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English School, Two asses by a tree, pencil sketch, unsigned, 33cms x 46cms, (13” x 18”).

W A CUTHBERTSON A watercolour and pencil sketch 'A Quiet Read', a study of the Hon Elizabeth Pietre of Ingatestone Hall, Essex, 15" x 10"

Early 20th Century watercolour sketch - Portrait of a young lady seated in a chair with a fishing rod, unsigned, 39cm x 25cm

Style of David Cox - 19th Century watercolour sketch - Landscape, 8.5cm x 13cm

EDMUND BLAMPIED.Street Entertainment,signed and dated 05, pen and ink sketch, 6 1/4 x 8in

English School, 1850, Study of a resting woman, dated Jan 9th 1850 in pencil, watercolour sketch, 22x30cm.

Jules Lessore, (1849-1892) PORTRAIT OF "W. CRAIG ANGUS OF GLASGOW/ A Sketch by Jules Lessore, Paris", oil on panel (a cedar cigar box panel of Mercedes Atreve Vaquero Y Ca), unsigned, inscribed as above verso, 14.5cm x 12.5cm, (5.7in x 5in), in gilt frame

Madge Gill, 1884-1961 two figures pen and ink 32x12.5cm.; 12.5x5in. (2) To be sold together with another similar sketch by the same hand.

Hercules Brabazon Brabazon (1821-1906). After Ruysdael; Sketch of a mountain (Righi?). Each pencil and coloured chalks. Each signed with initials, the first lower left, the second lower right, each indistinctly inscribed with title upon the mount. The first 17.5cm x 24.5cm. The second 13.5cm x 19.5cm. Mounted on one page

George Townshend (1724-1807). Lord Edgecumbe. Pencil, pen and ink. Inscribed with sitter lower centre. Bears further pencil sketch of a head verso. 21.5cm x 14cm. Unframed.

Gilbert Spencer (1892-1979). 'Breakfast with Friska'. Oil on board. Signed with scratched signature lower right. Bears label verso for Reading Museum and Art Gallery, detailing title and inscribed in pencil 'Retrospective Exhibition 1962?', 34.5cm x 25cm. Also included with this lot is a squared pencil stetch, presumably a preparatory sketch for the finished work, 23cm x 18cm.

Roberts, Edmund, Embassy to the Eastern Courts of Cochin-China, Siam, and Muscat; in the U.S. Sloop-of-War Peacock, David Gheisinger, Commander, New York, Harper & Brothers, 1837, 4to (210mm x 130mm.), title, and front free endpapers with contemporary ownership signature, some spotting, later green cloth. With three other works including William James Hail's 'Tseng Kuo-Fan and the Taiping Rebellion With a Short Sketch of the Later Career' (New Haven, 1927), Josiah Quincy's 'The Journals of Major Samuel Shaw, The First American Consul at Canton' (Boston, 1847), and 'Memoirs of the Rev Walter M. Lowrie, Missionary to China edited by his Father' (New York, 1850).

John Joseph Barker of Bath (fl. 1835 - 1866), Faggot-gatherer walking on woodland path, sketch and inscription on verso, oil on card, 22 x 14.5cm.

Four folios of Japanese prints: 'Sketch Book of Various Birds' published Tokyo 1928 by Seiichiro Suzuki, the fabric covered folios containing loose prints with text and index to plates; together with another book of monochrome plates.

FRANK BRANGWYN - a two-page autograph letter, from The Jointure, Ditchling, to 'My dear Lascelles......happy to hear that you are getting better and will have all the old dowagers from Brighton calling!....', the letter concluding with a sketch of such a scene, signed F.L. from F.B., 1934 10ins x 8ins

WYLLIE (W. L and M. A) - London To The Nore, A & C Black, 1905 Edition de Luxe No 58 of 250 signed copies, 64 colour plates; WYLLIE (W. L) - Marine Painting in Watercolour, tipped-in colour plates, and Sketch Book, tipped-in colour plates; WYLLIE (M. A) - We Were One: A Life of W. L. Wyllie, and 3 other vols, (7 vols).

William Lionel Wyllie, RA (1851-1931) Black ink and wash sketch Passenger ship lying off Tilbury Inscribed verso by the artist's grandson, John Wyllie 7.5cm x 11.5cm

An early map of Cambridgeshire, one of Essex and a sketch of Kings College

A draghtsmans sketch 19th century scene with a barge and lockgates

William Huggins (1820-1884) Study of a Lion, signed lower right "W Huggins" and inscribed on the reverse "Sketch for Sampson", watercolour, 30 x 24cm

English School (19th Century) How an Anti-Socialist left Trinity College, Oxford, dated May 10 1897 a pen and ink sketch, 27 x 34cm.

Pietro Annigoni, Charcoal sketch of an orchestra, signed, inscribed, “Saudi’s N. York” and numbered LVII, 20cms x 28cms, (8” x 11”).

F. Coke Smith, Studies of hounds in various poses, pencil sketch, unsigned, label verso, 24cms x 35cms, (9.5” x 14”).

F. Coke Smith, 18th Century stag hunting scene with horses and hounds, pencil sketch, unsigned, label verso, 35cms x 26cms, (14” x 10”).

Sir Frank Brangwyn (1867-1956) unframed charcoal sketch on tracing paper, The Opening of the Manchester Ship Canal, 10 x 12.5 ins., together with three unframed lithographs

Sir Frank Brangwyn (1867-1956) two unframed pencil sketches, A sleeping dog, drawn on the title page of 'The Glory of Clementina Wing', 6.5 x 4 ins. and a sketch of a steam crane, 3.75 x 5 ins

Sir Frank Brangwyn (1867-1956) unframed sepia and red crayon sketch on card, Studies of nude figures and of figures beside a boat verso, signed in ink, 9 x 11.75 ins

Sir Frank Brangwyn (1867-1956) unframed watercolour sketch, 'Port Melon, Mevagissy', pen and ink of fishing boats verso, 5 x 6 ins

Sir Frank Brangwyn (1867-1956) unframed ink sketch, 'The return of the cockle diggers', 3.25 x 8.25 ins

Sir Frank Brangwyn (1867-1956) unframed pencil sketch, 'The Slow Life'; a peat digger, inscribed verso with a description of the digger, 8 x 5 ins

Sir Frank Brangwyn (1867-1956) unframed ink sketch, 'Whitby', drawn on the back of an envelope, 4 x 6 ins

Modern British oil on canvas, Abstract, 30 x 12 ins. together with a pencil sketch nude study

I Burnand (Late 19th century Continental school) Orchard view Pencil sketch Signed and dated 1878 46cm x 34cm

Thorburn (Archibald). A Naturalist's Sketch Book, 1st ed., Longmans, 1919, sixty plts. (inc. 24 col.), occ. scattered spotting, t.e.g., orig. cloth gilt, slight wear at head of spine, 4to (1)

Cooke (E.W.). Leaves from my Sketch - Book, 1876, twenty - six tinted litho. plts., a.e.g., orig. dark green mock morocco gilt, oblong 4to, together with Beauties of the Court of Charles II (so titled on spine), 1827, eight fine hand - col. stippple engs., lacks title, a.e.g., contemp. red half morocco gilt, a little rubbed, folio, plus Lhuer (V.), Le Costume Breton/Costume Auvergnat et Bourbonnais, n.d., pub. Paris, c. 1940, num. pochoir costume plts., loosely contained in orig. printed grey card folder with ties, 4to, and other misc. books (a carton)

Forestier (Amedee and Omand, George W.T.). Belgium, A & C Black, 1908, seventy - seven col. plts., sketch map at rear, t.e.g., later navy half morocco by Bumpus, lower front joint partly split, 8vo, with other misc. books, incl. bindings, literature, etc. (a carton)

Kim Donaldson. Owl sketch. Pastel, 12.75 x 9.75in. Mounted, framed and glazed.* Tryon Gallery label on the verso.

RYCHTER - MAY, A, sketch of an Oriental maiden,watercolour, signed lower right, framed, 38cm x 20cm

PACKET: ASSORTED 20TH CENTURY SKETCH BOOKS

SYDNEY SEYMOUR LUCAS, SIGNED WATERCOLOUR SKETCH, pine trees in landscape, 6" x 7"

JAMES HESELDIN, WATERCOLOUR, sketch of rowing boat, 3" x 6" and INDISTINCTLY SIGNED, WATERCOLOUR, boat navigating a lock, 7" x 10", (2)

ARTHUR HENRY PATTERSON (JOHN KNOWLITTLE), SIGNED PEN AND INK SKETCH, Pelican and seagulls, 3" x 5"

ENGLISH SCHOOL, c1880, A Jockey, Watercolour Sketch, 14 1/4in x 10in

ARTHUR SPOONER, A Mare and Foal, signed "Arthur Spooner", oil sketch on canvas, 16 1/2 x 18 1/2in

Attributed to Denzil Ibbetson- Portrait of Napoleon on his death bed; oil on canvas, bears inscribed letter attached to reverse, 'Painted by D. Ibbetson from a sketch made by him at St. Helena of Napoleon the morning after his death which took place in the morning of the 5th of May 1821..', 49x71.5cm

SEAGO, Edward - Caravan, 1st edition, London 1937, title page signed and inscribed by the author and with pen and ink sketch of two speeding cars, dust jacket, jacket chipped and torn etc., 4to.

Dudley D. Watkins pen and ink sketch of Oor Wullie and The Broons, signed and dated 27th June 1945 Provenance; a gift from the artist to the landlady with whom he was billeted during a wartime secondment to the Police in Kincardine and by descent to the current owner. Note; a copy photograph with this lot shows the artist in uniform with a Sergeant Marnock reputedley the model for the P.C. Murdoch famous in the Oor Wullie stories, the image 14in x 10 1/in (35.5cm x 26.7cm)

Cornelius Varley, Boat Ashore, pencil sketch, signed, 4in x 4 1/in (10.1cm x 11.4cm)

ATTRIBUTED TO WILLIAM DANIELL (1769-1837), Open mountainous landscape with trees, dated '93, pencil sketch, 8 1/2" x 14 1/2".

AN EARLY 19TH CENTURY PEN AND INK SKETCH of the Trinity Chain Bridge at Newhaven, Scotland, by H A Fortescue 1823, 6" x 12 1/2", framed.

BARBARA ROBINSON (b.1928) British, Pencil sketch, church with cupola, signed and dated February 1972, 8" x 10".

CARTIER (20th century), Red, blue and green abstract, oil on board, signed and dated, '60, 12 1/2" x 9", framed, , and a black chalk and watercolour sketch by the same artist, 9" x 13". (2)

VICTOR PASMORE R.A. (1908 -1998) British, Still life with a jug of zinnias and green ladder back chair, signed with monogrammed initials, with a sketch of two fishermen verso, oil on board, 21" x 17".

Lawrence (Sir Thomas P.R.A., 1769 - 1830). Figures seated on a bench beneath a tree, with food stall beyond, pencil, ink and wash sketch, with another sketch to verso, unsigned, approx. 10.5 x 16.5 cms, mounted, together with Webster (Thomas, R.A., 1800 - 86). Old buildings with figure by the waterside, watercolour drawing, signed, approx. 11.5 x 14 cms, mounted, plus Channel Islands, etc. La Hocque Bie, Jersey, by Renée Keiley, 19th c.pencil landscape, initialled, approx. 29 x 39 cm, plus The Entrance to Fort Regent, St. Helier, Jersey, late 19th c. pencil and watercolour, signed, titled and dated in pencil 20.9.80, approx. 10 x 17 cm, mounted, plus LeJeune (Charles), View of St. Malo Harbour, 1849, watercolour, signed and dated 24.5 x 34 cm, mounted, plus an early 20th c. watercolour view of Dinard landing, unsigned, approx. 9 x 22 cm, mounted, together with Donne (Benjamin John Merriefield), The White Cliff, Seaton, South Devon, watercolour, unsigned inscribed with title to reverse, approx. 13 x 17.5 cm, mounted, and A Wave Swept Rock, 1904, orig. watercolour, heightened with bodycolour, signed and dated, inscribed with title to reverse, and "E.M.A. Donne from B.J.D. Decr. 05", approx. 22 x 36.5 cm (6)

Leech (John, 1817 - 64). attrib. 'Rooti - Tooti - I've got cher!', [Collection of Mr Punch, Third Series, p.87], c. 1864, pencil sketch, approx. 200 x 120 mm., contemp. wood and gilt frame, glazed, with old Boydell Galleries, Liverpool, label to verso (1)

Orpen (Sir William, 1878 - 1931). Self Portrait, 1925, pen & ink self portrait sketch, signed and dated London 1925, image size approx. 95 x 115 mm, on watermarked notepaper (creased where previously folded) (1)

Moore (Henry, 1831 - 1895). Shelter sketch book, pub. Editions Poetry, 1945, col. and b&w plts., some minor foxing to endpapers, orig. cloth, upper inner hinge loosened, oblong square 8vo. Presentation copy, inscribed to front endpaper 'for Mac & Denise from Henry M. Paris. November 1945'. (1)

Gren 'Local Gout' Pen and ink sketch Signed and unframed Together with four others, (5).

THORBURN Archibald A naturalist's sketch book ... 1st edition, 60 plates (including 24 in colour), publisher's cloth, spine slightly darkened, 4to., London: Longmans, 1919

Cooke (Lieut-Col. A.C.). Routes in Abyssinia, pub. H.M.S.O., 1867, folding sketch map and large folding route map at rear, hand-col. in outline, later cloth, a little rubbed and marked, 8vo (1)