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GINE, ALEXANDER(1830-1880)Riverbank Marsh, signed, further with a pencil sketch on the reverse.Pencil, heightened with white, on tinted card, 10.5 by 15.5 cm. Authenticity of the work has been confirmed by the expert V. Petrov.

*§SEREBRIAKOVA, ZINAIDA(1884-1967)Portrait of the Artist`s Sister-in-Law Elena Lanceray, inscribed in Cyrillic "Lyolya" and dated "4 dekab. 1914", further numbered "69" and with a sketch on the reverse.Pencil on paper, 34 by 26 cm. Provenance: Private collection, Europe.

*VOINOV, VSEVOLOD(1880-1945)House with a Red Roof, signed and dated "28.VIII.1921", further with a pencil sketch on the reverse.Pencil and pastel on paper, 26 by 17 cm. Provenance: Collection of E. Zommer, the artist`s granddaughter. Important private collection, Europe."

CHEKHONIN, SERGEI(1878-1936)Design for a Niche with a Statue of the Virgin Mary, signed and inscribed "Paris".Pencil, watercolour and gouache on paper, 33 by 25 cm. Fine art connoisseurs very often associate Sergei Chekhonin with Soviet agitprop porcelain. Chekhonin, however – as well as being a revolutionary pioneer in the field of industrial design (he was artistic director from 1918 to 1927 at the Petrograd, later Leningrad, State Porcelain Factory) – was primarily a consummate book designer. In the 1910s he proved to be one of the masters whose work established the high standard of Russian graphic art. With his impeccable grasp of lettering and ornamentation Chekhonin, in conjunction with Dmitri Mitrokhin and Georgiy Narbut, belonged to the younger generation of members of the World of Art group who raised graphic art in books to a new level. His exquisite pen and watercolour drawings became absolute Russian classics of the first quarter of the 20th century. The well-known Russian art historian Abram Efros called Chekhonin’s style “Soviet Empire”. The work in this catalogue is most probably a sketch for the decoration of an architectural niche. The artist produced it in Paris at the very end of the 1920s or beginning of the 1930s."

Morse code machine, a Zenit camera, one other and a copy of `The Sketch`

WALES. Four manu. notebooks numbered I - IV describing tours 1771 - 1773. The first book lays out a journey from Oxford to Swansea by way of Gloucester, Ross etc; the second is Swansea to Bristol; the third Oswestry to Harlech; the fourth Snowdon to Welshpool, good pen and wash and other sketches "bridge at Llandovey, Edward archt. who desigtned ye Taef bridge 80ft in span 1773.", "From Pembroke.", "General view of Mr. Morris's grounds from ye Windclif with ye curve of ye Wye at Severn.", good description of Bristol - "Bristol is a large overgrown City full of smoke from numberless Glasshouses and of tumult from all ye various transactions of an extensive commerce, which is here carried on wholly independent of London and perhaps ye only place in ye kingdom that is so in this respect...", this section includes pen and ink sketch of Gothick cottage at King's Weston; this lot also includes eight page note "Hints for a S. Wales Tour.". (See illustration)

SKETCH-BOOK. "Views taken in different parts of England." signed L. Wynne. 30 well finished detailed watercolours, each described on the blank reverse opposite; Stonehenge, two Teignmouth, Chudleigh, Haytor Rocks, three Tamar, Fowey, Polperrow, Malpas, Mount's Bay, Wells, Dunster, four Ilfracombe, Linmouth, Clovelly, Biddiford, Barnstaple, two Warwick Castle, Keddleston House, Robin Hood Stones Derbyshire, Newbath Matlock, Near Matlock, Matlock Bath, Blenheim House. Also page pencil sketches trees, orig calf-backed marble bds, oblong folio 9 x 13ins vg condition (one date noted "Sheldon - opposite Teignmouth, Bellona privateer sank Sept, 1779). (See front cover illustration)

SKETCH-BOOK. Interesting and Important Sketchbook. "Views taken in Ireland. Many of which are published by Mr Sandby in his Vertuosi's Museum." signed L. Wynne. 30 views, some well finished watercolours of an Irish Tour. "Dublin fr. Phoenix park, the Royal Hospital Ec.", "Trim castle, engraved by P. Sandby.", "L. Belvideres.", "Views of Drogheda...", "Cascade Powercourt.", "Glendaloch.", "Inniscorthy.", "Dunbroady Abbey...P. Sandby.", "Dunbroady Abbey...Ross river.", "The Passage over Waterford harbour...", "Carrick-beg...P. Sandby.", "Kinsale.", "The Fort at Kinsale fr Gen Folliots summer house.", "Cataract...Bantry.", Ross Castle on ye Lake of Killarny...P. Sandby.", Lake Killarney fr Mucrap.", Eagle's nest Killarney.", "Lake Killarney.", "Cascade...Killarney.", "Dunlow castle - Killarney.", "O'Sullivan's Cascade, Killarney.", "Addair Castle.", "Abbey at Addair.", "Archbishop's Palace, Cashel.", "Cathedral and Rock of Cashel.", "St. John's bridge, Kilkenny,", "Castle at Kilkenny - Entrance.", "Kildare Abbey.", "Fall of ye Liffy...". (2 of 30 views in this album are:- "Bridgenorth-Shropshire, 1774. Mr Sandby has made a large print of this drawing."; and "Bildemas or Bildas Abbey, Shropshire..." orig calf-backed marble bds, oblong folio 9 x 13ins, vg condition. (See illustration)

SKETCH-BOOK. Fine album "Coast of Cornwall and Devon.", 18 numbered watercolours, each with ruled col borders, possibly intended for framing or engraving, three Teignmouth, Babington, River Dart, Rocks near Dawlish (three), Dawlish, Lostwithiel, Probus, two St. Michael's Mount, Penzance. two Mousehole. Druidical Remains, Cape Cornwall, orig 1/2 calf, large oblong 8vo, 7 1/2 x 11 1/4ins, vg condition. (Some views not seen before this date - 1770s - from the vantage point chosen.) (See illustration)

SKETCH-BOOK. "Views in Portugal." signed L. Wynne. Album containing 20 watercolours "Penha de Francia.", "Cintra.", "Torre de Bellem (3).", "Alcobaca.", "Castello de Leyria.", "Encarnacao.", "Convento de Batalha.", "Figuera.", "Monte Morovelho.", "Lisbon at 7 miles distance.", "Arabide.", "Convento de Brancanas.", "Convento de S. Francisco.", "Fort S. Julien.", "Distant view of Lisbon," "Cascages and ye mountains of Cintra - here I took leve of the coast of Portugal." (Several seem to be sketched from a vessel looking shoreward), orig calf, ob 8vo, 5 1/2 x 8 3/4ins. (See illustration)

SKETCH-BOOK. "Views Taken in France." signed L. Wynne. Seven pen and ink and tint plus six pencil drawings; "Blois", "Blois du cote de l'orient.", "du cote de l'orient.", "Chateau de Choiseul a Chantilloup.", "Amboise.", "Tarara.", "Lyons.", "Les aquaducts pretre Lyons.", La Cathedrale a Lyons.", "proche Madana.", "Cascade proche Lanebourg." orig 1/2 calf, 7 1/2 x 11 1/2ins, large ob 8vo, vg. (See illustration)

SKETCH-BOOK. Derbyshire and North Wales. 25 large mostly pencil and wash sketches, five Dovedale, seven nr Matlock, four Castleton Rhaidr Criglaeth, two Pistil Rhaidr, Pont y pair, Castle Doluidellan, Conway Castle, Llyn Badern Snowdon, Llyn Berris, plus one unnamed, orig 1/2 calf. 10 x 14ins, oblong folio. (See illustration)

Riis, Jacob (1849-1914) Autograph Manuscript Draft, Ten Pages. A sketch of The Making of an American, in Riis`s hand, c. 1900, in this draft, Riis has composed the basic reach of chapters one through seven, the end of chapter twelve, chapters thirteen through fourteen, and the title for chapter fifteen, pages toned, with corrections, shorthand annotations, and deletions, 9 1/2 x 6 in.

Gauguin, Paul (1848-1903) Noanoa: Voyage de Tahiti. Munich: by R. Piper & Co., for the Marees Gesellschaft, 1926. Limited edition, copy number twenty-six of eighty, hand-bound in full yellow morocco, boards gilt-ruled, author and title gilt-tooled on the spine, with the original paper wrappers (spine perished) and the original folding cardboard cover, both blocked in black with the same design, spine of book and cover slightly sunned, 12 1/4 x 9 1/4 in. This facsimile of Gauguin`s original manuscript notebook includes reproductions of drawings and notes printed in color throughout. In cases where the artist tipped a sketch that was originally drawn on a separate piece of paper into his book, the publishers have done the same, printing on a thinner separate sheet and tipping it onto the page. Gauguin`s original notebook is held at the Louvre.

World Map. Giambattista Albrizzi (1698-1777) Mappamondo o sia Descrizione Generale Del Globo Terrestre ed Acquatico. Venice, 1750. Small folio double-page map, with central seam, engraved, hand-colored, the globe represented in two circular hemispheres, with female representations of the four continents, one in each corner, and an armillary sphere in the center top, some old folds, slight discoloration on the verso, not affecting the recto surface, mainly confined to the tab joining the two sheets, 17 1/4 x 15 in. The unexplored regions of the world are map in a fragmentary manner, the northwest coast of North America is a tenuous sketch, Australia is still connected to New Guinea, Asia blends into Alaska; a scarce map.

A Cadell engraving of Hampton Court 0 37cm x 17cm, a pencil sketch of a fishing harbour - 16cm x 11cm, a pen and ink drawing of Shepherds at market by Douglas Chandler 1922 -28cm x 21cm

Andrew Watson Turnbull (British 1874) etching `Outwood Mills, Surrey` signed in pencil along with an etching of Dunster, Somerset and an unsigned pencil sketch of figures of figures before country cottages

A pencil/pastel Sketch 'Changing a Fly', by Beryl Newman, 23'' x 32 1/2'' approx, unglazed.

A Sketch depicting 'the Elevation of Wilton Bridge, Ross on Wye' and a view of the bridge over the Lone, Kirkby in one frame together with an ink Sketch of a bridge across a river with a cathedral and other buildings in the distance.

REX PHILLIPS "Western Solent 11th June 1982 QE2 meets with HMSY Britannia", the two ships surrounded by smaller craft with the Needles behind, Oil on Canvas, signed and dated `84, 60cm x 90cm, in gilt frame sold together with the preparatory SKETCH with artist`s notes

RICHARD PRINCIPAL LEITCH. A tranquil river landscape, signed and dated 1878, watercolour, unframed, 6 x 8 1/2 in; an unframed pencil drawing of a harvest Girl; and an unframed pen and ink sketch depicting Oxen and Ploughman, both by other hands; three (3)

@J. REDMAYNE. Abstract, oil on canvas, signed and dated on the reverse,unframed, 12 x 12 in;two oils on canvas by the same artist; three pictures by other hands; and a selection of sketch books (qty)

RUTH BURDEN. Portrait of a Lady, said to be the artist`s mother, oil on board, 9 1/2 x 7 1/2 in; a pen and ink sketch of a seated man, possibly the artist`s father; and three prints after John Piper. five (5)

PART ONE AMERICAIN NÉ EN 1959 BLACK BOOK, 2011 - 2012 Marqueur sur blackbook, 76 Pages/Marker op blackbook Black book commencé en 2011 jusqu`en 2012 Pièce Unique/Uniek stuk 30 x 23 cm Le blackbook est en quelque sorte le cahier d`écolier des graffiti artists, il leur sert à travailler leur style, et esquisser leurs prochains graffiti. Il reste très précieux pour ces artistes et c`est souvent lui que les autorités cherchent afin de prouver qu`ils sont les auteurs des graffitis. Les sketch book sont souvent découpés afin d`être vendu par dessin, ici vous avez la chance de pouvoir l`acquérir en intégralité. Provenance/herkomst : - Atelier de l`artiste - Collection particulière `Olivier Dahan`, France

'The Stream' watercolour by Donald Bosher, two other watercolours and a pencil sketch

Charles Baldwyn (ex-Royal Worcester artist), Cormorant, a gilt framed and glazed pencil sketch and watercolour study of the bird, together with three other artist`s sketches, including Blue Jay, Magpie and Red Cardinals. Variously framed and glazed.

Brian.C. Lancaster (1931-2005)-Watercolour-Life Lines, being a study of a steam train, signed, verso with Bristol Savages Evening Time-Sketch label dated 1984, 25.5cm x 34cm A.R. ** General condition consistent with age

Frank Shipsides (1908-2005)-Watercolour-Life Lines, being a study of a sinking steamship, signed, verso with Bristol Savages Evening Time-Sketch label dated 1984, 25.5cm x 35cm A.R. ** General condition consistent with age

Robert Cruikshank (1789-1856)-Double sided pen and ink sketch with side notes-A woman sweeping, signed, 18cm x 10cm Some foxing and staining - ** General condition consistent with age

James Manning-A Sketch Of The Life And Writings Of The Rev. Micaiah Towgood, printed by E. Grigg of Exeter 1792, fully inscribed by the author to the daughter of the Reverend Towgood and dated Exeter May 24th 1792, contemporary full leather binding Please see images. Telephone department for further information

Autographs-Musical Interest-A group of five comprising: John Phillip Sousa (1854-1932)-American composer and conductor, signed letter on Westgate Hotel, Newport headed paper, Tito Mattei (1841-1941)-Italian musician and composer, Hans Wessely (1862-1926)-Austrian violinist, cabinet photograph signed and dated ‘95 to the back and signature and musical sketch dated ‘95, and W.H. Suchet Champion, composer, signed letter dated ‘94 Please see images. Telephone department for further information

E Percy, oil on canvas, Riverside Scene, a pen and ink sketch and four prints.

Miles Birket Foster, 'Study of a girl wearing a shawl', pencil sketch, 9cm x 7cm

Cecil Aldin (1870-1935) British. A Racing Scene at the Start, A Photographic Reproduction, Signed in Pencil with a sketch of a horse’s head, 15” x 20.5”.

A circular pastel sketch, moustached gentleman and a similar circular picture

A framed and glazed watercolour of a view from Richmond hill by Prudence maxwell and a pencil and a wash sketch of a London street by the same artist.

An important archive on the geology of the Lake District – Lake District – Jonathan Otley^ Clockmaker and Geologist important group of ms documents including letters^ sketch maps etc relating to Otley (1766-1856) one of the most important of the early geologists of the Lake District. The collection includes letters to Otley from correspondents discussing geological matters^ letters by Otley^ including a paper on the phenomena of floating islands^ a draft will of a local resident leaving property to Otley^ notes of a visit to Scarfell Pike ‘with Mr Dalton’ (doubtless John Dalton^ discoverer of atomic theory^ who was a friend of Otley from childhood) and approx five ms maps drawn by Otley^ one being a fine plan of Wasdale Head^ and another of ‘The Scroggs’^ Otley’s birthplace. Approx 25 separate documents in all. Otley lived his entire long life in the Lake District and was a self taught horologist^ guide^ surveyor^ map maker^ meteorologist^ natural historian and geologist.

Military – Important papers from the Woolwich laboratory – Woolwich Arsenal important group of copy letters from the Woolwich laboratory 1790^ written out in a neat script on 14pp large folio^ providing an important insight into the workings of the laboratory. Included are letters and references relating to Major William Congreve (later Sir William Congreve) who ten years after these papers won universal fame for the development of rocket technology. The letters also make reference to men who are needed^ various types of powder for making cartridges. There are also important accounts documents with calculations on powder required for war expenditure^ and a sketch of a building required for the storage of sulphur. We understand that these papers were rescued from a bonfire when the storage building at Woolwich Arsenal was demolished in the 1970s- as such these might be the only papers still extant to provide information on the day to day workings of the most important military research establishment in the 18th and 19th c.

FRANK H MASON (1876-1965) - Pencil, shipping convoy dated 1941, 10cm x 16cm, another sketch of HMS Victory, unframed, 6.5cm x 7.5cm, and a related book by the artist `The Navy`s Here`, together with a pen and ink drawing of panoramic types of shipping titled `Portsmouth Sherry`. (4)

Sir Alfred East R.A., R.I., P.R.B.A., R.E (1849-1913) A view of Knaresborough Watercolour, unfinished preparatory sketch, 53.5cm by 69cm

Jonathan Sainsbury (b.1951) ``Over the Gorge, Partridges`` Signed in pencil and dated `88 (1988), bears a William Marler Gallery label verso, watercolour, 18cm by 31cm; together with A Pencil Sketch after Archibald Thorburn, 8cm by 13.5cm (2)

Pencil sketch Head and shoulders portrait of girl wearing hair up, indistinctly signed, dated 1968, in oak frame, 20 x 12cm

WW1 jottings by army officer, booklet comprising a large collection of sketches and captions, humorous together with two autograph books and sketch books together with various other ephemera

A 19th century French pencil sketch of a steam ship, inscribed to the back "Legrote" and indistinctly signed, 9 x 13.5cm, and a 19th century watercolour of a paddle steamer, 20 x 28cm.

A WWII charcoal sketch of a battleship and boat signed Richardson.

A pair of miniatures of 19th century gentlemen; a small Victorian oil; an Art Nouveau pen and ink sketch

20thC Scandinavian School. Snow covered buildings, one bearing the name Alsen, indistinct artist initials bottom right, pencil sketch, 33cm x 23cm

H P Evans, `METEOR MONASTERY`; and `LONDON BRIDGE` Two etchings, both signed 21.5 x 27.5cm and 22 x 13cm and three further prints, Evans sketch book etc, (qty)

Jos Schippers - `Sketch` (Oval Still Life Study of Pink Roses), oil on canvas-board, signed, titled and dated 1910, approx 19cm x 25cm, within a gilt frame.

An unsigned pencil sketch of a wooden building, mounted and framed.

Gladstone: A postcard album with original drawings including one pencil sketch of Gladstone, autographed to the side `I remain your very faithful Gladstone`

A pastel drawing, Tree of Life design in polychrome, 14x9.5in., a felt-tip sketch of George Harrison, 12 x 9in. and an hand-written but incomplete essay

A framed Print of Circus sketch

Pen sketch of a pointer, by James Hillman and eleven unframed etchings of dogs by R B E Woodhouse (12)

Upton (Bertha & Florence K.) The Golliwogg in Holland, nd. [c1904], Longmans Green, some tape stains, original cloth-backed boards; idem, The Golliwogg at the Sea-Side, nd. [c1898], Longmans Green, gutter parting with evidence of later glue, original cloth-backed boards; idem, The Golliwogg`s Bicycle Club, 1903, Longmans Green, several pages torn, original boards (spine taped); idem, The Vege-Men`s Revenge, nd. [c1897], Longmans Green, original cloth-backed boards; Attwell (Mabel Lucie), The Boo-Boos at the Sea-Side, nd., Valentine, colour plates, original boards (tape stains and loss to backstrip); Aldin (Cecil), Just Among Friends, Pages from my Sketch Book, 1934, colour plates, original cloth; Phillpotts (Eden), A Dish of Apples, nd. 3 tipped-in colour plates after Arthur Rackham (crayon to blank), original cloth; with a quantity of others (qty)

Photographs An album of 19th century albumen prints, original artwork and prints, with association to the family of Admiral Sir Charles Talbot, including watercolours of Simons Bay, South Africa and a ?Russian port, a sketch of the approach to St Petersburg, etc., albumen prints of Admirals, Gibraltar, Lord Raglan and others, various properties incl. Marbury Hall, various ships, three 1859 albumen prints of Simons Bay by J.B. Meredith, Mitchel Troy Rectory, Raglan Castle, etc., approx 49 photographic images, various sizes, 5 original works of art and 32 prints, predominantly Rome, 4to. morocco album (worn), name to pastedown - Mary Deline Radcliffe; Wilman (M.), The Rock Engravings of Griqualand West & Bechuanaland, South Africa, 1933, 4to., proof copy with numerous alterations, loose sheets with some duplicates, cloth folio and slipcase (2)

EDWARDS Lionel, A Leicestershire Sketch Book, pub London, 1935, illus, d.w. torn, NIMROD, My Life and Times, edit E.D. Cuming, ltd edit 64/250, pub 1927 and Memoirs of the Life of the Late John Mytton, new edit, illus Alken & Rawlins, pub 1925 (3).

STEWART F.A., Cross Country with Hounds, pub Collins, 1936, coloured and black & white illustrations, d.w. torn, SNAFFLES, Four-Legged Friends and Acquaintances, 1st edit 1951, d.w torn and EDWARDS Lionel, My Hunting Sketch Book, pub London 1928 (3).

(C.F. TUNNICLIFFE illustrated), NIALL Ian, Portrait of a Country Artist, C.F. Tunnicliffe, R.A., (1901-1979), 1980 Tunnicliffe`s Countryside, 1983, and A Sketch Book of Birds, 1979, Robert GILLMOR Sketches of Bird Life, 1981, Noel CUSA Tunnicliffe`s Birdlife, 1985 and C.F. TUNNICLIFFE, The Peregrine Sketchbook, 1996, all with d.w. (6).

A limited edition of 207/250 sketch book by Tracey Emin `One thousand drawings` along with a framed and glazed etching signed by the artist.