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A framed and glazed pen and ink sketch of a highstreet scene, indistinctly signed and dated. H.69 W.56cm.

Cercle de Charles-André, dit Carle van Loo (Nice 1705-1765 Paris)Scène de bataille, probablement Alexandre et PorusCircle of Charles-André, called Carle van Loo (Nice 1705-1765 Paris)A battle scene, probably Alexander and Porus oil on canvas199 x 315cm (78 3/8 x 124in).Footnotes:Provenance:Anon. sale, Christie's, Monaco, 22 June 1991, lot 142 (as French School, circa 1750);Collection Michel Guy;Anon. sale, Loudmer, Drouot, 30 June-1 July 1993, lot 31 (as circle of Charles-André Van Loo, called Carle van Loo);Private Collection, France, where purchased by the present owner in 2019This impressive, and partially unfinished canvas may well depict the Battle between Alexander and Porus. It has been suggested by Christophe Henry, who is currently compiling a catalogue raisonné on Carle van Loo, that the present work could have been painted in response to a commission by the architect Filippo Juvara to decorate the 'Salon de las empresas del Rey' at Royal Palace of La Granja, near Madrid. The artist is known to have exhibited an initial composition at the Salon of 1738 but that he abandoned it after it was heavily criticised. Little is known of this work of 1738 but it is not possible to identify it as the present lot as descriptions of the exhibited painting mention the presence of an elephant. It has always been assumed that the second work of this subject, exhibited by van Loo in 1739, is the one he later delivered to Juvarra and is most likely known through a sketch, now in the Musée des Beaux-Arts, Marseille (inv. no. 1998-1-1). Henry suggests that the present work could be a further, intermediary composition as the dimensions are comparable with other works from the cycle for La Granja. Christoph Henry is planning to include this work in his forthcoming catalogue raisonné as no. P103. Alessia Rizzo has suggested that the present battle scene is most likely a studio work or executed by a close follower of the artist. We are most grateful to both Christoph Henry and Alessia Rizzo for their kind help in cataloguing this work and for providing their opinions. We are also grateful to Alastair Laing for suggesting an alternative attribution to Antonio Calza (1658-1725 Verona).This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com

A folio of 19th century London Illustrated News and loose ephemera and prints to include an HB sketch No.769 and a print of the privates in the Ist Regiment of Footguards, together with an 1857 collection of Illustrated London News, and a folio of British Battles prints 1066-1900 Location:

CIRCLE OF ROWLANDSON. INK SKETCH with three figures. 4ins x 5ins.

A Second War 1945 ‘instructors’ A.F.C. and K.C.V.S.A. group of six awarded to Flight Lieutenant, late Warrant Officer, F. J. Lewis, Royal Air Force, who flew in at least 49 operational sorties - predominantly in Wellingtons with 108 Squadron over the Middle East, having already flown in Blenheims with 110 (Hyderabad) Squadron during the Battle of France in May 1940. He served with the Takoradi Ferry Flight on the Gold Coast, and subsequently joined the Test Flight based there. After the war Lewis was employed as a pilot by the British European Airways Corporation for 25 years, and added to his already large list of aircraft flown. At the point of retirement he had amassed some 17,533 flying hours over his entire military and civil aviation career Air Force Cross, G.VI.R., reverse officially dated ‘1945’ in Royal Mint case of issue; 1939-45 Star; Air Crew Europe Star; Africa Star, 1 clasp, North Africa 1942-43; Defence and War Medals 1939-45, with M.I.D. oak leaf, generally very fine or better (6) £1,400-£1,800 --- A.F.C. London Gazette 3 April 1945. King’s Commendation for Valuable Services in the Air London Gazette 1 January 1942. Frank James Lewis was born in April 1916. He joined the Royal Air Force as an L.A.C. in October 1935, and carried out his initial pilot training at Reid & Sigrist Ltd, R.A.F. Civil Training College, Desford, Leicester two years later. Lewis was subsequently posted to No. 5 F.T.S., Sealand, before being posted as a pilot to 101 Squadron (Blenheims) at Bicester in December 1938. Lewis was posted to 110 (Hyderabad) Squadron (Blenheims) at Wattisham in October 1939, and he took part in at least 3 operational sorties with the Squadron during the Battle of France in May 1940 - including, 24 May 1940 ‘Operations Against German Mechanised Columns On Calais - St. Inglevert Road. 2- 250 & 12 40lb Bombs Dropped. Hit Twice By Light A.A. Fire’ (Log Book refers). Lewis was posted to No. 4 Ferry Pool, Cardiff in June 1940. At the end of August Lewis was posted overseas for service with the Takoradi Ferry Flight on the Gold Coast of Africa. Whilst stationed with the latter he flew a variety of aircraft, including: Blenheims, Hurricanes, Lockheeds, Tomahawks and Junkers 52s! Lewis served with the Test Flight at Takoradi, January - October 1941, and a report was rendered to H.Q.M.E. when the following occurred to a Glenn Martin aircraft he was testing, 27 April 1941, ‘Initial Air Test. Port Under-Cart Collapsed After Landing.’ (Log Book refers). Lewis advanced to Warrant Officer, and was posted for operational flying with 70 Squadron (Wellingtons) at Kabrit in November 1941. He flew on one operational sortie with the Squadron to Derna, 16 November 1941, prior to being posted to No. 70 O.T.U. at Nakuru, Kenya the following month. Lewis returned to the Middle East with 223 Squadron in February 1942. Flying Marylands and Baltimores, Lewis was ‘Drogue Towing. Both Engines Failed. Landed On Belly’, 9 April 1942 (Ibid) After a period with No. 2 M.E.T.S., Lewis returned to operational flying with 108 Squadron (Wellingtons) from Kabrit in June 1942. He flew in at least 44 operational sorties with the Squadron between June - November 1942, including: 12/13 July 1942 ‘Operations - Tobruk. Dock Installations Bombed 4 x 500lbs G.P. Moderate Flak. Attack By Ju.88’; 19/20 September 1942, ‘Operations - Tobruk Again. 5 x 500lbs G.P. Dropped Near Jetties. Flak Still Hot. A/C Holed Slightly’; 9/10 October 1942, ‘Operations - Fuka Drome. 12 x 250lbs G.P. & 2 S.B.C. 40lbs F. Dropped On Aircraft & A.A. Aircraft Damaged By Enemy Fighter - No Injuries’; 22/23 October 1942, ‘Operations -Western Desert 13 x 250lbs G.P. 2 S.B.C. 40lbs. Dropped on Alg. 20. Rear Gunner Claims He Got A Me. 109. Says He Saw Pilot Bale Out’ (Ibid) Lewis’s conduct was praised in No. 205 Group Letter, 11 November 1942: ‘525025 W/O Lewis F. J. of 108 Squadron, On 15th October 1942, while preparing for a bombing run over the Tobruk area, the port engine failed. The captain showed a high standard of skill and airmanship in difficulty, and successfully effected a belly landing at base. His excellent flying undoubtedly resulted in the return of aircraft and crew.’ Lewis was posted to 37 Squadron (Wellingtons) at the end of November 1942, and carried out one further operational sortie on 3/4 December 1942. He returned to the UK, and was posted as an instructor on Whitleys to No. 81 O.T.U. at Sleap in March 1943. Lewis was commissioned Pilot Officer (on probation) in April 1943, and advanced to Flying Officer (on probation) in October 1943. Subsequent postings included as Flight Lieutenant and Chief Instructor at No. 3 F.I.S., and carrying the Junior Commanders Course at R.A.F. Cranwell. He was demobilised in October 1945, and joined the British European Airways Corporation as a pilot. He retired after 25 years service with the company, 25 September 1971, having carried out 17,533 flying hours over his entire military and civil career. Sold with the following related items and documents: King’s Commendation for Valuable Services in the Air Certificate, dated 1 January 1942, this framed and glazed with R.A.F. ‘Wings’; named Buckingham Palace enclosure for the D.F.C., this framed and glazed; 3 R.A.F. Pilot’s Flying Log Books (7 December 1937 - 19 October 1945) the majority of operations additionally annotated with extra details; 4 Ministry of Transport and Civil Aviation Personal Flying Log Books, Aircraft Operating Crew (13 October 1949 - 17 September 1971); small portrait photograph of recipient in B.E.A.C. uniform and a damaged charcoal sketch of recipient.

A Costume Sketch, framed and glazed. Bears a label to verso.And a limited edition print. (2)

TOM BROWNE (1870-1910) 'SKETCHES' watercolour and bodycolour, signed lower right TOM BROWNE, framedDimensions:56cm x 38cmNote: Note: Tom Browne was a member of the London Sketch Club along with artists such as John Hassall, Edmund Dulac, and W. H. Robinson.

ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON 'TUDRIC' CLOCK, CIRCA 1900 pewter, inlaid with abalone shell, stamped TUDRIC 0252Dimensions:17cm highNote: Literature: Liberty Pewter Sketch Book, Westminster City Archives, London, n.d., p. 57, no. 0252Tilbrook, Adrian J. The Designs of Archibald Knox for Liberty & Co., London, 1995, p. 106, no. 88Martin, Stephen A. Archibald Knox, Art Media Press, London, 2001 pp. 240 and 241

A collection of six furniture design sketches by Maple & Co., c.1920's, comprising four in watercolour and pencil, including one on paper mounted on card of a dining room suite in Queen Anne Style, no.2206, 38 x 56cm; another on paper with a sofa suite, titled Bleached Walt: Lounge, 38 x 55.5cm; two others on paper; and one pencil sketch on paper of a bedroom suite, 38 x 56cm (6)  

A collection of six furniture design sketches for Maple & Co., c.1920's, to include four pencil and watercolour sketches comprising: one on paper of four piece bergere suite, inscribed in pencil Maple & Co. W.1.; three on card of a sofa suite, and two of beds; largest 30.8 x 39.7cm; and a pencil sketch on card of Living room with sofa and chair by a fire, 38 x 56cm (6)

WILLIAM OATES (ENGLISH/AUSTRALIAN, 1862-1945). HARBOUR SCENE WITH A JETTY, VESSELS BEYOND. Signed and indistinctly dated, with sketch of a rural landscape with barn verso, oil on canvas 35 x 50cm. *CR Needs a clean.

JAMES BROWN (1863-1943). LANDSCAPE (SKETCH). Signed `P. Conway`, also signed and inscribed on a label verso 39 x 44cm. * Paul Conway was a pseudonym that Brown used for a while, apparently to acknowledge his mother's maiden name. Brown was a friend of James Bolivar Manson and Lucien Pissarro, the influence of the latter being apparent in many of his landscape subjects. *CR Lined; a little associated retouching; needs a light clean.

David West - 'Sketch for Westminster Barge', 20th century pen with ink and watercolour, signed, titled and dated '85, 36.5cm x 54cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Full title: Italian school: 'Le conseil des dieux', mixed media on parchment (?), 18th/19th C. or earlierDescription: Work: Ca. 26,5 x 21,5 and ca. 24 x 15,5 cm (the visible dimensions of the works, most probably the work consists of only one sheet of parchment) Frame: 71 x 46 cm Most probably a sketch for the fresco on the ceiling of the loggia of Cupid and Psyche of the Villa Farnesina (Rome), painted by Raphael and his studio. Provenance: - Vente (sale)GeorgesHulin de Loo (1862-1945), June 1946.

ANNE CAMPBELL -pencil sketch of a boar, signed, 40 x 58cm and a watercolour of warthogs by Gillian Langley.

David Wilde, "Cymer Abbey", pen and ink sketch, 24 x 33cm, framed and glazed.

A GEORGE IV MAHOGANY WHATNOTATTRIBUTED TO GILLOWS, CIRCA 1795Of tapering form148cm high, 44cm wide, 44cm deepFor a related whatnot see Susan E Stuart, Gillows of Lancaster and London 1730-1840, pl 657. Two very similar designs were drawn in Gillows' Estimate Sketch Books in March 1790 and July 1793.

Charles Hayter (1761-1835) "Mr. George Dawkings, Courtown House, Wexford," and its accompanying Portrait, a pair, pencil sketch, one with detailed inscribed verso, each approx. 22cms x 18cms (8 1/2" x 7") in later gilt frames. (2)

S J Lamorna Birch (1869-1955), 'Coastal Scene', watercolour sketch, 8.5 x 14cm, signed and inscribed Xmas 1930.

A large selection of old antique books to include, in various age-related conditions; ‘Stories from Hans Christian Andersen’ illustrated by Maxwell Armfield (published by J.M. Dent & London), ‘The Life & Explorations of Dr Livinstone’ (published Adam & Company, London, hand written note inside cover dating 1879), Shakespeare ‘Sketch of the Life of Shakespeare’, ‘The Peterkin Papers Illustrated’ (by Lucretia P. Hale, published by Boston Ticknor and Company, 1887), ‘Tuppers Proverbial Philosophy Complete’ (by Martin F Tupper, E. Moxon, Son & Co.), ‘Lorna Doone: A Romance of Exmoor’ (by R.D. Blackmore, published by Sampson Low, Marston, Searle & Rivington, 1886), ‘Waverley or’Tis Sixty Years Since’ (by Sir Walter Scott, Henry Frowde Oxford University Press, 1912), ‘The Arabian Nights’ Entertainments’ (by Hon. Mrs. Sugden, published by George Routledge and Sons Ltd, 1895), ‘The Pilgrim’s Progress’ (by John Bunyan), ‘The Talisman: A Tale of Crusades’ (by Sir Walter Scott, published Blackie & Son Ltd), ‘The Complete Herbalist: A Brief History of Medicine’, ‘Barnaby Rudge’ (by Charles Dickens, published Chapman & Hall Ltd, London, 1890), ‘Dombey and Son’ (by Charles Dickens, published Chapman & Hall Ltd, London, 1890), ‘The Innocents Abroad’ (by Mark Twain, published Ward, Lock & Co, London), ‘The Wallypug of Why’ (by G.E.Farrow, published by Henry Frowde Hodder & Stoughton, London), ‘Lucan’s Pharsalia’ (by Nicholas Rowe, 3rd edition), ‘French Classics: A Selection of Plays’ (by Gustave Masson, published Macmillan & Co, with handwritten note dating it 1896), ‘Political Caricatures by FCG’ 1905 & 1906, ‘The Divine Comedy of Dante Alighieri (by Melville B. Anderson, published by Oxford University Press), ‘The Koran’ (by George Sale, published Frederick Warne & Co), ‘Peruvian Princess’, ‘David Copperfield’ (by Charles Dickens, published by Thomas Nelson & Sons Ltd), ‘Johnson’s Dictionary of the English Language in Miniature (printed by Benjamin Bensley, London), ‘The Magistrates Pocket Guide’ (by T. Baker, published by Knight & Co, London), ‘Obiter Dicta’ (published by Elliot Stock, London, 1886), ‘News From Nowhere or an Epoch of Rest’ (by William Morris, published by Longmans Green & Co, 1931), ‘The Perfect Ceremonies of Craft Masonry’ (privately printed for A.Lewis, 1929), ‘Tennyson’ (published by Henry Frowde, London) and ‘Macaulays History of England’ (vols I,II, III & IV, published by Longmans Green & Co, 1864, 1865, 1866). Total qty 31.

A scarce Schneider cup programme 1929 with circular from Rolls Royce with pencil sketch of a Gloster aircraft on reverse.

An Ashley Jackson signed programme with personal sketch from his exhibition 'Paintings in the Open Air' at the Laing Art Gallery 2008

A Framed Pencil Sketch, British Wild Bull, 23x16cms

A Framed Pencil Sketch, The Black Pool, Welshpool, 22x13cms

James Alder (1920-2007)/A High Tower of Birds/design for ceramic or aluminium, with quote by Dylan Thomas/signed James Alder/pencil sketch, 25cm x 23cm/Note: given to Henry Sandon by the artist while working for Royal Worcester, circa 1975/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Hendrikus Jacobus Eshuijs (1888-1967)Sketch design of Art Nouveau wall depiction, watercolor 54x32 cm

Four Prints and Paintings: Jim Nicholson - 'Reflections (1) Flixton Lake', limited edition print, signed, titled and numbered 4/50 in pencil below; Roper - Bird on Water with Reflection (2001), oil on board, signed and dated lower right; Boyd - 'The Naturalist' (1989), artist's proof woodblock print, signed, titled and dated below, 41 x 45.5 cm; together with a gouache and pencil architectural sketch monogrammed 'BGL', all framed and glazed (4)

Coloured print That's Me published in the sketch magazine 1912, framed and glazed

Three albums containing black and white photographs, a sketch album with various signatures and a box of loose stamps

JOSEPH MILNER KITE (1862-1946) FISHERMAN AND BOY, a sketch of two male figures, the man holding a fishing rod over his shoulder, the boy holding a basket, signed bottom left, charcoal on paper, approximate size 47cm x 29cm, Condition Report: some discolouration to the paper, 3cm tear to bottom edge reaching the boys back foot (PROVENANCE: The Arnold Fellows Collection)

HENRY BRIGHT (1814-1874) SKETCH OF A CHURCH, a study of a church, signed and indistinctly dated lower right, pencil on paper, approximate size 21cm x 24cm, Condition Report: foxing across the sketch, mount and frame marked (PROVENANCE: The Arnold Fellows Collection)

CORNELIUS VARLEY (1781-1873) 'TIVERTON', a sketch of a Devon landscape with industrial buildings, signed, titled and dated 1824 bottom left, pencil on paper, approximate size 29cm x 53cm, Condition Report: spots of foxing, lighter edges from earlier framing, dirty marks to the paper, frame marked (PROVENANCE: The Arnold Fellows Collection)

BRUCE BAIRNFATHER (1888-1959) 'OLD BILL', a cartoon sketch depicting 'Old Bill' smoking a pipe and carrying a rifle on his shoulder, signed 'from Old Bill and Bruce Bairnfather' together with a personal inscription to cartoonist David Low, ink wash heightened with white on paper, approximate size 30cm x 21cm, Condition Report: one small spot of foxing visible (PROVENANCE: The Arnold Fellows Collection)

Alfred George Stevens (1817-1875), sanguine chalk, Sketch of two standing figures, 30 x 26cm

ALFRED CHARLES JEROME COLLINS (1851-1921). A watercolour sketch of a springer spaniel & three pups in a basket on the back of a covered wagon, mounted soldiers in red tunics & white pith helmets beyond, inscribed on reverse: “On The Strength of The Regiment”. Signed in pencil “C. Collins A.R.C.A.”; 9” x 11”.

ROBERT GALLON (1845-1925). A sketch in oil titled: “At Kingsbury” & dated 4th June 1918; panel: 8” x 12¾”; inscribed verso; in carved & pierced giltwood frame (10½” x 15½” over-all).

Whimsical plates with hand painted scenes. Titled No Hurry, Boy riding a snail in an open field with buildings in the background. Titled The Artist, a goat boy riding a dog and playing a flute with a sketch pad on his back.This item has no reserve. Artist: Emile Albert LessoreIssued: 1860Dimensions: 9.25" dia.Condition: Age related wear.High Res Image 1High Res Image 2High Res Image 3

Interesting Red & White Pencil Sketch of the Black Bull Hotel, , by a C. Marc Minton

CHARLES FAIRFAX MURRAY (1849-1919), 'Portrait sketch of a young boy', oil on canvas, 27cm x 19cm, framed.

A Signed Sketch of (A4) Artwork depicting Dawn by Josepth Michael Linsner.

A Limited Edition Signed and Sketch (large) Artwork Print depicting X-Men Phoenix by Jospeth Michael Linsner.

Graded Comic Book Interest Comprising The Marvels Project #1 - Marvel Comics 10/09 - Signed & Sketch by Terry Dodson on 4/01/10. Sketch Cover - Partial blank cover. 70th Anniversary "frame" cover. CGC Signature Series 9.8 - White Pages.

Late 19th/Early 20th Century Italian School, pencil sketch of a draped arm and a leg. Signed Cipriani lower right, framed, 12cm x 19.5cm

Morrison (Robert), A View of China, for Philological Purposes; containing a sketch of Chinese chronology, geography, government, religion and customs, printed at the Honourable the East India Company's Press, Macao, 1817, first edition, pp VII and 142, contemporary full calf, label, a fine copy of one of the first imprints from the East India Company's Press at Macau.

Sevigne (Fracnois Marguerite de), Receuil des Lettres de Madame la Marquise de Sevigne, Paris, La Compagnie de Libraires, 1786, 8 volumes, full contemporary green morocco; together with Crayon (Geoffrey), The Sketch Book, fourth edition, 2 volumes, John Murray, 1821, full green morocco by C Murton.

Terry Barron Kirkwood (Scottish) Prancing Lipuzzana Stallions, pencil and watercolour sketch, signed bottom left in pencil and inscribed, ebonised glazed mounted frame, (21cm x 29cm)

Collection of correspondence regarding a visit by Colonel Robert Morgan, captain of famous B-17 Flying Fortress "The Memphis Belle" to Sandringham Palace 1998 incl. signed type written letters from Col Morgan, the event organiser aviation historian and airshow organiser Ken Cothliff, the Queen Mother's private secretary Sir Alastair Aird and Lady-in-waiting Prudence Penn and a signed pencil sketch print of the Memphis Belle signed in pencil by the artist and Col Morgan.

JOSEPH RIDGARD BAGSHAWE (1870-1909), ARR. A BOAT LEAVING A SHORELINE, CHARCOAL, A NOTE VERSO SAYING THAT THIS SKETCH CAME FROM THE ARTISTS SKETCHBOOK. 16 x 16.5cms.

SYED SADEQUAIN AHMED NAQVI (1930-87), ARR. A PENCIL SKETCH FOR THE DUST COVER OF HIS BOOK THE HOLY SINNER, THE HUMAN HEAD AND SHOULDERS WITH A NESTING BIRD IN THE HAIR, SIGNED AND DATED '74. 31.5 x 23.5cms.

ATTRIBUTED TO EDWARD SEAGO (1910-74), ARR A SKETCH FOR THE JETTY, OIL, INITIALLED S LOWER LEFT, THE FINISHED WORK IS ILLUSTRATED IN RON RANSONS 2008 BOOK ON SEAGO. 19.5 x 27.5cms.

SIR CHARLES THOMAS WHEELER KCVO. CBE. PRA. PRBS. (1892-1974), ARR. A SKETCH OF HIS WIFE SEATED PAINTING, OIL ON CANVAS, LABELLED VERSO. 29 x 25cms.

Henry Noel Humphreys - 'Ancient Coins and Medals, an historical sketch of the origin and progress of coining money in Greece and her Colonies', ten loose sunken mounts containing facsimile gold silver and bronze foil coins with descriptions

Lord Mayor of London.- [Almack (Richard, solicitor and antiquary, 1799-1875)] Biographical Sketch [of Robert Peckham, Sheriff and Lord Mayor of London, 1732-1814], manuscript, 5pp., typed note at head of first page, folds, slightly browned, sm. 4to, n.d.; and 2 others, including a Scottish document relating to John Campbell of Ardchattan, 1703, v.s., v.d. (3).

* BRENDA MARTIN, THREE SIGNED LIMITED EDITION SCREENPRINTS screenprint on paper, each signed, titled and numbered from an edition of 150 or 200each mounted, framed and under glass including 'Snow White' 65/150, 'The Party' 131/150 and 'Snowhearts' 167/200image size 13cm x 9.5cm each, overall size 35cm x 31cm each Note: After graduating from The Royal College of Art in London, Brenda worked as a designer in the fashion industry for Monsoon in India and Studio West in San Francisco, before returning to the UK to work as a BBC costume designer. During this time she specialised in period dramas and comedy sketch shows including ‘Alas Smith and Jones’, ‘Scotch and Wry’ and ‘Naked Video’, whilst also illustrating articles for the women’s page of The Herald. She has been a visiting lecturer and examiner at Edinburgh College of Art and has run sketchbook and fashion-based workshops at Leith School of Art. Now based in Edinburgh, much of her current work is painted on location at her home in the Highlands and on the beautiful beaches of Northumberland.

THE EARL HAIG OBE RSA (SCOTTISH 1918 - 2009), LANDSCAPE * GEORGE ALEXANDER EUGENE DOUGLAS HAIG, THE EARL HAIG OBE RSA (SCOTTISH 1918 - 2009)oil on canvas, signedframedimage size 49cm x 75cm, overall size 59cm x 85cm Note: another painting/sketch verso of canvas.

Framed Michael Winters 1968 Pen & Ink Sketch

Framed Michael Winters 1968 Pen & Ink Sketch

Framed Michael Winters 1968 Pen & Ink Sketch (unsigned)

Framed Michael Winters 1969 Pen & Ink Sketch

Christine Nisbet: pencil sketch, "Women Stone Carriers Corfu", a monotype, "The Prodigal (6), another similar "The Prodigal (9)", another "Susanna (6)" and four other works by the same artist, mounted