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"Reginald Hallward - sketch of window for chapel St Mary`s Home; a curved design similar, 18 x 12cm max; and a photographic reproduction of the reredos of St Mary`s Leicester (3) "

Ludovic Rodo Pissarro (1878-1952), a pencil sketch of a nude, in three poses

Louise J. Rayner (1832-1924), "Sketch in Episcopal Palace, Lincoln", signed and inscribed, watercolour over pencil, 25 x 17cm.; 9.75 x 6.75in.

Two interesting WWI sketch books, containing approx 30 watercolour paintings, circa 1916, featuring French Battleships and other scenes, probably painted in Corfu, some titled, most dated, unsigned, (23cm x 14cm and 21.50cm x 12cm) the books by Windsor &

BROWNE, Tom: (1870-1910) ... popular English cartoonist, painter and illustrator. Signed pen & ink sketch of COMICAL CATS, also with signed pencilled Xmas greetings in the upper margin, 275 x 175 mm, F & G.

`A. V. W `(illust): A Recollection of Wondrous Wanderings: line illustrations, original pictorial cloth a little rubbed at the extremities, 4to, Fontainebleau, 1864. With ... Read, Samuel: Leaves from a Sketch-Book: Pencillings of Travel at Home and Abroad: line illustrations, original pictorial cloth, large 4to, 1875.

Pictures and Prints- Che Guevara, watercolour study of The Crescent, Bath, Nude pencil sketch, etc (7)

Follower of Henry Alken - Study of an Hussar seated on a Charger, 19th Century pencil sketch, approx 22cm x 17cm, within a Hogarth style frame.

E. Geddes - `Sketch at Salt`, watercolour, signed, titled and dated July 6th `97, approx 22cm x 19.5cm, within a gilt composition frame with bellflower mouldings, together with six further watercolours.

Albert Hall. Salt Box, pencil sketch, 17cm x 10cm and three other small sketches.

Various pictures and prints, artist sketch books etc.

Attributed to Philip Naviasky (1884-1970), Mule and two figures, unsigned, pencil sketch with annotations, framed. 25cm by 35.5cm

A quantity of miscellaneous books, mainly children`s, titles include Struwwelhitler, published by The Daily Sketch and Sunday Graphic Limited, The Baby`s Bouquet and The Baby`s Opera, both arranged and decorated by Walter Crane, a Century of Kate Greenaway, a number of R Caldecott`s picture books, etc together with the Egyptian Sudan, It`s Loss and Recovery by Henry S L Alford and Finden`s Illustrations

SIR SIDNEY ROBERT NOLAN, AUSTRALIAN (1917-1992) Burke and Wills poster signed by the artist and with sketch dated 1985 60 x 42cm

EUGENE DELACROIX, FRENCH (1798-1863) Artists figure study, with image of a figure to verso pen and ink signed with studio stamp and with sketch to verso 9 x 19cm Authenticated by Paule Caioac, Paris 20th March 1980. Provenance The collection of William Bowmore O.B.E

John Henry Ramm, "Sierra Sketch, El Dorado, CO," oil on board John Henry Ramm (Californian, 1879-1948), "Sierra Sketch, El Dorado, CO," oil on board, signed "J H R" lower right, signed and titled verso, board: 5"h x 5.75"w, overall: 7.625"h x 8.375"w. Provenance: Estate of David C. Hershkopf Trust collection (Oakland, CA)

'Mrs Newman' portrait oil on canvas by A Pendered and a sketch by the same artist

A Leicestershire Sketch Book written and illustrated by Lionel Edwards published Eyre and Spottiswoode 1935

'Kirkstall Abbey Yorkshire' early 19th Century monochrome sketch, collection of 19th Century engravings etc

PETER COOK & DUDLEY MOORE - autograph presentation consisting of an autograph album page signed, with inscription, by Dudley Moore, and a self portrait sketch and signature to the verso of a photo by Peter Cook. Soft mounted below a black & white image of the two, and being framed and glazed to 16" x 20".

Ephemera. A good collection of early 20th century autograph books and sketch pads in English & German having poems, ditty's, sketches, drawings and forget-me nots.

Three sketch books

Lionel Edwards, A Leicestershire sketch book and other volumes

A 19th Century volume containing drawings and ink sketches of views, church architecture, heraldic devices, antiquities from Burgh Castle, also a sketch of an early bathing machine

Arthur Edward Davies pencil sketch - Tumbledown Dick - Woodton, 6 1/2" x 9"

Autograph – Jean Cocteau – French author, playwright and artist sketch in pencil of a female figure shown in profile holding an envelope with the representation of a typewriter keyboard behind, with the autograph sentiment ‘souvenir amical de Jean Cocteau’ with his usual star device. Written on a leaf of paper bearing the French title ‘La Machine a Ecrire’ [the typewriter]. Fine condition. Approx 22x15cms.

FIELDING, COPLEY (1787-1855), Coastal scene with fishing boat foreground, watercolour, signed lower left, framed, 18cm x 27cm, and a heightened pencil sketch of a woodland path, dated 1842, framed, 32cm x 25cm (2)

GEORGE LESLIE HUNTER (SCOTTISH 1879-1931) WOMEN GOSSIPING Ink and wash sketch 11cm x 19.5cm (4.25in x 7.75in)

§ JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) STANDING NUDE, PARIS 1911 Pencil sketch 14cm x 11cm (7.5in x 4.5in)

§ ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) SKETCH OF A VILLAGE Charcoal and crayon 25cm x 20cm (10in x 8in) and another by the same hand, Coastal Hill (2)

JOSEPH FARQUHARSON R.A. (SCOTTISH 1846-1935) MISTY MOUNTAINS Oil sketch on board 23cm x 31cm (9in x 12in)

Early 20th century sketch album and various other items in a glass case

Athur Spooner, oil sketch on card, depicting a fisherman in a river landscape, provenance verso, 15'' x 11''

ENGLISH SCHOOL, EARLY 19th CENTURY. Figures coming ashore, Gibraltar, pen, ink and watercolour sketch, 8 x 11 in

HENDRIK GRISE. A Model reading, pen, ink wash and watercolour, 26 x 19 in; and a black wash sketch depicting a female artist. two (2)

THE REVEREND JOHN EAGLES. Travellers on a Path by a Cottage, watercolour, 5 1/2 x 7 in ; a pencil sketch of Stoke Castle by Paul Sandby Munn; and a watercolour sketch depicting a continental figure by Captain William H Buckle. three (3)

CIRCLE OF JOSEPH M.W. TURNER. R.A. A river Landscape with castle ruins and Bridge, bears collector`s stamp, and inscription verso, pencil sketch, 8 1/2 x 11 in

Edwardian Guild of Handicrafts Ltd. copper and enamel box of rectangular form with spot-hammered finish, cedar wood lining, on four bun feet, hinged domed cover inset with painted enamel plaque depicting Christ Church, Oxford, signed bottom left 'Varley', reverse painted 'Christ Church, Oxford, executed by Fleetwood C. Varley, Campden Glos. Sept 1905' (from a sketch) CONDITION REPORT General overall condition very good with minor surface scratches and wear commensurate with age and use. Minor solder marks to bottom right hand front corner and back right hand edge. No evidence of chipping or crazing to enamel plaque

*Lucian Freud (1922 - 2011), ink on paper - sketch of a seated man on a chair (facing), mounted 50.5cm x 40.5cm. Provenance: Given to Maggi Hambling by Sir Cedric Morris circa 1980 - with the words "I think you should have these, it's good for artists to have other artists work ....". This sketch is believed to have been drawn either in the last months in Dedham or at Benton End in Hadleigh (see Benton End Remembered)

*Lucian Freud (1922 - 2011), ink on paper - sketch of male torso and other studies, mounted, 48cm x 40.5cm. Provenance: Given to Maggi Hambling by Sir Cedric Morris circa 1980 - with the words "I think you should have these, it's good for artists to have other artists work ...." This sketch is believed to have been drawn either in the last months in Dedham or at Benton End in Hadleigh (see Benton End Remembered)

*Lucian Freud (1922 - 2011), ink on paper - sketch of two female nudes and feet studies, mounted, 49cm x 40.5cm. Provenance: Given to Maggi Hambling by Sir Cedric Morris circa 1980 - with the words "I think you should have these, it's good for artists to have other artists work ....". This sketch is believed to have been drawn either in the last months in Dedham or at Benton End in Hadleigh (see Benton End Remembered)

An amusing late eighteenth century engraving - The Terrible Ghost, pair of engravings after Gillray another by Bunbury, George Cruickshank volume My Sketch Book and one other

Julius Olsson (1864-1942) - Oil sketch - "The Wreck" - Beach scene with timber groyne to foreground, mahogany panel 9.75ins x 14ins, signed in full to lower left, in gilt moulded frame

John S. Ward (1917-2007) - Watercolour sketch - "Humming Birds", 5.5ins x 8.25ins, signed in pencil, and inscribed "Tobago - painting Norman Parkinson", and John S. Ward (1917-2007) - Pencil sketch - "Birds", 6.25ins x 9ins, unsigned, both framed and glazed

John S. Ward (1917-2007) - Watercolour sketch - "A Lemon from Monte-Carlo", 9.5ins x 12ins, signed and dated 2nd Nov. 1992, and with pencil annotation, in painted frame and glazed

Cyril Henry Barraud (1877-1965) - Four artists sketch books including pencil sketch of Lombard Street, six copper printing plates etched by Barraud with Views, a small selection of framed drypoint etchings, two miniature portraits in watercolour of Harriet Capes and one other, and an artist`s japanned metal paint box, and a selection of paint brushes

British/European School, early 20th century- Female nude, standing full-length; oil on unstretchered canvas, 85x58.5cm: together with one other similar study of a female nude in oils on unstretchered canvas by the same hand, 71x48cm: British School, mid 20th century- Sketch of a woman seated full-length by a cafe table; oil on canvas board, 45x33cm: British School, mid 20th century- River landscape with a bridge; oil on board, 37.5x50.5cm: British School, mid 20th century- Figures by a cathedral, (recto), Surrealist landscape, (verso); oil on canvas, 70x90cm., (5) (part unframed)

Sketch Rolf Harris Head and shoulders portrait, signed and date '90 (with provenance), 50 x 40cm

Three gouaches Loch Lomond and Ayrshire with another of Surrey, together with a French humorous sketch, two prints of 19th century English cricketers and two 19th century prints of Civil War scenes

* SIR WILLIAM MACTAGGART FRSE RSA (1903-1981) LOCH TAE pencil on paper 20cm x 27cm label verso: original drawings from the artist`s sketch books, studio stamp ref 345. ex studio sale, Christie`s and Edminston`s. St Andrews Fine Art

* Creswick (Thomas, 1811-1869). Landscape with trees and river, watercolour heightened with bodycolour, of two female figures in a wooded landscape with a rocky stream, some dicolouration, especially to sky area, 30.5 x 23cm (12 x 9ins), mounted, contemp. gilt frame, glazed, together with a pencil sketch of a standing Arab figure on pale blue paper, possibly French, mid. 19th c., with collector’s circular ink stamp ‘J.H.’ lower right, 12 x 8cm (4.75 x 3ins), mounted, framed and glazed, plus an oval head and shoulders portrait of a young lady, watercolour, signed ‘Whalley’ lower right (beneath mount), 25 x 20cm (9.75 x 8ins), framed and glazed, plus an oval half-length portrait of a lady after John Downman, c.1800, grisaille watercolour, closed 3” tear to lower portion of image, 20.5 x 17cm (8 x 6.75ins), mounted, framed and glazed, plus a watercolour of three small children picking flowers, 14 x 24.5cm (5.5 x 9.5ins), c.1900, mounted, framed and glazed (5)

* Richardson (Thomas Miles, 1813-1890). Mounted Highlander, pencil and watercolour sketch on toned paper, showing a highlander dressed in traditional tartan, holding a basket and sitting on a horse drawn in outline, signed and dated ‘TMR Junr. 1847’, 31 x 22.3cm (12 x 8.75ins), framed and glazed, with Malcolm Innes Gallery label to verso (1)

* Matania (Fortunino, 1881-1963). A small archive of drawings, together a collection of studies in watercolour, wash, pen, and pencil, incl. a framed allegorical pencil sketch entitled ‘Russia and Bolshevik’, a detailed pencil drawing of the Sacrifice to the Golden Calf (for an oil painting used as the basis for a scene in the film ‘The Ten Commandments’), a pencil sketch entitled ‘Rough for The Gift from Caesar’, and a pencil and watercolour study for the same work, sheet size 49 x 36cm (19.25 x 14ins) and smaller. Born in Naples, the son of artist Eduoardo Matania, Fortunino Matania studied at his father’s studio, designing a soap advertisement at the age of nine and exhibiting his first work at Naples Academy aged only eleven. Only a few years later he was helping his father produce illustrations for books and magazines. In his 20s Matania worked first in Paris and then London, where he was asked to cover the coronation of Edward VII for ‘The Graphic’. Matania subsequently covered every major event concerning British royalty up to the coronation of Queen Elizabeth in 1953. In 1904, Matania joined the staff of ‘The Sphere’ where some of his most famous work was to appear, including his illustrations of the sinking of the Titanic in 1912. At the outbreak of the First World War, Matania became a war artist and was acclaimed for his graphic and realistic images of trench warfare. After the war, he switched to scenes of ancient high life for the British woman’s magazine, ‘Britannia and Eve’, and was praised for his depictions of voluptuous nudes. Matania exhibited regularly at the Royal Academy and Royal Institute from 1908 and his work appeared in most of the principal magazines in Britain and America. He was a popular illustrator for advertising, posters and catalogues, working for Ovaltine, Burberry’s and many others. Matania also worked on films, most notably ‘The Ten Commandments’, producing a number of paintings of Rome and Egypt from which authentic designs could be made. (6)

* Woodforde (Millicent Lisle, 1880-1962?). Four sketch books, c. 1900-16, all filled with pen or pencil sketches of the human figure, including nudes, anatomical studies plus sketches of dogs, birds, horses, rabbits, occ. landscapes and a few buildings, largely unsigned and undated, but two albums with ownership autograph and one oblong folio album signed and dated Paris, 13th January 1904 to front pastedown, a number of figures in this album being dated and some identified as drawn at Atelier Grande Chaumiere or Atelier Colarossi, some excisions, many leaves detached and occ. fraying, a total of approx. 180 leaves, the majority with sketches to recots and versos, various bindings, somewhat worn, 35 x 23cm (14 x 9ins) and smaller . The illustrator and artist Millicent Woodforde is best known for her portrait of the composer Gustav Holst at work in his composing room at St. Paul’s Girls’ School (1910), now in the National Portrait Gallery. (4)

Bound copies of `The Tatler` 2901/2 and `The Sketch`.

Duncan Grant (1885-1978)pencil drawing,Figure in a cafe, Paris 1906, sketch of hatted gentleman verso,monogrammed,10.5 x 8in.

Marc Grimshaw (1957-present): pencil sketch "Liverpool Town Hall", signed, 35x48cm, framed.

19th century English school: pencil sketch heightened with watercolour, coastal landscape with two figures in foreground, unsigned, 15.5x23cm, framed and glazed.

Album cigarette/trade cards inc. Dickson Orde `Footballers` Daily Sketch `World Cup Footballers` Kane `1956 Cricketers` 1st series, Kane `International Footballers` Cadet `Footballers` etc. (mostly full sets)

Offor G. : The Works of John Bunyan, with an introduction to each treatise, notes and a sketch of his life, times and contemporaries 1855. 3 Vols. large 8vo., fine qtr. binding, gilt titling, marbled eps. & edges. Engraved plates, one folding. CONDITION REPORT: Condition : Some minor wear to binding otherwise sound; some minor browning/foxing but generally clean and tight.