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A Collection of Various Vintage Toys and Games to include Merit Sketch-o-Magic, Fisher Price Family Farm and Medical Kit, Monopoly, Lotto Etc

Quantity of assorted pictures and prints inlcuding a 19th century English School, Coaching scene, watercolour sketch, 11.5x18cm; four Bartolozzi engravings; prints of Oriel College; Baxter print; loose maps, etc.Qty: 1 box

Joy Hawken, Hound sketch,pencil, signed dated 1982,15x25cm;together with three limited edition hunting printsAfter Hawken, Wednesday Country on to Everdon, numbered 3/285After Hawken, Peter Jones with the Pytchley Hounds, numbered 220/285After Lionel Edwards, The Pytchley Hunt - Crick Meet 1952, not from an edition.Qty: 4Condition report:The sketch appears in good order, no evident damages to the paper, no discolouration or staining. Not inspected out of the frame.

EDGAR ALBERT SLADE (1872-1963) - signed pencil sketch of daughter Nancie - 22cm x 20cm

EDGAR ALBERT SLADE (1872-1963) - signed pencil sketch of daughter Nancie - 30cm x 22cm

EDGAR ALBERT SLADE (1872-1963) - signed pencil sketch of young woman - 29cm x 19cm

A collection of books, paintings, engravings and etchings, to include: Two folio books (as found) 'Examples of Contemporary Art Etchings from Representative Works by living English and foreign artists' (Chatto and Windus, 1878); 'Storia Della Scultura', (Prato, 1823); A group of 19th-20th century oil and watercolour studies of animals; 19th century engravings after portraits and narrative paintings and others; together with an etching from a pencil sketch of Devon by Arthur Creed Hambly with the 1st, 2nd and 3rd state of pencilled etchings of the Avon gorge with Clifton Suspension Bridge in the distance

Damon Hill Portrait - Williams FW16 sketch drawing. Mounted Framed overall size 18.75x23.5 Inch. Signed by Artist S Taylor Limited Edition 129/350. Good condition Est.

MANNER OF ANTHONY VAN DYCK (FLEMISH 1599-1641): AN OIL PAINTING ON CANVAS BOZZETTI SKETCH OF A GENTLEMAN WEARING A RUFFPurchased by the vendor from the collection of Helmut Ruhemann.46cm x 31cmFramed 55cm x 39cmProvenance: Private collection, South West London.

Jessie Wilson (British, late 19th/early 20th Century), nude studies, signed and dated 1915/16 on Glasgow School of Art label, pencil sketch. Five sheets. Jessie Wilson was a former student and then professor at Glasgow School of Art.

I Sykes, miniature oil on board still life study depicting daffodils; Clare Munro, oil on board "Children Crabbing", pencil sketch etc.

A 19th century album of pencil sketches, portraits of notable figures, to include Charles I, each unsigned, sketch book 34 x 28cm. Condition - sketches generally good condition, book - front cover detached

A large quantity of mint stamps, booklets, autograph albums, a sketch book, photos, etc. (2 boxes).

"Snaffles" (Charles Johnson Payne), A Half Century of Memories and My Sketch Book, Mount and Man illustrated by Lionel Edwards and two print folios (5). Condition - poor to fair

A SMALL QUANTITY OF PICTURES AND PRINTS INCLUDING DAVID SHEPHERD ETC, David Shepherd signed prints comprise Hot-Potami 99/850, High and Mighty 99/850, Cool Cats 99/850, While The Sun shines 99/850 and Country Cousins 796/850 - faded, Lion Sketch 99/850 and Tiger Sketch 99/850, together with a Douglas E West cricket print signed by the artist and Freddie Trueman, a Mandy E Shepherd cricket print signed by the artist and David Gower and two sets of framed cigarette cards comprising Players footballers and Wills Association Footballers (11)

William Woodhouse (British 1857-1939) watercolour on paper 'sketch for a sailing ship', wthin stepped mount and gilt frame, 15.5cm x 22.5cm, 35.5cm x 40.5cm overall.

After Vernon de Beauvoir Ward (British 1905-1985) colour print 'Spring Concerto' within an oak frame, under glass 31cm x 43cm & 36cm x 47cm overall, sold together with a Michael Monks (amateur) watercolour 'Hotel Du Lac' mounted, framed and glazed 38cm x 47cm overall and an unframed watercolour and ink sketch of an alleyway, unsigned 42cm x 33cm overall.

'The Angel, Old Ipswich', watercolour, initialled HW, dated 1833, a sketch of 'Figures in an Interior' and a 'Fenland' print. The former 12 x 16 cm.

Dimensions: 47 cm x 36 cm Stem-shaped drum. Ye Qian yu has three wonders "cartoon, dance painting and sketch". Among these three, he is well known for dance painting.This painting “stem-shaped drum” was painted in 1981, depicting a folk instrument of Dai nationality, stem-shaped drum.In the painting, a young male Dai nationality dressed in ethnic costume and carrying a traditional drum, is dancing merrily. By standing on one foot and beating drums rhythmically with his hands, the dancer shows us a vivid glimpse of ethnic life.This is the typical feature of Ye Qian yu's works, "full of ethnic flavor".

Ernest Hemingway signature piece 8x6 inch overall, small signature mounted with black and white photo of sketch. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Andreae Vesalii Bruxellensis scholae medicorum Patauinae professoris, De humani corporis fabrica libri septem. Faksimile der Ausgabe Basel 1543, m. zahlr. Abb., 659 S., mamorierter Einband mit Lederrücken und -ecken, im OSchuber, dieser OHLn., sehr schönes und gut erhaltenes Exemplar, im Schuber dabei *Andreas Vesalius and his Opus Magnum* a biographical sketch and an introduction to the Fabrica, by G.A.Lindeboom, 23 S., Heftform.

Manner of Dame Laura Knight (Staithes Group 1877-1970): Boys with Fishing Nets, pencil sketch bearing signature 27cm x 17cm

Don Micklethwaite (British 1936-): 'Inner Harbour - Scarborough' 'Cayton Bay' and 'Blenheim', two watercolours and one pen and ink sketch signed, all with titles verso max 21cm x 30cm (3)

A small early 19th century pencil sketch, 'View near Folkstone', signed 'JDW Dean for G Morland, 1831', 10x15cm

A late 19th century pencil sketch of two gentlemen playing chess, 13x18.5cm, framed together with a pen and ink sketch of two men in hats, 13.5x13cm

Group of pictures: 19th century framed silhouette of a young girl in an ebonised pearwood frame; 19th century framed silhouette of a woman in square ebonised frame; early 20th century pencil sketch of a young girl, signed indistinctly lower right " E Pinet xxxxx/4 Apl."; Ebonised pearwood frame with brass inset; Oval framed engraving; late 19th century framed photograph (6)

Four framed and glazed pictures to include: a limited edition 195/350 print signed Timothy Greenwood together with a Rex Whistler print titled: "The Vale of Aylesbury" along with a limited edition print of a sketch and a sketch signed to the lower rightLocation: LAMIf there is no condition report shown, please request

A colour photograph, "Brewing up over Carnach", in strip frame, a watercolour sketch, Blakeney, and a colour print, Arch d' Triomphe", in strip frame

PETER BIEGEL (1913-1988). PORTRAIT OF HARRY COLBECK, PORTMAN HUNT WHIPPER IN, UPON A BAY HUNTER. (d) Slight sketch of horse and cart verso, oil on panel 29.5 x 24cm. Provenance: London, J. L. W. Bird, Exhibition of Sporting Pictures by Peter Biegel, Sherborne, April 1995. *CR Fine vertical craquelure in panel.

A GEORGE III MAHOGANY LIBRARY BREAKFRONT BOOKCASE, CIRCA 1780. with Chippendale style fret cut scroll pediment to astragal glazed doors, enclosing a wallpaper lined interior with twelve adjustable shelves, the cupboard base with moulded fielded panels and roundel detail, height 255cm, width 188cm, depth 50cm *Provenance: The Property of a Lady Shown in a watercolour sketch of the drawing room at Bells House, Wimborne dating from c.1942 when the property belonged to the vendor’s family. *CR Section of side moulding needs re-fixing, crack to one pane of glass, minor losses to moulding, water marks, re-stained.

A post-War C.B., Second War ‘North Africa’ D.S.O., O.B.E. group of eleven awarded to Major-General G. S. Hatton, Royal Engineers, who was twice Mentioned in Despatches The Most Honourable Order of the Bath, C.B. (Military) Companion’s neck badge, silver-gilt and enamel, with neck riband; Distinguished Service Order, G.VI.R., silver-gilt and enamel, reverse officially dated 1942, with integral top riband bar; The Most Excellent Order of the British Empire, O.B.E. (Military) Officer’s 2nd type breast badge, silver-gilt; British War and Victory Medals (2. Lieut. G. S. Hatton.); 1939-45 Star; Africa Star; Italy Star; Defence and War Medals 1939-45, with M.I.D. oak leaf; Coronation 1953, unnamed as issued, mounted as worn, good very fine (11) £3,000-£4,000 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- C.B. London Gazette 8 June 1950. D.S.O. London Gazette 9 September 1942: ‘In recognition of gallant and distinguished services in the Middle East during the period November 1941 to April 1942.’ The original Recommendation states: ‘Throughout the operations of 7th Armoured Division in November to December 1941, Colonel Hatton was Assistant Adjutant and Quartermaster General of the 7th Armoured Division and in this capacity was not only responsible for the maintenance, recovery and evacuation for three Armoured Brigades, Support Group and numerous Divisional Troops but also for the considerable number of other formations and units who were from time to time put under the Division. The initial planning and actual administrative execution lay entirely in his hands and in the ups and downs of a prolonged battle owed much to his initiative and determination. Although large enemy Armoured forces at one time cut the communications he never failed to maintain the Division. Always himself moving about the battlefield, coolheaded, unprotected and controlling his services with wireless he kept himself well in the picture and thus his foresight and resource enabled the Division to be maintained in a battle which took them 400 miles in 40 days.’ O.B.E. London Gazette 30 December 1941: ‘In recognition of distinguished services in the Middle East during the period February to July 1941.’ The original Recommendation states: ‘This Officer joined Alexandria Area H.Q., Staff on its formation and became responsible for its organisation from its inception. During the period in which he has served as Assistant Adjutant and Quartermaster General and Senior Staff Officer at this H.Q., vast problems have had to be dealt with, including the accommodation and evacuation of 120,000 Prisoners of War; the embarkation of 63,000 Officers and men and 10,000 vehicles for Greece; the accommodation and evacuation of 12,500 Officers and men evacuated from Greece, and 12,000 Officers and men from Crete in circumstances of considerable difficulty. His untiring energy and devotion to duty contributed in a large degree to the success of these operations. He has at all times shown himself to be unsparing in his efforts, has displayed marked ability and his services have contributed considerably to the successful solution of many and diverse problems connected with the prosecution of War.’ M.I.D. London Gazette 1 April 1941: ‘For distinguished services in the Middle East during the period August 1939 to November 1940.’ M.I.D. London Gazette 4 April 1946: ‘In recognition of gallant and distinguished services in North-West Europe.’ George Seton Hatton was born in Grenada, British West Indies, on 13 February 1899 and having moved with his family to Canada was educated at Upper Canada College, Toronto and the Royal Military College of Canada. Commissioned as Second Lieutenant in the Royal Engineers on 22 August 1917, he served during the Great War on the Western Front from 15 July 1918, and subsequently post-War with the Intelligence Corps in the Army of the Black Sea, and then on Staff in Constantinople during Turkey’s War of Independence. Re-joining the Royal Engineers, he served in Egypt and at home 1924-34; and was promoted Captain on 22 August 1928. After a year at the Staff College in 1935, he proceeded to India to take up the appointment as the R.E.’s General Staff Officer, and was promoted Major on 22 August 1937. Hatton accompanied the 11th Indian Infantry Brigade to Middle East as Brigade Major in 1939 and served during the Second World Wa on Staff services in the Middle East from 1939 to 1944 including appointments in Western Desert as Assistant Adjutant and Quartermaster General with the 7th Armoured Division, for which services he was Mentioned in Despatches and appointed an Officer of the Order of the British Empire; he also held senior appointments with the 9th Army and G.H.Q, for which services he was awarded the Distinguished Service Order. He subsequently served North West Europe in 1945, on the Staff of S.H.A.E.F., and on 3 April 1945 he assumed a command in 21 Army Group as a temporary Brigadier. For his services in North-West Europe he was again Mentioned in Despatches. Post-War, Hatton served as Commander of British Troops in the Low Countries, and then as Brigadier Administration and Quartering, B.A.O.R.. Returning to the U.K., he served as Chief of Staff, H.Q. Southern Command, Salisbury, from 1949, and was promoted Major- General on 18 February 1950. Appointed a Companion of the Order of the Bath in the 1950 Birthday Honours’ List, he served as Major-General Administration, B.A.O.R., from 1951 until retiring on 29 January 1954. Returning to Canada, he served as Deputy Federal Civil Defence Coordinator for Canada from 1955 to 1959. He died on 24 March 1974, aged 75. Sold with the following documents: i) The recipient’s two Mentioned in Despatches Certificates. ii) A copy of the Statutes of the Order of the Bath. iii) Two portrait photographs of the recipient iv) Photographs from various postings, including Turkey, Germany and North Africa; together with two sketch maps, one of the Battle Field of Sidi Rezegh November 1941, the other of Egypt and Western Desert 1940-41. v) A commemorative book for Upper Canada College covering the period when the recipient was a pupil; a copy of The Royal Engineers Journal containing the recipient’s obituary; and a copy of the Orders and Medals Research Society Journal, March 2009, which contains a detailed account of the recipient and his career vi) Various copied research and other ephemera including a bronze Zeebrugge Commemorative Medallion, 1954, in case. For the recipient’s related miniature awards, see Lot 535.

A small gilt framed oil on board of kittens, together with an ink sketch of a tiger and a mirror, mirror H. 41cm.

Autograph collection of British actors, entertainers and artists to include Richard Attenborough, Benny Hill, Eric Morecambe, Ernie Wise, June Whitfield, Max Miller, Sir Peter Scott (with sketch), Bruce Bairnsfather (with sketch), Terry Thomas, Chic Murray, Jack Watson, Peter Brough and Archie Andrews. Collected by the vendor's father who was a radio broadcaster throughout the 1950s

Gary R. Swanson World of Wildlife Paintings Reflections of Three Continents, 1986 deluxe signed edition limited to a total of 1,245 copies (copy 35 LE), this copy with original pen and ink sketch of tiger's head labelled 'remarque' signed and dated by the artist on half-title, illustrated with colour printed plates and black & white vignettes, oblong gilt folio hand-bound in full morocco with an original mounted bronze of horned ram inset on front cover [only 500 copies were remarqued copies]

AN ITALIAN CARRARA MARBLE FIGURE GROUP, AFTER THE ANTIQUE CASTOR AND POLLUX, THE SAN ILDEFONSO GROUP inscribed on the reverse CASTRO E APOLUCCIO 67cm high This marble figure group, known as the San Ildefonso Group, is a copy of a 1st century AD Roman group excavated sometime at the beginning of the 17th century. It was first documented in 1623 in the Ludovisi Collection, and subsequently appeared in engraved prints in 1638 by F. Perrier, 1683 by G. Audran, 1704 by P. A. Maffei, and in 1767 by J.J. Winckelmann. Nicolas Poussin produced a sketch of the sculpture around 1630, and another in 1680 was made by Ercole Ferrata. The group was later in the Rome collection of Queen Christina of Sweden, and in 1724 was acquired by Elizabetta Farnese and her husband Philip V of Spain. It resided at the royal palace of San Ildefonso at La Granja through most of the 18th century and early 19th centuries, from which its present name is derived. It is now in the collection of the Museo del Prado, Madrid. Drawing on the tradition of works by Praxiteles, the San Ildefonso Group is a typical work of Late Hellenistic and Roman eclecticism. The attribution of the two models of the group, represented as idealised nude male youths, has been disputed over the centuries but is now accepted as representing the twins Castor and Pollux, or alternatively the Greek mythological figures Orestes and Pylades. Interpreted as a representation of friendship and fidelity, to modern observers there is a homoerotic element to the group that may or may not have been intentional, but follows in the tradition of Praxiteles’ celebration of the idealised male form. From the 17th century onwards, copies were highly prized and could be found in private collections, palaces, gardens, and museums throughout Britain and continental Europe.

Rebecca Lardner, harbour scene, pencil sketch. 33x52cm approx. Framed and glazed. (B.P. 21% + VAT)

Terence Shelbourne (1930-2020). Nude female study pastel and pencil sketch, signed and dated 86, on yellow backing, 41cm x 55cm, framed and glazed

Barbara Jones (1912-1978) Double Sided Sketch, one side showing an annotated drawing of a cowboy and a man in a flatcap, the verso shows a sketch of a actors on a stage before a crowd, signed lower right, pencil, 23 x 17.5 (SH), 38 x 30 cm

λ A NEAR PAIR OF GEORGE IV ROSEWOOD TRIPOD WINE TABLESATTRIBUTED TO GILLOWS, C.1825-30each with an octagonal galleried top above a fluted lappet and triple column stem, on leaf carved cabriole legs (2)72.7cm high, 38.2cm wideCatalogue NoteFor a pair of Victorian goncalo alves occasional tables with similar cluster columns, see Woolley and Wallis, Collections and Fine Furniture, The Selected Contents of Dinton Hall, Buckinghamshire, lot 71.See Gillows Estimate Sketch Books, p.3170 drawn on 16 July 1822, held at the Westminster City Archives for a sketch of a similar table with a ‘double round cornered top’.Also Susan E. Stuart, 'Gillows of Lancaster and London, 1730-1840', vol. II, p.97, pl. 644 for a similar pair of 'flower tables' in rosewood also with ‘double round cornered tops’.

1.Otto Piene – LichtA book likely focusing on Otto Piene, a German artist and co-founder of the ZERO movement, renowned for his explorations of light, technology, and kinetic art.2.Joseph Beuys – Kleine ZeichnungenA collection of “small drawings” by Joseph Beuys, showcasing his early works or studies in sketch format, emphasizing his conceptual and minimalist style.3.Mein Rasierpinsel – Joseph BeuysA book associated with Joseph Beuys that reflects on his personal items and symbolic connections in his art, potentially focusing on the metaphorical aspects of his work.4.Joseph Beuys – Die MultiplesThis book catalogs the multiples (limited-edition artworks) of Joseph Beuys, illustrating his democratic approach to art and his intention to make art accessible to a wider audience.5.Joseph Beuys – Die AktionenA documentation of Beuys’s performances (“actions”), exploring his theatrical and participatory art practices aimed at engaging audiences directly.6.Joseph Beuys – Die Materialien und ihre BotschaftThis book dives into the materials Beuys used in his art and their symbolic meanings, reflecting his philosophy and environmental awareness.7.Günther Förg – Back and ForthA book on Günther Förg’s work, exploring his abstract painting, photography, and architectural influences, emphasizing his back-and-forth experimentation across mediums.8.Günther Förg – Aller RetourA catalog likely focused on Förg’s vibrant and dynamic artworks, showcasing his layered use of color and abstract forms while revisiting themes.

HUGH CASSON 1910-1999: TWO ARCHITECTURAL SKETCHES OF SOMERSET HOUSEand the premises of the R.A. in Pall Mall, broadly drawn in blue paint on brown paper (torn), initialled 'HC', framed, each 83 x 62cm, and a small sketch 'March 15th' (indistinct), signed 'Hugh Casson' framed 22 x 25cm (3)

English School, second-quarter 18th c - Sketch of a Horse-Drawn Rococo Carriage, the interior with a seated man smoking a pipe, numbered 40, pen-and-ink on paper, 23 x 31mm Provenance: Leonard G. Duke (1890-1971), civil servant and omnivorous collector of British drawings and works on paper. Good condition; unexamined out of frame, itself with slight wear.

British School, 19th Century -Interior of a workshop, a man at work with children and a cat looking on -Oil on canvas -54.5 x 74.5cm. With an oil sketch depicting a boy on the reverse

Punch satirical magazine pair of original ink on paper cartoons by William. J. Hodgeson (fl 1878-1903), late 19th Century, signed by the artist with his hand-written captions on the mounts, being 1) 'Proverbs / (Piscatorially put) / "'It is an ill wind…” / Particularly when it brings about a serious entanglement / between Charlie's flies and Mandie's pretty hair (Charlie is very short-sighted - so he says)’. “Original for 'Punch'"; size 5 ½ in. x 7 in. (13 ¾ in. x 15 ½ in. with frame); 2) ‘Sad want of Respect / Rude Boy (to Jones who hopes to be taken for a cavalry officer) "Fah! Call that 'ossmanship - / Why it'll be 'ossmanship week afore you've gone a mile’, signed and dated 1897, size 9 ½ in. x 6 ¼ in. (17 ½ in. x 13 ½ in. with frame). Both recently reframed using the original period frame, on the reverse of which is a laminated copy of the back of the cartoon board, on which Hodgeson wrote his original caption prior to the cartoon’s submission to Punch, that on the mount being the final published version. Light foxing. The term ‘cartoon’ to refer to a comic drawing was invented by Punch in 1843, when the Houses of Parliament were to be decorated with murals, and "cartoons" for the murals were displayed for the public; the term "cartoon" at that time being a finished preliminary sketch on a large piece of cardboard, or ‘cartone’ in Italian. Punch appropriated the term to refer to its humorous political cartoons and their popularity led to the term's widespread use.

Selection of Vintage Toys including Fisher Price Tree House, Activity Center, Play Family Camper, Etch A Sketch, Pelham Puppet, Novelty character dustbin storage container, etc.

EUROPEAN SCHOOL, 17TH CENTURY (8)Portrait of a gentleman pencil and coloured chalks 27.5 x 20.5cm together with a watercolour of men outside an archway; a watercolour of two men; a pencil sketch of a ruin; a red chalk portrait of a woman (unframed); a watercolour of an angel with inscription underneath (unframed); a pencil sketch of a European town by a river (unframed); and a small gilded frame (8)

DANISH SCHOOL, LATE 19TH/EARLY 20TH CENTURYA building and trees in a landscape signed with a monogram 'KH'? (lower right) oil on board 56 x 44.5cm with an oil sketch of a woman putting up her hair (to backboard)

Richard Drew, known as Zacron (British, 1943-2012) oil on board, street scene, 46 x 61cm, together with another oil on board, an etching and pencil sketch by the same hand. (4)

Richard Drew, known as Zacron (British, 1943-2012), pen, Sketch for Transient city, signed and dated 1978, 28 x 25cm, glazed frame

Robert O. Lenkiewicz (1941-2002), oil on board sketch of Esther in his Studio, framed and glazed, overall size 100cm x 76cm. Signed and inscribed on reverse.

Robert Lenkiewicz (1941-2002), a graphite sketch of a Scottie dog, signed in pencil lower right, framed and glazed, overall size 32cm x 26cm.

Aldin, Cecil (ill): a collection of volumes to include Emanuel: A Dog Day. 1904 reprints, with 28 colour plates. Pictorial boards, rubbed; Emanuel: The Snob. Lawrence & Bullen, 1904, 1st. Edn. Complete with 19 colour pales. 4to. Original pictorial covers. With tears to the spine, o/w Good+; Doggie And His Ways. Henry Frowde, no date, 1st. Edn. Pictorial card covers, prize label to front pastedown, Very good; Gyp's Hour of Bliss. No Publisher, no date, 4to. Pictorial card covers and 32 pages, with a coloured / coloured-in illustration to each page. First published in hard back by Collins in 1919. Stapled together, staples rusty and last couple of pages a little loose, o/w vg; Chalmers: Forty Fine Ladies. 1929, 1st. Edn. DW, 4to. VG; Just Among Friends, Pages from My Sketch Books. Eyre And Spottiswoode, 1934, 1st. Edn. 4to. Covers rubbed, Good+; Wonderland Wonders. Home Words Office, no date, 1st. Edn. With illustrations by Cecil Aldin, Louis Wain, etc. Original boards. Lower cover damp stained; o/w VG; Masefield: Right Royal, 1922, 1st. Illustrated edition; The Cecil Aldin Book. 1932, 1st. Edn. 4to. Very Good; The Bunch Book, For Dog Lovers Only. 1939, reprint. (10)

Edmund G Caldwell, (1852-1930), The Derby Dog, ink sketch, 36 x 25cm.

Raoul Millais (1901-1999) A charging bull engaged in a bullfight Signed, charcoal, together with a further black ink and wash sketch of a Flamenco dancer worked by the same hand, 25.5cm by 20cm and 27.5cm by 20cm respectively (2)Provenance: Inscribed to reverse of Flamenco dancer "from Raoul Millais my Grandfather"

Follower of William Hogarth FRSA (1697-1764) Woman pipe smoker Oil on panel, together with a further pencil sketch depicting cottages attributable to John Varley, 13.5cm by 11cm and 11cm by 9.5cm respectively (2)

A Victorian Silver-Mounted Cameo-Glass Scent-Bottle, The Cameo-Glass by Stevens and Williams, Stourbridge, March 1885, The Silver Mounts Birmingham, 1884-85 tapering, the white-cased red glass body carved across the body, sides and back with foliage and flowers centring an exotic parrot, the plain domed cover detached, in fitted gilt-tooled leather-covered casethe case 31.5cm long, the scent-bottle 25cm longLiterature:Stevens & Williams Description Book No. 9 as '9610 9" Ruby Cameo Saddle Bottle stopper as sketch decorated Parrot & Flowers'.Tennants are grateful to Philip Whittingham for his assistance in preparing this catalogue entry and to Regan Brumagen of the Rakow Research Library at the Corning Museum of Glass for identifying the bottle in the Stevens and Williams Description book.The silver cover fully marked inside. The marks are somewhat difficult to ready due to their placement. The lid is detached from the neck mount and with some minor bruises. There is a small crack at the back of the bottle, coming from below the neck mount. There are some chips inside the neck of the bottle and to the stopper. The glass seems to be otherwise in reasonable condition with only some typical scratches. There are some scuffs and marks to the case overall and the leather is becoming detached in some places.

White, standing female nude, watercolour together with a pencil sketch of a seated nude.

A large quantity of artist's sketch books.

Attrib. Sir Stanley Spencer (British 1891-1959): A Bustling London Train Station, pen and pencil sketch faintly signed, circa late 1920s, 46cm x 60cmNotes: The composition is filled with Spencer’s characteristic attention to human forms, each figure drawn with individuality and subtle emotion, capturing the energy and movement of a public space.The work's dense, rhythmic crowd scene and architectural grandeur, are reminiscent of his exploration of human interaction in both public and spiritual contexts, particularly during this time period.

English School (18th/19th century): Portrait of Elizabeth Buckland nee Oke (1756-1812), oval pencil sketch unsigned 17cm x 13cm