We found 32316 price guide item(s) matching your search

William Burgess (1749-1813) THE WEST FRONT OF LINCOLN CATHEDRAL; CROWLAND ABBEY Two,both signed and inscribed ‘Sketch’d on the spot by W Burgess, drawn by W Burgess’, pen and ink and wash 54 x 41.5cm and 40 x 58cm (2)

Charles Cundall RA (1890-1971) SKETCH, CATTLE MARKET, NEWPORT, 1949 Watercolour 18 x 36cm

DOUGLAS PITTUCK (1911-1993), ULLATHORNE’S MILL, BARNARD CASTLE, signed and dated 1973 lower right, watercolour, framed, 35cm by 47cm; together with a pencil sketch of Ullathorne’s Mill by the same hand.

Allanson Hick (1898 - 1975), sketch for the interior St Paul’s Cathedral pen and watercolour, signed and titled, 18” x 23”, silvered frame

HORTON, William Thomas, (1864-1919), A selection of His Work, with biographical sketch by Roger Ingpen, pub London, 1st edit (1)

W. MELLOR Two watercolour sketch books.

Set of six early 19th century satirical prints `Hawking`, `All the worlds stage`, `A sketch of the row in parliament street`, `Burking poor old constitution`, `Economy` and `Protest descendancy`, each 10" x 14"

PHILIP NAVIASKY (1894-1983), Soller Market, charcoal sketch, signed, inscribed verso, 18" x 23 1/2", framed

GEORGIAN WATERCOLOUR SKETCH "CAVERNS IN THE ROCKS SOUTH OF PORTLAND" 6" X 10"

FRAMED WATERCOLOUR SKETCH "MOTHER AND CHILD ON HIGHLAND PATH" 4" X 5"

Heath, "You`ve Overdone The After Shave Again!", a pen and ink sketch with pencil notes, mounted and framed and a similar full page pen and ink sketch of Circus Elephants, (2).

English School, study of a nude, watercolour sketch, unsigned and a coloured print of shipping scenes, (2).

F. W. Inskipp - `Remains of original Government Offices`: Salisbury, S. Rhodesia: from a sketch made in 1895; and `The Forge`, Salisbury S. Rhodesia, with mail coach up for repair; one signed, one initialled, watercolour, 12 x 16 cm (2)

T. Avery Ltd., a set of component scales to 5 lbs, on plinth base to/w a small brass bellows Liam Martins, Dublin sketch book, flight handbook, etc.

After Samuel and Nathaniel Buck. The North West view of Clun Castle in the county of Salop. The South West of Bildewas-Abby in the county of Salop. Two engravings. Each 25 x 40cm (10in x 15 3/4in). Together an engraving of Weston Hall, a chromolithograph of Leptoptila Jamaicensis. a reproduction of a Holbein sketch and a colour mezzotint of a Lady (6). Provenance: Cowdray

A Crayon Sketch depicting perched owl, unsigned, framed, 61cm x 42cm

Hale, Crayon Sketch shoulder length portrait of a lady, signed, 20cm x 19cm, also a small watercolour depicting sailing boat on river landscape, initialled WJP, in black frame (2)

A Gouache and Watercolour Sketch depicting various sailing boats in harbour with town in background, indistinctly signed, in white painted frame, 18cm x 44.5cm

PENCIL SKETCH OF 2 MALE NUDES BEARING SIGNATURE PIETRO PSAIER

Books - "Lincolnshire and Danes", Streatfeild, GS and a Jasper Salwey Lincoln Sketch book (2)

"19thC pencil sketch book, mainly landscape and portrait studies"

JUVENAL AND PERSIUS. [SATIRAE] TRANSLATED AND ILLUSTRATED AS WELL WITH SCULPTURE AS NOTES BY BARTEN HOLIDAY DD small folio, folding plates, woodcut illustrations and ornaments, contemporary calf with fillets and fleurons, Oxford: F Oxland Senior, J Adams and F Oxland Junior, 1673, The Works of Hildebrand Jacob Esq containing poems on various subjects... with the fatal constancy..., London 1735, William Bray - Sketch of atTour into Derbyshire and Yorkshire, second edition, plates, boards detached, London: 1783, and twenty-three others, similar, mainly 18th c leather bound books (26)

Symonds, William Robert (1851-1934) - Charcoal and pastel sketch - Portrait of the young Anthony Reginald Le Moigne Monckton, inscribed in pencil To Mr Reginald Monckton from W.R.S., 1912, 29.5cm x 23cm.

Symonds, William Robert (1851-1934) - Pastel sketch - Portrait of the young Anthony Reginald Le Moigne Monckton, being a preparatory study for lot 262, unsigned, 71cm x 46cm.

Continental School (19th century), Boar Hunting, watercolour sketch, 32 cm x 32 cm.

Geology -- Murchison, Sir Roderick J. Autograph letter signed, to Carl Ferdinand von Roemer [1818-1891 "The father of the geology of Texas"], "there is no geologist in Germany to whose opinions I attach greater value than yourself", thanking him his work: "you have not only verified my observations in Scandinavia but have also extended them largely", thanking him for his proposal to dedicate to him his forthcoming work which will be a "real honour", discussing his contribution to the Journal of Geological Society on "the Great Reform which I have attempted to make in the history of classification of the old rocks of the Highlands of Scotland", and his map "it was for this that my Scottish friends awarded to me last year the first Gold Medal of the Royal Society of Edinburgh - i.e. the first ever given", referring to Kierulf`s account, with a geological sketch and notes, 3 pages, Geological Survey Office headed paper, 9 March, 1860

Norman Wilkinson (1878-1971) Sketch of Poole Harbour made from .. below ‘Little House’ Signed Watercolour over pencil 12.75 x 17.75cm; 5 x 7in ++Good condition

Attributed to Mortimer Menpes watercolour Sketch of a woman and dog on a terrace, inscribed verso 4.75 x 2.75in.

Follower of John Constable RA 1776-1837- Sketch/study of Willy Lott`s House; watercolour and bodycolour, bears initials, bears various inscriptions and shelf marks/numbers verso, bears label for W. Russell Button, Inc. formerly of Ackermann`s, Chicago, attached, Note: This familiar scene seemingly a reverse image of one of Constables most famous subjects, similar to an oil on paper, held by the Ipswich Museum and Galleries, and dated 1816 (LIT. H.221). Willy Lott`s House at Flatford, Suffolk, used by Constable for such paintings as the Hay Wain 1821 and The Valley Farm. This example possibly taken from a mezzotint showing more of the Stour to the right, one of the subjects mezzotinted by David Lucas to whom Constable worked closely on plates for the "England Landscape Scenery" (see: Mill Stream) this example lacking the of intensity and drama which Constable often applies to his studies, especially within the sky area, although the treatment of the trees, dog and reflections reminiscent of Constable rapid manner. (LP) (unframed)

European School, late 19th/early 20th century- Unfinished sketch of a musician; oil on paper laid down on canvas, 34.5x28cm

English School, mid 19th century- Fantasy of a mother and child, a mythical beast and pixies in silhouette; pen and black ink and watercolour heightened with white, signed with monogram and dated March 1873, 13.5x13.7cm: Alfred Grévin, French 1827-1892- Three figures, sketch; pencil, bears inscription on the reverse, 18.5x12cm: together with a mixed folio of drawings, watercolours and prints, 19th and 20th century, (a lot) (unframed)

Robert Stewart Sherriffs, British, Illustrator, 1906-1960- A humorous line of leading ladies; 1935, pen and black ink, signed and each with caption, published in the Sketch magazine 1935, 30x49cm: Table service; 1935, pen, brush and black ink, signed, published in the sketch magazine 1935: The Dinner party; 1935, original illustration, published 1935, with captions: together with three other humorous illustrations, each signed and captioned, (6) (unframed)

Robert Stewart Sherriffs, British, Illustrator, 1906-1960- "Bulldog Jack", Ralph Richardson and Jack Hubert; 1935, pen, brush and coloured ink, original illustrations for the Sketch, with two other illustrations for the same article, published July 31, 1935 and with the original page taken from the Sketch, 40x27cm, and others, (5) (unframed)

E. Gianni - watercolour, view of a continental terrace, signed, 12 x 9in., also to include a pencil sketch portrait bust of a youth

Ellis Silas (1885-1972); nude study of male figure, charcoal sketch, signed, 29x18cm

Gerald McKean (b.1962) Robert Burns portrait Pencil sketch, 28 x 19cm

FRANK LEWIS EMANUEL. A sketch book of pencil drawings of various figurative studies, mainly signed or signed with initials. (70 plus)

A photographic reproduction of a pencil sketch by E. Burne Jones, a handwritten dedication on the back of the mount " Madeleine Wyndham, age 16, by E. Burne Jones, from Gangan Pamela a` Deane, May 14, 1915 " 20 x 29 cm, back stamp of Frederick Hollyer.

A Louis Wain sketch of a cat, titled " It Wasn`t milk! " and signed Louis Wain on letter, also signed by the artist, with Chris Beetles Gallery note on background history.

Thomas Ivester-Loyd (1873-1942). A study of huntsmen and hounds, pencil sketch with wash, signed. 37 x 28cm.

GRAHAM PETRIE - Continental water scene, lithograph of the tubular and Menai suspension bridges, a small watercolour - treescape sketch, an oval watercolour -seascape sketch with ruined tower and a Victorian miniature silhouette of a lady (parcel of five)

An original copy of the Daily Mirror, April 16th, 1912 reporting the Titanic disaster and an original copy of the Daily Sketch, April 22nd reporting on the aftermath of the tragedy and affect on family etc and a copy of the Daily Sketch for April 30th, the front page showing a photograph taken from the deck of the Carpathia of a lifeboat full of passengers and two further Daily Mirrors for May 31st, 1910 (Captain Scott`s dash for the South Pole etc) and June 7th 1916 reporting the drowning of Lord Kitchener on his way to Russia

JAMES CASSIE (Scottish 1819-1879) St Andrew`s Castle oil on canvas, inscribed `A Sketch of St Andrew`s Castle` and signed with monogram unframed 51cm x 76.5cm

Erte - Fashion sketch of a girl in a white and black spot dress holding a black fur trimmed cape. Watercolour, Signed 15 x 10 ins.

Erte - Fashion sketch of a girl in a black print dress with fur muff, holding a dog on a lead. Watercolour, Signed 15 x 10 ins.

Alec C. Quayle Mill, West Baldwin 13/8/44 Pen and ink sketch Signed initials 5 x 7 ins.

ENGLISH SCHOOL "Parade of Thoroughbred Stallions, Agricultural Hall, March 7/94", pencil sketch, unsigned, AFTER SNAFFLES "Pass friend" and "Ploughing scene", two modern reproduction colour prints, plus two other framed pictures (5)

DEREK MOSS Oil on canvas, Modernist Classical figures, signed and dated 1993, 24" x 36", and a watercolour sketch by the same artist, Man and cat by a window, (2), framed.

EDMUND O`SULLIVAN Pencil sketch, Man under collapsed scaffolding, signed, 18" x 12", framed.

FERBIN Large pencil sketch, nude female figure study, signed and dated 1997, framed.

Antique Old Master pencil and sanguine chalk sketch, Portrait study, unsigned, 8" x 6.5", framed.

SAMUEL HIRSZENBERG. Portrait sketch of a Child, head and shoulders. signed, charcoal and pastel, 12 x 10 in

CHARLES McCOLL. At a Hairdresser, signed, pencil sketch, 12 x 10 in

Hunting - [Book]. Fothergill, George. Notes from the Diary of a Doctor, Sketch Artist and Sportsman, Sampson, York 1901. Pictorial two-tone cloth, plate and text illustrations, large quarto, sold with all faults, not subject to return.

ENGLISH SCHOOL, 19TH CENTURY - THE WEIR, OIL SKETCH ON PAPER AND A PAIR OF VICTORIAN OLEOGRAPHS

A Pencil sketch label verso "Inez Johnson RMS La Belle Dame Sans Merci hath thee in Thrall-Keats rough sketch for an illustration pencil 17" by 11" and a print return of the sword

A large pencil sketch print of two scantily clad young ladies signed JOHN HIRST 1974

A watercolour entitled verso Delft by Sir John Dean Paul? and "a sketch in India" by Mrs Painting

An early framed photograph and a watercolour sketch, also framed.

WWII – Colditz – Britisher Freikorps remarkable sketch map drawn in pencil showing the relative positions of the countries of Europe and with a particular location marked with a double X at a spot west of the Caspian Sea. This is written on the back of a German propaganda booklet entitled ‘My Ally by Winston Churchill’ and has a remarkable provenance. The map was written for escape purposes by Captain Rupert Barry while a POW in the infamous Colditz Castle. His signature appears on the inside cover of the book together with the comment : ‘German propaganda issued in Oflag IV c [ie Colditz] Nov 1943.’ The reason why Barry retained the volume was that it was distributed to POWs at Colditz by members of the notorious Britisher Freikorps – the SS Regiment set up by Himmler which was made up exclusively of British combatants. Barry kept the book for use as evidence in potential trials of members of the Britisher Freikorps as traitors after the war – some indeed were indicted and hanged – in particular John Amery who had thought up the idea. Material of this nature concerning Colditz is now exceedingly rare. Barry himself was one of the leading POW in the castle. He it was with Pat Reid who devised a simple code system in letters which the POWs were allowed to send home which provided the British Intelligence Service with vital information. He also tried to escape in the famous tunnel escapade – in fact he was second out of the tunnel - but was recaptured. This particular volume is featured in ‘Collecting Colditz and its Secrets’ by Michael Booker where the activities of Barry are discussed.