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RADCLIFFE, John, M.D. `Some Memoirs of The Life of John Radcliffe, M.D. ` Curll, 1715. slim 4to. 107 pp. later endpp. & spine. Tog.with GIBSON, Alexander George, `The Radcliffe Infirmary`, OUP. 1926. 4to. Cl. bd. Plus Nias, J.B. `Dr. John Radcliffe. A Sketch of His Life with An Account of His Fellows and Foundations`, Oxford, 1918. cl. bd. 3

Tony Hart - an unframed colour washed sketch of a mischievous ginger cat devouring a goldfish and an unframed print of a pencil and wash sketch of "The George and Vulture" and "The Jamaican Winehouse", Cornhill

Tom Coates (b.1941) `TEA BREAK DURING REHEARSALS OF THE NORTHERN LIGHT ORCHESTRA` Watercolour heightened with white 32 x 46cm. According to a label on the reverse, this sketch was `done during the Ryedale Festival`.

French School, late 19th century A STREET SCENE WITH FIGURES BY A CHURCH Oil on board 12.5 x 21.5cm and another: Barbizon School A LANDSCAPE SKETCH Oil on panel 12.5 x 21.5cm framed as a pair (2)

A Pencil Sketch depicting figure seated on bank with a building in background, indistinctly signed, in black and gilt mount and frame, 26cm x 21cm

A 19th Century Continental Pencil Sketch depicting figure on horseback

C. Stanfield, Small Watercolour Sketch depicting river landscape with buildings in background, signed in gilt frame, 5cm x 7cm

Faber, Pencil Sketch shoulder length portrait of a gentleman, in gilt frame with raised scroll decoration, 10.5cm x 8cm

DCM, 3 Watercolours depicting Continental street scene, river landscape, beach scene, all unframed, also another pencil sketch depicting figure on horseback with buildings on hillside (4)

Hazel Soan, Pencil and Charcoal Sketch depicting three quarter length portrait of a bunny girl, signed and dated 81, in gilt frame, 23.5cm x 16cm

Stuart (Sir James, Bart., 1779-1849) An album of drawings, including a seated portrait of Sir Walter Scott, other sketches after a portrait by Rembrandt, the equestrian portrait of Charles I after Van Dyck, classical landscapes after Guardi and Canaletto, a sketch of Lympsfield, inscribed below My Mother and I left the village in 1828, a self-portrait of the artist in his studio with Frederick Horniman and his sister Pauline, with others including rustic scenes and military compositions, 42 sketches variously in pencil, pen and ink, charcoal, chalk and watercolour on various coloured papers, v.s., some signed, initialled, or otherwise inscribed, some mounted on album leaves, others loosely inserted, front free endpaper inscribed `Sketches by Sir John James Stuart Bt. 1828-29, 39 sketches in pencil or coloured`, in red straight-grained morocco album, gilt-lettered `Drawings by Sir J. Stuart Bart. 1829` on upper board, rubbed, 4to, 1829. *** One small classical landscape bears an inscription noting it is From a picture at Dr Woodcock`s, Mitchelmarsh. Sir James Stuart had married Dr Woodcock`s daughter at St James`s Church, London, in 1820.

WALTER JOHN BEAUVAIS (1942-2004) BOATS IN A SUNLIT HARBOUR: SKETCH Signed, oil on canvas 49.5 x 59.5cm. ++ Good condition

ATTRIBUTED TO SIR CHARLES BARRY (1795-1860) TWO ARCHITECTURAL DRAWINGS one entitled Barry`s plans for new Chatsworth by a later hand on the support sheet and inscribed Plans of the improvements at Chatsworth - 1 new dining room, and museums 2- covered walk to back to the new Dairy 3- Architectural walk to hide the offices 4- New Lodge/ The court is to be opened on this side to give a view of the river/ The railing gilt at top in ink, 14 x 21.5cm.; with another, entitled Barry`s for rebuilding Devonshire Cottage (sic) by the later hand, 9.5 x 12cm., unframed * Sir Jeffrey Wyatville was the architect of the extensions to Chatsworth at intervals between 1820 and 1841. Barry does not apear to have any documented connection with Chatsworth but the sketches would suggest that the 6th Duke of Devonshire at least consulted him. The principal sketch appears to show the long wing that Wyatt added from 1818 and completed in the 1830s but it does not show the theatre that Wyatville added in 1833. The reference to a new dining room gives a suggested date of the mid-1820s, as Wyatville`s dining room was added in the late 1820s. The reference to Devonshire Cottage is more osbcure as it does not feature in any indexes, including the 6th Duke`s biography. We are very grateful to Charles Hind FSA, the H.J. Heinz Curator of Drawings at The Royal Institute of British Architects for his assistance with this lot. ++ The principal drawing creased where formerly folded; support sheet creased

A SMALL FOLIO OF EIGHT WATERCOLOURS & DRAWINGS to comprise two watercolours of Panteon di Agrippa oggi detto la Rotonda and Foro Romano by Seganti, signed, each 20.5 x 30.5cm.; another watercolour of the Pantheon, 16.5 x 24.5cm.; a watercolour of North view of the Quarters on the Rock of Gibraltar belonging to James Fellowes MP, 17 x 28cm.; a watercolour of maidens before a Classical panorama in Rome, by FL, 1817, 15 x 11cm.; another of Alexis and Kanello, Shepherds of Arcadia, 18 x 14cm.; an ink drawing of a Greek/Turkish battle by Charles R. Cockrell, initialled, inscribed bellisima Padrona Lady, 20 x 28cm.; and an ink Sketch for a fountain at Spelsbury by F. Cockrell, 16.5 x 22.5cm. (8) ++ Watercolours generally good; the C R Cockrell drawing worn and damaged

An ink sketch of three gentlemen in top hats and tails, drinking wine in a garden, their butler looks on, entitled "A Doubtful Bottle", signed J. Vine, 32.5 x 47cm.

A 19th century watercolour depicting a country lane scene, monogrammed J.F., together with an architectural pencil and chalk sketch of a ceiling boss, dated Sept. 11, 1848.

Pictures and prints including pencil sketch of West Tanfield church, floral still life two prints and two large prints.

TURNER, Mrs Barbara, A Hereford Breeder`s Sketch Book, full page illus, printed boards, very good, Hereford 1969

PERRY, Sampson, An Historical Sketch of the French Revolution, 1st edit, frontis in each vol, a very good copy in contemporary polished calf, 1796 (2)

An oil painting, hay wagon, a pencil sketch, river and bridge, and one other, sailing boat

A sepia sketch of a middle eastern gentleman and a good sketch of a camel

VICTORIA REES (attr.) pencil sketch of a seated gentleman, approx 15" x 8",

Subbuteo sets and teams and Spirograph: Continental Club Edition with instructions, fixture list, price list, goal grips and extra boxed team `West Ham` G, one goalie unattached, two flags unattached, lacks pitch circa 1972, box F-G, Floodlight set, last edition with floodlights (2), instructions and other leaflets circa 1995, G lacks some flags and a couple of players broken, box G, Spirograph and Sketch-a-graph

Britains/Ronald Cameron Design Material: Ronald Cameron, RA - pen, ink and colour sketches of Deetail figures - Union, Confederates, GIs and German infantry, on three pages of sketch book, each signed and dated 1969, commissioned by Charles Biggs (3), pen and ink sketches of modern NATO infantry on Cameron`s headed paper, one page (1), 1959 British Infantry Weapons Pamphlet for 7.62mm SLR, with scaled pencil sketch of weapon mounted on piece of Britains card, with letter to Britains about Italian uniform and goat banner from W Lockwood, 1935 (a lot)

Britains prototype Limited Edition sets: set 5183 Cameron Highlanders, 1985, and set 5184 Life Guards, 1984, both in printed manuscript sketch-outline trial boxes designed by Roy Selwyn-Smith, set 5184 in different box format from production version, with four various certificates, VG, boxes G, faded (2)

Herald/Roy Selwyn-Smith box artwork: artwork, pen, ink and watercolour with white highlights - fully worked-up Herald long box depicting Scot Guards and Highland Band marching out of Buckingham Palace, signed, 375mm x 100mm (1), sketch for similar design on torn box lid, 220mm x 150mm (1) and Herald square box with name and logo on central cartouche, with comic caricature figures ranged around, signed, signed in pencil on mount, 200mm x 175mm, with printer`s proof, and sketch for box insert, F-VG (6); see Cole, P, ibid, page 49

Bernard Walter Evans R.I., R.B.A. (1848-1922) "Harlow HIll, Sketch from Nature", inscribed with the title lower left, signed, watercolour, framed. 38cm by 53cm

Vincent Gayet (French, fl. late 20th century) Provence, watercolour signed in the bottom right corner, Two Reclining Nudes pen and pencil sketch signed in the bottom right corner together with two manotypes of nudes by the same hand signed in pencil to the bottom right corner all mounted, framed and glazed Provence: 35 x 42cm, Two Reclining Nudes: 48 x 69cm, 46 x 52cm, 53 x 40cm In good condition View on auctionatrium.com

Benjamin West PRA (1738-1820) Study of the Angel of the Sun for `A Mighty Angel standeth upon the Land and upon the Sea` white chalk, with some black chalk, on grey-blue paper 37 x 22.5 cm (14 1/2 x 9 in) Note: this is a preparatory sketch for one of the apocalyptic paintings commissioned by William Beckford for Fonthill Abbey Provenance: The artist`s family, and by descent to Mrs. P. Howard; Sotheby`s, London, 22 March 1979, part of lot 9; Erving and Joyce Wolf, USA Literature: H. von Erffa and A. Staley, The Paintings of Benjamin West, 1986 Exhibited: Revealed Religion: Benjamin West`s Commissions for Windsor Castle and Fonthill Abbey, San Antonio Museum of Art, 1983

Set of Derwent Artist`s pencils, a watercolour paper block, sketch books and other instruments.

Attributed to John Burgess, "Kenilworth Castle", pencil sketch heightened with white, unsigned.

ENGLISH SCHOOL An abstract landscape, Oil on Canvas having a feint sketch study of Christopher R.W. Nevinson`s painting "Machine Gunners" on verso, 61cm x 38cm, unframed"

Cocker (E) Multown in Parro or the Pen`s Gallantry, Holborn 1670 and three sketch books.

Edward Wolfe (1897-1981) Oil on canvas, head and shoulders portrait woman wearing a bright hat, signed, 21.5" x 20", illustrated in the artist`s reference works, together with the original pencil sketch, 21.5" x 18", (2).

Pencil sketch, abstract figures, bears signature E Kirchner, 13" x 11", framed.

Pencil sketch, woman`s head, signed with a red seal, 6.25" x 4", framed.

George Cattermole (1800-1868), The Card Players, watercolour sketch, 25cm x 22cm.

`Collecting the Harvest` an allegorical pen and ink sketch, by MP, dated 1928, framed initialled and dated in pen 15 x 9cm.

FLORENCE BAILEY. Head of a Donkey, signed, charcoal sketch, 14 x 16 ; and two framed prints after Percy Macquoid depicting `The Mule and Donkey Show at the Crystal Palace`

Box of assorted collectable`s to include a Wright & Greig`s Roderick Dhu old highland whiskey water jug, Bells scotch whiskey mantle clock Portmeirion place mats, dog ornaments, assorted fine art sketch books, ephemera etc.

A pencil and watercolour sketch of a horse, 11 x 17cm

Harry Rutherford - charcoal sketch of the artist dedicated at bottom and dated 1953, unframed

An early 19th century pen and ink sketch, "Littleton Bridge, July 1830". 4.25 ins x 5.25 ins.

ROBERT LENKIEWICZ black biro sketch `Mouse` with studio seal 23cm x 9cm

AFTER MARGARET MACDONALD (1865-1933) AND FRANCES MACDONALD (1873-1921) COPPER AND ENAMEL WALL SCONCE with two candle arms supporting nozzles and broad drip trays, the circular backplate repoussé decorated with opposed female figures centred by an applied enamelled roundel depicting an eye 70.5cm high x 40cm wide Provenance: Linda Rose Gallagher Note: This copper sconce recalls the hallmarks of the Art Nouveau aesthetic in its demonstration of stylised line, abstract pattern and natural imagery, all realised through the same repoussé technique frequently employed by Glasgow artists at the end of the 19th century. The connection between the present lot and that of the Macdonald sisters is suggested by the close resemblance that the chief design components bear to those depicted in a sketch for a mirror frame from around 1897 and which forms part of the collection at the Hunterian Museum and Art Gallery in Glasgow (GLAHA 41951). A candlestick by the sisters and with the same provenance as the present lot sold in these rooms November 2010, lot 253.

JAMES ROBERT G. EXLEY (1878 - 1967)) A Spaniel and Puppies pencil sketch, squared 9 x 13in (22.8 x 33.1cm)

English School, 19th century, `Napoleon lll Sketch from Memory`, watercolour and bodycolour, signed Chislehurst, and dated 27/71, 17.5cm x 12cm

A set of six Chinese sketch books, early 20th century, each with fold out pages depicting landscape scenes, height 31 cm, together with five Japanese wood block prints, (a lot).

Henry Arthur Richard Bird, Head and shoulders study of a girl, charcoal and crayon sketch, mounted, framed.

A pair of watercolour studies on rice paper, seashells, contained within single frame, a pencil and watercolour sketch of dogs hunting a pheasant, signed W. Gunton, 1823 and seven other pictures, all framed

Joan Wiltshire, watercolour, Eastern harbour scene, pencil sketch portrait of a gentleman and a small framed print after Cezanne

Small framed pencil sketch, horse studies, Hyde Park

Attributed to Gerald Ososki, sepia sketch of a family in a landscape, unframed

An album containing postcards various, and two sketch books (3) View on staceyauction.com

Four books, including The Frank Lockwood Sketch Book, etc.

A WORLD WAR 1 PERIOD SKETCH BOOK, containing Sketches of Military and other Figures, page size 3 ½” x 5”

CIRCLE OF J M W TURNER (BEARS NAME TO MOUNT), OIL SKETCH, Landcape, 4” x 3 ½”

ATTRIBUTED TO GEORGE TURNER OF DERBY, OIL SKETCH, A Woodland, 11” x 15”

19th century watercolour Street scene Pen and Ink sketch of girl holding reins of horse and riding crop, geese in background

PIERRE ADOLPHE VALETTE (1876-1942) THE VIADUCT AT SALLES signed, board, 14.5 x 22.5cm Provenance: Tib Lane Gallery, Manchester, where purchased by the late owner in February 1989. This rapid, impressionistic oil sketch, painted en plein air is a good example of Valette`s delight in the landscape and villages around Blacé, a hamlet in the Saone valley. A watercolour taken from the same spot, is illustrated in the booklet Adolphe Valette a French Impressionist in Manchester, Manchester Art Gallery, 2007 (unpaginated). ++In fine condition framed and glazed as supplied to the late owner when purchased at the 1989 exhibition