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J B Garner-Richards (19thC/20thC). Sketch book contents, mainly life drawing, monogrammed dated circa 1901-4 (approx 33 works).

George Cruikshank (1792-1878) etching of the Marquis of Anglesey ' A Sketch in the Island of Anglesey', 1820, together with a satirical portrait of James Scarlett, 1st Baron Abinger, in wig and gown, c. 1825, after Bentivoglio, both pub. George Humphrey London and two other 19th Century anthropomorphic lithographs by J. J. Grandville (4)

Lewis Davis (1923-2010), pencil sketch of trees, 37.5cm x 44.5cm, unframed. Davis was a pupil of Peter Blake & Bill Jacklin

Attributed to Charles Lucy (1814-1873) oil sketch on canvas laid on panel - 'The arrival of Oliver Cromwell and Hampden when they about to embark for America', further inscribed 'by Mr Lucy from which he painted a large picture...', initialled and dated 1869, unframed, 27cm x 35cm

George Douglas Walton (Royal Institute of painters in watercolours elected member 1959)Two Watercolours and pencil sketch, signed.

Nathalie ChabrierPastel Oriental Sketch, signed.[Frame 45x37cm]

3 Artworks;Robert Morden - A framed hand coloured map, Worcestershire. 1st Edition 1695.A.W Morrison- Pastel titled ''Shore'', signed.[58x60cm]Lil Silfverling- Pencil Sketch Gentleman portrait, signed.

Ladies Fashion Magazines. The New Lady’s Magazine. London. 1792. Engraved frontis & 22 plates, 13 folded sheets of music. Lacking pp 201 - 208 (which is the first part of May), all patterns and 3 engravings. Half calf, hinges rubbed; La Belle Assemblee. London. 1808. 7 engraved plates, 12 fashion plates, half of which are coloured, 6 sheets of music, 4 cartoons. There is some off setting and all patterns are lacking. Front board detached; La Belle Assemblee. London. 1810 - 1811. 12 engravings, 19 coloured fashion plates including a coffin, 6 sheets of music, 9 patterns, 1 sketch. Vol I lacks pp. 193 - 200, music in February & April. April also lacking the fashion plates and pattern. The adverts are lacking pp29 - 40. The Supplement is Milton's Paradise Lost. Vol II is lacking July, music in October, November & December and the pattern is also missing in December. Both volumes foxed and many of the folded music and patterns slightly frayed. Spine detaching; The Lady’s Magazine. London 1827. Frontis, 20 engraved plates of which one is coloured, 24 coloured fashion plates, all as called for. Pencil marginalia, Front board and frontis detached, spine loose; with a further 3 C19th volumes. WAF (7)

19th c. watercolour sketch of Ben Nevis 1853 by General Charles Dumbleton, Bengal Lancers (1824-1916)

Coloured print of a watercolour sketch titled "Afghan Horseman Detail" by Brian MOORE and a Brian Knight print of a De Haviland Sea Vixen

Yvonne Winkfield 1973 Pen and Ink Picture of Abbeydale Industrial Hamlet, Sheffield, together with artists' brushes, A4 sketch pad and a roll of artists' paper.

Gill Watkiss - mixed media sketch "Farm on the North Coast Road", signed and dated '16, labelled to verso, 10" x 13½"

*HESKETH RAOUL LEJARDERAY MILLAIS (1901-1999) 'Three Chasers' a sketch of three horse heads, signed and titled lower right, inscribed "Lord Bicester" lower left, ink and wash over pencil heightened with white, 15.5cm x 21cm; together with two further sketches of horses by the same hand, 'The Yearlings' and 'Stallion' dated (19)44 and (19)49 respectively (3)Provenance: 'Three Chasers' acquired from Duke's April 2018, Lot no. 399,'The Yearlings' and 'Stallion' both with The Fine Art Society, New Bond Street, London W1.

Three original pictures, watercolour of Keswick by Jack Scrivener, watercolour Kirby Lonsdale after heavy rain by Tiana Marie and pencil sketch of woodland scene

M J PLEDGER "Mallard male", pencil sketch, signed and dated "1981" lower right and bearing "Kings Street Galleries" label verso, 17.5 cm x 24 cm, PAYNE "Barn owls", limited edition etching, indistinctly signed, dated "82" and No'd. "50/50", titled to the margin, 12 cm x 18 cm, MARION ADNAMS "Birds nest", pencil study, signed and dated "53" lower right and titled, named and dated in pen verso, 14 cm x 15 cm (3) CONDITION REPORTS PLEASE NOTE THAT P CALDY "Study of cats", has been withdrawn from this lot

CONTINENTAL SCHOOL "Tyrolian (possibly Italian?) gentleman with cap, beard and pipe", pencil sketch, 7.5 cm x 5 cm, J CARRUTHERS WILLIAMS "Exotic birds in landscape", painting on porcelain, signed lower right, 6 cm x 9 cm, 19TH CENTURY ENGLISH SCHOOL "Fishermen mending nets", watercolour, signed, 34 cm x 24 cm, "Bonnetier", Oriental man making hats, lithograph, 28 cm x 22 cm, together with two Vanity Fair prints "Mr James Weatherby" and "The Match Book" (6)

A limited edition print 'Second to None' after Michael Rondot, Tornado theme, with sketch to margin, artist's proof 6/100, multiple signatures, mounted

A limited edition print after Michael Rondot “Vulcan Scramble”, multiple signatures to margin together with sketch, 15/300, mounted

An autograph book with signatures and drawings by crew from HMS Orion which saw action at the Battle of Jutland. One page entry reads as 'a sketch of the German fleet in the North Sea' with an arrow pointing to a blank page, dated 31-12-16

JESSIE MARION KING (1875-1949) AND ERNEST ARCHIBALD TAYLOR (1874-1951) INTEREST GROUP OF PERSONAL AND DOMESTIC ITEMS [King-Taylor family recipe book]. The Practice of Cookery and Pastry by Williamson & Son 1869. 8vo, with numerous manuscript recipes laid in, including one for ‘American gingerbread’ written in the hand of Jessie M. King, another recipe apparently in another hand but with King's annotation ‘The EASY-BISCUIT à la Polly Peacham’; Collection of family photographs, approx. 40 in total, of which several depicting Jessie M. King, including a full-length portrait of JMK as a young woman, in a garden (platinum print, mounted on card), one of JMK in a classroom with pupils (albumen print, mounted on card), and others showing E. A. Taylor, Merle Taylor, etc.; Merle Taylor's childhood autograph album, including a watercolour sketch of a cottage through trees signed ‘EAT’ (her father Ernest Archibald Taylor, 1874-1951), and one unsigned but attributed to Jessie M. King; Typescript short story by Merle Taylor, ‘The Maister’For a complete list of photographs in this lot see the lot description on our website lyonandturnbull.com  Provenance: Jessie Marion King and Ernest Archibald TaylorBy descent to their daughter Merle TaylorEstate of Merle Taylor

▲ William Scott RA (1913-1989) 'Orange Still Life', 1956 (William Scott Archive No.1893);verso, pencil sketch of Mary Scott, the artist’s wife, late 1930ssigned 'W. Scott' l.r., gouache50.5 x 68cmProvenance: Private collection, USA;Offer Waterman & Co., London;the property of a private collector.The drawing of Mary Scott is similar to the oil painting ‘Seated Nude’, 1939, Tate, London.We are grateful to the William Scott Archive for their kind assistance with the cataloguing of the present work.In the 1950s, William Scott's use of vibrant colours, like orange and ochre, played a crucial role in his still-life compositions, marking a key period in his artistic development. As a member of the post-war British painting group, including artists such as Patrick Heron, Terry Frost and Peter Lanyon, Scott was influenced by the boldness of abstract expressionism. In 1953, his exposure to the New York School, where he met leading figures like Rothko, de Kooning and Pollock, made a significant impact on his approach to abstraction. Despite this, Scott remained deeply attached to the still-life genre, finding ways to modernise it while infusing it with abstraction. His works from the late 1950s often featured everyday objects like jugs, bowls and pans, painted against bold backgrounds in colours like orange. These hues, especially the warm tones of orange, went beyond mere decoration - they emphasised the physical presence of the objects and imbued the scenes with energy.Scott's choice of orange can be seen as a deliberate effort to elevate these everyday items, drawing attention to their form and giving them a unique vibrancy. This use of colour was particularly striking in works, as seen here in lot 278, where the colour envelops the composition, making items seem dynamic and essential. For Scott, orange was not only a visual tool but also a way to convey a sense of warmth and vitality. It helped balance the austerity of his minimalist approach with the sensuality he sought to evoke. By combining the figurative and abstract elements of his work, Scott's use of orange served as a bridge between his engagement with American abstraction and his European roots in more tactile, representational art.Condition ReportFramed: 67 x 84.5cmThe work is executed on paper. Rippling to the sheet visible when viewed from the side under raking light. Pinholes to top corners. A tiny tear to the extreme upper right corner. Lower edge torn slightly unevenly. Presents well overall when viewed on the wall.

▲ William Scott RA (1913-1989) Untitled;verso, another abstract sketchpencil and black chalk25 x 35cm, unframedProvenance: With Archeus Fine Art, London;the property of a private collector.Condition ReportThe work has been executed on a sketchbook page with perforations to the left edge. Red and orange paint to the extreme edges. Time staining. Smudging in areas. A small, faint semi-circular mark at the bottom of the right edge.

English School (19th century), Hunt in Belvoir Country,crayon sketch, ascribed verso to Viscount Hardinge,25.5cm x 37cm.

Group of six assorted paintings and prints, mixed artists, including C Macey 'Nasturtium' watercolour, Zoe Preston 'Carp' study, watercolour, Hanson, oil on board of building in woodland, Victorian sketch highland landscape, a photographic print, and another 19th century print.Qty: 6

‡ SIR KYFFIN WILLIAMS RA (1918-2006) inkwash - two figures and two dogs, with a portrait pencil sketch on reverse, 21 x 29cmsProvenance: private collection East SussexComments: unframed

‡CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) watercolour sketch - entitled verso 'Evening Landscape', signed, dated verso 1931, 22 x 28cmsProvenance: private collection Ynys Môn (Anglesey)Comments: framed and glazed

‡ SIR KYFFIN WILLIAMS RA (1918-2006) inkwash - three farmers and a sheepdog, with a portrait pencil sketch on reverse, 21 x 29cmsProvenance: private collection East SussexComments: unframed, some foxing to the paper

Attributed to Dame Laura Knight (British, 1877 - 1970), study of a horse and figure, pencil sketch, initialled lower right, inscribed Laura Knight verso, 19 x 24cm, framed and glazed

Joaquim Hidalgo (Spanish, 1933 - 2011), abstract portrait study of a lady, oil on board, signed lower right, with receipt and label verso for Galeria de Arte el Cantil, 55.5 x 47cm, framed with book, the book with signed sketch within (2)

Framed original Winnie The Pooh drawing sketch signed by Ernest Howard Shepard, featuring Christopher Robin, Winnie The Pooh, Piglet, Eeyore, Tigger.frame measures approximately 16 inches long x 12 wide

PETER ORDE, continental church, acrylic, signed and dated 1988, 39 x 29 cm, also unsigned sketch of the Loggia dei Lanzi, Florence, 36 x 26 cm, and a country scene initialled CG, (3).

F DODD (1874-1949) British, 'A Seated Lady', pencil sketch, framed and glazed. 29 x 39.5 cm.

Ley Kenyon (1913-1990), Sunshine and Shadow, watercolour, signed, 27cm x 36cm, framed  and glazed, together with a pencil study by the same artist of an ancient chapel, titled ‘Beyond Assini’, signed and dated 1987, 20cm x 27cm, overmounted, not framed (2) Note: Ley Kenyon was an accomplished artist and was recommended to be an official war artist during W.W.II.  He was captured and sent to Stalag Luft III where he was asked by the Senior British Officer (SBO) to sketch every stage of the escape tunnel. Kenyon became the 'Forger' for what became known as 'The Great Escape' in March 1944. Ley Kenyon was one of the seventy-six officers to escape, but he was recaptured after being found hiding up a tree.

Aileen Mary Elliott RWS NS RSMA, 1896-1966, Beer Beach, watercolour, 20cm x 32cm, and a pencil sketch attached verso, with Elford Fine Art label and certificate of authentication, together with Albert Ernest Markes, marine scene, 17cm x 24cm, watercolour, both framed (2)

York Racecourse Collection - Collection of prints to inc. print from a portrait sketch of Fred Archer by Leon Richeton, unframed print of Sir Tatton Sykes, unframed print of James Walker, c19th Print of Blink Bonny winner of the Derby and Oaks Stakes at Epsom 1857, c19th print of Blair Atholl Winner of the Derby Stakes at Epsom 1864, c19th Print of Anvil, c18th print of Mr. Tattersall, c20th print of King Edward VII with Minoru winner of the 2000 Guineas and the Derby 1909 & framed coloured print of Eclipse by Stubbs (9) Shipping POA https://www.bradleys.ltd/quotation-request-form

Bing Jones (Sheffield Artist) Sketch of a Girl's Head, oil on board, signed bottom right 49 x 39.5cm.

England.- Banks (W.) Views of the English Lakes, 26 engraved views, endpapers lightly damp-stained, occasional spotting to margins of first few plates, but generally much cleaner and sharper than usual, original blind-stamped cloth, the odd mark and scuff to extremities, else a very excellent, Windermere, J. Garnet, c.1870 § Pagan (James) Sketch of the History of Glasgow, light spotting, a little heavier to additional engraved title, later panelled calf, tooled cornerpieces, morocco spine labels (one partially lacking at foot), Glasgow, Robert Stuart, 1847; and 11 others, mixed antiquarian, v.s. (13)

(BRITTON JOHN).  Sheridan and Kotzebue, the Enterprising Adventures of Pizarro, Preceded by a Brief Sketch of the Voyages & Discoveries of Columbus & Cortez .. also Varieties & Oppositions of Criticisms on the Play of Pizarro. Eng. frontis of Kemble as Rolla. The additional title & "note" bound in at the end. 1799. In 19th cent. cloth bound with The Life of Baron Frederic Trenck Containing His Adventures, His Cruel & Excessive Sufferings During Ten Years' Imprisonment, eng. frontis, 1818.

PHIL MAY: pen and ink sketch of drunken sailor with arms round two ladies, dated 1897, mounted onto card, approx 19 x 14cm: together with an original pen and ink sketch for Punch magazine by Linley Sambourne, 1895, plus one other late 19th century commercial art. (3)

Napoleonic Wars, pre-1805, anti-French broadside 'An Invasion-Sketch', printed in two columns by Luke Hansard, describing what will happen to Londoners if Napoleon Bonaparte conquers Great Britain, on laid paper watermarked 'A Blackwell / 1801', 41.5 x 33cm

Stanley SPENCER (1891-1959) Sketch for Sandham Memorial Chapel Pencil on paper, inscriptions to verso, 24 x 19cm, 46 x 33cm framed.Stanley Spencer Studio Sale stamp to verso.Inscribed to verso 'Another study of a soldier washing a shirt - on a rock in ... ravine C... Macedonia. A more ideal means for scrubbing shirts than one of these smooth shiny granite boulders could not be found'.Sketches for Sandham Memorial Chapel, Hampshire. Sandham Memorial Chapel was commissioned by Mary and Louis Behrend as a memorial to Mary’s brother, Lieutentant Henry Willoughby Sandham, who died at the end of World War One. It was designed by Lionel Pearson in the 1920s and was built to accommodate a series of paintings by Stanley Spencer inspired by his own experiences of the war. Created to honour the 'forgotten dead' who were not remembered on any official memorials, the series chronicles Spencer’s everyday experiences as a medical orderly and soldier on the Salonika front.

Stanley SPENCER (1891-1959) Sketch for Sandham Memorial Chapel Pencil on paper, inscriptions to verso, 24 x 19cm, 46 x 33cm framed.Stanley Spencer Studio Sale stamp to verso.Inscribed to verso 'drawing of soldiers picking up white stones for long picture of Todorovo, Macedonia'.Sketches for Sandham Memorial Chapel, Hampshire. Sandham Memorial Chapel was commissioned by Mary and Louis Behrend as a memorial to Mary’s brother, Lieutentant Henry Willoughby Sandham, who died at the end of World War One. It was designed by Lionel Pearson in the 1920s and was built to accommodate a series of paintings by Stanley Spencer inspired by his own experiences of the war. Created to honour the 'forgotten dead' who were not remembered on any official memorials, the series chronicles Spencer’s everyday experiences as a medical orderly and soldier on the Salonika front.

Paul Simonon signed drum skin. Signature on skin is of original The Clash bass player Paul Siminon and has the sketch of his broken base (please note there is no certificate of authenticity included). Condition appears generally Good to Good Plus. See photo.

A collection of five vintage autographed entertainment photographs and portraits, featuring a mix of Hollywood actors, musicians, and television personalities. The lot includes: George Peppard framed sketch portrait signed by the subject, housed in a wooden frame. Morgan Brittany framed autographed photo with an inscription. A signed black-and-white promotional photograph of Leonard Wilson. An autographed cast photo of The Jacksons signed by Tito Jackson and a vintage signed photograph of a young actor wearing a "Scooter" sweater. Each piece includes personal inscriptions or signatures from the celebrities, making this an exceptional lot for collectors of entertainment memorabilia.Issued: 20th centuryDimensions: 8" x 10"LCondition: Age related wear.

A MATCHED PAIR OF GILT METAL MOUNTED BLUE JOHN 'GOAT'S HEAD' CANDLE VASES THE FIRST GEORGE III, CIRCA 1775, BY MATTHEW BOULTON, THE SECOND PROBABLY 20TH CENTURY Both with reversible gadrooned nozzles, tapering ovoid bodies hung with laurel swags, the shoulders with goat's heads, on waisted spiral fluted socle bases and square stepped plinths terminating in ball feet 21.5cm high as candlesticks Literature: N. Goodison, Matthew Boulton: Ormolu, London, 2002, p. 333, figs. 332-333.The 'goat's head vase' is derived from a sketch illustrated in Boulton and Fothergill's pattern books preserved in the Birmingham City Archives (Pattern Book 1, p.171). The model was one of the most popular of the smaller vases and first appeared in 1769 when a Mrs Yeats ordered '1 pair of goat's head vauses light blue cheny or enamelled'. In the same year, Sir William Guise ordered a pair with Blue John bodies. Other buyers of goat's head vases include Lord Digby in 1774 and Lord Scarsdale in 1772, who paid £4.4s a pair. Some examples feature 'antique' medallions depicting the head of Alexander the Great, suspended from the rim of the vase. Condition Report: Generally good and structurally secure. As noted one vase is 18th century with gilt metal of a more yellow colour - old cracks and repairs to the blue john of both with some vacant areas to surface. The second probably 20th century with more `brassy' gilt metal and slightly different proportions to the cradle and socle. Note that there may be some mixing of 18th century and later metal parts. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

Approx 20 sketch pads of watercolours together with approx. 14 loose watercolours mixed subjects which look like greeting card and jigsaw box design covers also a large number of WW2 and WW1 images of Danbury mint bronzed sculpture designs with titles SAS Desert Raiders, El Alamein, Scramble, VE Day and many moreLocation:If there is no condition report shown, please request

Atlas.The Edinburgh Geographical and Historical Atlas, comprehending a sketch of the History of Geography ... and History of each Continent, State, and Kingdom, delineated. And a tabular view of the principal mountain chains in the World.Edinburgh: John Hamilton, successor to Daniel Lizars, no date [c. 1831], folding table of mountain chains and fifty-eight hand-coloured engraved folding maps (correct as list), some age-toning and marginal dust-staining but maps generally clean and bright, mountain chains plate with reinforced folds, few tears along folds of other plates, title and contents a little soiled, pp. 245-248 bound out of sequence, contemporary half calf, worn, upper board detached, folio.

Donald Pass: pencil sketch, "The Resurrection Study 1", design for a mural, 57" x 27", unframed

Φ A PENCIL SKETCH - THE FORGE IIBY RACHEL RECKITT (ENGLISH, 1908-1995), 20TH CENTURYshowing two farriers at an anvil, titled verso36.5 x 24.3cmProvenanceThe Howard Collection of Oak and Works of Art.Bought from the Rachel Reckitt Studio Sale, 19th March 1996.

Back To the Future: a group of 23 comics featuring rare covers and variants (IDW Comics, 2015-17) Majority of comics in lot in High-Grade condition. This lot features:Back to the Future No. 1 - IDW Blank sketch CoverBack to the Future No. 1 - IDW - Reprint 3rd PrintingBack to the Future No. 1 - IDW - Retailer Incentive Cover 1:10Back to the Future No. 2 - IDW - Main Cover ABack to the Future No. 2 - IDW - Subscription Cover CBack to the Future No. 3 - IDW - Main Cover ABack to the Future No. 4 - IDW - Main Cover ABack to the Future No. 5 - IDW - Main Cover ABack to the Future No. 5 - IDW - Subscription CoverBack to the Future No. 6 - IDW - Subscription CoverBack to the Future No. 7 - IDW - Subscription CoverBack to the Future No. 8 - IDW - Subscription CoverBack to the Future No. 9 - IDW - Main CoverBack to the Future No. 10 - IDW - Main Cover ABack to the Future No. 11 - IDW - Main Cover ABack to the Future No. 12 - IDW - Main Cover ABack to the Future No. 16 - IDW - Cover BBack to the Future No. 18 - IDW - Subscription CoverBack to the Future No. 19 - IDW - Subscription CoverBack to the Future No. 21 - IDW - Subscription CoverBack to the Future No. 22 - IDW - Cover BBack to the Future No. 23 - IDW - Cover BBack to the Future No. 24 - IDW - Cover BAll issues 1st print, US Cents editions.Issues complete without cut coupons, missing value stamps or missing pages.Issues comes bagged and boarded in polypropylene bags and comic boards, 2 comics per bag and board.~(23)Condition Report: Majority of comics in lot in High-Grade condition.

Marvel and DC Comics Exclusive limited Trade dress and Virgin Variants: a group of 13 limited edition covers (Marvel/DC Comics, 2022-2024) A group of limited edition Shop Exclusive Marvel and DC variant covers. Trade dress and Virgin editions included. All limited editions. High-Grade condition. Certificates of Authenticity included where supplied by producers.This lot features:Conan the Barbarian (2019) No. 1 - Marvel - Zaffino Virgin Variant LDT 627/1000.The Joker Comic (2019) No. 1 year of the villain Mike Mayhew Virgin LTD/1000.Alien (2021) No. 1 Marvel - Greg Horn Virgin Variant LTD/1000.I am Batman (2021) No. 1 - DC - Tyler Kirkham Virgin Variant LTD /1000.Hulk (2021) No. 1 - Marvel - Alan Quah Virgin Variant Cover LTD /1000.Carnage (2022) No. 1 - Marvel - Mico Suayan Virgin Variant Cover LTD /1000.Carnage (2022) No. 1 - Marvel - Mico Suayan Black and White Sketch Variant Cover LTD /1000.House of Slaughter (2021) No. 1 - Boom - Santa Fung Variant LTD 618/900.Moon Knight (2021 No. 1 - Marvel - E.M Gist Virgin Variant LTD /800.Dark Webb (2022) No. 1 - Marvel - Bosslogic Virgin Variant LTD 715/800.Venom Lethal Protector (2022) No. 1 - Marvel - Lucio Parrillo Virgin LTD /800.Deadpool (2024) No. 1 Marvel Todd Nauck Variant LTD 424/800.Exceptional X-Men (2024) No. 1 Marvel Warren Louw Colour splash LDT /800.All copies 1st print. US Cents editions.Issues complete without cut coupons, missing value stamps or missing pages.Issues comes bagged and boarded in polypropylene bags and comic boards.~(13)Condition Report: High-Grade condition.

Venom No. 6 CGC Grade 9.8, featuring Mico Suayan Unknown Comics sketch virgin variant cover (Marvel comics, 2018).Venom No. 171 in legacy numbering. Unknown Comics exclusive Virgin Sketch variant edition featuring Venom and Knul. Creators: Donny Cates story. Ryan Stegman art. Mico Suayan cover.Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition. Uncleaned/Unpressed.CGC serial number:2030421013CGC Grader Notes:Unavailable.~(1)Condition Report: NM/M (Near Mint/Mint) condition (9.8)Uncleaned/Unpressed.

Marvel + DC Comics 1:100, 1:200, 1:250 (1 per 100, 200, and 250 copies) Retailer Variants: a group of 6 Retailer Incentive variant covers (Marvel/ DC Comics, 2018-2023) High-Grade condition. This lot features:Heroes in Crisis (2018) No. 1 - DC - Mark Brooks Variant Ratio 1:100.Year of the Villain (2019) No. 1 - DC - Stanley/Lau Artgerm (Cheetah) Ratio 1:100.Batman/Spawn (2022) No. 1 - DC - Jim Lee Sketch Virgin Variant Ratio 1:100.Lazarus Planet: Alpha (2023) No. 1 - DC - Scott Godlewski Virgin Variant Ratio 1:250.War of the Realms (2019) No. 1 - Marvel - Walter Simonson (F Cover) Variant Ratio 1:200.Non-Stop Spider-Man (2021) No. - Marvel - Alex Ross Virgin Variant Ratio 1:200.All issues 1st print, US Cents editions.Issues complete without cut coupons, missing value stamps or missing pages.Issues comes bagged and boarded in polypropylene bags and comic boards.~(6)Condition Report: High-Grade condition.

Tassie (William). Descriptive Catalogue of a Collection of Devices and Mottos English, French, and Italian, from Engraved Seals, formed in composition paste, and sold by William Tassie, Leicester-square, 1st edition, London: William Bulmer and Co., 1816, portion of top margin of title excised and replaced with later paper (not affecting text), minor spotting to a few leaves, A. M. H. P. bookplate to front pastedown, publisher's original printed cloth covers rebacked, small 4to, Gray (John M). James and William Tassie, A Biographical and Critical Sketch with a Catalogue of their portrait medallions of modern personages, 2 volumes Edinburgh: Walter Greenoak Patterson, 1884, portrait frontispiece, full-page illustrations, some pages toned, ownership bookplate of Walter G. Strickland to front pastedown, contemporary cloth, paper title label to spine, corners and head and foot of spine a little bumped, 8vo, with another copy of the same, 8vo, together with three other volumes QTY: (6)

* Harding (James Duffield, 1797-1863). Carew Castle, August 1844, pencil and white body colour on grey wove paper, laid onto mount board, titled and dated lower right in pencil, mid 20th century Thos Agnew & Sons Ltd printed label and old auction/exhibition label preserved on paper adhered to verso, sheet size 12.8 x 17.4 cm (5 x 7 ins), together withCooper (Thomas Sidney, 1803-1902). Study of a Goat, 1842, pencil study on paper of a horned goat, a few small brown marks, signed and dated lower right, 13.5 x 19 cm (5 3/8 x 7 1/2 ins) mount aperture, framed and glazed (30 x 34 cm), plusCalvert (Frederick, 1785-1845). St Martin's Church, Birmingham, circa 1850, watercolour on paper, a view of St Martin's church in the Bull Ring, typed information label to verso, mount aperture 17.5 x 10.5 cm (7 x 4 1/4 ins), framed and glazed (39 x 31 cm), andDuncan (Edward, 1803-1882). The Shore at Oystermouth, Mumbles, pen and ink, depicting boats on the shore at Oystermouth, a sketch of a woman's figure in the upper left corner, monogram, title and signature to lower margin, 11 x 17.5 cm (4 3/8 x 6 7/8 ins) mount aperture, framed and glazed (27.5 x 32.5 cm), and eight other 19th century English watercolour and pencil drawings by various artists, mostly landscapes, churches, boats, etc., including a view of Iona Abbey by R. Peyton(?), watercolour on paper, with manuscript and printed information to frame verso: title, artist and date inscribed in ink, Charles E. Luton framer's label, and an article on Iona from The Times, dated 1870, mount aperture 11.5 x 24 cm (4 1/2 x 9 1/2 ins), framed and glazed (32 x 43.5 cm), James Robertson, E. Ellis, W. Cheesman, E.H. Ernest, various sizes, largest 31 x 35 cmQTY: (12)

Franklin White (British, 1892-1975)Study of a seated young lady watercolour, approx 25 x 35.5cm signed in pencil lower right, with Studio sale Stamp (held September 2012) together with a folio of fifteen various graphite or watercolour unsigned preparatory sketches of the same model in various seated poses;A collection of various female nude sketches on paper, mediums include pencil, red chalk, pen; various sizes, two with Franklin White stamps;Lady seated watercolour on tracing paper, 25 x 19cm, signed lower left, unframed together with a red chalk sketch of a lady, signed Aug 5 1960 Brunhilde, Artist's stamp to reverse together with three further pencil sketches by the artist, various sizes;Three male nude pen and pencil sketches, one titled Peter, all with Artist's stamp verso, all unframed, the largest 33 x 17cm;Portrait study of a Girl pencil sketch, 24 x 28.5cm signed lower right, unframed together with further pencil sketches subjects include: Sooty (cat), musicians, children, women;Profile portrait of a lady pencil sketch, 24 x 23cm signed lower right, unframed together with a collection of preparatory sketches subjects include female portraits and female nude studies (Q)

William Henry Pike RBA (1846-1908) Watercolour Continental rural scene of figures and dwelling by river, signed lower left, framed and glazed, mount aperture 19.5cm x 3.5cm, together with a William Thomas Hawksworth (1853-1935) pencil and ink drawing of Portsmouth harbour, framed and glazed, mount aperture 17.5cm x 24cm, a Christopher Arnold (b.1955) watercolour "Sun and Rain, Grand Havre", signed lower right, framed and glazed, mount aperture 12.5cm x 17cm and a pastel sketch by Carole North, "Langstone Harbour Sunrise", signed lower right, framed and glazed, mount aperture 22.5cm x 31.5cm (4)

Quantity of literature including a peace souvenir, Norwich War Record, Broad Norfolk EDP publication and sketch book of Norwich by E V Cole together with a map of Norfolk

R O Lenkiewicz (1941 - 2002) celebrated artist of South West England who often dealt with difficult social issues through themes in his work such as vagrancy and alcoholism. A pencil portrait sketch of a young boy, signed lower right and dated 'September 1974' verso, image size 33 x 25cm, f & g

R O Lenkiewicz (1941 - 2002) celebrated artist of South West England who often dealt with difficult social issues through themes in his work such as vagrancy and alcoholism. A pencil sketch portrait of a young boy, signed lower right and inscribed verso 'Brenda Taylor' - 'Drawing made in September 1974 for Brenda's Father's Birthday' - 'Reframed October 2002', image size 39 x 26cm, f & g