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Lot 384

1911 3d Engravers Sketch Die for Unissued Value. Very fine fully cleared die proof printed in black on thick white proofing paper (41 x 50mm) with shaded background and shaded upper corners (Fig. 23). Scarce.

Lot 28

A 19th century Victorian pencil on paper study / sketch drawing with donkey, foal and sheep. Unsigned. Framed & glazed.Measures approx. 40cm x 57cm.

Lot 651

A small framed sketch of a cat upon a suitcase

Lot 623

Avatar, Matt Busch - "Fantastic Visions - The Art of Matt Busch" comes with certificate of authenticity that this hardcover edition is one of only 550 copies containing an original art sketch by Matt Busch. Also included ate three "Prohibited" books. Items appear to be in very good condition. (This does not constitute a guarantee) [L]

Lot 542

DC - TOP COW - IMAGE COMICS - INNOVATION - a collection of comics comprising Aphrodite IX issues #0-#3 including a sketch cover and 4 other different covers for #1; Spawn issues #1-5; 2 x Darkminds Vol.1 Chapter #0 Another Day Another Dollar; The Magdalena issues #2 and 3; Terry Pratchett's The Colour of Magic issues #1-4; Lady Pendragon Dragon Blade #1 (appears undated); 2 x Alley Cat with different covers, both labelled #1 but appear undated.The items come in individual bags, most with cardboard backing. Some with slight storage wear to some spines noted but otherwise the items generally appear to be about excellent or better. The items have not been checked for completeness. (This does not constitute a guarantee.) [GM]

Lot 71

A Windsor & Newton artists travel bag and contents together with a further sketch pad

Lot 846

A folio containing F Compton pencil signed sketches, 'Help At Last', various ships plans relating to F Compton Esq. MY. Siren by W H Allen Sons & Co. Ltd and a collection various sea charts and maps, together with another folio containing F Compton pencil signed sketch 'Pro Salute Anima', various Arthur Hands photographic prints and others

Lot 305

A framed and glazed sketch depicting a tank, "Burnt His Boots"

Lot 1368

° ° Disney, Walt - ‘’Sketch Book’’ [of Snow White and the Seven Dwarfs], with frontispiece and 11 tipped-in colour plates, 4to, cloth, with unclipped pictorial d/j, torn at the extremities, William Collins Sons & Co. Ltd., London, 1938

Lot 1330

° ° Pain, E.C. - The Last of our Luggers and the Men Who Sailed Them. num. illus. (some full page); original gilt lettered cloth. Deal and Sandwich: T.F. Pain & Sons, 1929; Bayley, George Bethel - Seamen of the Downs ... a retrospective sketch of the historic roadstead, and a sequel to Treanor's 'Heroes of the Goodwin Sands'. 8 photo. plates; original pictorial cloth and d/wrapper. 1929; Gattie, G. Byng - Memorials of the Goodwin Sands, and their surroundings, legendary and historical. chart of the Sands and other plates; original gilt pictorial cloth. 1890; sold with a related book (4)

Lot 1391

° ° Betjeman John - The Illustrated Summoned By Bells. With paintings and sketches by Hugh Casson. 1st Edition. num. coloured and other illus. (some full page); signed on title by the artist, who has added a small pen and wash sketch of the author and himself beneath his signature. publisher's cloth and d/wrapper, sm.4to. John Murray, 1989

Lot 612

Edinburgh, a group of volumes comprising: Alexander Kincaid, "The History of Edinburgh....", with fold-out engraved map, pub. N.R. Cheyne, Edinburgh 1787, leather binding 8vo; Daniel Wilson "Memorials of Edinburgh in the Olden Time", first edition, Vol. I, pub. Hugh Paton Edinburgh 1848 (one volume only), morocco and gilt spine: together with the New Edition pub. in one volume 1873, cloth with morocco spine; "The History of the Speculative Society 1764-1904", pub. T. & A. Constable, Edinburgh 1905, cloth; A. Eddington "Edinburgh & The Lothians, Contemporary Biographies", pub. Edinburgh 1904, b/w photographic illustrations; James Colston, "The Edinburgh and District Water Supply, a Historical Sketch", pub. Edinburgh 1890, cloth, leather and gilt; Robert Chambers "Traditions of Edinburgh", pub. W. & R. Chambers, Edinburgh 1912, ill. James Riddel; James Grant, "Cassell's Old and New Edinburgh", Vol. III; Louis Weirter, "The Story of Edinburgh Castle", pub. Harrap & Co., London 1913, leather and gilt. (9)

Lot 566

Y William Gear R.A., F.R.S.A., R.B.S.A. (Scottish, 1915-1997), a folio of works on paper, c. 1936-38 contained in a cardboard folio inscribed "Gear Paris Sept. Oct. 1937", comprising: "The Process of Thought", preparatory pen and ink sketch, verso pen and in preparatory sketch for "The Sick Person", unframed 37.5cm by 27.5cm; pencil sketch for "The Sick Person", signed lower right and dated (19)38, unframed 37cm by 27cm; three pen and ink sketches of nude figure studies, one playing a violin signed and indistinctly dated, the second a standing figure, her hands upon her head, signed and dated (19)36, the third standing and leaning in profile, unsigned, 20cm by 17cm, 34cm by 17cm and 37cm by 26cm, each unframed; an abstract figure group, pen and ink, signed and dated (19)36, 37cm by 26cm; "Anno XVII", pen and ink sketch 37cm by 26cm; "A Cat sat on a Mat", signed William, pen and ink with a further unsigned pen and ink sketch verso 37cm by 26cm; an abstract composition of blocks in colours, unsigned, mixed media 31cm by 38cm; an abstract composition in red and blue, signed and dated (19)38, mixed media 27cm by 37cm; an abstract monochrome composition of lines, signed lower right watercolour, 31cm by 38cm; an abstract composition in browns, greens and reds, signed and dated (19)38 31cm by 38cm; abstract composition in red, blue and black, signed, crayon 31cm by 38cm; abstract composition with chainlink, indistinctly titled, crayon 31cm by 38cm; together with a catalogue of "Retrospective Exhibition from the Artist's Studio" held at Talbot Rice Art Centre, University of Edinburgh 5-15th May and 19th May-5th June 1982, also at the Ikon Gallery Birmingham. Note: the sketches date from the period when Gear took his travelling fellowship in Italy, Greece, The Balkans and finally Paris where he studied under Fernand Leger at the Academie Colarossi. The finished works, some from the sketches in this lot, were included in the first Surrealist Exhibition to be held in Britain under the banner of "The New Era Group". The exhibition was held at Gladstone's Land Galleries, Edinburgh in 1939 and also included works by Hugh Crawford, Joseph Forrester, Tom Pow and Rendall Wells. Provenance: Rendall Wells - Gear rented studio space from Wells at Church Lane, Inveresk, Musselburgh between 1935 and 1949. This lot may be subject to ARR.

Lot 536

Y Sir William MacTaggart, P.R.S.A., R.A., F.R.S.E., R.S.W. (Scottish, 1903-1981), A Village Church, watercolour and charcoal, framed. 23cm by 29.5cm. Provenance: from the Artist's Sketch Books, Studio Stamp no. 229, St. Andrews Fine Art Exhibition April 1982 (label verso). Note: this lot may be subject to A.R.R.

Lot 614

Edinburgh, a group of four 18th and early 19th century volumes comprising: R. Monteith "An Theater (sic.) of Mortality....Inscriptions...upon the several Monuments....within the Grayfriars (sic.) Church-Yard and other Churches and Burial Places within the City of Edinburgh...", pub. Andrew Anderson, 1704 (later binding); "The Sett of Decreet Arbitral of King James VI of Blessed Memory", pub. R. Fliming & Company, Edinburgh 1742 (later binding); J. Stark, " A Picture of Edinburgh", printed Fairbairn & Anderson, Edinburgh 1831, red morocco and gilt; and "An Historical Sketch of the Municipal Constitution of the City of Edinburgh", pub. John Anderson, Edinburgh 1826, morocco and gilt. (4)

Lot 61

PIERRE ADOLPHE VALETTE (1876-1942); pencil sketch and watercolour of cattle, dated 1917, bears label verso stating purchase from Celia Lyon November 2012, 19 x 23cm, framed and glazed.Condition Report: We have not removed the watercolour from the frame, folds and creases to the paper, staing/ foxing to the left of the image, scuffs, scratches and knocks to the frame, please see additional images.

Lot 1040

Assorted contemporary works to include Lucie Grant - Valley and trees, Gloucestershire, acrylic on canvas, signed with monogram, 50x60cm, various other contemporary works, to include female nude ink sketch (5)

Lot 2125

Schiestl (Würzburger Künstlerfamilie), Mädchen am Teich, in frischen grünen Farben, Ölskizze, rücks. Stempel: Aus dem Nachlass Rudolf Schiestl, 18,5 x 24,5 cm / Schiestl (Würzburg artist family), Mädchen am Teich, in frischen grünen Farben, oil sketch, on the reverse. Stamp: From the estate of Rudolf Schiestl, 18.5 x 24.5 cm

Lot 2122

Verschiedene Werke aus der Schiestl Familie, Altersspuren, teils Nachlasstempel Rudolf Schiestl: Skizze von Kopf und Händen, bezeichnet "Heimeranst...", Bleistift, 35 x 33 cm; Skizzen eines knieenden Mannes, Bleistift, 34 x 41 cm; Skizze eines sitzenden und eines sprechenden Mannes sowie einer Hand, Bleistift, 50 x 38 cm; Jesus in Emmaus, verschiedene Skizzen, Bleistift, koloriert, ca 32 x 37 cm; Skizze für die Wandbilder in der Brunokirche in München, Bleistift, 21 x 29 cm; Madonna bez. "Elisabethkirche Bonn a. Rh.", Hl. ... Joseph und Hl. Leonhard sowie Hl. Anna und Hl. Hildegard, Bleistift, signiert, 18 x 28 cm, teils signiert M. Schiestl; Engel erscheint Mönch, Bleistift und Lavur, signiert Matthäus Schiestl, 37 x 31 cm; Skizzen eines Bischofs, bezeichnet Augustin Nytrmeyr, Karl-Theodor-Str. 17/0 Postamt 23 / Various works from the Schiestl family, traces of age, partly estate stamp Rudolf Schiestl: Sketch of head and hands, inscribed ‘Heimeranst... ’, pencil, 35 x 33 cm; Sketches of a kneeling man, pencil, 34 x 41 cm; Sketch of a seated and a speaking man and a hand, pencil, 50 x 38 cm; Jesus in Emmaus, various sketches, pencil, coloured, ca 32 x 37 cm; Sketch for the murals in the Bruno Church in Munich, pencil, 21 x 29 cm; Madonna inscribed ‘Elisabethkirche Bonn a. Rh.’, St. ... Joseph and St Leonhard as well as St Anne and St Hildegard, pencil, signed, 18 x 28 cm, partly signed M. Schiestl; Angel appears monk, pencil and wash, signed Matthäus Schiestl, 37 x 31 cm; Sketches of a bishop, inscribed Augustin Nytrmeyr, Karl-Theodor-Str. 17/0 Post Office 23

Lot 241

Two Book- Shakespeare's Comedy of The Merchant of Venice with illustrations by Sir James D. Linton P.R.I. James D. Marwick, F.R.S.E., F.S.A. Scot. Book titled "Sketch of the History of the High Constables of Edinburgh". Edinburgh: Printed for private circulation. 1865.

Lot 549

A Pal Fried - Hungarian Artist (1893-1976) charcoal sketch of partial reclining nude female signed top left corner, framed overall dimensions 36x36cm

Lot 200

A late Victorian sketch book / writing album with a number of quality sketches.

Lot 98

A small framed miniature portrait of a Lady, from the sketch book of Hermann Hahn (1858 - 1942) 14cm x 14cm.

Lot 489

(ARR) Siegfried Charoux (Austrian, 1896–1967) – Untitled Nude Sketch, 1942 - An ink on paper study sketch of female figure. Signed and dated lower right. Mounted, framed & glazed. Measures approx. 42cm x 27cm excluding frame, From the Cooke Estate Private Collection. The painting having passed down through three generations.

Lot 228

(ARR) After Edmund Leighton (1852-1922) - A late 19th / early 20th century Pre-Raphaelite graphite pencil sketch. The sketch depicting a long haired maiden in a Medieval style boudoir, along with a man with hunting dogs. Mounted, framed & glazed.Measures approx. 85cm x 73cm to include frame.

Lot 477

(ARR) Philip Sutton (British, b.1928) – Four hand-painted postcards, possibly to his fellow artist Craigie Aitchison, circa 1960-70 (various mediums). To include a postcard depicting a seated lady ' Doreen', watercolour on paper; an ink on paper still life sketch, signed & dated 1960; a black ink on paper postcard depicting three children's faces; and a postcard depicting a watercolour sketch of possibly tree titled ' The Garden ', reading ' East Side Cottage, Clarford, Bottom Lockbridge, Marlborough Wilts. I am very please you bought that portrait, I like that painting very much. Philip. 'Frame measures approx. 33cm x 22cm.

Lot 471

(ARR) Siegfried Charoux (Austrian, 1896–1967) – Untitled Nude Sketch, 1942 - An ink on paper study sketch of female figure. Signed and dated lower right. Mounted, framed & glazed. Measures approx. 40cm x 27cm excluding frame. From the Cooke Estate Private Collection. The painting having passed down through three generations.

Lot 306

(ARR) Guido Bach (German, 1828-1905) - A 19th century watercolour on paper sketch painting of men's faces. The watercolour depicting five sketches of elder men in various positions. SIgned lower right. Framed & glazed.Measures approx. 30cm x 35cm excluding frame.

Lot 543

(ARR) Henry Moore O.M., C.H. (1898-1986) - 1967 Shelter Sketch Book. With 80 facsimile collotypes, and one original lithograph by the artist. English edition B, printed at Ganymed Press on handmade paper. Limited edition of 180, this being No. 157. Signed by Henry Moore to limitations page. Housed in green cloth portfolio. Measures approx. 40cm x 34cm.

Lot 473

(ARR) André Masson (French, 1896 –1987) – Le Coup de Trique (The Cudgel blow), 1936 - A pen and ink on paper sketch drawing. Signed with initial lower right. Label from the Galerie Simon, Paris to back. Mounted, framed & glazed.Andre Masson was a French painter, sculptor, illustrator, designer and writer, born at Balagny (Oise). Spent most of his youth in Brussels, where he worked as pattern-drawer in an embroidery studio and studied part-time at the Académie des Beaux-Arts. Then moved to Paris and studied at the Ecole des Beaux-Arts 1912-14. Participated from 1924-9 in the Surrealist movement. Made further works exploring chance effects, including sand paintings, as well as paintings of metamorphoses of animal and human forms, themes of germination, combats and massacres, with emphasis on violence and eroticism. Lived 1934-6 in Spain; paintings of bullfights, Spanish myths, etc. Since 1998 the record price for this artist at auction is 3,125,485 USD for GRADIVA, sold at Sotheby's Paris in 2010. In the past 12 months, their paintings have averaged 15,389 USD, while his sculptures have sold for an average of 12,686 USD. Measures approx. 29cm x 23cm excluding frame. From the Cooke Estate Private Collection. The painting having passed down through three generations.

Lot 480

(ARR) Siegfried Charoux (Austrian, 1896–1967) – Figure Internment Camp, Aug. 1940 - an ink on paper sketch drawing of male figure kneeling while reading a book. Titled, signed and dated to top left. Mounted, framed and glazed. Measures approx. 37cm x 29cm excluding frame. From the Cooke Estate Private Collection. The painting having passed down through three generations.

Lot 1016

Alfred Downing Fripp (1822-1895)Portrait of a gentleman holding a plant, believed to be John Charles Lyons of Westmeath in Ireland, a well-known orchid collectorSigned and indistinctly dated, pencil heightened with white, 32.5cm by 26.5cm; together with a pencil sketch of a ram horn by Otto Murray Dixon signed and dated 1903; and three figurative sketches attributed to William Woodhouse framed as one (3)

Lot 1043

British School (19th century) Panoramic view of coastline with defensive platform and military figures at rest to foreground Watercolour and wash heightened with white; together with a further sketch depicting a military precision towards a castle and viewed through an open window, 53.5cm by 38cm and 55cm by 37cm respectively (2)

Lot 1025

Piers Browne (1949-2024)"I love the Brooks which down their channels fret..."Signed, inscribed, and numbered 24/50, 91.5cm by 16cm; together with a charcoal sketch of a woman seated and a 20th century pencil study of an oak tree in a park (3)

Lot 239

Park (Nick) Original Illustration of Wallace and Gromit [recto] & original sketch of CP30 and another at dining table [verso], signed and dated by the illustrator below images, pen and watercolour, "just a Star Wars joke I was working out" caption in pencil on verso, sheet size c.300 x 210mm, 2024.

Lot 1621

A box containing a quantity of assorted 20th Century family and other photographs, other paper ephemera, a sketch book containing ink drawings and other entries, etc.

Lot 177

* DEREK CLARK, SKETCH OF A WOMAN ink on paper, signed and dated 1961mounted, framed and under glassoverall size 53cm x 23cm

Lot 668

1st Edition. Rowell Friers. The Book of Friers. Signed with an original pen sketch of a shipyard worker. 1973

Lot 2149

DC Justice League: a group of 6 1:200 and 1:100 (1 per 200/100) Retailer Incentive Jim Lee Sketch Variants (DC Comics, 2011/13) High-Grade condition. This lot features:Justice league No. 1 DC Jim Lee Variant Cover Ratio 1:200.Justice league No. 2 DC Jim Lee Variant Cover Ratio 1:200.Justice league No. 5 DC Jim Lee Variant Cover Ratio 1:200.Justice league No. 14 DC Jim Lee Variant Cover Ratio 1:100.Justice league No. 16 DC Jim Lee Variant Cover Ratio 1:100.Justice league No. 20 DC Jim Lee Variant Cover Ratio 1:100.All issues 1st print, US Cents editions.Issues complete without cut coupons, missing value stamps or missing pages.Issues comes bagged and boarded in polypropylene bags and comic boards.~(6)Condition Report: High-Grade condition.Average grade in lot: NM+ (Near Mint plus) condition (9.6)Uncleaned/Unpressed.

Lot 2209

Star Wars: a group of 8 blank sketch covers (Marvel comics, 2015).This lot features:Star Wars (2015) No. 1 Blank sketch variant cover (x 6 copies)Star Wars: Darth Vader (2015) No. 1 Blank sketch variant cover.Star Wars: Shattered Empire (2015) No. 1 Blank sketch variant cover.All copies 1st print, US Cents copies.Complete without cut coupons or missing pages.Issues come bagged and boarded in new polypropylene bag and boards.~(8)

Lot 2144

All-New X-Men No. 27: 1:300 (1 per 300 copies) Alex Ross Sketch retailer incentive variant cover (Marvel Comics, 2014) High-Grade condition. This lot features:All-New X-Men (1st series) No. 27 1:300 sketch variant.1st print. US Cents edition.Issue complete without cut coupons, missing value stamps or missing pages.Issue comes bagged and boarded in polypropylene bag and comic board.~(1)Condition Report: VF (Very Fine) condition (8.0)Uncleaned/Unpressed.

Lot 352

JONATHAN (JOFF) POOLE (b. 1947) "Stags" study of two stags, watercolour, signed lower right, 27.5 cm x 18 cm together with a pencil sketch of two stags, signed lower right, 28 cm x 18 cm (ARR) (2)

Lot 382

CONTINENTAL SCHOOL "Study of castle by lake with trees" pastel study, unsigned, 37.5 cm x 40 cm together with J.D.H. "Lake at Geneva" pastel and pencil sketch, titled, initialled and dated 1850 lower right, 36 cm x 50 cm and "Abstract study" patched brown paper with markings, approx. 80 cm x 98 cm (3)

Lot 438

DAME ETHEL WALKER DBE ARA (1861-1951) “Dancing nude” a study, pencil wash, signed and dated 1928 in pencil to base, inscribed on Blond Fine Art Limited Gallery label verso together with copy of receipt “Blond Fine Art Limited, 33 Sackville Street, London …” 31.5.83, 36.5 cm x 31 cm CONDITION REPORTS Not inspected out of frame or glass. The sketch has been done on watermarked paper inscribed "The Safe Bank 1780" with images of the safe repeating. Image also appears slightly discoloured throughout as in a slightly browny tinge to paper. Mount has discolouration, in need of a good clean. There is some faintness - unsure if this is faded or because of the positioning of the hands over the watermark, the left hand on her thumb and the right hand with the fingers at the top of the hand. The frame is chipped and knocked throughout. General wear and tear conducive with age and use, in need of a good clean - see images for more details

Lot 192

English School (19th century) SS Royal William indistinctly signed, pencil sketch, 20cm x 35.5cm; another similar (2)

Lot 249

Andy Warhol (American 1928-1987) & Robert Rauschenberg (American 1925-2008),  Mao, from the New York Collection for Stockholm (Feldman & Schellmann IIA.89), 1973; Sketch for Monogram, from the New York Collection for Stockholm, 1973;(i) unique xerox print on typewriter paper with the Perpetual Bond watermark, signed in ball-point pen verso and numbered 145/300 (there were also 25 artist's proofs), published and printed by Experiments in Art and Technology/Julie Martin, New York, with the Andy Warhol/Styria Studio copyright ink stamp verso, sheet: 27.9 x 21.7 cm,  (ii) lithograph printed in colours on wove paper, signed, dated and numbered 145/300 in pencil, published by Experiments in Art and Technology, Inc., and with the artist's ink stamp on the verso, sheet: 30.3 x 22.7 cm, (unframed) (2)

Lot 59

Henry Moore OM CH FBA,British 1898-1986, Portfolio of 65 collotypes from the Shelter Sketch-Book; Shelter Sketch-Book;(i) 65 collotypes in colours from the Shelter Sketchbook, each sheet: 19 x 16.5 cm, (ii) a copy of the Shelter Sketchbook including 80 collotypes, edition number 417/600, produced at the Ganymed Graphic Arts Institute, with an accompanying booklet in German, printed by Color Druck Gerhard Baucke, (unframed)(ARR)(2)  

Lot 91

SINGAPORE, manuscript indenture for land plot no. 80 in Tannah Merah Ketchil, includes a small sketch map of the plot, 1902-32, signed in Chinese.

Lot 1

HEATH ROBINSON (W.) ink "Rough Sketch," & ink finished drawing, both signed, being a commissioned artwork for the Naval Ordnance Inspection Department; together with 2 examples of the printed card, u/f., 6 x 9 inches et infra. (4).

Lot 210

A collection of various sketches, to include a watercolour sketch of Stowe on the Wold, Margerie Howard sketch of a dog, three sketches of horses, and a print of 'Billy Boy, Southwold'. (6)

Lot 1323

Collection of mostly 19th century engravings, drawings and watercolours including sporting subjects (approximately 90), a sketch book containing late Victorian pencil drawings and an oil on canvas after Morland

Lot 1359

*Augustus John (1878-1961) pen and ink sketch of figures, 15cm x 19.5cm, in glazed gilt frameProvenance: purchased by the Viscountess Blakenham from Admiral Sir Caspar John, circa 1968 A couple of tears to the outer edges, very much torn from a sketchbook and framed in the late 60s/early 70s. Discolouration to the ink but this does not detract from the overall look. It doesn't appear to be laid down. Ready to hang.

Lot 1360

*Augustus John (1878-1961) pen and ink sketch of a figure, 21.5cm x 16.5cm, in glazed gilt frameProvenance: purchased by the Viscountess Blakenham from Admiral Sir Caspar John, circa 1968

Lot 1361

*Augustus John (1878-1961) watercolour, pen and ink sketch of a Woman and Child, 14cm x 11cm, in glazed gilt frameProvenance: purchased by the Viscountess Blakenham from Admiral Sir Caspar John, circa 1968 Although the work has not been removed from the frame it does not appear to be laid down. Some discolouration and staining around the outer edges from the mount. Some scuffs to the gilt frame.

Lot 1453

*William Patrick Roberts (1895-1980) pencil, watercolour wash drawing from a sketch book - 'Swan Upping', signed, 23cm x 18.5cm, unframedImage 7 & 9 are taken in front of a light, hence the different look. Please see further images now uploaded to illustrate the condition best.

Lot 1461

Sonya Todd (Contemporary), pencil working sketch for a fashion illustration for Bentalls, signed and dated 1963, 49 x 31cm, glazed frame, together with a framed print of the final advert. (2)

Lot 439

A Collection of Aircraft Sketch Artwork Supplied by Wright Aeronautical Corporation. Four pencil sketches with original postage tube addressed to a Mr A.C. Thomas of Newton, England and sent from Wright Aeronautical Corp, Paterson, New Jersey, USA. Appears to be dated May 1942. Aircraft featured: U.S. Navy Curtis SNC-1 Trainer; U.S. Army Air Force Boeing Flying Fortresses; U.S. Army Air Force Douglas A-20-A & Lockheed Hudson Bomber. Conditions generally appear Excellent overall, postage tube is Good Plus. See photos. 

Lot 697

Daily Sketch 'Souvenir Book of Coronation Cuttings' & Others. Comprising: a scrapbook of the coronation of H.M. Queen Elizabeth II (1953); a Britains publication of the coronation event & products & a souvenir programme from the wedding of Princess Margaret (1960). Conditions generally appear Good Plus overall. See photo. 

Lot 397

An original Louis Wain pencil sketch - 14cm x 11cm CONDITION REPORT Our team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention to showcase the lot in more detail.

Lot 209

A framed and glazed abstract watercolour on paper by Leslie William Orriss, signed and dated 1963 to the lower right, along with an ink drawing on paper by Peter Campbell (1931-1989), figures in a rural landscape, signed to the lower right in a glazed gilt frame with a sketch and a label to the reverse. H.46 W.37cm

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