing on prelims, a few text pages and index, some repairs to stitching and pages (2)
War Posters We Kneel Only To Thee. Original vintage World War Two poster: We Kneel Only To Thee. Black and white sketch image of a soldier in combat gear praying in a church. Most likely reprinted from The Sunday Graphic for display in the barracks. Artwork by British artist, Clive Uptton (1911-2006), who worked as a poster artist and political cartoonist during WWII. J Weiner Ltd London. Very good condition, fold in the middle, small holes along fold. . Country: UK. Year: 1940s. Author: Clive Uptton. Size: 50.8x38.2cm.
Original vintage movie poster for a short comedy film In Case You're Curious. Director: Dave O'Brien (as David Barclay) Stars: Pete Smith, Dave O'Brien, Dorothy Short. Producer: Pete Smith. Covers various oddities involving baseball, drinks and a humorous sketch involving a husband trying to fix a window. Country: USA. Year: 1951. Artist: Unknown. Size (cm): 102x65. Very good condition, restored folds, minor tears, backed on linen.
BLACK, ADAM & CHARLESA LARGE COLLECTION OF PUBLICATIONS IN DECORATIVE CLOTH BINDINGS, INCLUDING Younghusband, Sir Francis London, 1917. 8vo, original cloth; Menpes, Dorothy Venice. London, 1904. 8vo, original cloth gilt; Kelly, R. Talbot Burma. London, 1912. 8vo, original purple cloth gilt; Bonhote, J. Lewis Birds of Britain. London, 1907. 8vo, original cloth gilt; Varley, Telford Hampshire. London, 1909. 8vo, original cloth gilt; Felton, R. Forester British Floral Decoration. London, 1910. 8vo, inscribed by the author to half-title with accompanying letter, original Japanese vellum gilt; Menpes, Dorothy World's Children. London, 1904. Second edition, 8vo, original blue cloth gilt; Goff, Clarissa Florence & some Tuscan Cities. London, [1905?] 8vo, original red cloth gilt; Menpes, Dorothy Brittany. London, 1912. 8vo, original purple cloth gilt; Musson, Spencer C. Sicily. London, 1911. 8vo, original green cloth gilt; and 132 others, including many of Black's Sketch Books, sold not subject to return (110)
MISCELLANEOUS BOOKS, INCLUDINGJEBOULT, E. A General Account of West Somerset. Taunton, 1873. 4to, photographic & heliotype plates, original cloth, foot of spine rubbed; Turner, J.M.W. The Works, sketch by James Dafforne. London: Virtue, [c.1880], Folio, engraved plates, original cloth; Jekyll, G. & G.S. Elgood. Some English Gardens. 1920, folio, original cloth; t.e.g.; Leighton, Lord. Drawings & Studies in Pencil, Chalk & other Mediums. London: Fine Art Society, 1898. Large folio, number 82 of 500 copies, plates mounted on card, original quarter vellum, binding somewhat spotted, g.e.; Masefield, J. The Country Scene. 1937. 4to, coloured plates, original cloth; Milner, E. Life in Oberammergau. 1910, 4to, original cloth; Cicognara, Leopoldo Storia della Scultura. Tavole: Prato, 1831. Plate volume only, 90 + 43 engraved plates (? only), folio, half vellum, marbled sides slightly worn; and 2 others (7)
[GERMAN LITERATURE] - QUINCY, THOMAS DEAUTOGRAPH LETTER SIGNED to unknown correspondent, probably a magazine or journal editor, referring to his Sketch of German Literature [which] "grew into such a size I was obliged to reserve so much as is done for another occasion. This Introd. is in an airy laughing style and I have therefore given it the form of a letter. But cut out the Date, or any part whatsoever without... half a page is wantinG to complete it: for which if you could send in 1 1/2 hour it shall be quite ready", 2pp., 11 x 9.5cm., Sat. Oct. 20 [?1821]
BANNERMANS OF ELSICK AND ABERNETHIE OF CRIMONMOGATE, ABERDEENSHIREMANUSCRIPT ESTATE PLANS AND MAPS. Manuscript Plan of the Lands of Crimonmogat whereof Mr William Abernethie is Proprietor, made out from an Accurate Survey 1776 by Jo. Sangster, 270 x 130cm., hand-coloured manuscript map with inset view of the mansion of Crimonmogate, backed on linen, a few small tears at head without loss; Plan of the Lands of Crimonmogate, the Property of Chas. Bannerman Esq. by John Boulton, 1834, manuscript map,90 x 177cm., Manuscript Map of the Lands of Logie, surveyed by Walker and Beattie of Aberdeen, Nov. 1828, 151 x 84cm., backed on linen, torn with minor loss; Manuscript Sketch of the March betwixt Park & Crimonmogate, 14th March 1793, 33 x 54cm; Manuscript Plan of that part of the Longhill which was controverted between Alexander Fraser of Mormond, William Abernethie of Crimonmogate, Capt. Robert Duff of Logie and James Cumine of Kininmonth, according as it is now divided, 1770, 53 x 82cm, hand-coloured in outline, backed on linen, torn at fold; Manuscript plan of the Farm at Cairness, 113 x 70cm, [c.1790], manuscript plan, outline colouring, backed on linen; General Plan of Pitfours Estates by Jno. Sherar, asst. to John Boulton, 1823, manuscript map, 79 x 157cm, outline hand-colour, backed on linen; [Plan of] The Farm of Tillikira... the property of William Abernethy, 1766, manuscript plan, 53 x 76cm., manuscript notes by James Anderson, backed on linen, a few small tears without loss; Scroll Plan of the Moss and Muirs upon the Barony of Crimmonmogate... upon which Capt. Duff has a claim for the lands of Chanriehill by David Aitken, Surveyor, 1768, manuscript map, hand-coloured in outline, 76 x 76cm., torn with loss; Plan of the Common Mosses of Crimond and Logie, with the Respective Allotments to these lands according to the Decreet Arbitral of Alex. Moir of Scotstown, 1813, manuscript map, 104 x 73cm., some hand-colour, laid down on linen; Plan of the Lands of Logie, the Property of the Hon. Admiral Duff, copied from the Original by William Urquhart 1781, 195 x 87cm., manuscript map with cartouche incorporating an anchor and ship of the line, outline hand-colour, backed on linen, wear and some loss to corners; Plan of the Estates of Crimonmogate & Logie, belonging to Sir Alexander Bannerman Bart, in the parishes of Lonmay and Crimond and the County of Aberdeen, surveyed by Lewis, 1852, 198 x 155cm., backed on linen; and several plans for barns and outbuildings (quantity)
Reed, Ken signed pair - "Artist's Sketch Book" 1st ed publ'd 2000 signed ltd ed no151/250 in deluxe leather to celebrate the 100th US Open Golf Championship at Peeble Beach and The Home Of Golf St Andrews c/w extra loose copy of the Swilkin Bridge and 18th Fairway - both in matching slip cases (VG)
Erni (Hans).- Sophocles. Antigone, one of 230 copies signed by the editor and artist, this copy enhanced with two original pen and ink sketches, 14 etchings by Hans Erni, original pen and ink sketch to half-title (signed by Erni) and to colophon leaf, loose as issued in original pictorial wrappers, vellum-backed boards chemise, slip-case, folio, Lausanne, Andre Gonin, 1949.
Tice (Clara).- Franklin (Benjamin) Advice on Marriage, number 40 of 50 copies on Japon, etched and hand-coloured throughout by Clara Tice with pictorial title, 6 plates, 6pp. text within decorative borders and colophon, printed on rectos only, plates with tissue guards captioned in red by hand, signed and inscribed by the artist "to Mr Carl Weeks, sincerely, Clara Tice" and with small sketch of naked lady in pink crayon on front free endpaper, Tice's own copy with her etched bookplate and that of Carl Weeks, original burnt orange crushed morocco titled in gilt on upper cover, inner gilt dentelles, uncut, 8vo, Philadelphia, 1925.⁂ Carl Weeks (1876-1962), American businessman, entrepreneur and philanthropist.
Incline Press.- Marx (Enid) Some Birds and Beasts and their Feasts: An Alphabet of Wood Engravings, number 3 of 100 copies signed by the artist, 1996 § Eastman (Bert & Molly) Their Book of Toys from India, number 19 of 200 copies signed by the author/artists, colour linocuts, original cloth, 2002 § Dickens (Charles) A Christmas Carol, number 39 of 200 copies, with an original tipped-in pencil sketch, tipped-in colour illustrations by Chris Burke, 2005, the first and last original cloth-backed patterned-paper boards, all uncut, the last with slip-case, Oldham, Incline Press; and c.35 others from the press, some pamphlets, v.s. (c.40)
Ferrero (Roger).- Verlaine (Paul) Romances et la Bonne Chanson, number 15 of 25 copies on Guarro à la main signed by the artist & publisher and with an original sketch and an additional suite of plates on Japon, from an edition limited to 180, this copy with 4 original sketches (3 initialled and one signed by the artist) bound in at beginning, hand-coloured lithographed plates by Roger Ferrero, and lithographed illustrations in red or black, contemporary half grey calf, spine gilt, others uncut, original wrappers bound in, spine rubbed and faded, 4to, Zurich, 1944.
Mann (Thomas) A Sketch of My Life, number 52 of 75 copies printed on japon vellum and signed by the author, printed notice amending limitation number tipped onto limitation p., light browning to text margins, original vellum-backed boards, vellum tips, spine darkened, corners rubbed, 8vo, Paris, [1930].
Erni (Hans).- Eluard (Paul) "Sommes-nous deux ou suis-je solitaire", number 52 of 135 copies, signed by the artist with sketch of a wolf on limitation leaf, folding concertina style, 31 etched illustrations by Hans Erni on Japon nacré strip tipped to folding strip on Canton, text running vertically along the side, signed and inscribed by the artist to Anton Zwemmer with sketch of naked lady at beginning, another of two faces opposite title and another naked lady at end, occasional light offsetting, original vellum, gilt, by Jean Duval, uncut, together with prospectuses in original red morocco drop-back box by Duval, gilt monogram on spine, preserved in original publisher's cardboard box, oblong 8vo, Paris, 1959.
Craig (Edward Gordon) Scene, With a Foreword and an Introductory Poem by John Masefield, number 78 of 100 copies signed by the author, from an edition limited to 1000, 21 plates after etchings by Craig, the author's own copy with his small circular monogram book-label and inscribed by his son Edward "Teddy" Craig "Ex EGCs Library - now mine Edward Craig" and with his book-plate on front pastedown, with prospectus and reproductions of portrait of Craig by William Rothenstein and Masefield by William Strang loosely inserted, also scrap of notes by Craig with small sketch, prospectus for the Portfolios of Etchings and an engraving of Fingal's Cave loosely inserted, original buckram, gilt, t.e.g., others uncut, torn and defective dust-jacket loosely inserted, 4to, 1923.⁂ A wonderful association copy of the embodiment of Craig's ideas on theatre design. He envisaged a moveable theatre with floor and roof composed of cubic columns which could move up and down individually, an ever-changing space using screens and lighting to create mood and setting rather than standard set designs. In this work he attempted to portray changing scenes using developing states of prints, each one depicting a moment of arrested motion. His son, Teddy Craig, realised the idea behind the plates and, trying to help his father, built a simple wooden model with rising and falling cubes using pulleys. At first Craig was thrilled that his idea actually worked but when Teddy mentioned that he had discussed the scheme with an engineering friend his father was furious, imagining his great idea was lost and accusing Teddy of betrayal. The model was banished to the cellar and never developed.
Australia. Australia's 150th Anniversary Celebrations. Material and Photographs relating to the "Landing" of Captain Arthur Phillip, R.N., at Park Cove, Sydney, on 26th January 1938, 58 mimeographed typescript leaves including title page, one with full-page mimeographed sketch plan, 2 reproduction watercolour folding plans, mounted original brochure, tipped-in sample certificate, 27 silver gelatin print photographs and numbered typescript captions mounted to stiff card leaves, title page inscribed 'To Frank Harvey Esq. (Captain Arthur Phillip R.N.), from G D Williams (Captain John Hunter RN), with compliments and plesant memories of 26th January 1938, 23-8-38', post-bound in original cloth-covered boards, front board lettered in gilt, sunned and marked, folio (33.6 x 19 cm), together with original copper-alloy commemoration medal (5.7 cm diameter) Souvenir album produced to commemorate the 150th anniversary reenactment of the landing of the First Fleet. This copy was presented to the actor Frank Harvey (1885-1965), who played Phillip in the 1935 film Heritage, and in the reenactment itself. (1)
A. & C. Black. The Land of the Sun, by Sutton Palmer & Mary Austin, 1st edition, 1914, 17 colour tipped-in illustrations, minor spotting, original gilt decorated illustrated cloth, spine lightly rubbed to head and foot, 4to, The Essential Kafir, by Dudley Kidd, 1st edition, 1904, one colour and 99 monochrome illustrations, sketch map to rear, minor toning, original gilt decorated illustrated cloth, spine lightly rubbed to head and foot, 8vo, Morocco from a Motor, by Paul E. Vernon, 1927, 48 colour illustrations, some minor spotting, original illustrated cloth in dust jacket, covers rubbed to head and foot with slight loss, 8vo, together with 40 further volumes of A. & C. Black publications, all original cloth, some in dust jackets, G/VG, 8vo/4to (2 shelves)
[Wood, John Philip]. The Antient and Modern State of the Parish of Cramond... comprehending a sketch of the Life and Projects of John Law of Lauriston, 1st edition, Edinburgh: John Paterson, 1794, folding engraved map, lightly spotted with 3 closed tears, 3 folding pedigrees, 10 engraved plates (portrait of John Law in two states), 2nd preliminary blank with mounted oval watercolour and pencil drawing of Muirhouse Castle, mid 19th century tree calf gilt, by Riviere, rebacked, spine with gilt-lettered label, corners showing, 4to, together with Walker (John), An Economical History of the Hebrides and Highlands of Scotland, 2 volumes, 1st edition, Edinburgh: University Press, 1808, one leaf with short corner tear, intermittent spotting and toning, modern quarter calf, minor rubbing to extremities, 8vo, plus Grose (Francis), The Antiquities of Scotland, 2 volumes, 1st edition, 1789-1791, engraved frontispiece and title to each, hand-coloured folding engraved map, closed tear (repaired to verso), 188 engraved plates (some offset to text), intermittent spotting, each pastedown with armorial bookplate of The Right Hon. Sir John Newport, volume 1 front pastedown with armorial bookplate of Joseph Greene Esqr., contemporary mottled calf gilt, rubbed with some wear to extremities, volume 1 joints splitting, volume 2 both boards near detached, 4to, with 19 other titles Scotland related (26)
Darwin (Charles). On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life, 3rd edition, with Additions and Corrections, John Murray, 1861, folding diagramatic plate (short worm trail affecting upper margins and top margin of facing leaf), title with early ink ownership signature dated 1880, two pages publisher's advertisements at rear, scarce faint spotting, stitching slightly showing in index section, modern green cloth, original spine relaid, 8vo, together with The Descent of Man, and Selection in Relation to Sex, 2nd edition, Revised and Augmented, Tenth Thousand, John Murray, 1874, black & white illustrations to text, errata slip present, scarce light spotting, front hinge cracked, original green cloth gilt, a few small marks, extremities a little rubbed, spine ends a trifle frayed, 8vo, plus The Descent of Man, and Selection in Relation to Sex, 2 volumes, 1st edition, 1st issue, John Murray, 1871, volume I page 297 first word is 'transmitted', volume II has title verso with errata list, and additional leaf referring to an 'error' after page viii, black & white illustrations to text, half-titles discarded, each title (lightly edge-frayed) with library stamps and markings to recto and verso, occasional marks and spots, all front endpapers damaged or marked, non-uniform 20th century bindings, volume I maroon half morocco (worn), cover detached at front hinge, both joints splitting, embossed library stamp to front cover, volume II blue cloth (rubbed), gilt lettered spine, gilt library stamp to front cover, both front covers with adhesive label(s) to upper right corner, 8vo, and another copy of The Origin of Species, 6th edition, 1878 First item: Freeman 381. 2000 copies printed. This edition extensively altered by the author, with the addition of a table of differences between it and the second edition, and the important Historical Sketch of the Recent Progress of Opinion on the Origin of Species. (5)
Meredith (Louisa A.). Our Island Home, A Tasmanian Sketch Book, 1879, 13 monotone plates including half title, some light marks and spotting, original gilt decorated brown cloth, boards and spine lightly rubbed to head and foot, large 4to, together with Collinson (John), The History and Antiquities of the County of Somerset..., 4 volumes with Index, 1791-1898, numerous black and white plates including folding map frontispiece to volume 1, some spotting and light marks, uniform contemporary gilt decorated tree calf, some boards detached and rubbed, large 4to, and Michelet (Jules), The Insect, 1883, numerous black and white illustrations, some slight spotting, original gilt decorated brown cloth, spine lightly rubbed to head and foot, 8vo, plus other 19th and 20th century history, topography, and natural history reference, some leather bindings, mostly original cloth, G/VG, 8vo/4t (6 shelves)

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32316 item(s)/page