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1916 Rising postcards and ephemera collection. Includes scenes of destruction (11) by Daily Sketch and Hely`s, scarce photographic of Sheehy Skeffington by Roe McMahon, and 1913 Arrest of Jim Larkin by Valentine, also 1917 1st Anniversary Mass notice cards (2) of Edward Daly,William Pearse and others, 1935 IRA raffle ticket, etc. (18).

Cottage with a Yellow Door, pencil sketch signed by Jean Hobson

A pencil sketch entitled verso Newhaven, Sussex signed W.R. Beverley - 30 cm x 47 cm Condition report: Some spotting and knocks to frame

Late 19th/early 20th century, English School, A three quarter length portrait of a gentleman seated by a window, oil on canvas, 50 x 40 cm, together with a charcoal sketch after Rembrandt, signed with a monogram CONDITION REPORT: First with all over cracklelure, losses and loose in frame

Late 19th/early 20th century, English School, A three quarter length portrait of a gentleman seated by a window, oil on canvas, 50 x 40 cm, together with a charcoal sketch after Rembrandt, signed with a monogram CONDITION REPORT: First with all over cracklelure, losses and loose in frame

A FOLLOWER OF JOHN CONSTABLE "View on the River Stour Suffolk 1821", a river landscape with figures in foreground, oil on panel, unsigned, bears label verso inscribed "This sketch is by John Constable RA View on the River Stour Suffolk 1821 like most of the said.... works at an early period of painting is rather highly finished but has still the masterly effort which is found on most of his works who executed in light and shade and cloudy effect softness in colour and transparency as is found in this sketch. Sketch was supposed to be for the jumping horse. Yours sincerely Charles Leslie 1857 - 107H Collection", 29.75 cm x 43 cm. CONDITION REPORTS Oil is very cracked throughout, three horizontal splits running from the right corner each approx. 8 cm long (although they are to the surface of the oil), there is a deeper split which has been touched up in red on the right corner approx. 1.5 x 0.3 cm, painting is quite dirty, paint thinning in areas, corners have knocks, bumps and nibbles out at edges, back has splits and knocks to edges throughout , has clearly been uncared for over the years and out of a frame for some time, has old ink written label attached verso (see photo) and some deep scratches throughout. Under UV light the right-hand side of the painting by the tree appears to have had some extensive restoration, but otherwise does not show any further signs of restoration. No particular Provenance known, though from a local private source. Appears to have been relatively recently varnished.

A quantity of commemorative newspapers to include Daily Herald: King George VI is Crowned, Daily Sketch: The Bereaved Queen, etc.

A quantity of commemorative newspapers to include Daily Herald: King George VI is Crowned, Daily Sketch: The Bereaved Queen, etc.

* JAMES COWIE RSA LLD (SCOTTISH 1886 - 1956), PORTRAIT OF WILLIAM MACKAY MACKENZIE LLD oil on canvas, signed 52cm x 42cm Framed Note: William Mackay Mackenzie (1871-1952) was a Scottish historian, archaeologist and writer. He was an expert on folklore and held the position of Secretary of the Royal Commission on Ancient and Historical Monuments of Scotland between 1913 and 1935. A preparatory sketch for this oil painting is illustrated in `Modern Scottish Painters, Number Seven: James Cowie` by Cordelia Oliver (University Press, Edinburgh, 1980). Plate 43, page 63.

Hunting Countries, by J A Stewart, dated 1935, together with A Year With Horses, John Board's Sketch Book, Seen From The Saddle, written and illustrated by Lionel Edwards R.I., 'Osses and Obstacles' by Snaffles, dated 1935, and Sketches in Stable and Kennel, written and illustrated by Lionel Edwards

§ Ron Van Gennip (Australian, 20th Century) The Big Splash signed lower right ""Van Gennip"" oil on board 37 x 47cm (14 x 18in) Provenance: Wylde`s Art Gallery, 95 Chrysostom Street, Trigg, Western Australia. Ron Van Gennip was born in Sydney, Australia, to artistic parents who encouraged him to paint and sketch whilst the family were living in New South Wales. At the age of 18 Gennip was awarded a 3 year scholarship to Sydney Technical College which led to him working with a prominent commercial art firm for 12 years. Whilst working at the firm Gennip also studied at the Drummayne Art Society, then led by the notable Australian artist Joshua Smith. Eventually Gennip gave up commercial pursuits in favour of focusing on fine art. Gennip has exhibited his impressionistic paintings in Australia, Hong Kong, Japan and London and also collaborated with the esteemed Australian artist Robert Hagan. Condition is fine.

R.David Digby (British, b. 1936), pencil sketch of a peregrine falcon, 20 x 25cm

A hand coloured print of an original pen and ink sketch, framed, mounted and glazed, indistinctly signed 'Maddy', edition number: 4/85, and a print from an original oil painting by Michel Sementzeff, Townscape, framed and glazed, 49 x 49cm.

After Laura Knight (1877-1970) British. Sketch of a Seated Couple, Pencil, Bears a Signature, 9.5” x 6.25”.

Arthur Wellington Fowles (c.1815-1883) British. A Shipping Scene, with a Clipper, and a Steam & Sail, Oil on Canvas laid down, Signed and Inscribed ‘July 9/54 to Leaving Spithead Sketch St Vincent to (indistinctly) Spleyax’ in Pencil, 5” x 9”.

19th Century English School. A Coastal Scene, with Shipping, a Sketch, Oil on Board, 10” x 12”.

I… A… Tikhiy (20th Century) Russian. “Talya”, Sketch of a Girl, Oil on Board, Inscribed on label verso, 19” x 13.5”.

After Paolo Veronese (1528-1588) Italian. ‘The Last Supper’ a Sketch, Oil on Paper laid down, 8” x 13”.

An early 20th century sketch book/autograph album containing numerous water colours, sketches and rhymes, named Charles Sidney Belding of Wellington Terrace Belper

William Ewart Lockhart (1846-1900), A sketch from Life of H. M. Queen Victoria, for his picture of the service in Westminster Abbey for her Jubilee, oil on canvas, oval, 109cm x 83cm.

Edwards (Lionel R.I). A Leicestershire Sketch Book published by Eyre and Spottiswoode, 1935.

*Oliver Hilary Sambourne Messel (1904-1978). Theatrical figure holding candlestick and sketch of a stage verso, pencil, unsigned, 26cm x 19cm.

WILLIAM JAMES MULLER (1812-1845)¦A Study of Grass, Rocks and Trees¦watercolour¦8 1/2 x 12 1/4in (21.6 x 31.2cm)¦¦sold with a watercolour by William Callow depicting¦view on the East Lynn; and a pencil sketch by William Callow depicting¦the Chesham Omnibus; three (3)

ALBERT GOODWIN RWS (1845-1932)¦`Flying Notes`, Ilfracombe, pencil and watercolour, heightened with touches of white, signed with monogram (lower right) and dated 1886, 8 x 11 in(20.3 x 27.9cm)¦.¦Provenance:with Chris Beetles, Ltd London;¦¦Sold with a pen and ink sketch depicting eastern figures; and a pastel by the artist depicting a coastal scene, believed to be on the estuary of the Taw and Torridge, looking towards Instow; three (3)

ATTRIBUTED TO ANTHONY DEVIS, R.A. (1750-1827)¦An extensive Landscape with a Country house on the¦banks of a broad river, opposite a classical temple¦black, chalk, pen, ink and watercolour¦10 x 15 1/2in (25.4 x 39.4cm)¦¦Sold with a pencil sketch attributed to Anthony Devis¦which depicts an extensive landscape with cattle and sheep in a field,¦a Country House beyond; two (2)¦

FOLLOWER OF THOMAS GAINSBOROUGH, R.A. (1727-1778)¦A Rocky Landscape¦pencil heightened with white¦3 1/2 x 5in (8.9 x 12.7cm)¦¦Provenance: Iolo Williams, Esq ¦¦Sold with a selection of other drawings and watercolours including a river landscape with¦figures attributed to Benjamin Barker of Bath; View at Battersea Reach,¦in the past ascribed to Thomas Girtin; A street view with cottages attributed to John B. Crome;¦an ink sketch of a Dog on a sofa attributed to Francis Grose (ex Collection Dudley¦Snelgrove); a wash drawing of a Country Lane by the Rev. William T. Bree; and An extensive ¦Landscape with Trees by a follower of John Robert Cozens; and a wash drawing depicting a house amongst trees by a follower of John Constable, R.A. (Qty)

JOHN GRAHAM (Fl c. 1810-1820)¦An Album containing twenty -five pen and ink sketches,¦titled on spine `Sussex 1814`¦The twenty-five drawings within the album mostly annotated¦with occasional descriptive text.¦subjects include `Brighton from the Offing, Aug 30`; The Jason, Frigate`,¦Seat on Rottingdean Cliff, Sept; Cliffs near Rottingdean; Shoreham¦Church; Arundel from the Turnpike; Arundel Castle; Arundel Church;¦Seaford from the Martello Tower; Entrance to Hastings from the London Road;¦Ashburnham Place; Powder Mill in Battle Park.¦page size 5 1/4 x 8in (13.4 x 20.3cm)¦¦ The album commences with a manuscript account, written while John Gaham was staying at Rottingdean. He refers to trips to Brighton and Eastbourne with the Misses Harper and more strenuous excursions to Worthing, Arundel, Hastings, Battle, Crowhurst and Bexhill with a Mr Sharpe¦¦¦¦ Sold with a small Sketch Book containing eleven pencil sketches by Joseph¦Powell, principally wood landscape views at Charton, Toddington, Leckhampton,¦Tilsworth, Cheltenham and Hendon Churchyard., page size 3 1/2 x 4in; and two sketchbooks containing approx 50 drawings¦by the Rev. Charles Hemsley landscapes in the Lake District, 1847,¦including views at Ullswater, Derwent Water and Windermere; four (4)

JOHN WHITE ABBOTT (1763-1851)¦A Country Lane ¦with initials `J.W.A.`¦inscribed verso `New Bridge July 22nd 1821`¦pen, ink and grey wash¦11 x 7 1/2in (27.9 x 19.1cm)¦¦Provenance: with Spink, London¦¦Sold with a pencil sketch by George Morland depicting ¦a Country Lane (Provenance Iolo Williams) : (2)

ATTRIBUTED TO PETER DE WINT (1784-1849)¦A Cornfield with Newark Church in the distance¦watercolour¦8 1/4 x 22 1/4in (20.9 x 56.8cm)¦¦Said to be a study for an oil painting of the¦same subject which is illustrated in the Studio,¦1903 `Masters of English Landscape Painting`¦Cotman, Cox and de Wint.( Plate W5)¦¦Sold with a pencil sketch by Peter de Wint- a study of Trees; and a charcoal drawing by Peter de Wint depicting ` A Landscape with approaching Storm`; three (3)

Circle of Daniel Maclise - Study of a Highlander, 19th Century pencil sketch, approx 35cm x 24.5cm, within a gilt frame.

Emile La Saché - Sketch of a Woman, pencil, signed with initials and dated `64, approx 24.5cm x 16.5cm, together with a group of pencil sketches and engravings, the majority by La Saché.

Richard Cosway (1742-1821, English School), sketch of a child, believed to be the child of Martha, his 1st wife, in the curtains lurks a devil, the sign of death, pencil and watercolour, signed and info lower left, 13.6 x 19.1cm.

AN ORIGINAL PRODUCTION SKETCH FROM `STARGATE` 1994 BY PETER MURTON WITH SIGNATURE

1929 Metropolitan Railway & LNER BOOKLET 'Country Walks in Middlesex, Hertfordshire & Buckinghamshire with sketch maps of routes and details of cheap fares on the rear cover. In used condition with some wear to covers and age-staining. [1]

A 19th Century pen & wash sketch of a pony & trap with pursuing figures

Charles Crombi, Half Length Portrait Sketch of a First World War `Tommy` Soldier, standing, smoking a cigarette, his arm in a sling, charcoal and pastel, signed, 27cm by 21cm, in a glazed oak frame **Illustrated in issue number 833 of The Tatler magazine

Bruce Bairnsfather - ``Struth fancy bein` able to wear a shoe like that``, signed, original comic pencil sketch, on the back page of a Masonic Programme of Ladies` Night, Friday October 19th 1917, Ex Libris Lodge

Douglas Haig Interest - A Portrait Sketch of General Haig by Cecil Cutler, bust length, signed, watercolour and bodycolour, 25cm by 17cm, framed and glazed; a Pair of Brass Sprung Loaded Candlesticks and a Brass Trench Art Table Bell, which originally stood on Haig`s desk, the bell inscribed to D HAIG from D`Arcy Legard, July 1901; a Hand Written Letter from Haig, addressed "Dear General Dudgeon...", and thanking him for his work with the British Legion, also with a newspaper cutting of a letter to the Editor from Brigadier General Robert Maxwell Dudgeon, "Attacks on Lord Haig - Wild Statements Usurp the Seath of Truth" ,defending the reputation and good name of the recently deceased Lord Haig*Christies sold the `Thank you letter` from Churchill in 2010**Brigadier General Dudgeon was the vendor`s father-in-law***The candlesticks and the bell were a gift from Lady Haig to Brigadier General Dudgeon in recognition of the support given to her husband

Charles Crombi, Half Length Portrait Sketch of a First World War `Tommy` Soldier, standing, smoking a cigarette, his arm in a sling, charcoal and pastel, signed, 27cm by 21cm, in a glazed oak frame **Illustrated in issue number 833 of The Tatler magazine

Bruce Bairnsfather - ``Struth fancy bein` able to wear a shoe like that``, signed, original comic pencil sketch, on the back page of a Masonic Programme of Ladies` Night, Friday October 19th 1917, Ex Libris Lodge

Douglas Haig Interest - A Portrait Sketch of General Haig by Cecil Cutler, bust length, signed, watercolour and bodycolour, 25cm by 17cm, framed and glazed; a Pair of Brass Sprung Loaded Candlesticks and a Brass Trench Art Table Bell, which originally stood on Haig`s desk, the bell inscribed to D HAIG from D`Arcy Legard, July 1901; a Hand Written Letter from Haig, addressed "Dear General Dudgeon...", and thanking him for his work with the British Legion, also with a newspaper cutting of a letter to the Editor from Brigadier General Robert Maxwell Dudgeon, "Attacks on Lord Haig - Wild Statements Usurp the Seath of Truth" ,defending the reputation and good name of the recently deceased Lord Haig*Christies sold the `Thank you letter` from Churchill in 2010**Brigadier General Dudgeon was the vendor`s father-in-law***The candlesticks and the bell were a gift from Lady Haig to Brigadier General Dudgeon in recognition of the support given to her husband

Modern British School, mid 20th century- Allegorical scene with female figures on the shores of a lake with woodland; graphite on paper, bears inscriptions in the margins and on the reverse, 60x49.7cm: John Cother Webb ME, British 1855-1927- "The Sea hath its Pearls", after William Henry Margetson; mezzotint printed in sepia, 57x56cm: E Marshall Smith, British, early-mid 20th century- "Loading Hay"; hand-coloured silver print, signed and inscribed on the mount, 25x30.5cm: Helen Harrison, British, late 20th/early 21st century- "Colour Sketch"; watercolour, signed and dated 77, 46x35.5cm., (4) (part unframed) (may be subject to Droit de Suite)

Ernest Albert ANA, American 1857-1946- Boats in a harbour with mill; oil on board, signed, 24.5x19.8cm Provenance: with Fenwick's, 263 Sierra, Reno, Nevada, according to stamp on the reverse Note: Ernest Albert was born in Brooklyn, NY. Albert began his career as a scenic painter and theater designer for the Brooklyn Theater. Founder of the American Society of Scenic Painters and was a member of many art associations including the New Canaan Society of Artists, the Chicago Society of Artists and the Grand Central Gallery. His work was shown in selected exhibitions at Vose Galleries in Boston and Rockefeller Centre in NYC. During his lifetime, Albert exhibited at the Brooklyn Art Association, the St. Louis Sketch Club, the New Canaan Society of Artists, the Highland Park Art Museum, and the Grand Central Art Gallery. CONDITION REPORT: mounted in a glazed gilt moulding frame, circa mid-20th century paint surface suffers from pronounced craquelure and cracking this is particularly apparent in the upper half of the composition there is a very severe horizontal crack in the centre of the buildings in the foreground small amount of associated flaking and loss upper centre left otherwise in fair to good condition

Italian School, 19th century, head and shoulders portrait of a man, oil on canvas; together with an oil study of an Italian fisherman, a brown pen and ink figurative sketch and two watercolours depicting Yorkshire views

A framed and glazed pencil sketch of a tree lined road, monogrammed PC '64, together with an ink wash study of trees, monogrammed PC

THE SKETCH"" May 2nd - 8th November 1894, one volume

A framed and glazed pencil sketch of a tree lined road, monogrammed PC '64, together with an ink wash study of trees, monogrammed PC

AUTOGRAPHS 2002-2003 Artist sketch book containing numerous team autographs from 2002-2003 season, teams include Gillingham, Charlton, Leeds Utd, Reading, Grimsby, Portsmouth, Norwich, Brighton, Nottm Forest, Wimbledon, Wolves, Ipswich, Walsall, Stoke, Derby, Crewe and many other players including David James, Huckerby, Cascarino, Clive Allen , Townsend, McMenemy, Wilkins plus others such as Gabby Logan, David Baddiel, Richard Digance, David Pleat and Mark Bright. Very neatly displayed. Good

SIR EDWARD COLEY BURNE-JONES, BT., A.R.A., R.W.S. (1833-1898) Framed, unsigned, red chalk sketch on paper, two figure studies showing the Virgin with Saint Anne and a seated man, see `The Fine Art Gallery, Edinburgh`, exhibition label verso, 18cm x 31cm. Provenance: Previously offered at Christie`s South Kensington.

SIR EDWARD COLEY BURNE-JONES, BT., A.R.A., R.W.S. (1833-1898) Framed, unsigned, red chalk sketch on paper, two figure studies showing the Virgin with Saint Anne and a seated man, see `The Fine Art Gallery, Edinburgh`, exhibition label verso, 18cm x 31cm. Provenance: Previously offered at Christie`s South Kensington.

An Artist`s sketch book containing a wide selection of Victorian Continental watercolours by Fanny G.S. Best approx. 50 in all, daughter of Rev. S. Best vicar of Abbotts Own, Dorset each work with handwritten title and date.

E.P. HOLT; humorous possibly political cartoon watercolour sketch depicting various figures and a horse climbing a ladder, signed lower right, 38.5 x 54cm, unframed.

A group of loose watercolours and drawings and two sketch books containing a mixture of Indian and English scenes.

LATE 19TH CENTURY ENGLISH SCHOOL; oil on canvas, sketch of a gent, indistinctly signed, 26 x 20cm, framed.

BILL TIDY; a pen and ink humorous cartoon sketch depicting figures waiting to see Sherlock Holmes's Dr Watson, commissioned by Granada, signed lower right, 19 x 24cm, framed and glazed.

MANE KATZ; sketch "Jeune Fille au Pichet Sous un Palmier", signed lower right, titled and inscribed to mount, 33 x 26cm, framed and glazed. CONDITION REPORT: Minor surface dirt but generally good.

An Artist`s sketch book containing a wide selection of Victorian Continental watercolours by Fanny G.S. Best approx. 50 in all, daughter of Rev. S. Best vicar of Abbotts Own, Dorset each work with handwritten title and date.

ENGLISH SCHOOL, 19th CENTURY, "AT TRACY PARK", a sepia watercolour sketch, framed. 23cm by 15cm

40th Anniversary of Marvel Origins, large colour poster signed by Stan Lee & Tom Grindberg with a hand drawn black marker sketch of Spiderman, dated 2005, framed 24 x 36in. (61 x 91cm)

AN EARLY 20TH CENTURY VANISHED LIGHT WOOD MASSAGER, A PARASOL, AUTOGRAPH AND SKETCH BOOKS AND VARIOUS BYGONES