John Varley (1850-1933) - 'Poole Harbour looking towards Wareham', watercolour, signed lower left, 18 x 26.5 cm, the reverse with handwritten label detailing provenance 'This sketch... was presented to me by his daughter Mrs Dewar Divie of Cheltenham, May 1937 great grand daughter of 'Old John Varley' and John Varley - pastoral view, watercolour, signed lower left, 13 x 19 cm to/w two lithographs of Brixham and St Michaels Mount, both pencil signed to lower right margins (4) Condition Report Faded overall
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John Varley (1850-1933) - 'Poole Harbour looking towards Wareham', watercolour, signed lower left, 18 x 26.5 cm, the reverse with handwritten label detailing provenance 'This sketch... was presented to me by his daughter Mrs Dewar Divie of Cheltenham, May 1937 great grand daughter of 'Old John Varley' and John Varley - pastoral view, watercolour, signed lower left, 13 x 19 cm to/w two lithographs of Brixham and St Michaels Mount, both pencil signed to lower right margins (4) Condition Report Faded overall
Captain Bruce Bairnsfather, "" `allo from Old Bill"", a pen and ink sketch of Old Bill on a notebook leaf, 8cm x 10.8cm (page), mounted and framed; together with framed Old Bill postcards; and Nos. 1 to 7 The Bystander`s Fragments from France, (most first editions though no.1 is a sixth edition), and duplicate odd numbers (some rather worn); with ROBINSON (W. Heath) Some `Frightful` War Pictures, first edition, 1915; a framed photograph of Bairnsfather, signed on the reverse together with a Grimwades plate, dish and teapot with Bairnsfather designs.
THORBURN (Archibald) British Mammals, in 2 vol., 1920, 4to; Game Birds and Wild-Fowl of Great Britain and Ireland, 1923, 4to; A Naturalist`s Sketch Book, 1919, 4to; British Birds, 4 vols., 1925-26, 8vo, with cancelled library bookplates; all with colour plates in red cloth bindings with some age wear and light staining to contents, some covers worn
Military Ephemera 1940?s airgraphs used by UK forces abroad to convey messages home by flown micro photos which were then printed as reduced photographic record to delivery to addressees, 3 interesting records, one from MEF with two photo records of messages (1941/42; one from India (1942) with fine ink sketch of the Taj Mahal; 1944 Merry Xmas greetings from Italy on illustrated airgraph ink a photo record. Fascinating records (3) Reserve: £100
Croker (J. Wilson), A Sketch of the State of Ireland, Past and Present, 1822. New Ed., 68pp. Ex. Gibraltar Garrison Library. Becker (Bernard H.), Disturbed Ireland - Being the Letters Written During the Winter of 1880-1881. London: MacMillan 1881 Ireland Draft Constitution: Dréacht-Bhunreacht. Draft Constitution. Mar Do Haontuíodh Ag Dáil Eireann. As Approved by Dáil Eireann. No date, published 1937. 117pp., opposing Irish & English pages. Original paper covers (3).
AFTER GEORGE ROMNEY (1734-1802) `THE PARSON`S DAUGHTER` Inscribed on the lining verso Original sketch Painting of/ Lady Emma Hamilton/ (made for the large one in the/ National Collection)/ by George Romney, oil on canvas, mounted circular 58cm. diam. *After Romney`s original, sometimes also called `A Lady in a Brown Dress`, c.1785 (Tate Britain) ++ Lined; some associated retouching; a little thin; needs a clean; in a good Victorian square gilt frame with a circular leaf and berry borderCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
A pair of early 19th century mahogany pedestal cabinets attributed to Gillows Lancaster, each of rectangular form with beaded edge to the top over a full length mahogany veneered beaded door fitted with a turned knob handle, with acanthus moulding to the top left hand hinged corner, over a multi line moulded column with conforming fixed column to the right hand side, the companion cabinet with mouldings and hinges in reverse, each opening to reveal a vacant interior standing on a skirting plinth, 72cm wide, 107.5cm high, 68cm deep NOTE: The cabinets can be confidently attributed to Gillows on the basis of similarities of details with a number of other items supplied by the firm namely the ovoid edge mouldings are similar to that on a sideboard table in Lancaster Town Hall dated to circa 1828-38 which in turn relates to a design in the Estimates Sketch Books in Westminster Archive Centre of 1828 for Thomas Parr the Liverpool merchant (see Stewart, OP. Cit., Vol I, pp.326/7 (the astragal moulded panel doors and acanthus carved double scroll consoles also occur in Gillow work of this time namely the oak bookcases supplied in 1827-1829 to George Wilson of Dallam Tower, Milnthorpe (see also Stewart, Op. Cit., Vol I, pp.378-9). The cabinet also recall those supplied to those supplied to Thomas Langford-Brooke (d.1815) of Mere Hall in Cheshire by Gillows of Lancaster and London in 1815, and sold by Christies as Lot 188 and 189 on 23rd May 1994. The Mere cabinets, though, were more elaborately decorated with oval panels and acanthus spandrels embraced by Acanthus consoles and carved rosettes. With thanks to Gareth J. L. Williams MA for his assistance with this footnote
THORBURN, Archibald. A Naturalist`s Sketch Book. London, New York, etc: 1919. Large 4to (318 x 254mm.) 60 plates (24 colour.) (Some spotting.) Original cloth, t.e.g. (extremities lightly bumped, spine slightly faded). - And one other by Thorburn (`Game Birds and Wild-Fowl of Great Britain and Ireland`. London, New York, etc.: 1923, large 8vo) (2).
A Regency mahogany breakfront library bookcase by Gillows, the Greek key cornice with scrolled finials above two pairs of later glazed doors enclosing fixed shelves and flanked by reeded tapering columns, the conforming base with two pairs of cupboard doors with looped reeded outlined mouldings enclosing a total of twelve graduated drawers, some inscribed in chalk `S13237` all fitted with lacquered gilt brass faceted handles, the left hand central cupboard door with a hand written paper label inscribed `The large Bookcase - was the Property of the Sudell Family of Woodfold Park near Blackburn, and was purchased by J. Whittaker - at The great Sale at Woodfold about 1840. It was I believe made by the famous firm of Gillow of Lancaster (Sheraton period). It came into my possession at the death of my mother Mary H. Whittaker in 1871. Edmund J. Wemyss Whittaker Feb. 8. 1918`, 225.3cm high, 233cm wide, 46cm deep. Provenance: This bookcase was commissioned by Henry Sudell in 1805 for his home Woodfold Hall, Mellor, near Blackburn, Lancashire. Henry Sudell was a cotton merchant and manufacturer and at the peak of his fame was reputed to be a millionaire. He married Maria Livesey in 1796 and they moved into Woodfold Hall designed by James Wyatt and built in 1798. The design for the bookcase appears in the Gillows` Estimate Sketch Books for 12th November 1805 (Westminster City Archives, reference 1776) and the records show that Sudell was charged £33, 6s. 4d., and the work took ten weeks. Henry Sudell encountered financial difficulties in the 1820s due to speculating on the American and Continental markets and in 1827 he filed a petition for bankruptcy. The contents of his estate were offered for sale on the 24th December 1827. By family repute the bookcase was almost certainly bought at the sale by Reverend John William Whittaker, an Anglican clergyman. He was appointed as examining chaplain to Charles Manners-Sutton, Archbishop of Canterbury, who granted him the living of Blackburn, Lancashire in 1822 as the Vicar of St. Mary`s. He married Mary Haughton in 1825. It has been passed by descent to the present owner. For an almost identical bookcase, (without the fitted drawers), see Sotheby`s, Important English Furniture, London, 22nd November 2006, lot 119 and a closely related bookcase was sold Bonhams, Fine English Furniture & Works of Art including the Bracewell Collection, 16th July 2008, lot 150
An early Victorian part leather sketch book of Grand Tour architectural drawings, titled `SKETCHES`, with marbled paper end papers, and with an inscription `Sketch book made on a Grand Tour through France, Italy and Greece in 1841-2.`, the majority of the drawings titled and dated, with some watercolours, subjects include: the Palazzo Farnese, Rome, Rouen Cathedral, Palazzo Riccardi, Florence and San Giovanni Laterano, Rome. Provenance: The part contents of a Wiltshire Rectory.
Struwwelhitler - A Nazi Story Book by Doktor Schrecklickkeit, 1941. A parody on the original Struwwelpeter by Robert and Philip Spence. Col. illus. Published by the Daily Sketch. Square 12mo, original paper covers. Together with : Lucas E. & Morrow G. : Swollen Headed William ( After the German ), 1914. Qto. pb. Line drawing illus. CONDITION REPORT: Struwwelpeter - paper covers a little discoloured, frayed slightly at one corner, o/w vg. William - lacks spine, front cover partially det. Text block clean and tight.
SIR ALFRED JAMES MUNNINGS (1878-1959) Sketch of a whip surrounding the following inscription `My dear good Gilbert. The whip is a Craftsman`s job of the best work, I am more than grateful. First rate!!`, dated `April 13. `57` and signed `Yours Alfred Munnings`, pencil sketch on Munning`s headed note paper for Castle House, Dedham, Colchester, 21.5 x 17cm
A QUANTITY OF MUNNINGS AND GILBERT RELATED EPHEMERA TO INCLUDE:- a foolscap folder `Munnings, the Artist and the man` containing a letter in pencil from Munnings to Mrs Gilbert dated Jan.30 `59; a pen and ink sketch attributed to Munnings on headed paper, 18 x 14cm; a New Year`s card signed by Munnings; The Tale of Anthony Bell, A Hunting Ballad inscribed to Gilbert in ink from Munnings and dated October 8th - 1952; miscellaneous annotated envelopes and articles relating to Munnings; together with further material to include: the indenture of Ducker Gilbert to Harriet Boyce as Apprentice Saddler 1 February 1869; various photos depicting William Ducker Gilbert contained in a black file relating to the Gilberts, and some further similar framed; a photographic print of his father Ducker Gilbert; a pen and ink view of the Saddlers `D Gilbert and Son` by Gilbert Rumbold, 22 x 35cm; Samuel Smiles - `Self Help` leather bound book awarded as Junior Certificate to W.D. Gilbert, Framlingham College, 1899; two prints inscribed to Gilbert from Munnings; and further associated articles and prints etc
20TH CENTURY SCHOOL Landscape with trees, possibly South Africa, signed with monogram and dated 1938, gouache, 29 x 43cm; and three further pictures to include - a pen, ink and colour wash sketch `Figure Composition`, the `Antique Room in June 1907`, a Cruikshank engraving titled `Dandies Dressing` and an engraving after William Daniel - `The Entrance to Portreath, Cornwall` (4)
[HUNTING] Edwards, Lionel. My Irish Sketch Book, first edition, Collins, London, 1938, green cloth gilt, nine mounted colour plate and further black and white full-page and vignette illustrations by author, quarto (lower fore-edge corners damp marked; covers with bumped and rubbed spine ends and corners).
A box of sundry items to include 19th Century corkscrew, marching compass, a medallion inscribed "Quarterly Competition 1963-64 Snapshots Brig. C. E Sketch Spectrum Guernsey", an 1880 American dollar, etc CONDITION REPORTS All with wear, scuffs, tarnish, some cracks. The corkscrew has the brush missing, chips, some cracks, some splits, no makers name.
Agnès CAPRI (1907-1976). 6 L.A.S., à Pierre BARLATIER ; 8 pages in-8 ou in-4.BELLE CORRESPONDANCE SUR SON CABARET ET SES RéCITALS[1939-1940], à l’enseigne de son cabaret Chez Agnès Capri] Vendredi. Elle a rouvert son cabaret rue Molière, et n’est finalement pas partie en Amérique : « les uns sont choqués les autres étonnés, ravis, et on vient, pas en foule mais suffisamment pour faire une réunion d’amis. J’ai voulu sauvegarder un coin de notre vie où on puisse se retrouver, et j’ai réussi. Il y a un programme improvisé selon les jours : DENIAUD, Edith PIAF, Odette JOYEUX qui danse, et moi ». Elle lui demande de ses nouvelles… Jeudi. « Pierre BRASSEUR est en permission […] Odette [Joyeux] danse à ravir et va bientôt jouer Captain Smith aux Mathurins avec Marcel HERRAND qui en a vu de toutes les couleurs, il gardait les tranchées avenue du Bois, et puis Place d’Italie et maintenant il est en permission. Nous jouons un sketch de PRéVERT qui est à présent réformé – tous ses amis s’en réjouissent. La censure est très gentille avec nous ». Elle parle de soirées au Paris-Mondial magnifiques avec Charles BOYER, Claude DAUPHIN, Françoise ROSAY, Eric VON STROHEIM, orchestre VENTURA, etc., où elle a chanté…Elle lui demande de publier une photo, « en disant que je viens de donner un “récital” à Bruxelles et que je fais ma rentrée au cabaret le 20 chez Suzy SOLIDOR »… Elle le prie d’annoncer dans Ce soir qu’elle passe à l’Empire de Bruxelles, puis à l’A.B.C. : « J’ai de nouvelles chansons très jolies »… « J’ouvre bientôt un cabaret il faut que je vous parle de la publicité dans Ce soir »… Elle lui envoie des photos, l’avertit des pièces en préparation, travaille comme une forcenée, etc.On joint une photographie (Studio Lipnitzki), plus une carte du « Club Agnès Capri ».

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32316 item(s)/page