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Kelly (Christopher). A Full and Circumstantial Account of the Memorable Battle of Waterloo: The Second Restoration of Louis XVIII; and the Deportation of Napoleon Buonaparte to the Island of St. Helena..., 1st edition, London: printed for Thomas Kelly, 1817, engraved portrait frontispiece and additional title, folding map with outline colour, 18 engraved plates, a few tears and a few leaves frayed, some offsetting and stains, contemporary half calf, repaired, 4to, together with Addison (Henry R.) A Rough Sketch of the Field of Waterloo, 1st edition, Brussels: Belgian Company of Booksellers, Hauman & Co., 1839, half title, large folding plan of the Battle of Waterloo with outline colour (repair to verso), folding table, some spotting and small water stain, modern half calf, 8vo, plus Mercer (General Cavalié). Journal of the Waterloo Campaign kept throughout the Campaign of 1815, by the Late General Cavalié Mercer, Commanding the 9th Brigade Royal Artillery, [edited by Cavalié A. Mercer] 2 volumes, 1st edition, Edinburgh & London: William Blackwood and Sons, 1870, half titles, occasional light spotting, blindstamps to front endpapers, bookplates of Sir Charles Wolsely, contemporary half calf, spines a little faded, 8vo, with 11 others including William Granville Eliot's A Treatise on the Defence of Portugal, 3rd edition, 1811, Stratford's Authentic Edition of the Charges brought against His Royal Highness the Duke of York, by Gwyllym Lloyd Wardle, 2 volumes, 1809, From Cadet to Colonel. The Record of a Life of Active Service, by Major-General Sir Thomas Seaton, 2 volumes in one, 1866, Letters of Colonel Sir Augustus Simon Frazer, K.C.B. Commanding the Royal Horse Artillery in the Army under the Duke of Wellington, edited by Major-General Edward Sabine, 1859, and The Life and Campaigns of Hugh First Viscount Gough Field-Marshal, by Robert S. Rait, 2 volumes, 1903 (with loose cut signature of Lord Gough)QTY: (17)

Sketch of the bridges and the excavation at Oliver Mount. On the line of the Liverpool and Manchester railway

William Kentridge (born 1955)Colonial Landscape - Waterfall, 1995-1996 signed 'KENTRIDGE' (lower right)charcoal and pastel on paper 122 x 160cm (48 1/16 x 63in).Footnotes:ProvenanceGoodman Gallery, Johannesburg, South Africa;Private Collection, London;Acquired from the above by the current owner.ExhibitedRome, Cittá/ Natura: mostra internazionale di Arte Contemporanea' , 21 April - 23 June, 1997.LiteratureCarolyn Christov-Bakargiev, William Kentridge, (Brussels: Société des Expositions du Palais des Beaux-Arts de Bruxelles, 1998), p. 182 (illustrated)William Kentridge, 1997, CD-ROM, (Johannesburg: David Krut Publishing, reproduced along with various images of drawings and graphics)The present lot is one of several drawings created by William Kentridge between 1995-1996 for his Colonial Landscape series. The series came after the theatre production, Faustus in Africa (1994), where Kentridge looked at depictions of Southern African landscapes in the era of colonisation. For example, the 1891 publication Africa and Its Exploration: As Told by its Explorers by Mungo Park, David Livingstone and others featured several engravings of idealistic scenes in Southern Africa. The engravings were produced and translated by professional engravers in London and were also reproduced in The Illustrated London News. The studies of Victoria Falls by Thomas Baines (1820-1875) are arguably comparable to Kentridge's Waterfalls from his Colonial Landscape series. In the early 1860s Baines produced a handful of sketches and oil paintings from his expedition along the Zambezi to Victoria Falls. These images were romanticised and idealistic visions of the Southern African landscape, that can be argued as often disguising the exploitative nature and brutality behind colonial rule.The imagery referred to here has undergone manifold technical steps in its production from sketch to engraving, all under the colonial, romanticised gaze encompassed by its creators. Parallel to this, the images circulated in Great Britain but were also redistributed back to Southern Africa. Kentridge has admitted to being fascinated with this geographic migration of colonial imagery, stating 'I was interested partly in the translations, the temporal and geographic dislocations that happen...'. Thus, the Colonial Landscape series became much more than a simple critique of colonialism. The works in this series were all created on high-quality, handmade Korean paper with deckled edges at the upper and lower margins. It's rare to find a part of the paper that hasn't been worked in with charcoal, which typifies the dense style that bleeds across the entire sheet and masterfully utilises the qualities of the charcoal, including the smudging and erasure that are evident so often in his work.'But if there hadn't been that first almost sensual pleasure in what it is to be working with that charcoal dust, that you can put into the spew of a waterfall, and the way lines in an engraving or in a drawing are like the lines of the sediment of a rock, and the way the rock meets the idea of a drawing or a graphic mark halfway, and the way the erasure works and a lot of other things – and, yes, obviously it relates to colonial images of Africa, but it's also a treat. A form in which I could let myself draw the beautiful, big landscapes, rather than the bleak, flat Highveld landscape.'Within this landscape Kentridge includes a large, red circle with associated red marks which dominate the page and forces the viewers gaze inwards. 'The new red marks are both beacons erected in the landscape and the surveyor's theodolite markings of the image in the viewfinder'. Kentridge has even stated that these red marks are 'bruising on the landscape', conjuring notions of conflict within a sublime landscape. Kentridge also puts his own stamp on the landscape by using motifs that he repeats throughout his oeuvre such as a megaphone and pylon that are all visible on the horizon. BibliographyMargaret K. Koerner, William Kentridge: Smoke, Ashes, Fable (Brussels: Mercatorfonds, 2017) p.44Lilian Tone, Kate McCrickard and William Kentridge, William Kentridge: Fortuna , (London: Thames and Hudson, 2013), p.92Kate McCrickard, William Kentridge: WK, (London: Tate Publishing, 2012), pp. 22-23This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Salvatore Fiorello Cloud Lake, 2022 Gouache and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Salvatore's work deals with perceptions of time, memory and place. He makes paintings that depict often overlooked sections of suburbia, edgelands and semi/rural landscapes reminiscent of faded snapshots. Creeping shadows and spectral forms denote odd or uncanny scenes, like recollected memories or nostalgic day dreams. Salvatore graduated with an MA in Painting from the Royal College of Art in 2000. He lives and works in London. Education   1998-2000 M.A. Painting, Royal College of Art, London. 1995-1998 B.A. (Hons) Fine Art, Painting, U.C.E. in Birmingham Select Exhibitions/Awards   2022 'Wales Contemporary', Waterfront Gallery, Milford Haven. 'Think Of Me With Kindness', Gage Gallery, KIAC, Sheffield. Royal Academy of Arts, 254th Summer Exhibition, London. Royal Scottish Academy, 196th Annual Exhibition, Edinburgh, Scotland. 2021 'ING Discerning Eye', The Mall Galleries, London. 'SFSA Painting Open' no format Gallery, Deptford, London. 'Popup pickup' Lübeck, Germany. Royal Scottish Academy, 195th Annual Exhibition, Edinburgh, Scotland. 'Momentum' Hackney Downs Studios, London. 2020 Royal Scottish Academy, 194th Annual Exhibition, Edinburgh, Scotland. 2019 'SFSA Painting Open' no format Gallery, Deptford, London. 'Art on a Postcard', Annual Secret Auction, WeWork, London. 'The WSA Open' Williamson Art Gallery, Birkenhead. Royal Academy of Arts, 251st Summer Exhibition, London.   Statement about AOAP Submitted Artwork   The submitted postcard works are studies for possible future paintings. Both images were taken during a recent trip to Blenheim Palace. 'Pale House' features an out building on the grounds that had undergone recent restoration work. The unusually clean façade took on an ephemeral ghost like appearance, this along with the walled perimeter and falling shadows helped conjure a sense of the uncanny which drew me in. The second painting; 'Cloud Lake' features a view of the artificial lake created by Capability Brown in the 1760s. The foreboding sky and dark silhouetted tree line reminded me of earlier oil sketch landscapes painted during the era. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Salvatore Fiorello Pale House, 2022 Gouache and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Salvatore's work deals with perceptions of time, memory and place. He makes paintings that depict often overlooked sections of suburbia, edgelands and semi/rural landscapes reminiscent of faded snapshots. Creeping shadows and spectral forms denote odd or uncanny scenes, like recollected memories or nostalgic day dreams. Salvatore graduated with an MA in Painting from the Royal College of Art in 2000. He lives and works in London. Education   1998-2000 M.A. Painting, Royal College of Art, London. 1995-1998 B.A. (Hons) Fine Art, Painting, U.C.E. in Birmingham Select Exhibitions/Awards   2022 'Wales Contemporary', Waterfront Gallery, Milford Haven. 'Think Of Me With Kindness', Gage Gallery, KIAC, Sheffield. Royal Academy of Arts, 254th Summer Exhibition, London. Royal Scottish Academy, 196th Annual Exhibition, Edinburgh, Scotland. 2021 'ING Discerning Eye', The Mall Galleries, London. 'SFSA Painting Open' no format Gallery, Deptford, London. 'Popup pickup' Lübeck, Germany. Royal Scottish Academy, 195th Annual Exhibition, Edinburgh, Scotland. 'Momentum' Hackney Downs Studios, London. 2020 Royal Scottish Academy, 194th Annual Exhibition, Edinburgh, Scotland. 2019 'SFSA Painting Open' no format Gallery, Deptford, London. 'Art on a Postcard', Annual Secret Auction, WeWork, London. 'The WSA Open' Williamson Art Gallery, Birkenhead. Royal Academy of Arts, 251st Summer Exhibition, London.   Statement about AOAP Submitted Artwork   The submitted postcard works are studies for possible future paintings. Both images were taken during a recent trip to Blenheim Palace. 'Pale House' features an out building on the grounds that had undergone recent restoration work. The unusually clean façade took on an ephemeral ghost like appearance, this along with the walled perimeter and falling shadows helped conjure a sense of the uncanny which drew me in. The second painting; 'Cloud Lake' features a view of the artificial lake created by Capability Brown in the 1760s. The foreboding sky and dark silhouetted tree line reminded me of earlier oil sketch landscapes painted during the era. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eugenia Cuellar Pensive, 2022 Watercolour and Pencil on Arches Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eugenia Cuellar's paintings are mainly focused on women and the challenges they have to face in a contemporary world. Women interacting with men and women, in different settings and situations, in non-places, subjected to other people and to social and cultural norms. Sourced from own images, collages or mass media imagery, the people depicted in her compositions are either real or imagined. Her work can oscillate from painful or abusive situations to idyllic ones that make up a kind of parallel world that surround us. A world of beauty and pleasure that create a new unreachable standard, an unavoidable mirror in which to look oneself at.   Education   Turps Banana Art School CC 2017/2022. Master in Fine Arts 2015/2017 (MIAC) Complutense Unversity Madrid (UCM) Fine Arts, 2010/2015, Complutense University Madrid . Degree in Law, Santiago de Compostela University and La Coruña University.   Select Exhibitions/Awards 2022 Bloomberg New Contemporaries BN22: Hull, HumberStreetGallery & FerensArtGallery and SouthLondonGallery 2022 Dream on Dreamer, Riana Raouna Gallery, Limassol Cyprus (upcoming) 2022 Royal Academy Summer Exhibition, London. 2020 Royal West Academy 168th Annual Open Exhibition. 2020 Wells Art Contemporary, (catalogue). 2019 MOSTYN Open 21, Wales. 2018 Royal Scottish Academy of Art and Architecture, Open Exhibition of Art 2018. 2018 Fe/Male. Air Gallery, (UK) 2017 Peter Scott Gallery, Lancaster Arts, Rabley Drawing Centre, Marlborough, Black Swan Arts, Frome , The Drawing Studios. Plymouth College of Art (Sketch Open ) 2017 Masters Salon Painting. KoMask. Antwerp (BEL). 2017 Royal Ulster Academy, 135th Annual Exhibition 2016 BEEP Wales International Painting prize 2015 7th Annual Passion for Freedom Art Festival, Mall Galleries, London. 2015 The Open West 2015, The Wilson, Cheltenham Art gallery and Museum.   Gallery Representation   Riana Raouna Gallery   Statement about AOAP Submitted Artwork   Both works submitted belong to the realm of fantasy. They are a product of pure imagination. Pomeline and Louis are little lambs that belong to Marie Antoinette and graze happily in the Petit Trianon gardens, completely unaware of their owner's fatal destiny. Equally, the woman in red is absorbed in her thoughts, imagining ways of changing things. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eugenia Cuellar Pomeline and Louis, 2022 Watercolour and Pencil on Arches Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eugenia Cuellar's paintings are mainly focused on women and the challenges they have to face in a contemporary world. Women interacting with men and women, in different settings and situations, in non-places, subjected to other people and to social and cultural norms. Sourced from own images, collages or mass media imagery, the people depicted in her compositions are either real or imagined. Her work can oscillate from painful or abusive situations to idyllic ones that make up a kind of parallel world that surround us. A world of beauty and pleasure that create a new unreachable standard, an unavoidable mirror in which to look oneself at.   Education   Turps Banana Art School CC 2017/2022. Master in Fine Arts 2015/2017 (MIAC) Complutense Unversity Madrid (UCM) Fine Arts, 2010/2015, Complutense University Madrid . Degree in Law, Santiago de Compostela University and La Coruña University.   Select Exhibitions/Awards 2022 Bloomberg New Contemporaries BN22: Hull, HumberStreetGallery & FerensArtGallery and SouthLondonGallery 2022 Dream on Dreamer, Riana Raouna Gallery, Limassol Cyprus (upcoming) 2022 Royal Academy Summer Exhibition, London. 2020 Royal West Academy 168th Annual Open Exhibition. 2020 Wells Art Contemporary, (catalogue). 2019 MOSTYN Open 21, Wales. 2018 Royal Scottish Academy of Art and Architecture, Open Exhibition of Art 2018. 2018 Fe/Male. Air Gallery, (UK) 2017 Peter Scott Gallery, Lancaster Arts, Rabley Drawing Centre, Marlborough, Black Swan Arts, Frome , The Drawing Studios. Plymouth College of Art (Sketch Open ) 2017 Masters Salon Painting. KoMask. Antwerp (BEL). 2017 Royal Ulster Academy, 135th Annual Exhibition 2016 BEEP Wales International Painting prize 2015 7th Annual Passion for Freedom Art Festival, Mall Galleries, London. 2015 The Open West 2015, The Wilson, Cheltenham Art gallery and Museum.   Gallery Representation   Riana Raouna Gallery   Statement about AOAP Submitted Artwork   Both works submitted belong to the realm of fantasy. They are a product of pure imagination. Pomeline and Louis are little lambs that belong to Marie Antoinette and graze happily in the Petit Trianon gardens, completely unaware of their owner's fatal destiny. Equally, the woman in red is absorbed in her thoughts, imagining ways of changing things. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ryan Mosley Big Cat, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in 1980, Chesterfield, UK Lives and works in London, UK. Mosley synthesizes art-historical themes, styles, and movements into surreal, folk-inspired paintings that are wholly contemporary, yet appear timeless. Mosley does not sketch his paintings beforehand, instead treating his paintbrush as a pencil to build large-scale images through layers of translucent washes for a batik quality. This spontaneous technique results in theatrical spaces and fantastic scenes, at once whimsical and tragic, ambiguous and intriguing. Mosley's work features recurring images of heads and masks, as well as harlequin-inspired, diamond patterned clothing, which serve as liberated and somber symbols of carnival and release.   Select Exhibitions/Awards   2014 Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Alison Jacques Gallery, London, UK 2013 Thoughts of Man, Tierney Gardarin, New York, NY 2012 Reversed Limbo, Eigen + Art, Berlin, Germany 2011 Alison Jacques Gallery, London, UK Solo Presentation with Alison Jacques Gallery, The Armory, New York 2010 Painting Séance, Grand Arts, Kansas City, MO Alison Jacques Gallery, London 2009 A Gathering, Regina Gallery, Moscow Project Room, Alison Jacques Gallery, London 2008 Census, Engholm Engelhorn, Vienna Art Basel Miami Beach, Engholm Engelhorn, Miami 2004 Eight Years Ago and Before, Bloc Space, Sheffield GROUP EXHIBITIONS 2013 Zero Hours, S1 Artspace, Sheffield, UK Re-opening, Eigen + Art, Berlin, Germany 2012 Nightfall, Modem Museum, Hungary London Twelve: Contemporary British Art, City Gallery, Prague, Czech Republic Summer Exhibition, Royal Academy of Arts, London, UK Merging Bridges, Museum of Modern Art, Baku, Azerbaijan Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ryan Mosley Smoke Rings, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in 1980, Chesterfield, UK Lives and works in London, UK. Mosley synthesizes art-historical themes, styles, and movements into surreal, folk-inspired paintings that are wholly contemporary, yet appear timeless. Mosley does not sketch his paintings beforehand, instead treating his paintbrush as a pencil to build large-scale images through layers of translucent washes for a batik quality. This spontaneous technique results in theatrical spaces and fantastic scenes, at once whimsical and tragic, ambiguous and intriguing. Mosley's work features recurring images of heads and masks, as well as harlequin-inspired, diamond patterned clothing, which serve as liberated and somber symbols of carnival and release.   Select Exhibitions/Awards   2014 Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Alison Jacques Gallery, London, UK 2013 Thoughts of Man, Tierney Gardarin, New York, NY 2012 Reversed Limbo, Eigen + Art, Berlin, Germany 2011 Alison Jacques Gallery, London, UK Solo Presentation with Alison Jacques Gallery, The Armory, New York 2010 Painting Séance, Grand Arts, Kansas City, MO Alison Jacques Gallery, London 2009 A Gathering, Regina Gallery, Moscow Project Room, Alison Jacques Gallery, London 2008 Census, Engholm Engelhorn, Vienna Art Basel Miami Beach, Engholm Engelhorn, Miami 2004 Eight Years Ago and Before, Bloc Space, Sheffield GROUP EXHIBITIONS 2013 Zero Hours, S1 Artspace, Sheffield, UK Re-opening, Eigen + Art, Berlin, Germany 2012 Nightfall, Modem Museum, Hungary London Twelve: Contemporary British Art, City Gallery, Prague, Czech Republic Summer Exhibition, Royal Academy of Arts, London, UK Merging Bridges, Museum of Modern Art, Baku, Azerbaijan Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sophie Wake Mother Earth (Sketch), 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I am a contemporary British artist, working from my studio in Ashburton, Devon I worked for almost 20 years as a busy freelance illustrator. Today however my fine art practice responds to the rhythms of meditation and ancient tree tea ceremony which has become a fundamental companion to my creative approach.Guided by direct somatic experience my works are instinctive and intuitive, each one a process of deep self enquiry and profound reflection. Working with oil on canvas or gouache on paper, my paintings imbue a liminal quality, a sense of in-betweenness that delights in intangible wordlessness. My fine art practice has become suffused with my spiritual practice. Any subject matter is treated as divine, iconic, and dances, uninhibited in its own light. Birds rejoice in liberation, female figures bathe in their own inner beauty and freedom. Influences of Shamanism, African rock art, Ancient clay models, and Greek pottery can be felt throughout the collections, which celebrate the power of storytelling and basic human emotion in simple and authentic form.   Education   Brighton University, BA Hons in Graphic Design & Illustration, graduated 1996.   Select Exhibitions/Awards   2017 Best Artists Open House Newcomer award 2018 HERD selected for the Royal Academy's 250th Summer Exhibition by Grayson Perry for his hand-curated Yellow Room. 2019 Best Artists Open House award for my solo show   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Ryan Mosley Deep Water, 2022 Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1980, Chesterfield, UK Lives and works in London, UK. Mosley synthesizes art-historical themes, styles, and movements into surreal, folk-inspired paintings that are wholly contemporary, yet appear timeless. Mosley does not sketch his paintings beforehand, instead treating his paintbrush as a pencil to build large-scale images through layers of translucent washes for a batik quality. This spontaneous technique results in theatrical spaces and fantastic scenes, at once whimsical and tragic, ambiguous and intriguing. Mosley's work features recurring images of heads and masks, as well as harlequin-inspired, diamond patterned clothing, which serve as liberated and somber symbols of carnival and release.   Select Exhibitions/Awards   2014 Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Alison Jacques Gallery, London, UK 2013 Thoughts of Man, Tierney Gardarin, New York, NY 2012 Reversed Limbo, Eigen + Art, Berlin, Germany 2011 Alison Jacques Gallery, London, UK Solo Presentation with Alison Jacques Gallery, The Armory, New York 2010 Painting Séance, Grand Arts, Kansas City, MO Alison Jacques Gallery, London 2009 A Gathering, Regina Gallery, Moscow Project Room, Alison Jacques Gallery, London 2008 Census, Engholm Engelhorn, Vienna Art Basel Miami Beach, Engholm Engelhorn, Miami 2004 Eight Years Ago and Before, Bloc Space, Sheffield GROUP EXHIBITIONS 2013 Zero Hours, S1 Artspace, Sheffield, UK Re-opening, Eigen + Art, Berlin, Germany 2012 Nightfall, Modem Museum, Hungary London Twelve: Contemporary British Art, City Gallery, Prague, Czech Republic Summer Exhibition, Royal Academy of Arts, London, UK Merging Bridges, Museum of Modern Art, Baku, Azerbaijan Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ryan Mosley Open Water, 2022 Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1980, Chesterfield, UK Lives and works in London, UK. Mosley synthesizes art-historical themes, styles, and movements into surreal, folk-inspired paintings that are wholly contemporary, yet appear timeless. Mosley does not sketch his paintings beforehand, instead treating his paintbrush as a pencil to build large-scale images through layers of translucent washes for a batik quality. This spontaneous technique results in theatrical spaces and fantastic scenes, at once whimsical and tragic, ambiguous and intriguing. Mosley's work features recurring images of heads and masks, as well as harlequin-inspired, diamond patterned clothing, which serve as liberated and somber symbols of carnival and release.   Select Exhibitions/Awards   2014 Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Alison Jacques Gallery, London, UK 2013 Thoughts of Man, Tierney Gardarin, New York, NY 2012 Reversed Limbo, Eigen + Art, Berlin, Germany 2011 Alison Jacques Gallery, London, UK Solo Presentation with Alison Jacques Gallery, The Armory, New York 2010 Painting Séance, Grand Arts, Kansas City, MO Alison Jacques Gallery, London 2009 A Gathering, Regina Gallery, Moscow Project Room, Alison Jacques Gallery, London 2008 Census, Engholm Engelhorn, Vienna Art Basel Miami Beach, Engholm Engelhorn, Miami 2004 Eight Years Ago and Before, Bloc Space, Sheffield GROUP EXHIBITIONS 2013 Zero Hours, S1 Artspace, Sheffield, UK Re-opening, Eigen + Art, Berlin, Germany 2012 Nightfall, Modem Museum, Hungary London Twelve: Contemporary British Art, City Gallery, Prague, Czech Republic Summer Exhibition, Royal Academy of Arts, London, UK Merging Bridges, Museum of Modern Art, Baku, Azerbaijan Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

After Eric Gill:  pencil on paper, three quarter length sketch of a naked woman, 30 x 20cm, framed, Tib Lane Gallery label en verso

A sketch  of John Morton of Fairfield, Glos., by The Duchess of Ducie (attrib. en verso) in bird's eye maple frame together with a Prince Albert commemorative medallion dated 1847 inscribed on rim to J Morton

Clifford Saber Desert Rat Sketch Book, published by Sketchbook Press, New York 1959 in slipcase.

WW1 Canadian 46th Battalion framed pencil sketch of a horse titled "Dans Le Battaille". Indistinctly signed to bottom right hand corner with accompanying text 46th Canadians war hospital Bradford Sept 3rd 1916. Serving from August 1916 until the cessation of the war and in every major battle of the Western Front the unit has come to be known as "The Suicide Battalion" losing 1,433 killed and 3,484 wounded – a casualty rate of 91.5 percent in 27 months.

An assortment of pictures and prints. Including a sketch of a gentleman playing a piano, 34.5cm x 45cm, all framed and glazed

Pen and wash sketch of Ben Lomond from Rowardennan. Unsigned, titled lower right, framed (glazing cracked), 60cm x 38cm exc. frame

A small mixed lot, early autograph sketch book, small Britains fireplace etc.

In the style of William Russell Flint, a framed charcoal sketch, portrait of a seated maiden. 20cm x 29cm.

Attributed to Watteau (18th century): watercolour sketch, portrait of a young girl, 20 x 15 cm. Not available for in-house P&P

James H Morten, (1881-1918), attributed to, a watercolour, river bridge, 24 x 35cm, mounted, fancy gilt effect framed and glazed, (old worm damage), 42 x 52cm, and similar, pastel sketch, Clouds and Waves, attributed verso and dated 1971, 27 x 38cm, mounted framed and glazed, 43 x 53cm, (both pictures formerly from the home of James Morten)

Paul Hogarth, (19th century), a sketch, Hungarian Peasant Woman Budapest, signed and dated, 1941, 20 x 19cm, mounted framed and glazed, 38 x 36cm Slight creasing on picture but not too bad, needs new frame and mount

Alfred Wainwright, (1907-1991), a pen and ink sketch, The Kings Arms Hotel Kendal, signed and attributed verso, original Drawing for Kendal, in the Nineteenth Century, (volume) No 95, Kings Arms Hotel, dated, 1977, 15 x 20cm, mounted framed and glazed, 29 x 32cm

Alfred Robert Tucker, (1849-1919), attributed to, a sketch, looking out to sea, attributed verso, 14 x 17cm, modern mounted framed and glazed, 33 x 35cm

(19th century), a sketch, period attired gent, 26 x 22cm, later mounted framed and glazed, 40 x 31cm

C R, (19th century), a watercolour, Heversham Church, initialled and dated 1910, and attributed verso, 21 x 15cm, later mounted framed and glazed, 25 x 18cm, Ralph Croft, (19th century), after, a print Dallam Tower, 16 x 21cm, framed and glazed, 22 x 27cm, and (20th century), a sketch, Witherslack, 13 x 8cm, mounted framed and glazed, 28 x 22cm

NINETEENTH CENTURY FICTION COLLECTIONC assells Red Library 23 Volumes, published by Cassell and Co. London, circa 1880s. Publishers red boards, decorated and titled in black and gilt. All in excellent matching condition. All 23 volumes are offered as one Lot. Old Mortality The Hour and the Man. Handy Andy. Scarlet Letter. Pickwick Papers (Volumes One and Two). The Last of the Mohicans. Pride and Prejudice. The Yellow Plush Papers. Tales of The Borders. The Sketch-Book. The Talisman. The Old Curiosity Shop. The Heart of Midlothian. The Last Days of Pompeii. Sketches By Boz. The Trials of Margaret Lynsay RienziJack Hilton. Rome and The Early Christians. Lays of Ancient Rome and Essays. Ingoldsby Legends. Selections From Edgar Allen Poe. All books can be shipped worldwide, UK from £5.99, Europe from £6.99, ROW £9.99. 30kg Box up to 20 books UK £16, Europe £34.99, ROW £69.99

Donald Wood (British 1889-1953): 'French General' on Horseback, oil sketch on canvas signed and titled 24cm x 30cm

Pencil sketch of Brasenose college Oxford signed J W King

Three Late 19th / early 20th century autograph albums containing various paintings, poems, sketches and drawings, dating from the 1890s to the 1930s, featuring a still life painting of an apple, a sketch of a lady's head, a pen & ink of a mountain scene, a pen and ink of a dog on its hind legs, etc

Francis Spear (1902-1979) - 1920's Farmhouse, wood block, 9x13cm, and one other watercolour sketch by the same hand (2)

A quantity of pictures to include an unsigned Coastal watercolour, Puffin on a cliff, unsigned sketch of a Young woman and a framed and mounted floral painting by Jean Harvey.

Coastal landscape with ships, watercolour sketch and three prints.

British School, 20th Century, pencil sketch, 'What's The Time Mr Wolf', unsigned, 7x4.5ins, mounted, framed and glazed.

Orginial watercolour 'The Harbour, St Andrews ' 1870 Signed T.H [32X26cm]Along with sketch depicting ship and for, Signed Loch.

Olympus OM10 Camera, pen knives, sketch album, etc:- One Tray.

•JULIAN DYSON (1936-2003) *ARR, The Promeade St Ives, pencil sketch, signed lower right, 17 x 24cm.

In The Manner of A.J. Starke, 'A Laden Donkey' watercolour, with similar sketch aside, details verso, 14.5 x 24.5cm. English School, St Alban's, oil on board, 25.5 x 56.5cm (2).

James Bourne (1773-1854)"Ouse Bridge, York" Pencil and watercolour, together with a further monochromatic pencil and ink sketch "At the Hotel Coach Office, York" monogrammed John Nixon (c.1750-1818), 28cm by 38cm and 10.5cm by 11.5cm respectively (2)

Tom Dudley (1857-1935)"Shambles, York"Signed and dated 1879, inscribed to upper stretcher verso, oil on canvas, together with two further watercolours by the same hand "Morning - Durham" and "Sketch", 39.5cm by 29.5cm, 38.5cm by 26cm and 24cm by 34cm respectively (3)

Music.- Sketch of the Life (A) of C. Eulenstein, the celebrated performer on the Jew's Harps, first edition, engraved portrait frontispiece, errata slip at end, foxing and marginal staining, modern cloth with old paper label stuck to front cover, 8vo, James J. Welsh, 1833.⁂ A former pastry chef, Eulenstein was the most celebrated performer of the Jew's Harp of his time, although it had a severely detrimental affect on his teeth and forced him to give up the instrument and teach guitar instead. The Jew's Harp - neither Jewish in origin, nor a harp - is the ancestor of the mouth organ and is one of the oldest instruments in the world. It is believed the instrument derived it's name from 'Jaw's harp' or perhaps the French 'jeu-troupe' meaning toy trumpet.

Charles Dickens related - Original artwork on board, a pencil sketch titled 'Int. Workhouse', initialled lower right by production designer Keith Wilson (possible Oliver Twist) 52 x 77.3 cm. Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) Victoria and Albert (2001) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: finger marks to margins, corners of board bumped.

Charles Dickens related - Original artwork on board, a pencil sketch by Keith Wilson, production designer, showing an interior design of an office with books on desks and shelves, 50 x 70 cm.Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) Victoria and Albert (2001) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: light marks and finger marks, some rubbing to corners and margins.

Charles Dickens related - Original artwork on board, a pencil sketch showing a market scene with washing hanging out and smoking chimney stacks in the background, initialled lower right by production designer Keith Wilson (possible Oliver Twist) 51.8 x 77.3 cm.Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) Victoria and Albert (2001) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: marked in margins, corners of board bumped.

Gerry Anderson related - Original artwork on board, a pencil sketch showing two designs for spacecraft, initialled lower right by production designer Keith Wilson, 53.2 x 74.3 cm.Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) The Seventh Scroll (1999) Dinotopia (2002) A Christmas Carol (2004) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: small pin holes to top corners, marks and finger marks, corners a little bumped.

Charles Dickens related - Original artwork on board, a pencil and watercolour sketch, titled 'Exterior, London Bridge. Death of Nancy' and initialled lower right by production designer Keith Wilson (possible Oliver Twist) 51.7 x 77.3 cm.Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) Victoria and Albert (2001) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: small pin holes to corners, finger marks in margins.

Keith Wilson (British, 1941-2011) - a pair of original artworks on board, the first, pencil, ink and watercolour, showing an exterior scene of a man leading figures in the wilderness, with a mountain in the background, initialled by Keith Wilson, production designer, lower right, 41.8 x 59.3 cm; the second, a pencil sketch showing an exterior scene of a man standing, praying in a rocky in cave entrance, 39.1 x 56.7cm, ((both possible The Seventh Scroll). (2)Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) The Seventh Scroll (1999) Dinotopia (2002) A Christmas Carol (2004) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: the first - marks and finger marks to margins, corners rubbed and bumped; the second - finger marks to margins, top and lower r.h. corners rubbed.

Charles Dickens related - Original artwork on board, a pencil sketch showing an interior design of a court room, initialled by production designer Keith Wilson lower right (possible Oliver Twist) 52 x 77.3 cm Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) Victoria and Albert (2001) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: light finger marks and marks to margins, corners of board a little bumped.

Charles Dickens related - Original artwork on board, pencil sketch showing a street scene and stagecoach, titled 'Pickwick Pickwick' and initialled lower right by production designer, Keith Wilson, 52 x 77 cm.Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) Victoria and Albert (2001) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: light marks and smudges, some small splatter stains lower right above and below the title.

Gerry Anderson related - Three Original artworks on board, pencil sketches by production designer Keith Wilson, various sizes, the largest 47 x 60 cm. (3)Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) The Seventh Scroll (1999) Dinotopia (2002) A Christmas Carol (2004) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: marked and rubbed to margins, corners bumped, with glue residue? to lower margin of the larger sketch.

Gerry Anderson related - Original artwork on board, a pencil sketch showing concept designs for spacecraft by production designer Keith Wilson, 53.2 x 75 cm.Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) The Seventh Scroll (1999) Dinotopia (2002) A Christmas Carol (2004) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: light marks and finger marks.

Gerry Anderson related - Original artwork on board, pencil sketch, titled lower right, 'Skybay Academy Canyon City' and initialled by Keith Wilson, production designer, 51.2 x 70 cm.Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) Victoria and Albert (2001) Dinotopia (2002) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: light marks and finger marks, corners to board a little bumped.

Charles Dickens related - Original artwork on board within a tape border, a pencil sketch by Keith Wilson, production designer, showing a full length portrait of a seated Father Christmas, 50.5 x 75 cm.Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) Victoria and Albert (2001) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: light finger marks, tape border marked and lifting in places,

Gerry Anderson related - Original artwork on board, pencil sketch, initialled lower right by production designer Keith Wilson, 53.2 x 74 cm.Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) Victoria and Albert (2001) Dinotopia (2002) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: small pin holes to corner, light marks and finger marks, corners a little bumped.

Keith Wilson (British, 1941-2011) - Original artwork on board, pencil sketch showing an interior Egyptian bedroom scene, a bed centre of image with 4 carved lion legs, initialled by Keith Wilson, production designer, lower right (possible The Seventh Scroll) 42.2 x 59.3 cm.Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) The Seventh Scroll (1999) Dinotopia (2002) A Christmas Carol (2004) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: marks and finger marks to margins, corners of board a little bumped.

Keith Wilson (British, 1941-2011) - a pair of original artworks on board, the first, a pencil sketch, showing a figure standing facing the entrance of a rocky cave, 42 x 56.7 cm; the second, pencil and watercolour, showing an Egyptian Pharaoh standing at the top of a temple staircase with guards in the foreground, both initialled by Keith Wilson, production designer, (possible The Seventh Scroll) 42 x 59.3. (2)Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) The Seventh Scroll (1999) Dinotopia (2002) A Christmas Carol (2004) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: light marks and finger marks to margins, corners of boards a little rubbed and bumped.

Leslie Charteris (1907 1993) British-Chinese author of adventure fiction, best known for his many books chronicling the adventures of his charming hero Simon Templar, "The Saint". A signed album page with sketch and dated, 10 x 12.5 cm.

Charles Dickens related - Original artwork on board, a pencil sketch showing a market scene with an archway centre image, initialled lower right by production designer Keith Wilson (possible Oliver Twist) 50.8 x 77.4 cmProvenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) Victoria and Albert (2001) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: light marks and finger marks in margins, corners of board a little bumped.

Charles Dickens related - Original artwork on paper, pencil sketch, titled 'Quilp' and initialled lower right by production designer Keith Wilson (possible design for The Old Curiosity Shop) 59.2 x 42 cm.Provenance: From the archive of British production designer Keith Wilson (1941-2011). Wilson had a long association with AP Films and Gerry Anderson from the 1960s and was highly regarded within the science-fiction genre. Keith Wilson's set designs for numerous film and television productions included Thunderbirds (1965) UFO (1970) Space 1999 (1975-78) Great Expectations (1989) Oliver Twist (1997) Victoria and Albert (2001) and The Ten Commandments (2007). He was awarded an Emmy for Outstanding Individual Achievement in Art Direction for Starlin (1992) and a Cable ACE Award for Art Direction for The Old Curiosity Shop (1995).Condition Report: creased and stained to l.h. edge and corner, red staining above Quilp's hat, light creasing overall with further light staining to r.h. edge.