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DURRELL (G), My Family And Other Animals, First Edition, with dust jacket, London, Rupert Hart-Davis 1956, with CALDECOTT (R), A Sketch-Book Of R Caldecott's, beige cloth boards, London, George Routledge & Sons (2)

G *, 20th Century, Study of a cat, ink, signed with monogram, 39 x 58cm, together with a watercolour of a pierrot and a pencil sketch of a reclining woman, all unframed, (3).

Florence Smith (early 20th century), Portrait of a young girl, pastel, signed and dated 1907, 53cm x 41cm.; together with a watercolour sketch by a follower of Myles Birket Foster.(2)

Three Historical Face Screens, 19th to 20th centuries, comprising: a shaped hand screen with decorative floral border, enclosing a gold-edged oval with a female figure, in relief, in contemplation. The verso in dark blue with a repeated white floral pattern, is reminiscent of cotton fabrics of the 1830's. Turned wood handle, painted black. Height 15.5 inches or 39cm Together with a fixed fan of thick card, in beige, a pale sketch of flowers and leaves surrounding a house with leaded windows and three chimneys. To the bottom left of the drawing, a signature and perhaps the name of the house. Mounted on a turned wood handle painted in gold. Height 15.5 inches or 39cm. The final screen shows a Modern Woman in shirt, tie and hat, and carrying perhaps a fishing rod, the verso advertising The Swan Hotel in Harbourne, and the programme for events at the Birmingham Hippodrome, on Monday August 31st, 1908 and every evening during the week. Height 13.25 inches or 33.5cm. The first screen is quite scuffed on the recto, mainly to the left side. The second fan is in good used condition and the third fan has a bad crease where the lower part of the screen joins the handle (which is stapled on).

Of Napolean interest: A copy of a watercolour by Ibbetson depicts the Emperor leaning against a cannon onboard a ship taking him to the Island, of St Helena in 1815 following his second abdication. The inscription at the foot of the illustration reads "The sketch of Napoleon was made on board the Northumberland man-of-war, on her voyage to St Helena by Mr. Commissary Ibbetson who gave it to me in that Island. Theodore E. Hook".

THOMAS COOPER GOTCH (1854-1931) THE DANCING GIRL Oil on canvas 49.5 x 34cm. * Gotch settled in Newlyn in 1887 and this sketch is in his `Symbolist` style wherein the exuberance of youth was often a dominant theme. In 1907, Gotch exhibited a subject entitled `Golden Youth` at The Royal Academy (no.520) in which the idea is expanded into a more complex composition. This subject may represent the four ages of womanhood and the dancing girl is thought to be Gotch's daughter, Phyllis. It can be dated to c.1906-1907 Exhibited: Truro, The Royal Cornwall Museum, Thomas Cooper Gotch: The Last of the Pre-Raphaelites, May-July 2001; Bristol, Royal West of England Academy, no date, possibly c.2000 ++ Good condition

FIVE ASSORTED WATERCOLOURS comprising `Sketch at Arkaba` by Leonard Annois (Australian), 15.5 x 22cm.; beached boats by Stephen J Batchelder, 14 x 23cm.; figurers and beached boats attributed to Samuel Owen, 16.5 x 24cm.; a woodland glade by Louis Haghe, 16 x 24.5cm.; and a study of goats by Fred Tayler, 22 x 29cm.; four signed. (5) ++ Each with some fading and discoloration

A Clock With Case Made out of Match Sticks, sketch books, jelly moulds, glass tots etc:- One Box, cake stand in basket.

Four Albums and Four Sketch Pads, full of a mostly photograph collection of U.K. pub signs, (500 plus).

^ John Millar Nicholson (1840-1913), A rescue at sea, signed, watercolour; Peel Castle, a signed watercolour and Sketch for Pier Head, both by the same hand; and an aquatint by J Kirkpatrick, 15cm by 25.5cm, 14cm by 21.5cm, 11cm by 16cm and 9.5cm by 19cm respectively (4)

Dolls house furniture, dolls tea set with original box, celluloid doll, other dolls and soft toys, seven small sketch books filled with black ink and colour illustrations of International costume over the centuries, small log cabin velvet and silk small cover with lace insertions, large blue ground beaded cushion cover, embroidered textiles, crochet trims and a dome top fabric mounted hinged box etc (two boxes)

Three cased sets of draftsman's instruments including compasses, protractors, slide rules etc, together with an unsigned pen and ink sketch attributed to Phil May and a hydrometer bearing paper label for 'George Knight and Sons, London' (qty)

1930's French School Sketch In The Manner Of Jean Cocteau "Female Face". Unsigned. Measures 10" x 7", frame measures 14-1/8" x 11". Condition: Light creases and very light stains. Estimate: $100.00 - $200.00 Domestic Shipping: $65.00

§ John Piper, OM, CH (British, 1903-1992) An illustration for Sir William Walton's Facade signed and dated 'John Piper '74' (lower right) watercolour 19 x 15cm (7.5 x 6in); An autographed letter to the reverse, dated '19 vii 76' reads, 'So sorry I can't decipher your signature with any certainty! I enclose a sketch related to illustrations I did for a special edition of Sir William Walton's FACADE, published in London a couple of years ago. I am so glad the works of mine you have give pleasure, kind regards John Piper' Facade, a sequence of poems written by Edith Sitwell and set to music by Sir William Walton is one of the most important of the early British contributions to the new world of literary experiments by James Joyce and T.S. Eliot and the musical experiments of Stravinsky. Walton wrote the first version of the score aged only 20 when lodging with the Sitwells. The first recording was in 1922 and was performed in front of an audience of around twenty people. John Piper was commissioned to design the sets for another performance of Facade in 1942. A published edition of the poems was published in 1972, 'Facade; an Entertainment the poems by Edith Sitwell; the Music by William Walton', Oxfordshire University Press, London. It was limited to 1000 copies and included a 45rpm record of the 1929 recording. The present picture is a fascinating link, direct from the artist back through the twentieth-century to the birth of one of the most original and startling collaborative works of art ever created in Britain.

§ Henry Moore, OM, CH, FBA (British, 1898-1986) Sketch of eight goats; further sketch of five goats to the reverse each dated September 1923 black ink on paper, unframed 15.5 x 21cm (6 x 8.5in); With an autograph postcard signed by Moore, dated 15. 3. 38 '11A Parkhill Road London NW3 'Dear Mrs Waring Thank you for your p.c. I shall catch the 10.10am on Saturday morning from Kings X, which arrives at Leeds at 1.58 + then there's a train at 2.2 arriving Castleford 2.40 I'm coming early because I should like to have a look round Castleford, it's so many years since I was last there. Thank you for inviting me to be your guest for the night. I'm so looking forward very much to my visit. Yr sincerely Henry Moore' an accompanying autographed letter from Moore from the same address reads, Dear Mrs Waring, I've just come across this little sketch of goats, in a very old note-book of 1923. You said you'd like something. Thank you very much for putting me up when I came to Castleford + for the very nice time I had + thank you for sending me the Express with an account of the reunion in it. Yours sincerely Henry Moore'. Envelope dated 29th March 1938 15.50 x 21cm (6 x 8in) Provenance: Property of the artist Gifted by him to Mrs Gladys Waring, circa 1938 Thence by family descent to the present owner Other Notes: Gladys Atkinson Waring, nee Lawson, and Henry Moore were both students together at Castleford Grammar School. Moore was accepted into the school on his second attempt in 1910 after winning a scholarship. It was here that Moore was encouraged by the art teacher to broaden his knowledge of art, whilst the headmaster of the school noticed that the young student had an interest in medieval sculpture. In 1938, Henry Moore went to stay with Gladys and her husband in Castleford. It was following this visit that Moore sent the sketch as a gift to his old school friend. It was on the retirement in 1939 of Miss I. Woodward, senior mistress of Castleford Grammar School, that the two would meet again. A photograph of the occasion appeared in The Express and shows the two standing next to each other (the image was reproduced in The Express in 1959 and a copy is included). Wrapped in conservation paper - unframed. Sketch with two fold creases and small tear along a fold, another nick to an edge. Letter previously folded twice. Postcard franked 15 March 1938 a little age stained near the edges. With a contemproary newspaper cutting showing Moore with Mrs Waring and others.

Early 20th Century English School - Charcoal sketch - Study of a farmyard scene, 29cm x 37.5cm, framed and glazed

INDIAN MUTINY DELHI AND ITS ENVIRONS SHOWING THE POSITION OF THE ENGLISH BATTERIES hand coloured lithograph, with a small hand-coloured lithographic sketch to the reverse entitled: Rough Sketch of Delhi as it appeared from the Flag Staff Tower on the ridge, along which our Batteries were placed 25th August 1857, with some manuscript additions describing "the positions of the advanced breaching"and a neat update dated 11th September reading: "By the latest reports, the three Bastions marked 5, 6 and 7, with their curtain walls, were levelled by the fire from our Batteries.- A strong earth-work was thrown up by the rebels immediately in the rear.",, folded, a couple of very small pinholes to foot of map (Dimensions: 440 x 310mm.)(440 x 310mm.)

An album of original ink sketches made during the Second Italian War of Independence in 1859, including depictions of fighting, wounded soldiers, piles of bodies, civilians and children playing, figures running through streets waving flags; the pictures annotated/titled in French. Mostly ink & pencil drawings, a few with watercolour, one sketch of figures addressing crowd from a window is inscribed 'Garibaldi a l'Hotel de la Velle Milan'. Watercolour title page depicting soldiers with crossed flags, 'L'Italia Juin 1859', the flags bearing the name 'Albert Wenger', with indistinct inscription and 'Giulay' beneath. 143 pages of pictures and/or inscriptions (including smaller loosely inserted drawings). Contents generally sound with a few marks in places, boards detached with contents loose; upper board bearing red pictorial bookplate for Albert Francis Wenger, with Latin motto, 'Fortes Fortuna Juvat' [Fortune Favours the Brave]. Together with two larger sketchbooks containing pencil drawings of topographical and architectural views, each sketchbook bound in quarter-cloth with paper-covered boards (the boards inscribed in blue crayon, '1864' and '1866'), one with title page in pencil, 'Depart de Milan 17 Nov 1866, Ancona, Bari, Naples, Rome' (3)

English School, early 19th Century, portrait sketch of a child, head and shoulders, oil on board, 16 by 12cm, gilt frame

Bookplate / Ex Libris Interest. Allen, Charles Dexter. Ex Libris: Essays of a Collector, London: Lamson, Wolffe and Company, 1896, publisher's cloth, top edge gilt (remainder untrimmed), inscription in red ink plus printed slip confirming the edition is limited to 125 copies for England (numbered 626 to 750), this one being 727, then 'plates destroyed'. Together with A Sketch of the Life and Work of Charles William Sherborn, by his son Charles Davies Sherborn, with a Catalogue of his Bookplates, compiled by himself and George Heath Viner, London: Ellis, 1912. Publisher's quarter-cloth with blue paper boards, including loosely inserted bookplates and correspondence relating to bookplates (dated 1890s-1910s), one of the letters being typewritten and signed by George Heath Viner on headed paper (Windrush, Heathfield Tower, Sussex); bookplate for William Channey, 1905, to front pastedown (2)

William Lionel Wyllie R.A. R.W.S.(British, 1851-1931), The Thames at Deptford, signed l.r., titled on W. R. Deighton & Sons label verso, pencil and gre washes, 23 by 48cm, framedProvenance: W.R Deighton & Sons, London, (with a letter dated 29.5.25 to the new owner stating that he had the sketch signed by the artist).

MAREVNA (1892-1984) "M. et Mme Zetlin, La Rotonde Café, Paris" signed and dated 1916, pencil on paper, 8.5" x 6.75" An early example of drawing at a very hard time for artists in Paris. midway through WWI with food in short supply in the city and artists having little money for it, portraits were executed in exchange for food and drinks in cafes across the city. This picture, torn from a sketch book, is an example of one of these 'meal tickets'

Album of 19th Century drawings and sketches, many in colour, including portraits, landscapes, birds, butterflies and flowers, animals etc including views near Stroud, sprig of oak from Selsley Hills (1829), Sand's Foot Castle, head of a horse, a humorous coloured sketch titled "caught at an Album-Impromptu!!" initialled and dated 1826 and the fragment of a tombstone with comical inscription, mostly tipped in, housed in a contemporary worn half leather binding   

A sailor's 19thC wool work picture, depicting a stump work clipper ship, in an oval surround with crown surmount, within flags of the Great Nations, and a further reserve shield shaped with a pencil sketch of the same ship, flanked by roses and thistles, 41cm x 54.5cm.

Two Grubbe of Southwold sketch books etc.

Pencil & Watercolour Stained Glass Window Sketch by T W Camm Studios. Single and Double Pane Design. Bordered, approx. 22.5cm wide, 15cm tall.

TW Camm Studios Sketch "Berkwich Church South Nave Window" by Walter Camm. Approx. 15.5cm wide x 30.6cm tall.

JOHN LENNON DRAWING. A sketch on paper by John Lennon, depicting a man with cigarette holder waving goodbye. Measures approx 22 x 45cm. Shows water damage, creasing.. Provenance: the vendor purchased the drawing from Lennon's uncle Norman Birch. Date of work unknown although John visited his Uncle in 1969 so it is thought to pre-date this visit. Provenance documents supplied include a copy of a letter from the Lennon / Ono lawyers to Mr. Birch discussing the sale of the house at 137 Gateacre Park Drive.

An entire and complete political and personal of the Boroughs of Great Britain; to which is prefixed an original sketch of constitutional rights, Vol I, II and III, leather bound, 1792, leather bound, (3)

AN UNCUT FAN LEAF of vellum with watercolour sketch of figures enacting a play, probably 18th c. approx. 14 x 51 cms (unfinished)

Dominic Poelsma (and Angus McGill), preparatory sketch for a comic strip (Augusta), pen on paper, signed 'Poelsma' and numbered, mounted and framed 12.5 x 29cm

A basket of miscellaneous to include copper kettle, Royal Stafford, framed dog sketch etc.

A 19th century en plein air landscape oil sketch, laid down on panel, unframed, 19 x 30 cm

A pastel sketch attributed to Tony Turner, abstract, and dated 1996 verso, 11in x 9in and a pastel sketch, Jenny Cowan, The Dunes, signed and attributed verso, 14in x 18in

Birds/Natural History. A selection, includes; Bowdler Sharpe, R. - Sketch-Book of British Birds. London: SPCK, 1898. Illustrated by A. F. & C. Lydon; Ratcliffe, Dorothy Una - Lapwings and Laverocks. London: Country Life Ltd. 1934. In dust wrapper, with letter from the author loosely tipped-in; Ratcliffe, Jane - Fly High, Run Free. London: Chatto & Windus, 1979. Signed. With 9 others. (12)

A sketch, Alan Stone., Man and mirror, initiialled and dated '93, 8in x 24.5in

Art. Charles & Mitzi McCall. Colour lithograph titled 'Shrimping' (1968), signed in pencil with artist's gift inscription to verso; Pencil sketch titled 'At the Dressing Table' (1955) signed; with 5 books by Mitzi McCall, all inscribed by the author and 3 loose photographs of Mitzi with Gerald Grosvenor, 6th Duke of Westminster.

A pen and ink sketch, Josefina de Vasconcellos, Amoretti advert for paintings and personal treasures, 15.5in x 10in

An illustrated Geographical sketch map for the County of Lancashire 1836

English School, oil on canvas laid on board, Still life of flowers in a vase, 35 x 45cm, unframed and a coastal scene sketch and a Paris study of a flower market

1920/21 Burnley Football Postcard: Back is unwritten. Made by Daily Sketch. Good with slight creasing.

Adrian Hill (1897 - 1977), The Terrace, South of France, pencil sketch, 25cm x 20cm, signed to lower left, mounted and framed

Rowland Emett (1906-1990) - Design for a sculpture at the 1957 exhibition, pen and ink sketch, bears fragment of label verso, framed, 18cm x 19cm, together with a photograph of the sculpture in situ.

50 Advertising posters from the 1960's including Austin, BP (British Petroleum), Shell, National Savings, Litter, Daily Express, Daily Sketch, Daily Telegraph, Ministry of Health and others, various sizes, flat, (50)..

A Nightmare On Elm Street Part 2 (1985) British Quad film poster signed on front by Robert England with sketch, folded, 30 x 40 inches.

A 1914-15 Star, British War and Victory medals to 2356 Pte John Steele, KOSB, together with Certificate of Disembodiment on Demobilization, the latter stating his regimental number 311246 and rank Scout Acting Sergeant, describing Steele as Battalion Shot and having the specialist qualification of sniper, having been mentioned in despatches on three occasions, the lot also includes a group postcard-photograph inscribed "This is my section, Atbara, Soudan, Apr 1918", a photograph of Steele in later life, a typewritten poem by Steele, 1914 Princess Mary gift tin, insignia and three of his watercolours, one depicting Steele in tropical clothing and Wolseley helmet with a monkey, and two of landscapes respectively annotated "Achi Baba Hill, Gallipoli. This is taken from a pencil sketch I done two or three days before we left . The remains of Kritha Village & 5 wind mill, stumps are on the left of the picture. PS, this was taken from the trench Frank Thomson was killed in." and "The Battlefield of Romani [Egypt] on top of the sand hill with small hut. Lieut Scott Elliott of Dfs [Dumfries] took observation all day during the Battle of Romani Aug 4th 1916".

[HUNTING] OGILVIE, W.H. A HANDFUL OF LEATHER Constable & Company, 1928, cloth boards, coloured illustrated plates by Lionel Edwards; Chalmers, P.R. Forty Fine Ladies London, Eyre & Spottiswoode, 1933, cloth boards, black & white illustrations by Cecil Aldin; Edwards, Lionel. Beasts of the Chase Putnam & Co.1950, cloth boards, colour illustrations by Lionel Edwards; Aldin, Cecil. Just Among Friends [Pages from My Sketch Books] Eyre & Spottiswoode, 1934, cloth boards, colour illustrations; [4]

GEORGE KNOWLES of Aberdeen, A collection of watercolour and oil studies and sketches, many of Aberdeenshire and Angus including Crathie Kirk, Stack Polly, River Esk, River Dee, Cullins, etc., a sketch book and artists paint box also a watercolour after WILLIAM DARLING MACKAY (1844-1924) of a lochscape 12cm x 9cm

Sir Frank Brangwyn RA (1867-1956), Sketch for St John (O359), lithograph from the Brangwyn Portfolio 1927, number 99, published by E F d'Alignan and Paul Turpin, 19cm x 24cm, unframed, together with Men with Hatchets (D. 1574), lithograph from the Brangwyn Portfolio 1927, number 63, published by E F d'Alignan and Paul Turpin, 38cm x 29cm, unframed (2)

Andy Warhol (American, 1928-1987). Soup Can Sketch in black ink, signed by the artist. In presentation frame with photograph of Warhol. Sketch size: 15.5 x 10.5cm. Framed and glazed, frame size: 42 x 49cm. Provenance: Frasers Autographs October 1999, sold with original receipt. . Some yellowing of paper.

A Prestwichs patent protector steel and brass miners lamp, together with electroplated wares, brass wares, opera glasses, David Kitching sketch of a chimney sweep etc

A quantity of 19th Century fashion plates, Latest Paris Fashions, depicting fashionable outfits of the day for ladies, framed and glazed, approx 26cm x 34cm; another, Young Ladies' Journal Christmas Party Fashion Plate, advertising D Nicholson & Co, 1874, approx 60cm x 32cm; a pencil and watercolour sketch, period costume (8)

B Longton (late 20th century) Caricature of a Gentsigned, charcoal and pastel sketch, 44cm x 30.5cm

AN IMPRESSIONIST PENCIL SKETCH TOGETHER WITH A SIGNED LIMITED EDITION PRINT AND A VINTAGE FRAMED AND GLAZED PRINT DEPICTING A RIVER SCENE

Thorburn (Archibald). Game Birds and Wild-Fowl of Great Britain and Ireland, 1st edition, Longmans, Green and Co., 1923, 30 colour plates, each with guard, half title, generally spotted (mainly to letterpress), armorial bookplate of C. R. Ratcliff and previous owner's signature to front pastedown, top edge gilt, original red cloth gilt, a few marks, extremities worn, spine faded, folio, together with A Naturalist's Sketch Book, 1st edition, 1919, 24 colour plates, 36 collotype illustrations, some light spotting, stitching showing in one opening, faint previous owner inscription to front pastedown, top edge gilt, original red cloth, spine a little faded, 4to, plus British Birds, 4 volumes, volumes 1 & 2: 4th edition, volumes 3 & 4: 3rd edition, 1918 , 82 colour plates, half title to each volume, spotting and toning to text, top edges gilt, original red cloth gilt, faded and lightly rubbed in places, with some marks, folio (Qty: 6)

Edwards (Lionel). Sketches in Stable and Kennel, 1933, colour and monochrome illustrations, top edge gilt, original cloth, 4to, limited signed edition 104/110, together with A Leicestershire Sketch Book, 1935, illustrations, top edge gilt, original cloth (some fading to extremities), dust jacket (reinforced to verso), 4to, with seven others illustrated by Edwards including The Wiles of the Fox, 1932, Famous Foxhunters, 1932 and A Sportsman's Bag, 1937 (Qty: 9)

Cumming (Constance F. Gordon-). From the Hebrides to the Himalayas. A Sketch of Eighteen Months' Wanderings in Western Isles and Eastern Highlands, 1st edition, Sampson Low, Marston, Searle, and Rivington, 1876, 27 wood-engraved plates, volume 1 rear inner hinge cracked, volume 2 inner hinges repaired, Chinese ink-stamps in red to title-pages, original green pictorial cloth gilt, rubbed, spines rolled, headcaps frayed, partial wear along joints, tips bumped and worn, 8vo (Qty: 2)NOTESProvenance: 1) Presentation copy, inscribed by the author, 'Jane E. Gordon Cumming, with love from C. F. Gordon Cumming', on each title-page, with the recipient's ownership inscription 'J. E. Gordon Cumming, 49 Belgrave Road, S.W.' to each front free endpaper. 2) Sir Archibald Dunbar of Northfield, 7th Baronet (1803-1898; engraved bookplates); Dunbar was the author's first cousin.

Maitland (William). The History of London, from its Foundation by the Romans, to the Present Time. Containing a faithful relation of the Publick Transations of the Citizens... Parallels between London and other great cities; its Governments, Civil, Ecclesiastical and Military; Commerce, State of Learning... with the several accounts of Westminster, Middlesex, Southwark, and other parts within the Bill of Mortality, 1st edition, Printed by Samuel Richardson, 1739, folding engraved bird's-eye-view frontispiece, list of subscribers, full-page engraved views by W.H. Toms, including folding plates of St. Paul's Cathedral, St. Peter Westminster, and St. Martin in the Fields, some light offsetting from plates to adjacent leaf of text, c ontemporary calf, some wear with upper cover detached and rear joint cracked, large folio, together with Dart (John). West Monasterium. Or, The History and Antiquities of the Abbey Church of St. Peter's Westminster, 2 volumes, 1st edition, [1723/24], numerous engraved plates by J. Cole, including some double-page, list of subscribers to each volume, including two leaves of copper engraved coats of arms of the subscribers at front of second volume, the second plate with closed tear within the image, without loss, ex libris Nathaniel Oldham, circa 1700-1740, the son of a dissenting minister who inherited a large fortune and was a collector of curiosities, and friend of Sir Hans Sloane, founder of the British Museum, edges stained red, contemporary gilt-decorated blind-panelled full calf, with oval engraved armorial to covers, heavily rubbed and some moderate wear, folio, plus Snelling (Thomas). Thirty Three Plates, of English Medals, by the late Mr. Thomas Snelling, sold by Thomas Snelling, Print Seller in Fleet Street, 1776, 33 copper engraved plates of medals, light waterstain to lower margins throughout, contemporary marbled wrappers, large slim 4to, and other antiquarian interest, various, including The Cricket Field: or, The History and the Science of Cricket, 1st edition, 1851, Arthur Young, The Farmer's Calendar, New Edition, 1804, Thomas Girtin, Liber Naturae or A Collection of Prints from the Drawings of Thomas Girtin, Engraved by Saml. W. Reynolds, about 1823-34, published by Neill & Son, Haddington, N.B./The Fine Art Society, 1883, with 13 (of 17), mezzotint plates only, india paper proofs, loose in portfolio, several 19th century small-format sketch books, a large folio Victorian scrap album, etc (Qty: 2 cartons)

Scrap book. Compiled by Ellen Clayton, 1814, comprising some 70 leaves of manuscript verse and 15 mainly pencil topographical and natural history views of Bothwell Castle and other ruins, bookplate of Ellen Clayton, all edges gilt, original blue morocco, a little rubbed, small 4to, together with a pencil sketch of a cow and milkmaid in Regents Park, signed 'H.B.W.' (Henry Brittan Willis, 1810-1884) bottom left, 12.7 x 17 cm, plus a book of small photographic views, circa 1882 (Qty: 3)

Singed limited edition copy of A Parsons son by Michael Lyne 717/750 and limited edition Michael Lyne sketch book 81/550