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Yuri Gusev (Russian, 1928-2012)Young standing male nudesigned and dated '55 l.r., pencil 61 x 45cmCondition report: The paper is a little cockled and is a pale golden colour. A few light horizontal creases. Smudges and surface dirt in the margins, along with a couple of light pencil doodles and a sketch of an ear top left. A small hole in lower left corner and upper left corner. A couple of small brown stains in upper right corner, and one to the left of the signature. A couple of spots of foxing. Not seen outside of glazed frame.

Follower of John Nost Sartorius 'Palm Flower and foal' - a mare and foal in a wooded landscapeinscribed on an old label verso 'Palm Flower/the property of Sir Sitwell Sitwell 1802', oil on canvas41 x 51cmThe present painting is dated 1802, but this is not the 1802 foal at foot as it was a chestnut filly. As Palmflower tragically had dead twins in 1801, as Sitwell’s only earlier foaling, either the date is wrong or Sitwell decided to have Palmflower represented with Cockfighter at foot, which seems the probable answer, as he was this colour and seems to have had no white on his legs although there is only a sketch of sorts in black and white to vaguely confirm that.In 1802, Cockfighter was still regarded as a champion, although he actually became a very moderate stallion and Palmflower herself left no line behind her.We are grateful to David Oldrey for his kind assistance with the catalogue entry.Condition report: Oil on canvas which has been lined. The canvas is in plane with good tension. The paint layer has a network of age cracks some of which are slightly raised in the lower right quadrant. There is some abrasion to the thinner paint passages. There is extensive, but finely applied, retouching across the surface covering age cracks. The varnish is even, semi-matte and slightly yellowed with a layer of dust across the surface.

A George IV rosewood worktable, by Gillows of Lancaster, the drop-leaf top with a sliding and ratcheted reading/writing slope over two short drawers, one with an inkwell and pen tray, flanking two frieze drawers over a work basket, on turned reeded legs, 72cm wide45cm deep79cm highLiterature: Susan E Stuart, 'Gillows of Lancaster and London 1730-1840', plate 335, for a similar example.Eight slightly different versions of this popular model appear in Gillows' 'Estimate Sketch Books between 1825 and 1857'.Condition report: Leather surface replaced. Split beneath lift-up writing surface. Some fading and discolouration throughout. Dropdown leaves do not sit perfectly flush to sides, indicating that they have bowed/ swollen slightly. Some small splits and lifting to veneer in places. Knocks, scratches and small losses throughout. Some areas of replacement to veneer. Stains and marks to bag. Knocks and scuffs to supports. General wear throughout. In general, nicely constructed and overall a good quality piece as one would expect.

PAUL SIGNAC (1863-1935). A small sketch in watercolours titled: “Sailing Boats In Harbour”. Signed “P. Signac” lower left & with initials lower right; 4” x 6”, in glazed frame with gallery label of Rowland, Browse, & Delbanco to reverse.

Ray Leaning, erotic study of a semi nude female, pencil sketch, 29 x 29cms, framed

Ray Leaning, erotic study of a semi nude female, pencil sketch, 33 x 20cms, framed

R. MacLeod 97, Sketch of Gentleman with clay pipe, charcoal, 25x20cm, framed & glazed and Victorian watercolour of gentleman

Spielmann (M. H.) & Layard (G. S.), Kate Greenaway, Edition De Luxe numbered 423/500, with original pencil drawing by Kate Greenaway, signed twice by John Greenaway to pencil sketch and limitation page, illustrated end papers, presentation inscription and owner's bookplate, many bound-in coloured and black and white plates and photographs (a couple loose), black and white illustrations throughout the text, gilt-tooled stamped vellum binding, London, Adam & Charles Black, 1905

Grozer after Reynolds, mezzotint, Portrait of Viscount Duncannon, 38 x 27cm, a signed Norman Wilkinson print, overall 43 x 43cm and an oil sketch of a girl

Sir George Hayter, pen and ink sketch, 19 x 13.5cm. a pair of early 20th century watercolour desert scenes, 10 x 17.5cm, a study of girls and a donkey after Birkett Foster, 10 x 15cm (4)

F.E.Grone, watercolour, Shepherdess at sunset, 24 x 34cm, an oil sketch of a collie in a landscape, 30 x 40cm and two prints, one by Rackham, the other by Roberts

TWENTY EIGHT ARTIST SKETCH BOOKS AND PORTFOLIO HOLDER, sketch books contain pencil and pen drawings, mainly of children, portfolio contains fifteen oil on canvas studies and a small quantity of watercolours, all by the same hand, some signed Mrs P Perrin

George Best Sued 1969 Complete Newspaper: Daily Sketch dated 12 12 1969 with picture on front of him and Eva who claims he promised to marry her. Fading and wear to edges.

1958 Manchester United Munich Air Crash Newspaper. Daily Sketch 4 pages of the newspaper dated 7 2 1958. Headline states 21 Dead Manchester United Players Perish In Air Crash.

Football Newspaper Collection: Mainly from the 60s and 70s with many from the Daily Sketch. Covers lots of teams with pictures and reports. There is also a quantity of papers regarding the 2005 Champions League Final in which Liverpool came from 3-0 down to win. Box with instructions to sell.

BOX OF MIXED BOOKS TO INCLUDE HOODS POETICAL WORKS, PORTRAIT OF CAMBRIDGE, LLOYDS A HISTORICAL SKETCH ETC

A sketch for a Venus, charcoal and pastel, framed and glazed (47x35.5 cm).

Pamela Stubbs (act.XX) British, "Royal Ascot", titled, gouache on mounted paper, (18x34.5 cm), together with a collection of 19th and 20th century prints, some hand coloured, depicting the Ascot races, comprising "Ascot races -1847-The Royal cortage on Thursday", "Ascot races 1846-A sketch on the road", "Cup day at Ascot" and "Ascot races: Luncheon time behind the Grand Stand" from the The London Illustrated News 1872, amongst others, mounted, (30x48.5 cm largest). (8)

A pastel sketch, B McLaren, Big Jack Charlton, signed and dated 2007, 34 x 24cm, plus frame and glazed

A pen and ink sketch, Alan Colledge, Lenham, 24 x 15cm, and a decorative print, fantastic French musician, 26 x 23cm, plus frame and glazed, and other decorative prints and re-prints

A watercolour, Lakes landscape, 16 x 22cm, plus frame and glazed, a pencil sketch, Millar, Mayflower, signed and dated 1961, 19 x 15cm, plus frame and glazed, and a watercolour, Harry R Prince, Carnarvon castle, signed, 9 x 14cm, plus frame and glazed

A sketch, F Greenhall, puppies and kitten, signed and attributed verso, 22 x 28cm, plus frame and glazed

A sketch, F Greenhall, chimpanzee, signed, 20 x 17, plus frame and glazed

* PETER HOWSON OBE (SCOTTISH b 1958), UNTITLED SKETCH charcoal or pencil on paper, signed and dated '09 19cm x 29cm Mounted, framed and under glass.

CRICKET - F.S. ASHLEY-COOPER A BIOGRAPHICAL SKETCH &BIBLIOGRAPHY Written and compiled by Peter Wynne-Thomas. Very good condition.

A Sketch of South Leith Church Steeple - at ten minutes to two o'clock on the 30th September 1836, just previous to its being taken down, framed print, 28 x 23cm

Enrico Caruso (1873-1921) Self portrait - sketch Italian operatic tenor. Signed and dated 1905. Zelfportret van de Italiaanse tenor Gesigneerd en gedateerd 1905. 14 x 10 cm

Two framed & glazed prints, April Showers, plus 1973 Pirelli calendar and a sketch of a young child

Tito Gobbi signed small portrait sketch. Italian singer. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Jim Carrey signed 10x8 colour photo. James Eugene Carrey (born January 17, 1962) is a Canadian-American actor, comedian and writer. Known for his energetic slapstick performances, Carrey first gained recognition in 1990, after landing a recurring role in the American sketch comedy television series In Living Color. He broke out as star in motion pictures with Ace Ventura: Pet Detective, The Mask and Dumb and Dumber (all 1994). This was followed up with Ace Ventura: When Nature Calls (1995), Batman Forever (1995), and Liar Liar (1997). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

DIANE MAXWELL ARMFIELD RA RWS (b. 1920) pencil - In the Luxemburg Gardens, a sketch, signed with initials, titled verso, 20 x 13cms Provenance: Betty Evans Collection. Condition Report: few minor spots

WILLIAM WIELIUM pencil - sketch of a woman in loose robes, inscribed and dated 1971 verso, 16.5 x 12cms

AUTOBIOGRAPHIES, mostly signed, including Margot Fonteyne, Terence Stamp, Marie Helvin (with additional photographs) ETC. and some vintage fashion photographs, and a copy of Moon Walk by Michael Jackson with printed 'signature' and sketch (12)The books all have shelf wear.The first editions are:Terrence Stamp – Dust jacket torn a little at the top and on the edge. Pages look good.Victoria Beckham, learning to Fly – staining to the pages when looking down from top, dust jacket has creasing, internally it looks good.Jane Fonda – creasing to dust jacket, pages looking down starting to yellow.Vanessa Redgrave – dust jacket has marks and slightly creased on top, staining on top of first pageJane Asher – Slight creasing to dust jacket, no other issues.Marie Helvin – Book looks good, looks unread as too the photographs, the paper binder holding the photographs has creases and Sellotape holding it togetherRoger McGough, That Awkward age - Slight shelf wear to the jacket, especially in the corners, pages look good.Humphrey Lyttelton – Book looks good, again slight edgewear to the jacket, pages good.The non-firsts are:Tony Blair – Signed, Dust jacket slightly torn and creased, corners dinged and bent in.Michael Jackson Moon Walk – printed signature, lots of shelf wear, staining and creasing to the jacket, pages dirty and starting to yellow.Margot Fonteyn – Signed, Jacket is slightly torn in a few places and has some scratches, pages yellowing.Michael Jackson’s is the only signature that looks printed, all others look genuine, written in either biro, pencil or marker.

Cooper Smith Contemporary Artist sketch of floral specimen, mahogany frame 47cm x 37cm

Premier picture paper, Daily Sketch - A 20th Century oil on board painting artist's impression of a traditional vintage advertising enamel sign. Red border with yellow font, depicting a woman in a blue dress and red hat sat on a rock at the beach holding up paper that says Daily Sketch. Reads "There first". Measures approx. H71cm x W51cm

Robert Scott - A retro vintage 20th Century English artists pencil sketch drawing depicting a nude women with artists use of shading bring depth to this piece. Signed in pencil by the artist and being framed and glazed. Frame measures approx 71cm x 34cm.      

Artists etc.- Collection of letters, all Autograph Letters signed unless otherwise indicated, including: J.J. Chalon, to D[?avid] Roberts; Alfred Elmore, 1847; Frederick Richard Pickersgill, 1854; Francis Grant, to Roberts inviting him to dine with Gudin, Landseer and Stanfield (laid down); Thomas Heaphy, regarding pictures for an exhibition; E[benezer] Landells, 1846; Jean Chalgrin (architect of the Arc de Triomphe, 1739-1811), third person to Molinot; William Etty (some glue stains in margin), n.d.; Emmanuel Fremiet (French sculptor, 1824-1910); John Burnet, to David Scott 1839; Charles Macfarlane, 1852 re the "Catacombs of Rome"; Alfred Blomfield; John Berney Crome, to H[enry] P[erlee] Parker, 1828; George Jones, 1843; Stephen Poyntz Denning, to Bicknell, 1847; Albert Rutherston, reproduction of his portrait by William Rothenstein (his brother), signed; Augustus John, signature attached to a copy of his portrait sketch by Rothenstein; E.W. Cooke, long letter; engraved invitation to the exhibition of David Roberts's "The Destruction of Jerusalem" in the Hanover Square Rooms; Frederick Leighton, agreeing to be added to a list of V.Ps., 1894; Frederick Richard Pickersgill; George Arthur Fripp, to W.J. Beale enquiring about the size of one of his pictures, 1872; Charles Robert Leslie, asking to borrow sketches, 1841, and several others; numerous pp., some laid down album ff., folds, v.s., v.d. (c. 30).

Attributed to Matthew Smith, small pencil sketch, head portrait, unsigned, sheet size 4.75" x 3.5", framedFoxing and discolouration

After James Gillray (British 1756-1815): 'Democracy - or a Sketch of the Life of Buonaparte', 'Buonaparte hearing of Nelson's Victory...', 'Buonaparte leaving Egypt', and 'The French Consular Triumvirate settling the New Constitution', four Napoleonic interest hand-coloured engravings pub. in 'The Works of James Gillray from the Original Plates with the Addition of Many Subjects Not Before Collected' by Henry G. Bohn, London c.1847, plates 252, 218, 250, and 254, respectively, max 29cm x 47cm (4) Provenance: all purchased by the vendor from Storey's, Cecil Court, London - Condition Report

Four framed pictures including pencil sketch, oil on board and 2 watercolours one of which is by F W Morgan - Waltham Cross. Image dimensions W:26cm x H:28cm,frame dimensions W:38.5cm x H:31.5cm

David Barrow (Atherton (b.1959)) - scene in Stockport with a bridge over a canal, on which is sailing a barge under a moonlit sky, factory chimneys and other buildings beyond, signed Atherton also inscribed with the artist's name verso; together with a sketch of a building, oil on canvas, 16" x 20"

* Attributed to Charles Errard (1606-1689). Young woman watching over a sleeping male figure on a bed, black chalk and grey wash on slightly irregular laid paper, with a rough sketch in pencil of the same subject to verso, 16.7 x 24.8 cm (6.1 x 9.8 ins), window-mountedQty: (1)NOTESProvenance: Private Collection, Herefordshire, UK.

* Reynolds (Joshua, 1723-1792). Portrait Sketch in Profile of Thomas Gainsborough (1727-1788), pencil on laid paper, inscribed to upper margin in an old (19th century) hand in pencil 'Caricature of Gainsborough by Reynolds', with additional miniature study to verso in pencil of a mother and toddler with two seated older ladies, some marks and minor soiling, diagonal crease to lower right blank corner, sheet size 70 x 95 mm (2.75 x 3.75 ins), tipped-on to old cream laid backing paperQty: (1)

* Circle of John Constable (1776-1837). Wooded Landscape with cows and figure by a stream, small-scale oil on oak panel, 95 x 75 mm (3.75 x 3 ins), old gilt carved wood frame, with later 19th century inscription in ink to verso 'Sketch by John Constable'Qty: (1)

* Circle of Joseph Mallord William Turner (1775-1851). Panoramic river landscape with figures on a promontory, possibly looking towards Rouen, Normandy, circa 1830s, watercolour and gouache on pale blue wove paper, horizontal closed tear to upper right corner, and centre of lower margin, generally without loss, a few minor losses to extreme corners and edges of the sheet, glued to old backing card, with pencil inscription to verso 'sketch by J.M.W. Turner', 145 x 215 mm (5.75 x 8.5 ins)Qty: (1)NOTESProvenance: Tajan, Paris, Dessins Anciens et Dessins Modernes, 15 Mai 2019, lot 118.

ARR * Floyd (Donald Henry, 1892-1965). Cardiff City Hall, circa 1950s, oil on canvas, signed lower right, 66 x 96.5cm (26 x 37.5ins), elaborate moulded frame togethe with another by the same artist showing a figures on a bridge and a red brick house by a river, signed lower left, 41 x 50.5cm (16 x 19.75ins), gilt moulded frameQty: (2)NOTESDonald Henry Floyd (1892-1965) was born in Plymouth, he trained under Frederick John Snell and John Noble Barlow and after 5 years of training and exhibiting at the Walker Art Gallery he was introduced to the St Ives School. He served as a private in Palestine, Egypt and India during WWI and was tasked to sketch enemy positions but painted in his spare time. He moved to South Wales after the war and exhibited at the Royal Academy, Royal Birmingham Society of Arts and the Royal West of England Academy exhibitions.

Louis Wain - pen and inkOriginal artwork sketch "Here's a penny, now go and play on the lawn next door. Can't Mum! They have just given me sixpence to play on yours." 14" x 10" with original Brook Street Art Gallery label to verso "Original Annual drawing by Louis Wain"

Thomas Girtin (British, 1775-1802). 'Teignmouth, Devon', pencil sketch of a town and coastline with cliffs to background, 16 x 26cm. Signed and titled on mount lower right, with inscription verso 'T Girtin Teignmouth Ex coll Dr. B Percy'. PROVENANCE: Sotheby's lot 107, 14th July 1994. From the property of a deceased local collector. Condition Report: Has been removed from frame

18th century school, a pen sketch of a city landscape, with figures seated and enjoying a picnic, indistinctly inscribed to top right corner, 16.3 cm x 21 cm, together with a later pencil sketch, panoramic landscape, unsigned, 25.3 cm x 36 cm, each framed and glazed.Qty: 2Footnote: Foxing evident to both

Jack Butler Yeats RHA (1871-1957)The Belle of Chinatown (1943)Oil on canvas, 35.5 x 46cm (14 x 18")SignedProvenance: Purchased at the 1943 exhibition by well-known collector Jack Toohey. Sold in these rooms 11th December 1990 Lot 45, thence by descent.Exhibited: 'Later Paintings' Jack B Yeats Exhibition, Victor Waddington Gallery, Dublin Nov 1943, Cat. No. 12;'National Loan Exhibition' Jack B Yeats Exhibition June/July 1945, Cat. No. 126;'From Yeats to Ballagh' Arts Council Exhibition, Lunds Konsthall, Sweden, April-May 1972, Cat. No. 52Literature: 'Jack B Yeats: A Catalogue Raisonné of the Oil Paintings' Hilary Pyle, Vol 11, Cat. No. 582 p535The genesis of this intriguing work is found in sketches of 1904 and 1905. In 1904 Yeats travelled to New York where an exhibition of his work had been organised by John Quinn. Whilst there he was intrigued by the sights of the city, especially its cosmopolitan mix of races and its streetscapes of signs and advertisements. He visited and sketched Chinatown several times. The young girl with the large flowery hat, the "Belle of Chinatown", is found in the pages of one of these New York sketchbooks (83, X180, Yeats Archive, National Gallery of Ireland). He drew a second sketch of the figure a year later when he was staying at Freshford with J. M. Synge. This is inscribed 'Chinatown, New York'. Yeats has elaborated on these earlier drawings a great deal in this painting created forty years later. The child stands in the daylight in front of a darkened side-street. Next to her in the full glare of the light is a stall on which are displayed an array of hats at 5 c each. An old man, the vendor, is seated behind it. The contrast between youth and age is sharply observed with the man's gaze directed at the bizarre sight of a tiny girl wearing the enormous hat. The dramatic changes in light caused partly by the scale of the buildings also fascinated Yeats. On the left hand side numerous marks of yellow and red indicate the colourful signs and banners of Chinatown. The richly textured use of paint conveys the steep perspective of the streetscape while imparting a strange vignette of the city, reconstructed and enriched by Yeats's combination of memory and imagination. A related painting is "The Public Letter Writer", 1953, (Private Collection) which is also based on his memories of New York, highlighting again cosmopolitan life. Dr. Roisin Kennedyi. Hilary Pyle, Jack B. Yeats. A catalogue raisonné of the oil paintings, 1992, II, p.535.

Louis le Brocquy HRHA (1916-2012)A Man is Run Over in Merrion RowWatercolour and pencil, 36 x 44cm (14¼ x 17¼'')Signed, inscribed and dated Nov. (19)'42In 1938, at the age of twenty-two, Louis Le Brocquy, then a capable chemistry student at Trinity College Dublin, came to the realisation that a life dedicated to science was not the path he wanted to pursue. His mind made up, he removed his lab coat in favour of the painter's smock. With no artistic training, Le Brocquy took his education into his own hands and set off on a European tour to examine the great art collections of Venice, Paris, London and Geneva. Fully inspired, he returned to Dublin in the 1940s and set up a studio at 13 Merrion Row.It was here that Le Brocquy began to find himself as a painter. With a strong interest in the human condition and a penchant for illustrating a story, it is no wonder that we are presented with A Man is Run Over in Merrion Row. This rushed and chaotic piece, picked out in pencil and highlighted by watercolour, beautifully captures the drama and the sensationalism of the scene. We can imagine Le Brocquy as the silent onlooker, intent on recording the event as it unfolds on his doorstep. Despite being a member of the community, Le Brocquy does not retell the scene with the concern that would be expected but rather focuses on the morbid fascination that humans hold for tragedy. Jostling to get a better view of the struck man, onlookers leer over the victim as they would an exotic creature. The figure to the upper left gapes in horror in an almost pantomime-like fashion whilst the man carrying the stretcher, his arms elongated under the weight, proudly carries out his part in the play.Such studies of calamity clearly caught Le Brocquy's attention as he revisits roadside misfortune a year later in his sketch A horse falls between the shafts, held down, unharnessed, head covered.Helena Carlyle, September 2019

Spike Milligan and Harry Secombe A professionally framed tribute to two heroes of comedy containing the autographs of Spike Milligan and Harry Secombe both signed on their own Autographed Edition Covers (both covers approximately 8 inches x 5.5 inches each), nicely framed together with a black and white photograph (approximately 10 inches x 8 inches) showing Spike and Harry together with a bunch of bananas! Overall the frame is approximately 28 inches x 17 inches, is in good condition and is supplied with the original Westminster Collection Certificate of Authenticity. Spike Milligan (1918 2002) was a BritishIrish actor, comedian, writer, poet and playwright. The son of an Irish father and an English mother, Milligan was born in India, where he spent his childhood, relocating to live and work the majority of his life in the United Kingdom. Milligan was the cocreator, main writer and a principal cast member of the British radio programme The Goon Show, performing a range of roles including the Eccles and Minnie Bannister characters. He was the earliestborn and last surviving member of The Goons. Milligan parlayed success with the Goon Show into television with Q5, a surreal sketch show credited as a major influence on the members of Monty Python's Flying Circus. Milligan wrote and edited many books, including Puckoon (1963) and a sevenvolume autobiographical account of his time serving during the World War Two, beginning with Adolf Hitler: My Part in His Downfall (1971). He also wrote comical verse, with much of his poetry written for children, including Silly verse for Kids (1959). Sir Harry Secombe (1921 2001) was a Welsh comedian, actor and singer. Secombe was a member of the British radio comedy programme The Goon Show, playing many characters, but most notably, Neddie Seagoon. An accomplished tenor, he also appeared in musicals and films, notably as Mr. Bumble in Oliver (1968) and, in his later years, was a presenter of television shows incorporating hymns and other devotional songs. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Jennifer Saunders (1958) English comedian, screenwriter, singer and actress. Saunders originally found attention in the 1980s when she became a member of The Comic Strip after graduating from the Royal Central School of Speech and Drama with her best friend and comedy partner, Dawn French. With French, she cowrote and starred in their sketch show, French and Saunders, for which they jointly received a BAFTA Fellowship in 2009. Saunders later received acclaim in the 1990s for writing and playing her character Edina Monsoon in her sitcom Absolutely Fabulous. A signed colour photograph, approximately 10 inches x 8 inches and is supplied with the original MG Memorabilia Certificate of Authenticity. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

John Cleese (b.1939) English actor, comedian, screenwriter, and producer. He achieved success at the Edinburgh Festival Fringe, as a scriptwriter and performer on The Frost Report. In the late 1960s, he cofounded Monty Python, the comedy troupe responsible for the sketch show Monty Python's Flying Circus and subsequent films. In the mid1970s, Cleese and his first wife, Connie Booth, cowrote the sitcom Fawlty Towers and he starred in it as Basil Fawlty. His other films include A Fish called Wanda (1989), Time Bandits (1981), two James Bond films, two Harry Potter films and the last three Shrek films. A dedicated signature on the reverse of a Sheekey's Restaurant Eat Oysters Love Longer colour postcard, signature obtained at the Sheekey's oyster festival in 1981, approximately 6.75 inches x 4.75 inches. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Robert Lenkiewicz, early pencil sketch, 'Young Girl', signed, 38cm x 26cm, framed and glazed.

Robert Lenkiewicz, early signed pencil sketch of a Young Women, 36cm x 27cm, framed and glazed.

Robert Lenkiewicz, early pencil sketch of a Young man, signed, 38cm x 28cm, framed and glazed.

Robert Lenkiewicz, pencil sketch of a figure, with R.O.L seal, 19cm x 12cm, framed and glazed.

From the Seven Deadly Sins, a series of 16 etchings, c. 1925. Marked Chagall in etching. Pen and ink sketch print of a man; edition of 300. Printed by Louis Fort. Housed in gilt frame. Etching measures 7.5"H x 5.5"W. Marc Chagall (1887-1985) was a Russian-French artist of Belarusian Jewish origin. He is known for his paintings, drawings, fine art prints, book illustrations and tapestries. Artist: Marc ChagallIssued: 20th c. Dimensions: 18.25"W x 20.25"HCountry of Origin: France

THE PROGRESS OF MR LAMBKIN, (GENT) IN THE PURSUIT OF PLEASURE AND AMUSEMENT designed, etched & published by George Cruikshank, 1844, The Progress of Mr Lambkin, Chronicles of Gotham, Contes du Lundi, A Sketch - Book of R. Caldecott's (6) Provenance: The Late Dr Helen. E. C. Cargill Thompson Condition Report: Available upon request