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Lot 236
Graded Comic Books comprising of four issues to include; 1) Mighty Thor #11 - Marvel Comics 11/16 - Jason Aaron story. Russell Dauterman cover & art. CGC Grade 9.8 - White Pages. 2)Savage Wolverine #4 - Marvel Comics 6/13. Fran Cho story, cover & art. CGC Grade 9.8 - White Pages. 3)X-Men Schism #3 - Marvel Comics 1/12 - Sketch Cover - Jason Aaron story. Daniel Acufia art. Frank Cho Cover. "X Printing" variant cover. Cover forms a single image with X-Men; Schism #1-2 & #4-5 covers. CGC Grade 9.8 - White Pages. 4) X-Men #98 - Marvel Comics 3/00 -Alan Davis & Terry Kavanagh story. Alan Davis & Mark Farmer art. CGC Grade 9.8 - White Pages.
Lot 1184
Walter Goodwin (British 1907-1992) Oil on canvas of a young Rise Hall Convent School pupil and her pony. 53cm x 75cm together with a pencil sketch by Walter Goodwin of St. Philomena’s (Rise Hall School) 1952. 17 x 26.5cm and two autograph books containing mainly pupils from Rise Hall as a pencil sketch of a young female by Walter Goodwin 1951.
Lot 1041
Otto Weber RA, RE, RI, ARWS (1832-1888) German"Rough Weather for Ploughing"Signed, inscribed and dated c.1880 to gallery label verso, etching, together with a quantity of further mixed works to include a black and white pastel sketch of a fish wife resting by a boat by M F W Mowat, signed and dated 1905, "Yorkshire Hayfield" after Sir Frank Short, an etching in aquatint "Conversation Piece- Tommy Grantham's Stables, West Grimstead" by Geoffrey Sparrow, a watercolour "The Marsh Fool" by M.S Hagerty, etc. 22cm by 30cm and various sizes (10)
Lot 335
â–´ Tim Goodchild (contemporary) Costume design sketch for 'La Traviata' signed and dated 'T. Goodchild 83' l.r., inscribed with title and 'Act I Guest Violettas Party' u.r., further inscribed 'Royal Danish Opera, Copenhagen' l.c., mixed media40 x 26cm;Costume design sketch for 'Swan Lake, Act I'signed and dated 'T. Goodchild 88' l.r., inscribed with title u.l., further inscribed 'Moscow Classical Ballet' u.r., mixed media35.5 x 56cm (2)Condition Report'La Traviata': Framed, 62 x 47cm. The sketch has been cutout and stuck down to a sheet of paper behind, which bears the signature and inscriptions. Light cockling and creasing with a further 10cm horizontal crease mark which crosses the subject's arm. We believe the media used to be watercolour over pencil heightened with white, pen, coloured pencil and collage with dress fabric.'Swan Lake, Act I': Framed, 62 x 80cmThe sketches have been cutout and stuck down to a sheet of paper behind, which bears the signature and inscriptions. Light cockling and creasing to the cutout image, with heavier creasing and discolouration to sheet of paper behind. Some small dirty marks. We believe the media used to execute the design is pencil and watercolour heightened with white over a printed base, with collage.
Lot 355
§ Frank Auerbach (1931-) The Granville Music Hall, Walham Green, 1952; the reverse with a further sketchpencil17 x 25.5cmProvenance:With James Kirkman, LondonPrivate Collection, LondonRichard Salmon Limited, LondonPrivate Collection, LondonGDW Projects, LondonNot examined out of the frame. The paper support with overall toning, this is even and uniform in nature throughout. Around the edges there is some light foxing, mostly visible to the top and right hand edges. Likewise, there are some scattered paint accretions, likely done by the artist during execution. The reverse sketch in similar condition with some scattered foxing throughout and some minor abrading of the paper support visible in the lower right hand corner.
Lot 358
**John Bratby (British, 1928-1992) 'Looking up from Beauport Sunken Garden' coloured pencil sketch, signed and inscribed upper right, unframed 13 5/8 x 9 7/8 in (34.5 x 25 cm) **(Subject to ARR) * Condition: Light foxing and a few small smudged soil marks from handling to margins. Sheet slightly cockled.
Lot 212
EUGÈNE GRASSET (SWISS 1845-1917) SARAH BERNHARDT AS JEANNE D'ARC Oil on paper Signed (lower left) 119 x 75cm (46¾ x 29½ in.)Please note this is mixed media on paper laid to canvas. The sketch is likely a study for the artist's renowned lithograph of the French actress Sarah Bernhardt, which advertised her role as Jeanne D'Arc. Condition Report: Please note this is mixed media on paper laid to canvas. The colours are good. The sheet however is very fragile and has numerous rips and tears. The most substantial of these runs horizontally across the length of the sheet, and also includes the canvas below. There is an area of restoration (approx. 4cm)to the sitter's coat, which includes an area of overpainting which is visible in natural light. Overall the work would benefit from extensive conservation and restoration.Condition Report Disclaimer
Lot 90A
SIR JOSHUA REYNOLDS (BRITISH 1723-1792) PRELIMINARY SKETCH OF FRANCES PRATT, AFTERWARDS MARCHIONESS CAMERON Pencil Bearing partial watermark 'GR', page numbered top corners '89' and '90' 19 x 15cm (7¼ x 5¾ in.) Three sketches (verso) Provenance: Probably the sale at Christie's, 26th May 1821, property of Sir Joshua's niece Mary Dowager, Marchioness of Thomond, his principal Heiress, where over 450 drawings and nine sketch books were sold in a total of fifteen lots, most of the drawings and sketches by Reynolds extant derive from the sale The Collection of Alison Barker, 1951 - 2021, London and Chichester, London Barrister and lifetime collector Frances Pratt was raised by her mother's only surviving sibling, Lady Margaret Bingham (d.1814), and her husband, Sir Charles Bingham (1735-1799), created first Baron Lucan in 1776. Finally, at the age of twenty-five, she met John Jeffreys Pratt, Viscount Bayham (1759-1840), eldest son of the first Earl Camden and a recent graduate of Cambridge. Condition Report: The drawing presents a few undulations of the paper on the right border, some signs of dirt, and a small hole on the left border. Condition Report Disclaimer
Lot 232
JOHN WILLIAM WATERHOUSE RA (BRITISH 1849-1917) A PORTRAIT OF A YOUNG GIRL Oil on canvas Signed with initials (lower right) 51.5 x 41.5cm (20¼ x 16¼ in.)Provenance: Sale, Christie's London, 26 March 1982, lot 79This freely painted portrait of an unidentified girl seems to be too informal to be a commission and as Peter Trippi points out, `Artists are more free to experiment while posing children and members of their own families' (John William Waterhouse, 2003, p.209). The sitter is reminiscent of the girl depicted inThe Easy Chair (Sale Sotheby's London, 30th November 2000, lot 48, £113,000), an oil sketch of a girl seated in the artist's wicker chair. Both pictures share the same tonal range. The bold brushstrokes that define the portrait are similar to a portrait of the artist's godson Nino William Physick, son of his half-sister May, painted in the 1890's.`Waterhouse purchased primed canvases and brushed upon them the main lines of his composition with dark flowing paint mixed with an easy to handle medium. He then laid the basic tonal range relationships of thinned translucent colour such as pale green or fawn.' (P. Trippi, J.W, Waterhouse 1849-1917, The Modern Pre-Raphaelite, 2008, p.19) We are grateful to Peter Trippi for his help in preparing his catalogue entry. Condition Report: The canvas has been lined. Craquelure throughout. Inspection under UV reveals light scattered retouching, which is largely confined to the right edge.Condition Report Disclaimer
Lot 160
Two Ronnies; Ronnie Barker and Ronnie Corbett signed 8x6 inch approx black and white photo mounted on A4 paper. The Two Ronnies is a British television comedy sketch show starring Ronnie Barker and Ronnie Corbett. It was created by Bill Cotton and aired on BBC1 from 10 April 1971 to 25 December 1987. The usual format included sketches, solo sections, serial stories and musical finales. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 4047
BRENDEL, Albert (1827 Berlin - 1895 Weimar) Kleine Ölskizze mit Schafherde im StallÖl/Papier. Rechts oben Signaturstempel, verso Nachlass-Stempel des Künstlers. 1860/70. 15,5 x 21 cm. Die vielen Tiere im Stall nahe dem Tor. Ein Knick, kleine Farbabsplitterungen. Tier- und Landschaftsmaler, studierte an der Akademie Berlin bei Bürde, von 1854-1870 in Barbizon bei Fontainbleau tätig, ab 1875 Prof. und Direktor an der Kunstschule Weimar. Literatur : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | voraussichtlich 17:13 Uhr (CET) BRENDEL, Albert (1827 Berlin - 1895 Weimar) Small oil sketch with a flock of sheep in a stableOil/paper. Signature stamp upper right, verso estate stamp of the artist. 1860/70. 15.5 x 21 cm. The many animals in the stable near the gate. One crease, small color chips. Animal and landscape painter, studied at the Berlin academy under Bürde, worked in Barbizon near Fontainbleau from 1854-1870, professor and director at the Weimar art school from 1875. Literature : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | probably 17:13 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 3368
LANDSCHAFTSMALER 19. JAHRHUNDERT, Bleistiftzeichnung: BaumlandschaftKyrillisch signiert. 14 x 19 cm. Gerahmt & hinter Glas : 42 x 52 cm. Eine ausgezeichnete, gekonnt skizzierte Naturstudie. Ein Entwurf, eine Vorzeichnung zu einem späteren Gemälde. Kyrillisch bezeichnet, datiert: 1890. Passepartout, verglaster Wechselrahmen. * Partnerauktion Bergmann. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:09 Uhr (CET) LANDSCAPE PAINTING 19th CENTURY, Pencil drawing: Tree landscapeSigned in Cyrillic. 14 x 19 cm. Framed & behind glass : 42 x 52 cm. An excellent, skillfully sketched nature study. A sketch, a preliminary drawing for a later painting. Inscribed in Cyrillic, dated: 1890. Passepartout, glazed removable frame. * Partnerauktion Bergmann. Call time 24 | Feb 2024 | probably 10:09 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 3406
TÜBBECKE, Paul Wilhelm(1848 Berlin - 1924 Weimar) Studie eines dürren BaumesKohlezeichnung. Bleistiftsignatur. Datiert: "3. Mai [18]88". Blatt: 24,3 x 30,8 cm. Verso Skizze eines Kopfes eines Herren und perspektivische Übungen. Etwas griffspurig, mit kleineren Farbflecken, am oberen Rand kleines Loch zur Befestigung. Deutscher Radierer, Zeichner und Landschaftsmaler der Weimarer Malerschule. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:29 Uhr (CET) TÜBBECKE, Paul Wilhelm(1848 Berlin - 1924 Weimar) Study of a dry treeCharcoal drawing. Pencil signature. Dated: "May 3 [18]88". Sheet: 24.3 x 30.8 cm. Sketch of a gentleman's head and perspective exercises on verso. Some handling marks, with minor paint stains, small hole in upper margin for attachment. German etcher, draughtsman and landscape painter of the Weimar school of painting. Aufrufzeit 24. | Feb 2024 | probably 10:29 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 3450
AHNER, Alfred (1890 Wintersdorf - 1973 Weimar) 4 Blätter mit StudienRötel- und Kohlezeichnungen. Teils signiert. Verschieden Formate: max. 42 x 27 cm. 4 Blätter mit Studien: Studienblatt mit Frauenkopf und 6 Kinderköpfen: Rötelzeichnung, unsigniert, Blatt: 42 x 29,6 cm, verso Porträt eines Jungen | "Selbstkarrikatur": Filzstift- und Kohlezeichnung, Bleistiftmonogramm, Blatt: 35 x 21,5 cm, 1963 | Frau mit Kinderwagen auf einer Parkbank: Kohlezeichnung mit Farbakzenten, Kohlesignatur, 1961, Blatt: 29,6 x 42 cm, verso Porträt eines Jungen, Rötelzeichnung | Skizze mit Hühnern: Rötel- und Kohlezeichnung, Rötelsignatur, [19]67, Blatt: 21 x 29,7 cm, verso Skizze eines Mannes im Profil, Kohlezeichnung. Deutscher Maler und Zeichner; als Chronist seiner Zeit zählt er zu den bedeutendsten Thüringer Künstlern des 20. Jahrhunderts; im Jahr 2008 wurde in Weimar die Alfred-Ahner-Stiftung gegründet. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:44 Uhr (CET) AHNER, Alfred (1890 Wintersdorf - 1973 Weimar) 4 sheets with studiesRed chalk and charcoal drawings. Partly signed. Various formats: max. 42 x 27 cm. 4 sheets with studies: study sheet with woman's head and 6 children's heads: red chalk drawing, unsigned, sheet: 42 x 29.6 cm, verso portrait of a boy | "Self-caricature": felt-tip pen and charcoal drawing, pencil monogram, sheet: 35 x 21.5 cm, 1963 | Woman with baby carriage on a park bench: Charcoal drawing with color accents, charcoal signature, 1961, sheet: 29.6 x 42 cm, verso portrait of a boy, red chalk drawing | Sketch with chickens: red chalk and charcoal drawing, red chalk signature, [19]67, sheet: 21 x 29.7 cm, verso sketch of a man in profile, charcoal drawing. German painter and draughtsman; as a chronicler of his time, he is one of the most important Thuringian artists of the 20th century; the Alfred Ahner Foundation was established in Weimar in 2008. Aufrufzeit 24. | Feb 2024 | probably 10:44 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 54
Second World War – 2nd Lt. Arkless Lockey, Prisoner of War of Japan. An emotive sketchbook compiled after being taken prisoner at the Fall of Singapore and subsequently held in the Prisoner of War camps Changi in Singapore, Heito in Taiwan and Tokyo Branch 2 and Zentsuji in Japan, circa 1942-1945. 33 detailed sketches, some covering two pages, plus 11 separate loose pictures, including portraits of other prisoners, album 20.5cm x 15cm. This is a rare album which was produced at great personal risk, given that prisoners were forbidden from creating any documentation and subject to severe punishment if found. Sketches comprising: scenes at Heito (titled 'Haito') - including P.O.W.s loading stones, exterior and interiors of Hut. No. 1 Officer's quarters, general camp views, soldiers exercising, straw rope and shoe making. Tokyo Branch 2 - the exterior and interior of the camp, 'Rice Fatigue' (prisoners hauling a cart). Prisoner of War transport ship - Singapore to Taiwan - 'P.O.W. class'. Changi - Royal Engineer's kitchen. Zentsuji - Room No. 3, Library, Corner of Galley, Birds-eye view of the camp. General untitled sketches include Japanese prison guards and locals riding a buffalo, soldiers overlooking a pigpen, caged areas, manual labour and a poignant black and white drawing of a 'Last Post' trumpeter on the final page. The portrait sketches are of fellow American and British prisoners at Zentsjuji, dated January 1944 and identified by name. Examples include 'Frank Burwell' (BURWELL, Frank H. Jnr., 1st Lt., Infantry, U.S.A.); 'Stan Gladys' (GLADYS, Stanley J., 1st Lt., U.S.A., QMC); 'John Fisher' (FISHER, John W., 1st Lt., U.S.A., Infantry); 'Jeff Caldicott' (CALDICOTT, G. H., Lt., Singapore); 'Jim' Leggatt' (LEGGETT, James L. Jnr., Lt., USAAC, Engineer); 'Padre Godfrey' (GODFREY, Rupert C. R., Chaplain, R.A., Java); 'Gill Warner' (possibly WARNER, William S., 1st Lt., USAAC) and 'Chris Power' (POWER, C., F/O., R.A.F. Ireland). Notes: Second Lieutenant Arkless Lockey [227089] Royal Engineers served with III Corps. At the time of his capture in the Fall of Singapore, he worked for the Deputy Assistant Director of Transportation. Based on the single sketch at Changi, he was likely held there briefly before he was transferred to Heito in August 1942, presumably as part of the large contingent of British and Allied P.O.W.s to arrive at Heito camp late that month. The main slave labour task in this camp was to pick rocks and stones from a vast area of an old dried river bottom near the camp to make the land ready to plant sugar cane. Camp Commandant, 1st Lieutenant Tamaki, was known for being sadistic and caring little for the welfare of the prisoners. He boasted of aiming to 'fill the cemetery', which he did (132 men died at Heito, the highest in-camp death rate for camps in Taiwan). 'Tokyo Branch 2' was a Dispatch Camp where the primary labour was shipyard construction. Based in Yokohama Baseball Stadium, it was renamed 'Tokyo Branch 3' on 1st August 1943. By that time, Lockey had likely transferred to Zentsuji camp in southern Japan, presumably until the end of hostilities. Despite being one of the few camps designed to hold prisoners (previously used in this capacity during the Russo-Japanese War in 1907 and the Sino-Japanese War in 1937) and used as a 'show' camp for propaganda purposes, conditions at Zentsjuji were still deplorable and overcrowded. Heckling and depriving prisoners of food or medicine was reportedly a regular occurrence at the camp, which also acted as the headquarters for several work camps in the area. Access to food ranged from fair during the early months of occupancy to starvation levels in July 1944. The rice served contained weevils and worms, and the rarely offered meat rations ranged from fresh to rotten. No hospital existed on the site, but a side room with six bunks was reserved for medical cases, though the unfortunate occupants would only receive half rations. The barracks consisted of two two-story buildings, both former warehouses, with half of one building dedicated to the guards. These were unheated after 1943 and poorly insulated. Each barracks was divided into rooms of 32 men, with four windows and only two light bulbs. These quarters were all infested with bed bugs, lice and fleas. Hot baths were available twice a month during winter, but only cold baths were permitted during the summer. It is a testament to the skills of the American officer working as the leading physician that he completed 24 serious operations without a single loss of a patient, with spinal novocaine being the only anaesthetic available. Clothing provisions were generally adequate, but more socks and gloves were always sought after, and the prisoners, in their malnourished states, could not keep warm despite being heavily clothed. Workdays primarily consisted of loading and unloading freight or cargo vessels, though some enlisted men were assigned to camp detail. Hours were long, often 6 am - 7 pm, with three 'rest days' per month, taken up by other enforced work around the camp. Unlike the enlisted men, officers received fewer rations but were not forced to work outside in the rain or snow. The camp was liberated on 12th September 1945, and Lockey was reported as no longer a prisoner of war by 26th September 1945. Arkless Lockey was born in 1901 in Durham. Post-war, he settled briefly in Malaya and Hong Kong with his wife, Marjory Tinto (b.1914), whilst working as a Railway Officer before returning to the U.K., where he died at 80.
Lot 519
Etch A Sketch - Fashion Designer - Pocket Simon - Space Explorer. A melange of boxed and loose toys appearing in Playworn condition. Lot to include: A loose Etch A Sketch, working. A boxed Palitoy, Girls World Fashion Designer. A boxed, Battery Operated Super Space Explorer, untested and similar. (This does not constitute a guarantee). [MP]
Lot 234
â–´ Sir Grayson Perry RA (b.1960) 'A Show For Normal People'offset lithograph in colours, 2021, signed 'Grayson Perry' in marker c.l., with a sketch by the artist c.r.sheet 59.5 x 42cm, unframedCondition ReportA very light handling crease to the upper right corner and a further slight crease to the lower left corner. This does not affect enjoyment of the print which is in otherwise good condition.
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