ALIENS (1986) - James Cameron Sketch, Production Storyboards, Printed Concept Designs and Production EphemeraA James Cameron sketch, with storyboards, concept designs and ephemera from the production of Cameron's sci-fi action sequel Aliens. This lot comprises 13 pages of printed storyboards; six pages of printed dropship concept designs; a behind-the-scenes photograph of the dropship model; and a production memo. The back of one of the dropship designs features pencil sketches by Cameron, possibly of the dropship safety harnesses. The pages in the lot have wear from age and considerable production use, including staining, tears and creasing. Dimensions (largest page): 30 cm x 42 cm (11 3/4" x 16 1/2")Estimate: £600 - 1,200 M View all lots from ALIENS (1986)View all lots from ALIEN - ALL ITEMSBidding for this lot will end on Saturday, November 11th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Sunday, November 12th.
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CAPTAIN SCARLET AND THE MYSTERONS (TV SERIES, 1967-1968) - Derek Meddings Hand-drawn Sketch and Hand-coloured Illustration of Mysteron RifleA pair of illustrations of a Mysteron gun from the production of Gerry and Sylvia Anderson's TV series Captain Scarlet and the Mysterons. The lot includes a hand-drawn pencil sketch of a Mysteron weapon and a hand-coloured copy of the sketch. The original was rendered by Derek Meddings, the supervising visual effects director on the series. The rifle - a high voltage, electromagnetic radiation-emitting weapon used to destroy Mysteron likenesses of Earthmen - was used for the first time against former Spectrum officer Captain Indigo when he became a Mysteron agent. The illustrations are on separate pages and the sketch has "Design for the Mystron (sic) Gun" handwritten in pencil underneath and is signed by Meddings.The pages exhibit yellowing from age, minor smudging, and creasing. Dimensions: 36 cm x 26 cm (14.25" x 10.25")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £1,500 - 3,000 M View all lots from CAPTAIN SCARLET AND THE MYSTERONS (1967-1968)Bidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
CONAN THE BARBARIAN (1982) - John Bloomfield Costume Designs for The Cult of Set MembersA set of three John Bloomfield costume designs for various Cult of Set members from the production of John Milius' fantasy adventure Conan the Barbarian. Two of the designs have been created using paper cuttings to create a collage, a technique Bloomfield employed to bring his illustrations to life with heightened textures and colours, with pencil added for detailing. The final pencil drawing features a Dino De Laurentiis Corporation stamp. Each design is titled with the character name, and the larger sheet is signed in pencil by Bloomfield. Two tape strips are adhered to the top of the "Set Girls" sketch. Dimensions (largest sheet): 50 cm x 35.5 cm (19 3/4" x 14")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £800 - 1,600 †Δ View all lots from CONAN THE BARBARIAN (1982)Bidding for this lot will end on Saturday, November 11th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Sunday, November 12th.
Whistler (Rex).- Whistler (Laurence). Children of Hertha & other Poems, number 150 of 300 copies, this one of only a few copies hand-coloured by the artist, decorative vignette title, 2 head-pieces, illustration and tail-piece by Rex Whistler, title, first head-piece and tail-piece all with grey watercolour wash, pencil sketch of a rotunda to p.6, ?the author's & artist's mother's copy with pencil signature of H.F.Whistler to front free endpaper and note to first leaf of text, with author's note "Copy painted by Rex" in ink to head of front free endpaper and correction to second stanza, a few pencil markings to text, original boards with black patterned-paper wrapper and label printed in gold, creased and frayed at edges, spine worn and defective, upper cover becoming loose, Oxford, Holywell Press, 1929 § Rothmans of Pall Mall. Diamond Jubilee 1890-1950. 60 Years of Fine Blending, 6 colour plates by Rex Whistler, each with detachable caption at foot, one or two slight marks or creases, loose as issued, with upper cover of original folder only(explanatory text leaf tipped to verso), rubbed, 1950 § Guinness Son & Co. Ltd. (Arthur) Songs of Our Grandfathers Re-set in Guinness Time, colour illustrations by Rex Whistler, original pictorial wrappers, very slightly browned but an excellent copy, Dublin, 1936, [Whistler & Fuller 420 & 650 & 644]; and another set of the second (one plate slightly damaged) and 5 duplicates of the third, 8vo & 4to (9)⁂ The first is Laurence Whistler's fragile first book, privately printed when he was only 17 and still at Stowe School where it was sold in the school shop. ?Helen "Nell" Frances Whistler (1870-1963), mother of Rex and Laurence Whistler. At the foot of the first page of text where a footnote states that the book was awarded the Peters Bone Prize for English Poetry, 1929 she has added "at Stowe School".The second contains some of the artist's final commissions before his death in Normandy in July 1944. Rothmans commissioned the first in 1940 and the last in March 1944.
Taylor (Michael) & Brocard Sewell. Saint Dominic's Press: a Bibliography 1916-1937, one of 400 copies, original cloth-backed boards, slip-case, Risbury, Whittington Press, 1995 § Chambers (David), Colin Franklin and Alan Tucker. Gogmagog: Morris Cox & the Gogmagog Press, number 21 of 69 special copies signed by Morris Cox with 9 additional specimens tipped in at end (3 numbered, titled, signed and dated by him in pencil), from an edition of 1650, original black morocco-backed cloth, gilt, cloth slip-case, Pinner, 1991 § Carter (Will & Sebastian) The Rampant Lions Miscellany, number 41 of 185 copies, original cloth-backed patterned-paper boards, uncut, Cambridge, Rampant Lions Press, 1988 § Matrix 14, one of 975 copies, original limp boards with dust-jacket, Risbury, Whittington Press, 1994 § Peterson (William S.) A Bibliography of The Kelmscott Press, original cloth, dust-jacket, Oxford, 1984 § Morris & Co. A Brief Sketch of the Morris Movement...to commemorate the Firm's Fiftieth Anniversary..., presentation slip loosely inserted, original printed blue wrappers, uncut, privately printed, 1911, samples, plates and illustrations, some tipped in; and a small quantity of others, press & press ephemera including Golden Cockerel & other prospectuses, lists etc. and a Hodgson & Co. sale catalogue of 1939 including books from Kelmscott Manor, v.s. (sm.qty)
A group of 21 unframed works on paper, to include Phyllis Mahon, The Three Graces, pastel and watercolour, 59 x 42cm, and another of a nude; a harbour sketch by Paul Wyeth, charcoal and watercolour, 19.5 x 27.5cm; a similar unsigned study, 22 x 30cm; a still life of fish and shells, signed and dated 'MGC 70', watercolour and gouache, 35.5 x 51.5cm; a harbour scene, signed 'F E Starmer', watercolour, 29 x 40cm; an indistinctly signed collage, 76.5 x 57.5cm; two unsigned abstract landscape study, watercolour and gouache, 41.5 x 31cm the largest; two indistinctly signed still life studies with another by the same hand, watercolour, 34.5 x 53cm the largest; an unsigned nude pencil study, 27 x 20cm; Mary King, landscape, watercolour, 22 x 32cm; six unframed fashion drawings; and an indistinctly signed watercolour and gouache study of a bird's nest, 47 x 33cm
John Murray Thomson RSA RSW PSSA (British, 1885-1974)Sketch of a Retriever and another of Young Wolves two workspencil20.5 x 16cm (8 1/16 x 6 5/16in). (2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Robert Thorburn pencil sketch with watercolour, Francis Campbell and her sister, signed and dated 1834, lower left, 11 1/2" x 8 1/2", in gilt frameCondition:There's slight undulation to the picture.The frame has numerous chips all over, and one applied wooden swirl is missing.Outer frame measurement is 19"h x 15 1/2"w
Games - assorted mid-20th century boxed games, including Ker Plunk, Spirograph, Battling Tops, Mad Marbles, Junior Scrabble, Avalanche, Etch-a-Sketch, Blow Football, Cluedo, Go For Broke, Monopoly, Quantum, Buccaneer, The Great Game of Britain, The London Game, Manchester United Trivial Pursuit; other toys and games, dominoes, abacus; qty
ROYAL DOULTON; an extremely rare and possibly unique prototype figure of Wallis Simpson, in a black evening gown with white fur stole, model 909, dated 1.10.35, height 29cm.This lot is accompanied by a letter from Louise Irvine of Pascoe & Co, indicating that the impressed model and date codes are consistent with Doulton's markings on figures of this era. The shape book records indicate that model 909 was not made and there is no photograph in the shape book which is not unusual for prototype figures. Furthermore, she indicates that it is not unusual to see an early Royal Doulton prototype without a backstamp. Wallis Simpson featured on the cover of The Sketch magazine in March 1935 and Leslie Harradine often took inspiration from magazine covers. The date of the figure is consistent with Wallis Simpson being in the news, and perhaps Royal Doulton decided not to introduce the piece due to the controversy surrounding her affair with King Edward VIII. Provenance: Private collection. Condition Report: Very light crazing to the glaze. Restoration to her neck and hair, it looks like the head has been broken off and restored to a good standard, restoration to the bottom of her dress, also there signs of a hairline crack to the base which has been sprayed in part.
Collection of books and a report on Chinese Artto include two hardback folio-sized issues with Chinese and English text, Chinese Antiquities from The Brian S. McEleney collection, well illustrated with 174 plates in monochrome and colour, organised by The Hong Kong Museum of Art 1987,and An Anthology of Chinese Ceramics, with similar text and illustrations, jointly presented by the Min Chin Society, and the Urban Council, Hong Kong, Hong Kong Museum of Art 21.10.80 - 21.12.80,a paperbound book compiled by P. Hughes Stanton and Rose Kerr, Kiln Sites of Ancient China, covering recent finds of pottery and Porcelain, an exhibition lent by the Peoples Republic of China, organised in association with The Oriental Ceramic Society, printed and bound in Great Britain by Baldin + Mansell London and Wisbech with monochrome and coloured illustrations;and a book on Chinese ceramics from datable tombs, with mainly monochrome illustrations., by J.M Addis, first published in 1978 for Sotheby Parke Bernet publications, by Philip Wilson publishers, illustrated,together with a titled and coloured illustrated paper-covered folio issued book of 291 pages on Oriental Art, well illustrated in colour, by Maurizio Scapari, 'Splenders of Ancient China', published by Thames and Hudson,Chinese cardboard cased hard backed folio two-volume issue book in Chinese and English script and in excellent condition, on Chinese porcelain from the S.C.KO Tianminlou collection by John Ayres, published by Hong Kong Museum of Art, presented by the Urban Council, Hong Kong, Part 1 illustrated in colour with (blue and white ware 1-65) - (polychrome are 66-119) - (monochrome ware 120-1610, Part 2, covering each illustration with descriptions of their decoration and periods, a paper-backed issue, Freer Gallery of Art, Chinese Art of the Warring States Period Change and Continuity, 480-222 B.C., by Thomas Lawson Freer Gallery of Art, Smithsonian Institution Washington. D. C. 1982,A Bluett & Sons Gallery Exhibition paper-backed illustrated catalogue of Ancient Chinese Bronzes of The Late Warring States - early Western Han Periods:and a notebook-size issue, An Examination of Chinese Bronzes by John C. Ferguson from The Smithsonian Report for 1914, pages 587-592 and 14 plates,a folio issue hardback illustrated catalogue of The Malcolm Macdonald Collection of Chinese Ceramics in the Gulbenkian Museum of Oriental Art and Archaeology, School of Oriental Studies, University of Durham, by Ireneus Laszlo Legeza, deputy curator with a foreword by the Rt. Hon. Malcolm Macdonald, printed by London University Press, New York, Toronto, 1972,a hardback issue covering various aspects of Chinese Art with one hundred plates in colour introduced by an outline sketch of Chinese by R.L. Hobson, Keeper of the Department of Ceramics and Ethnography at the British Museum, published by Earnest Benn Ltd London MCMXXVII (12) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
David Wright - An early 20th century Artist's portfolio 16 plates in colour. Original price five shillings. "The Sketch" offices 1 New Oxford Street, London W.C. 1. Featuring some titles, Ray of Sunshine, Splicing the main brace, Taking cover, Brown Sugar and other examples. Measures approx. 34cm x 24cm
Yong Mun Sen (1896-1962)'untitled'Watercolour, each painted with a figurative seaside view, each signed Mun Sen 50, dated 1950, framed and glazed.38 x 26cm excluding mount. (2)楊曼生一九五零年作水彩畫兩幅，玻璃鏡框cf. Yong Mun Sen was a leading figure in the field of modern paintings in Southeast Asia. He was a Malaysian artist and one of the founder of Nanyang Academy of Fine Arts in Singapore, then Malaya.Condition Report: PLEASE NOTE THIS LOT HAS NOT BEEN EXAMINED OUT OF THE FRAME.The one including two palm trees and three figures by seaside: with lightly outlined sketch in pencil/charcoal, minor foxing to the top section, small area of dirt/stain to the top left corner.The one with cottage scene: light foxing throughout.
A scarce and highly emotive WW1 era preparatory paint sketch, relating to the memorial for Lt Bernard Bradly Gough M.R.C.S. L.R.C.P. (1873-1916) Of the Royal Army Medical Corps. The sketch exactly matches that of the actual carved monument found at St Michael’s Church, Compton Martin, Somerset (see image). The sketch was made by Henry Strachey (1863-1940), an alumni of the Slade School of Fine Art. Graduating as a Doctor in 1897, practicing at various locations before settling at Compton Martin as a General Practitioner. Like many men of the era, Bernard felt it his duty to serve his country, and volunteered for service in France & Belgium. He received a commission as Lieutenant in the Royal Army Medical Corps in June 1915, and was posted to the Lahore British Military Hospital in Calais. He was posted to a frontline trench in February 1916, while attached to the 8th Battalion Staffordshire Regiment. While tending to the wounded and sick, his position took a direct hit from a German shell, killing him, and 9 other men around him instantly. When his body was discovered by a fellow officer, Lt Raby, Bernard was said to be still holding surgical scissors in one hand, and dressing in another. He is interred at the West Vlaanderren cemetery, near Ypres. He was survived by his wife and daughter. The painting is framed and glazed, and measures approximately 38.4cm x 38.4cm. Condition: generally good. Some water staining to the bottom section where it has crept under the glass, but this doesn’t detract.
CIRCLE OF Dr THOMAS MONROE (1758-1833) THREE UNSIGNED SKETCHES, the first depicts a man with a dog at the edge of a wood, charcoal and ink wash on paper, approximate size 16cm x 19cm, the second depicts a landscape with a pool, charcoal and ink wash on paper, approximate size 13cm x 19cm, the third depicts a castle above a lake, charcoal and coloured chalks on paper, approximate size 19cm x 22cm, Condition Report: first sketch has a hole lower left, second has foxing and dirty marks, third had dirty marks, loose in the mount (PROVENANCE: The Arnold Fellows Collection)
JOHN ALFRED HAGGIS (1897-1967) A BOX CONTAINING APPROXIMATELY ONE HUNDRED SKETCHES ETC, the sketches include landscapes and detail of buildings in England, Spain, Italy and France, consisting mostly of loose pages from various sketch books, the dates appear to be between 1919-1957, together with three landscape sketch oils on board, largest approximately 25cm x 35cm, smallest approximately 11cm x 9cm, comes with a list of sixty-nine pictures annotated 'Drawings by John Haggis given by Beatrice 28 Aug 1973' (PROVENANCE: The Arnold Fellows Collection)
CIRCLE OF HENRY COURTNEY SELOUS (1811-1890) A LANDSCAPE SKETCH, a river landscape with a figure crossing a bridge, unsigned ink wash on paper, approximate size 21cm x 32cm, Condition Report: light fold towards the lower edge, small bumps and folds to the corners (PROVENANCE: The Arnold Fellows Collection)
AN UNSIGNED WATERCOLOUR DEPICTING St MICHAELS CHURCH IN PENKRIDGE, circa late 19th / early 20th century, approximate size 30cm x 48cm, together with a part sketch of a lane with a gate, initialled for Edward Davis (18813-1867) pen and watercolour on paper, approximate size of paper17cm x 8cm, a watercolour and pencil drawing of a male figure with horse and cart circa late 19th century and a tracing of trees and a church and a framed print of Queen Mary's Grammar School in Walsall 1815-1847, approximate size including frame 59cm x 67cm (PROVENANCE: The Arnold Fellows Collection)
CIRCLE OF GEORGE CHINNERY (1774-1852) A STUDY OF BOATS ON THE WATER, together with a sketch of figures on camelback and writing verso, unsigned pencil and ink wash on paper, approximate size of paper 29cm x 20cm, Condition Report: the paper has a vertical fold down the middle, couple of spots of foxing, creases to the corners, torn lower edge, small tear to the upper edge (PROVENANCE: The Arnold Fellows Collection)
THREE BOXES OF VINTAGE TOYS AND GAMES, to include a Bayko Building set, a quantity of Matchbox racing track and two hand held controllers, Matchbox Countdown game, a Hot Wheels Hot Turn, a Fisher-Price 'Chatter telephone', a boxed set of Bezique, an Etch-A-Sketch Magic screen (working), Monopoly and assorted jigsaws, etc. (s.d) (3 boxes)
These exceptional preparatory studies in graphite, India ink, and gouache on BFK Rives brown paper were made by Art Nouveau and Art Deco designer and craftsman Rene Lalique. Two sheets have been combined to represent a luxurious writing set, instrument and inkwell set. The upper sheet represents a standing nude adorned with a veil that morphs into the body of pen. Lalique enhanced the design with opaque white and shades of blue. The lower sheet of a precisely drawn geometric inkwell is left in graphite. These drawings have never been seen publicly. They are unique studies of museum quality as they were acquired directly from the private collection of the descendants of Rene Lalique. While the figural sketch was intended to be a fountain pen design, the figure was later realized into the Statuette Moyenne Voilee introduced in 1912. Housed in a natural color wooden frame. Frame size: 9.80"L x 13.40"H x 0.75"W. Artwork dimensions: upper sheet 8.25"L x 8.50"H; Lower pasted sheet: 4.25"L x 8.25"H. Artist: Rene Jules Lalique (French, 1860-1945)Issued: c. 1895Country of Origin: FranceProvenance: Collection of Marie-Claude Lalique Condition: Age related wear.
Ossie Jones (21st Century), pencil sketch, 'Avro Anson V, No.1 R & NS Summerside, Prince Edward I, 30 July 1945', signed and dated 2004 to the lower left, 19cm x 28cm, & 32cm x 40cm overall, together with other associated artwork, including a coloured print, after Denis Pannett (b.1939, British), entitled 'Westland Lysander Mk. III, Night Operations', a coloured print of biplanes, and a print of a D.H. Gipsy Moth article
Assorted early motoring periodicals and ephemera,French and English text single loose issues and publications including: The Car Illustrated (No.136, 1904); The Motor Car Journal (No.484, 1908, worn and pages detached); 'L'Automobile (No.1, 1903); four loose issues of L'Illustration (No.3411, 1908; No.3592, 1911; No.3648, 1913; No.3655, 1913); Les Nouvelles Illustrees (No.53, 1903); La Vie Illustree (no.376, 1905); and other loose pages from The Graphic and The Sketch. (Qty)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Circle of Walter Richard Sickert ARA (1869-1942)"Tuileries Garden"Bears inscriptions, pencil, together with a further pencil sketch by the same hand depicting a city vista with classical buildings, possibly Rome? 18.5cm by 9.5cm and 10.5cm by 16.5cm respectively (2)Provenance: Thomas Agnew and Sons, Ltd
Jacek Malczewski (Polish, 1854-1929)Self Portrait Sketch signed and dated 'J. Malczewski / 1923' (lower left)oil on canvas43.2 x 49.5 cm (17 x 19 1/2 in).unframedFootnotes:ProvenanceAlfred and Maria Tarski, Berkeley, California; then by family descent to the Estate of Eva Kristina Ehrenfeucht.N.B.A painter and illustrator, Jacek Malczewski was born in Radom in 1854 and was educated at the Krakow School of Fine Arts as well as the Paris École des Beaux Arts from 1876-1877. Malczewski is credited for the rise in popularity of symbolism in late 19th- and early 20th-century Poland. Through his use of symbolic motifs and allegories, Malczewski provided a lens to the political turmoil that he experienced leading up to and following Poland's 1863 uprising. This event became a persistent theme in his works, in which he expressed ideas of independence and nationalism. Malczewski was fond of self-portraits and often used his own likeness as reference for allegorical figures. This is especially true in his later works such as in his series My Life (1914-1920).Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com
![[MISCELLANEOUS] Greenaway, Kate. Language of Flowers, printed in colours by Edmund Evans, Routledge, London, no date, origin](https://cdn.globalauctionplatform.com/7a87d910-9b7b-40c4-bbed-b0a700775427/c9c4fbf1-36f2-4c47-b796-b0a8010fb25e/468x382.jpg)
[MISCELLANEOUS] Greenaway, Kate. Language of Flowers, printed in colours by Edmund Evans, Routledge, London, no date, original cloth-backed glazed pictorial boards, illustrations throughout, duodecimo; together with The Railway Anecdote Book: Collection of the best and newset anecdotes and tales... Selected for the readings of railway passengers, W.H. Smith & Son, London, no date, half calf, portrait title page, seven further portrait illustrations, octavo; two further works; and an unused sketch book, (5). Condition Report : Greenaway rubbed, with some discolouration to upper cover, and light internal foxing. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Original oil and pastel sketch on wooden board by renowned, Society portrait artist, Gerald Leslie Brockhurst, R.A., entitled ‘Portrait of the Artist’s Wife’, circa 1940s and reframed in the 1980s, retaining the original label to the reverse. In the 1930s, Brockhurst was commissioned to paint such socialites as Marlene Dietrich and The Duchess of Windsor. Brockhurst was elected to the Royal Academy in 1937 and moved to the United States in 1939. The following year, he was divorced from his first wife and remarried. Both wives were muses and modelled prolifically in his work. Measures 74.5cm by 60cm overall.
Billy Connolly, Scottish actor and comedian. A signed Scotland FDC with self-sketch. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Thomas Nash (1891-1968) Preparatory Sketch for Moses Ascending the Mountain, signed lower right, watercolour and ink, 35 x 51 cm, frame 51 x 62 cm Provenance: Collection of Mr Magdi Obeid (1943-2021), purchased Bonhams 27/11/2013 lot 96Condition:The painting is a work on paper, framed under glazing, not examined external to the frame. The sheet appears in generally good condition- there is some slight cockling to the sheet. There is a small tear to the lower right corner (see additional image) there is also a crumple to the lower right (image). The surface appears well preserved, colours are good, no obvious evidence for paint loss or deterioration. The frame has some general wear and tear, mount has some ageing.
GENZKEN, ISA1948 Bad OldesloeTitel: Al Dente (für Parkett 69). Datierung: 2003. Technik: Italienische Keramik, Lack, zwei Spielzeugfiguren aus Kunststoff. Maße: 29,5 x 20 x 26cm. Bezeichnung: Signiert und nummeriert auf Editionsetikett an der Unterseite. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 2/74. Zustand:Vereinzelt minimale Staubablagerungen. Ansonsten sehr guter Zustand.Jedes Exemplar der Auflage ist ein Unikat.Mit Parkett-Magazin."Models - I wanted the pieces to be like models - are usually more fragile than some monumental metal sculpture. And people often find it very pleasing when they can still see something old, intended as a sketch, because it's been preserved. Fragility can be a very beautiful thing, more beautiful than something that's obviously made to last forever. It's very important to me that the things I'm making are really by me, and not made by assistants or farmed out as commissions. Every piece is by me, made by my own hand."Isa Genzken interview with Michael Krajewski, Parkett Nr. 69, 2003.Artikel zu Werk und Künstler aus Parkett Edition Nr. 69. Isa Genzken Deutschland Konzeptkunst Nachkriegskunst Multiples 2000er Tier Multiple Mischtechnik FarbeErläuterungen zum Katalog
KATZ, ALEX1927 New YorkTitel: Black Pond (für Parkett 21). Datierung: 1989. Technik: Holzschnitt. Goya-PapierMaße: 25,5 x 41,5 x 32 x 48,5cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 5/100. Sockel/Rahmen: Rahmen. Zustand:Obere Blattkante sowie linke obere Ecke bestoßen. Verso montiert. Ansonsten befindet sich das Werk in einem guten Zustand.Mit Parkett-Magazin."Alex Katz practices a very particular kind of society portraiture. His paintings may resemble billboards, or they may adopt the more intimate scale of the painted sketch, but they are always. portraits in an extended sense - slices of life ennobled by a deadpan iconic American eye." Brooks Adams, Parkett Nr. 21, 1989 Artikel zu Werk und Künstler aus Parkett Edition Nr. 21. Alex Katz USA Pop Art Neorealismus Nachkriegskunst Grafik 1980er Rahmen Blumen Druckgrafik Holzschnitt RaumErläuterungen zum Katalog
Alfred Lyndhurst Pocock (1882 - 1962), a laburnum carving, The Sleepy Dormouse, From Alice in Wonderland, 16.5cm high, signed with monogram, mounted for display, 26.5cm high overall; a preparatory sketch, charcoal drawing heightened in white, 25cm x 10.5cm (2)Exhibited: Royal Miniature Society, Arlington Gallery, 22 Old Bond Street, 1935.Lai Glen Restaurant Coffee Room, Old Church Street, Chelsea, 1957
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32316 item(s)/page