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CRUCHLEY (G), CRUCHLEY'S GENERAL ATLAS FOR THE USE OF SCHOOLS AND PRIVATE TUITION, with 29 of 31 double page coloured maps, with specimen plate and 'Sketch of the recent discoveries on the northern coast of America by Captain McClintock RN in the search of Sir John Franklin', bound at end, 1848 (1) (at fault)
CRAYON (G) (WASHINGTON IRVING), THE SKETCH BOOK, two vols, viii + 326, + 341 + (1), re-backed calf, John Murray, London, 1823; THOMAS (J), THE WORKS OF MR THOMAS, two vols, 323 + (1) + (8) + 79, vii + 384, five engravings to vols I, re-backed calf with original tan boards, London, 1738-1741 (4)
POLITICAL PAMPHLETS: WOODFALL'S REPORT OF THE DEBATE IN THE HOUSE OF COMMONS, on Wednesday Nov 25th 1801, London, 1802; GRENVILLE (W), LETTERS OF SULPICIUS ON THE NORTHERN CONFEDERACY, 2nd ed, London, 1801; AN ARGUMENT UPON THE JUSTICE AND EXPEDIENCY OF THE ORDER ISSUED BY GOVERNMENT, detailing all ships bound to the port of Spain, London, 1805; A SHORT HISTORICAL SKETCH AND ACCOUNT OF THE EXPERIENCES INCURRED UNDER THE HEADS OF CIVIL LIST, 2nd, London, 1810; THE NEW SYSTEM OF LIBELLING ILLUSTRATED, first ed, London, 1787; THE PEOPLES ANSWER TO THE COURT PAMPHLET ENTITLED 'A SHORT REVIEW OF THE POLITICAL STATE OF GREAT BRITAIN', 5th ed, 1787; TOPSY TURVY, with anecdotes and observations illustrative of leading characters of the present government in France, London, 1793; A STATEMENT OF THE CONDUCT OF THE MINISTRY AND THE OPPOSITION TOWARDS HIS ROYAL HIGHNESS THE DUKE OF YORK, 2nd ed, London, 1808; matching modern bindings in 1/2 cloth with blue paper boards with a colour facsimile impression of the original title mounted to the front board (8)
A LARGE FOLIO OF WATERCOLOURS comprising approx. 57 watercolours and drawings, principally landscapes and topography etc, also some portraits, figure subjects, a poultry subject and others, some bearing signatures for Henry Bright, George Chambers, John Sell Cotman (see illus.), Miles Edmund Cotman, David Cox, Edward Dayes, Robert Dixon, James Duffield Harding, (John Berney?) Ladbroke [sic], George Shepherd, Joseph Stannard and others; a pencil drawing (`sketch of Tailor - made when run in for being drunk and disorderly - Norwich`) and two watercolours by John Joseph Cotman; other works by Frank Southgate (deerstalker), Amy H Frere, H. V. Page after John Crome, C. Snell and others; and approx. 12 assorted prints, various sizes (folio) ++ Mixed condition
GEORGE RICHMOND, RA (1809-1896) PORTRAIT OF CHARLES JOHN SHORE, LATER 2nd LORD TEIGNMOUTH Seated half length, wearing a dark coat, watercolour and pencil sketch 37 x 27.5cm.; with a watercolour portrait of Jane Euphemia Saxby (nee Browne) by C. Forster, c.1840, 26.5 x 21.5cm.; and a pastel portrait of a cleric, c.1760, 53.5 x 43.5cm. (3) Provenance: By descent on the family of Lord Teignmouth. See also lots 2138 to 2142 ++ The watercolours faded; the pastel satisfactory
CIRCLE OF THOMAS ALLOM (1804-1872) VESSELS BY A WATERFRONT, CHINA Watercolour and pencil 18 x 27cm.; with a watercolour of a crew crossing the line (Equator), attributed to Isaac Cruikshank, 13.5 x 21cm.; and an ink and grey wash sketch of buildings on a lane, early 19th Century, 11.5 x 14cm. (3) ++ Chinese subject and `Cruikshank` faded
BERNARD MCDONALD (British, born 1944); watercolour and pencil sketch, Stockport market figural street scene with St Mary's Church in the background, signed lower left, 37.5 x 27.5cm, with Unicorn Gallery, Wilmslow label verso, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
BERNARD MCDONALD (British, born 1944); watercolour and pencil sketch, Stockport Underbank figural street scene, signed lower right, 37.5 x 28cm, with Unicorn Gallery, Wilmslow label verso, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
SIR STANLEY SPENCER, R.A. (1891 - 1959) Framed, signed, dated 'Sept. 49', pencil sketch on paper, head study of June Queenie Eileen Wales aged five, 40.5cm x 30cm. Provenance: Ms June Queenie Eileen Wales gifted to charity sale; Roger Jones Auctioneers. Sold with Christies 2001 valuation, copy of letter from June Queenie Eileen Wales and Imperial War Museum conservation documentation. (ARR).
John Ambrose RSNA (20th/21st century contemporary) - 'Beach Huts', signed, also inscribed with the title of the work and biographical details on the artist, on a label verso, oil on board, 12" x 16"; together with eleven further various pictures, Japanese figurative subjects, a watercolour of Hampstead Heath, another preparatory watercolour sketch by Frederick Stewart Richardson, a caricature of a gentleman signed Max and dated 1936, also other subjects, various sizes (12)
§ Steven Spurrier, RA, ROI, RBA (British, 1878-1961) Cleaning the yard signed lower left "Spurrier" oil on board 38 x 38cm (15 x 15in) Provenance: By descent within the family of the artist Exhibited: The Sketch Club, 1910 (old label refers) Other Notes: The scene is likely to be on a Sussex farm, near Spurrier's home at West Wittering. One small paint loss lowser left-hand cornber, and frame is dirty.
A rare Regency mahogany deception table, inlaid with ebonised stringing, one flap hinges, the other with a brass catch and on an easel revealing a vacant interior, on ring turned tapering legs, 73.4cm high, 33cm wide, 48.3cm deep. Thomas Sheraton in his Cabinet Dictionary of 1803 stated that the function of a deception Pembroke table was 'to answer the purpose of a pot cupboard, or any other secret use which we would hide from the eye of a stranger'. It is believed to have originated with the firm of Gillows, as a design for a deception table appears in the Gillow Estimate Sketch Books for June/July 1787 (Westminster City Archives 94/44-5).

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32316 item(s)/page