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Crimea.- Brackenbury (George) The Campaign in the Crimea: An Historical Sketch, first and second series, together 2 vol., tinted lithographed additional pictorial title and 80 plates by William Simpson, ink ownership signature of the 4th Baron Bolton to both titles, vol.1 gutter slightly cracked with a few leaves working loose, first couple of leaves lightly spotted, light occasional foxing, vol.2 very minor loss to upper edge of front endpapers and bookseller's label to rear pastedown, vol.1 with bookplate, original blue cloth, elaborately stamped in gilt and blind after M. Digby Wyatt, g.e., lower covers lightly soiled, extremities slightly rubbed, otherwise an exceptionally bright and attractive set, Paul and Dominic Colnaghi and Co., 1855-56; and a first edition set of The Uganda Protectorate by Sir Harry Johnston, 4to (4)
Robert Bagge-Scott (1849-1925)Sketch of boats in a dockyardSigned, pencil, 11.5cm by 20cm; together with a collection of miscellaneous etchings, prints, watercolours etc. including works by Burnette N.H Orphoot, others depicting Bingley bridge, Grimbsy docks, Bridgford bridge etc. (various sizes) (a collection)
Frederick Holding (1817-1874) The Repast Signed, watercolour, together with a further 19th century watercolour depicting a barn interior with figures, another likely Lakeland watercolour view, and a monochrome and wash sketch depicting horse, cart and figures and other figures grazing in an extensive landscape, 14.5cm by 24cm, 42.5cm by 53cm, 38cm by 54.5cm and 29cm by 49.5cm respectively (4)Provenance: A Private Collection
Tom Carr (1912-1977)"Risky", Study of a Jack RusselSigned, pencil and watercolour, 25.5cm by 32cm; together with a pencil sketch of a horse by the same artist, signed and dated 1962; a pencil study of a labrador "Perry", by J. Chapman Campbell, signed and dated 1985; and a contemporary pastel of a terrier (4)
Sophie Liénard (French, active 1842-1845)Queen Victoria (1819-1901), Queen of Great Britain and Ireland (1837-1901), standing in the Royal Box at the Drury Lane Theatre, wearing white dress, three-quarter-length sleeves trimmed with two tiers of white lace, white rosette to her corsage set with a diamond pendant jewel, blue sash of the Order of the Garter, black lace shawl, diamond pendent earrings and diamond tiara, the ruched trim of her white gloves decorated with black rosettes, a nosegay of pink roses held in a gold bouquet-holder (a gift from the Marquess of Coyngham) in her left hand, her right hand resting on the ermine stole draped over the ledge of her box, on which sits a programme held open by an ivory fan, the gilt-wood and red upholstered chair behind the Queen bearing her monogram VR. Painted on porcelain, signed on the reverse and dated, Queen Victoria/ copied by Sophie Lienard, of Paris,/ from the original by E. T. Parris/ London._1838., gilt-mounted on a suedette slip impressed with a gilt-metal crown and monogram VR, gilt-wood frame . Rectangular, 179mm (7 1/16in) highProvenance:Bonhams London, 28 June 2012, lot 151;The Twinight CollectionFootnotes:As indicated by the inscription verso, the present lot derives from a portrait by Edmund Thomas Parris (British, 1793-1873). On her first state visit to the Drury Lane Theatre in November 1837, Parris made a preliminary sketch of the Queen from his seat in the orchestra. Understandably, this image of the young Queen was immensely popular and was reproduced by a number of artists. A version by the miniaturist Sarah Biffin was sold in these rooms, 19 November 2008, lot 167. Versions in oil exist in the Royal Collection and the Forbes Magazine Collection, New York. The portrait was also engraved by Charles Edward Wagstaff and published by Hodgson & Graves on 5 April 1838, giving it an even wider circulation. Perhaps due to the success of this portrait, later the same year, Parris was commissioned by Hodgson & Graves to portray the Queen's coronation. He received sittings from the Queen and all of the key figures who were scheduled to attend the ceremony. A print of this painting, also by Wagstaff was later published in 1842.The whereabouts of Parris' prototype are somewhat elusive. It has been suggested that the original work is possibly that which formerly belonged to Queen Mary, exhibited in Queen Mary's Art Treasures at the Victoria and Albert Museum in 1954 (R. Ormond, Early Victorian Portraits, vol.I: Text, London, p.480).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Henry Bone R.A. (1755-1834)The sculptor, Sir Francis Leggatt Chantrey, RA. (1782-1841), in black morning suit, blue waistcoat with gold fob-seal, standing three-quarter length beside the bust of William Hyde Wollaston, F.R.S. (1766-1828) on a plinth. Enamel on copper, signed, dated and inscribed on the counter-enamel, Francis Chantrey Sculptor. RA./ London/ 1831 I Painted in Enamel by Henry Bone RA. / Enamel painter to His Majesty &c &c / after the Original by ).Jackson RA., frosted gilt-metal mount, engraved Sir Francis Chantrey RA/ Enamel HBone, RA., ormolu mount and gilded composition frame, the reverse with gilt-metal plaque engraved, Sir Francis Chantry RA/ THE SCULPTOR/ BY HENRY BONE RA/ THE GIFT OF HIS WIDOW/ Lady Chantry/ to A C BURDETT COUTTS, and a handwritten monogrammed note, With/ affectionate love/ from M.A.C./ to her ever kind friend/ Miss Burdett Coutts/ June 29th 1869. Rectangular, 242mm (9 1/2in) highProvenance: Lady Mary Chantrey (1787-1875), given in 1869 to Angela Georgina Burdett-Coutts, 1st Baroness Burdett-Coutts (1814-1902);The Rt. Hon. William Burdett-Coutts, M.P. (c. 1851-1921);Christie's London, 11 May 1922, lot 412 (40 gns. to Guerin);Leo R. Schidlof (1886-1966) Collection, Vienna, in 1924;Christie's London, 4 March 1992, lot 95;Christie's London, 10 June 2010, lot 135;The Twinight Collection Exhibited:London, Royal Academy, 1831, no.455London, New Gallery, Exhibition of the Royal House of Guelph, 1891 Vienna, Albertina, Internationale Miniaturen-Ausstellung in der Albertina Wien, 1924, no. 102 (lent by Leo R. Schidlof)Geneva, Musee d'Art et d'Histoire, Chefs-d'oeuvre de la Miniature et de la Gouache, 1956, no. 50. Literature:H. Clouzot, Dictionnaire des miniaturistes sur email, Paris, 1924, p. 31.L.R. Schidlof, The Miniature in Europe, Graz, 1964, I, p. 93.R. Walker, Regency Portraits, London, 1985, I, p. 105.R. Walker, 'Henry Bone's Pencil Drawings', The Walpole Society, LXI, 1999, p. 318, no. 99Footnotes:Sir Francis Leggatt Chantrey RA was the leading portrait sculptor in Regency era Britain, producing busts and statues of many notable figures of the time. His most notable works include the statues of King George IV (Trafalgar Square); King George III (Guildhall), and George Washington (Massachusetts State House). He also executed four monuments to military heroes for St Paul's Cathedral, London.In 1807, William Hyde Wollaston patented his design of the camera lucida, the scientific instrument used by Sir Francis Chantrey to project an image onto a plate from which a tracing could be made. As well as a great inventor, Wollaston was regarded as the most skilful chemist and mineralogist of his day and was responsible for the discovery of palladium and rhodium. A plaster bust by Chantrey of Wollaston is in the Ashmolean Museum (inv. no. 664-152) and is incised Died 22 Dec 1828 / WILLIAM HYDE WOLLASTON / M.D. V.P.R.S. FC, and a marble bust made in 1829 for Mrs Seymour Bathurst and presented by Lord Bathurst to the Royal Institution in 1879, is incised WILLIAM HYDE WOLLASTON / CHANTREY SC / 1830. Henry Bone's preparatory drawing of the present enamel is illustrated in R. Walker, Regency Portraits, London, 1985, II, pl. 231. The drawing, inscribed, J. Jackson RA/ FL Chantrey - 183*/ for Mrs Chantrey 1831 and a sketch of Bone made by Chantrey, are in the collection of the National Portrait Gallery (nos. NPG D17472 and NPG 316a [13b], respectively). The present lot derives from a portrait by John Jackson R.A., a version of which is in the Tate Gallery, London (inv. no. 3672).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Commonplacing - an early 20th century sketch and note book, various entries, a pen and ink drawing of a World War I soldier, Buttons up to Date, by F C Coleman, 12/5/19, a depiction of a motor car, The Pleasures of Peace, J Simpson 1919, etc; others, Austria-Hungary, writing exercises, poetry, etc (3)
Gertrude Massey (née Seth) (1868-1957) - an archive folio of her works and commissions, including letters from the British royal family, newspaper clippings and reviews, along with photographs of her portrait miniature subjects, including pets and animals; a letter from Sandringham, Norfolk on behalf of HRH The Prince of Wales, thanking Gertrude for the portrait miniature of his French bulldog "Peter", dated 1899; similar letters from Marlborough House, Pall Mall, London SW, dated 1900; a catalogue and invite, Exhibition of Miniatures of Dogs, New Bond Street, London, June 1900; other royal commission ephemera, including telegrams, "Mrs Massey, Please be at Windsor 11 o'clock and ask for Princess Beatrice", dated 1900; others similar; letters, Marlborough House, Pall Mall, "Dear Mrs Massey, would you kindly call here at 11.30 tomorrow morning, if possible, bring with you the painting the Princess has ordered for the Queen"; another "strongly" advising her to deliver the package to Buckingham Palace in person; letters and ephemera regarding other commissions and exhibitions, family portrait groups, c.1900; a small signed watercolour sketch
JESSIE MARION KING (SCOTTISH 1875 - 1949), YOUNG CHILD IN A BONNET AND GOWN pencil sketch on paper, circa 1910-11mounted, framed and under glassimage size 16cm x 20cm, overall size 36cm x 39cm Label verso: Ewan Mundy Fine Art Ltd., Glasgow Exhibition label verso: Jessie M King Exhibition 1971-2, Scottish Arts Council
Batman Turning Points Graphic Novel Signed by Adam West (Batman) Burt Ward (Robin) and Tim Sale.This lot features:Batman Turning Points Graphic Novel, DC Publishing. Signed by Adam West in blue pen on front cover inscribed Zap!, Adam West". Signed by Burt Ward in black pen on front cover. Adam West and Burt Ward famously played and voiced the characters Batman and Robin in the television series Batman 1966-1968 and multiple television shorts, specials and DC animated films.Signed and remarked with small Batman Sketch by Tim Sale in black pen. Tim Sale was an American comics artist (1956-2022) best known for his work on DCs characters Batman and Superman.Please note the signature has not been authenticated. Please satisfy yourself prior to bidding on this item.Complete without cut coupons, or missing pages.~(1)Condition Report: Excellent condition.
Dark Nights: Death Metal No.4, a set of 2 High grade CGC slabs. Featuring a 1 per 100 retailer incentive sketch cover by Greg Capullo, CGC Grade 9.8 and a regular cover of the same issue CGC Grade 9.8 (DC Comics, December 2020).Featuring a regular Foil embossed cover of Dark Nights Death Metal No. 4 and a scare 1 per 100 retailer sketch black and white variant cover of the same issue. For every one-hundred copies of the issues regular cover ordered by retailer outlets, a single copy of the black and white Greg Capullo variant cover was made available for the same retailer, immediately making the cover immensely rarer and sought after by collectors. High-Grade. Creators: Story by Scott Snyder, Interior art by Greg Capullo. Cover art by Greg Capullo.Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition.CGC serial number:38561300143856130016CGC Grader Notes:Unavailable(2)Condition Report: Both comics in NM/M (Near Mint/Mint) condition (9.8)
Dark Nights: Death Metal Rise of the New God No.1 1:25 retailer incentive sketch cover by Boss Logic, CGC Grade 9.8 (DC Comics, December 2020).Featuring a scare 1 per 25 retailer sketch cover. For every twenty-five copies of this issues regular cover ordered by retailer outlets, a single copy of this black and red Boss Logic variant cover featuring a nightmarish version of Batman was made available for the same retailer, immediately making the cover immensely rarer and sought after by collectors. High-Grade.Creators: Story by James Tynion IV, Interior art by Jesus Merino. Cover art by Code Abdo (aka Boss Logic).Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition.CGC serial number:3946353019CGC Grader Notes:Unavailable(1)Condition Report: NM/M (Near Mint/Mint) condition (9.8)
Venomized No. 1 CGC Grade 9.8, 1:50 retailer incentive sketch cover by Gabriele DellOtto with a customised Venom CGC label (Marvel comics, June 2018).Featuring a scare 1 per 50 retailer sketch cover. For every fifty copies of Venomized No. 1 (regular cover) ordered by retailer outlets, a single copy of this painted Gabrielle Dell'Otto one per fifty copies variant cover was made available for the same retailer, immediately making the cover immensely rarer. High-Grade.Creators: Story by Cullen Bunn. Interior art by Iban Coello. Cover art by Gabriele DellOtto.Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition.CGC serial number:3968675002CGC Grader Notes:Unavailable.(1)Condition Report: NM/M (Near Mint/Mint) condition (9.8)A nearly perfect collectible with negligible handling or manufacturing defects.
Batman No. 8 CGC Grade 9.6 1:100 retailer incentive sketch cover by Greg Capullo (DC comics, June 2012).Featuring a scare 1 per 100 retailer sketch cover. For every hundred copies of Batman No. 8 (regular cover) ordered by retailer outlets, a single copy of this black and white sketch variant cover was made available for the same retailer, immediately making the cover immensely rarer. High-Grade.Creators: Story by Scott Snyder, art and cover by Greg Capullo.Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition.CGC serial number:2031599002CGC Grader Notes:Spine stress lines(1)Condition Report: NM+ (Near Mint plus) condition (9.6)
Beta Ray Bill No. 1: a pair of 9.8 CGC slabs: Hall of Comics variant cover (cover homage to Thor No. 337) trade dress and sketch variant (Marvel comics, May 2021)This lot features 2 CGC slabbed comics. Beta Ray Bill No. 1 Daniel Warren Johnson Hall of Comics full colour trade dress variant cover (Cover homage to The Mighty Thor No. 337 the original 1st appearance of Beta Ray Bill) Limited to 3000 copies worldwide, with Beta Ray Bill No. 1 virgin sketch variant cover, Limited to 600 copies worldwide.Creators: Story, interior art by Daniel Warren Johnson. Variant cover art by Daniel Warren Johnson.Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition.CGC serial number:38561300083856130008CGC Grader Notes:Unavailable(2)Condition Report: NM/M (Near Mint/Mint) condition (9.8)A nearly perfect collectible with negligible handling or manufacturing defects.
X-Men No. 5 CGC Grade 9.0 1:100 LEGO retailer incentive sketch cover by Leonel Castellani: homage to Wolverine by Frank Miller (Marvel comics, November 2013).Featuring a scare 1 per 100 retailer sketch cover. For every hundred copies of X-Men No. 5 (regular cover) ordered by retailer outlets, a single copy of this black and white sketch Lego variant cover was made available for the same retailer, immediately making the cover immensely rarer. The cover illustration is a homage to Frank Millers cover artwork for Wolverine Limited series no. 1.Creators: Story by Brian Wood, interior art by David Lopez, cover art by Leonel Castellani.Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition.CGC serial number:1286568016CGC Grader Notes:Large, moderate spine stress lines(1)Condition Report: VF/NM (Very Fine/Near Mint) condition (9.0)
Venom No. 32 CGC Grade 9.6 1:100 retailer incentive sketch cover by Ryan Stegman (Marvel comics, March 2021).Featuring a scare 1 per 100 retailer sketch cover. For every hundred copies of Venom No. 32 (regular cover) ordered by retailer outlets, a single copy of this black and white sketch variant cover was made available for the same retailer, immediately making the cover immensely rarer. High-Grade.Creators: Story by Donny Cates. Interior art by Iban Coello. Cover art by Ryan Stegman.Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition.CGC serial number:3946353018CGC Grader Notes:Unavailable.(1)Condition Report: NM+ (Near Mint plus) condition (9.6)A very well-preserved collectible with several minor manufacturing or handling defects.
Hawkeye: Kate Bishop No. 3 CGC Grade 9.8 sketch cover by Jim Cheung (Marvel comics, March 2022).Creators: Story by Marieke Niikamp, interior art by Enid Balam, cover art by Jim Cheung.Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition.CGC serial number:3994241015CGC Grader Notes:Unavailable(1)Condition Report: NM/M (Near Mint/Mint) condition (9.8)
Jeffrey Catherine Jones: an original pen and ink artwork, signed by the artist Framed and glazed.Jeffrey Catherine Jones (1944 2011) was an American artist who created many contemporary fantasy, classic and comic artworks. Noted Fantasy artist Frank Frazetta considered Jones the the greatest living painter. Jones first found fame as Jeff Jones, later Jeffrey Jones. After transitioning to female Catherine was added as a middle name in 1998.This lot features:An original study of a figure gazing to their left. Pencil and watercolour. A beautiful, ethereal atmosphere has been applied to the piece.Jeffrey Jones Sketchbook, Hardcover, Vangard Publishing. Containing a collection of Jones black and white sketch studies with a narrative interview running throughout the publication detailing Joness thoughts on completed works.~(2)
Power Rangers Unlimited: Heir to Darkness No. 1 featuring a virgin black and white sketch cover CGC Grade 9.8 (Boom! Studios Comics, March 2021).Featuring a scare 1 per store black and white variant cover. Retailer outlets were allowed to order a single copy of this cover making it immensely rarer and sought after by collectors.Creators: Story by L.L McKinney, interior art by Simone Ragazzoni, cover art by Dan Mora.Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition.CGC serial number:3856130022CGC Grader Notes:Unavailable(1)Condition Report: NM/M (Near Mint/Mint) condition (9.8)
Something is Killing the Children No. 12 bloody sketch virgin variant cover CGC Grade 9.8 (Boom! Studios Comics, November 2020).Creators: Story by James Tynion IV, Interior art by Werther DellEdera.Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition.CGC serial number:3856128016CGC Grader Notes:Unavailable(1)Condition Report: NM/M (Near Mint/Mint) condition (9.8)
Venom No. 31 CGC Grade 9.8 1:100 retailer incentive sketch cover by Ryan Stegman with a customised Venom CGC label (Marvel comics, February 2021).Featuring a scare 1 per 100 retailer sketch cover featuring Knull: The King in Black. For every hundred copies of Venom No. 31 (regular cover) ordered by retailer outlets, a single copy of this black and white sketch variant cover was made available for the same retailer, immediately making the cover immensely rarer to collectors. High-Grade.Creators: Story by Donny Cates. Interior art by Iban Coello. Cover art by Ryan Stegman.Graded by CGC and protectively slabbed within CGCs archival-grade capsule.White Pages. US Cents edition.CGC serial number:3968675001CGC Grader Notes:Unavailable.(1)
Batman No. 18 CBCS Grade 9.4 1:100 retailer incentive sketch cover by Greg Capullo (DC comics, May 2013).Featuring a scare 1 per 100 retailer sketch cover. For every hundred copies of Batman No. 18 (regular cover) ordered by retailer outlets, a single copy of this black and white sketch variant cover was made available for the same retailer, immediately making the cover immensely rarer. High-Grade.Creators: Story by Scott Snyder, art and cover by Greg Capullo.Graded by CBCS and protectively slabbed within archival-grade capsule.White Pages. US Cents edition.CGC serial number:0009999-AA-036(1)Condition Report: NM (Near Mint) condition (9.4)
Monty Python signed by 5 ( not graham ) Black and White photograph mounted with two pieces of paper signed . Monty Python (also collectively known as the Pythons)[were a British comedy troupe formed in 1969 consisting of Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. The group came to prominence for the sketch comedy series Monty Python's Flying Circus, which aired on the BBC from 1969 to 1974.
Grego,J.: Rowlandson the caricaturist. 2 Bde. London, Chatto and Windus 1880. 4°. Mit 1 Portrait-Front. u. ca. 400 tls. ganzs. Illustr. XV, 378 S., 1 Bl.; XI, 454 S., 1 Bl. Ohldrbde. mit Rverg. u. Kopfgoldschn. (Fleckig, berieb. u. best.). Erste Ausgabe. - "A selection from his works with anecdotal descriptions of his famous caricatures and a sketch of his life, times, and contemporaries" (Untertitel). - Tls. leicht fleckig, Innengelenke brüchig. - Exlibris.
Anderson,W.: The pictorial arts of Japan. With a brief historical sketch of the associated arts, and some remarks upon the pictorial art of the Chinese and Koreans. London 1886. Fol. Mit 80 Taf. in versch. Techniken u. 146 Textabb. XIX, 276 S. In 4 illustr. Olwd.-Mappen. (Stärkere Gebrauchsspuren). Erste Ausgabe. - "Artist's Proof Copy" (hier ohne Num.), vom Verf. sign. - Tls. leicht fleckig u. mit kl. Randläs.
Livingstone,D.: Missionary travels and researches in South Africa; including a sketch of sixteen years' residence in the interior of Africa. London, Murray 1857. Gr.8°. Mit 1 gest. Portrait, 2 gefalt. Stahlstichkarten, 1 gefalt. Höhenprofil, 23 Holzstich-Taf. (1 gefalt.) u. ca. 20 Textholzst. IX, 687, 8 S. Mod. Hldr. Mendelssohn I, 908. - Zweiter Druck der ersten Ausgabe. - Tls. gering fleckig, Vors. mit Widm. (dat. 1858).
This group includes an engraved map of a Florida Reefs chart from Key Biscayne to Carysfort Reef done under the command of Lieuts. J. Rodgers & T.A. Craven U.S. N. Assists. Dimensions: 15"L x 17.25"H. The second map is a Sketch of the Florida Reefs showing the progress of the survey with the key on bottom left. Dimensions: 4.25"L x 20.5"H. It also includes a sketch showing the positions of the Beacons on the Florida Reefs. Dimensions: 21"L x 17.5"H. Issued: 1855Country of Origin: United StatesCondition: Age related wear.
Harold Sutton Palmer (1854 – 1933), An Upland Farm Cornfield - Surrey, signed 'Sutton Palmer' (lower right), titled and inscribed 'Frank Phillips Smith - Won't you please accept this little sketch in memory of my fathers devoted friendship - Camille' (verso), watercolour, 23cm x 35cm, unframed
Charles Rennie Mackintosh (1868-1928) Scottish, Architectural Sketch: Canterbury Cathedral from Slaters Yard, signed 'C R. M' and dated 11 Sept /93, pencil, image 17 cm x 24 cm, framed and glazed 36 cm x 42 cm.James Strang label versoDrawing is sealed in the frame and glazed - it has not been removed from the frame for inspection. Appears to be in very good condition and ready to hang.
A collection of 19th and 20th Century sketches, paintings and prints. To include; a friendship book belonging to Joan at Harborne College, Warwickshire with entries dating 1918-1920, a 19th Century sketch/scrap book belonging to Dora Morris dated 1846, watercolours and drawings by Louisa Margaret Larking (dated 1939), manuscript watercolour illustrations by Edouard Beourgeois Bedbourg (1880-1939), Botanical prints and darwings (Qty)

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32316 item(s)/page