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J F Lewis (19th century British school) - Etching of the monkey Jacko after a sketch in the possession of Robert Holford Esq. together with further etchings by the same hand including horses ploughing, a German wild boar, etc, some dated 1836, 38 x 27.5cm approx sheet size, two coloured prints after H Brittan Willis of a carthorse, a further similar print after Edward Duncan also showing a horse, both published by George Rowney & Co, 36 x 46cm approx sheet size, CE Holloway, monochrome etching of a war ship off the coast, various sizes all unframed (10)
Collection of 7 x prints, Georges Braque lithograph Galerie Maeght Exposition Circa 1950's (Mourlot), Marc Chagall lithograph Salon De La Lumiere Circa 1950's (Mourlot), Henri Matisse lithograph Galerie Maeght Circa 1950's (Mourlot), Pablo Picasso print Vollard suite Circa 1956, Henry Moore Shelter sketch print circa 1940's, Eric Gill engraving from 25 Nudes Circa 1938, Elisabeth Frink lithograph Circa 1975. All mounted but unframed, approx overall sizes 16 x 12 inches. Cellophane wrapped.
Peter Thursby (British 1930-2011): Sun Disk Fountain, watercolour signed and dated '87, together with Sun Disk Fountain in Street View, watercolour and pen, with tracing of same picture both signed and dated '87 and a preliminary sculpture sketch, charcoal and red charcoal signed and dated '69 max 76cm x 56cm (4)
Simon van de Passe (German c.1595-1647) Edward VI - Edwardus Sextus Dei Gratia Angliae Franciae et Hyberniae Rex etc. Engraving Plate 18.5 x 11.5cm (7¼ x 4½ in.) This engraving comes from the publication titled Bazilologia, published by Compton Holland. The original frontispiece dated 1618 stated 'a Booke of Kings, beeing the true and lively effigies of all our English kings from the Conquest untill this present with their severall coats of armes, impreses and devises and a brief chronologie of their lives and deaths. After Holland's death a second edition was published and later the plates were acquired by Thomas Geele who published a third edition in 1630. Additional portraits were added to each new edition. This work is from a later edition. Together with portrait of Sir Walter Raleigh in a decorated oval cartouche, engraving by Simon van de Passe (c.1595-1647), from Walter Raleigh's 'History of the World,' plate 18.5 x 11.5cm (7 1/4 x 4 1/2in.) and a sketch book depicting ink and watercolour drawings of famous Royal portraiture held in public collections. This lot also includes a large quantity of miscellaneous prints and engravings mainly royal and court portraiture to include Thomas 7th Earl of Northumberland, engraving after Francesco Bartolozzi and Henry VII, engraving by Pieter Stevens van Gunst, after Adriaen van der Werff (large quantity)
British School (late 19th / early 20th century)Coastal scene with figures on the beachWatercolour, 19cm by 27cm, together with a collection of decorative watercolours, prints and needlework including Harebells by Geoffrey Lamb, gouach, a pencil sketch of a King Charles by Panny Hamer (1983), a limited edition colour reproduction signed to the margin A. L. Simpson? 15/200 Etaples (France) botanical prints, etc, various sizes (qty)
Early 29th century photograph album including views of Upper Helmsley Hall with the family and visitors etc , two Victorian photographs of a tennis tournament by J Owen of North Wales, sketch book with drawings of Wazipur and other Indian scenes, verse etc 1905-1910 and other vintage photographs etc
Central Bank of Ceylon, obverse and reverse archival photographs (4) showing designs for a 1 Rupee of 1963 which was never produced, the first being a rough initial pencil sketch and the second a fully produced and accurate final design, all backed on card with pencil annotations and date, unique and important (4 photographs) TBB and Pick unlisted, similar to the series of TBB 316-320, Pick 62-66 £300-£400
The Sportsmans Library. 15 titles. Philip Allan. London. 1/2 calf plus Edwards (Lionel). 'My Scottish Sketch Book', Country Life. London 1939. Small Fo. D/w. Owners inscription plus Whitehead (G Kenneth) The Deerstalking Grounds of Great Britain and Ireland. Hollis & Carter, London 1960. D/w. plus 'Sporting Days, A Book for Visitors and House Parties'. Dent, London 1907. Fo. with ties (18)
Attributed to Benjamin West (American, 1738-1820)A sketch of figures on a balcony oil on paper6.2 x 4.8cm (2 7/16 x 1 7/8in).together with 4 other works by the same hand, framed as one (5)Footnotes:A group of 10 works, of a comparable scale and subject matter, attributed to Benjamin West are in the V & A Museum, London (inv. nos. E.3905, E.3909 and E.3911-1920).For further information on this lot please visit Bonhams.com
FOOTBALL, mixed selection, inc. Chelsea player scrapbooks (3); magazines & newspapers (5), Le Patriote Illustre 1953, page removed from The Sketch showing first Ladies football team; press photographs of Helenio Herrera (3); original pen & ink caricature by Norman Edwards, showing Birmingham City players going on tour to Switzerland etc., G to EX, 13
Drawing Instruments, Military Interest, all early 20th century/WWI, a cavalry surveying sketch board with boxwood scale, inset compass and leather wrist strap, a good military scale rule/protractor in nickel silver by Stanley, and a set of boxwood Marquois scales, by Harling in mahogany case, case 33.6cm
to include The Glorious Conquest of Seringapatam, The Storming of Seringapatam, The Last Effort of Tippoo Sultaun in defence of the Fortress of Seringapatam; together with a print 'Descriptive Sketch of the Three Prints of the STORMING OF SERINGAPATAM, 43cm x 58cm, framed62cm x 90cm wide sight sizeProvenance: Private Collection, Stirlingshire, Scotland
BELL SILVERMAN? (LATE 19TH/EARLY 20TH CENTURY) (2)An elegant lady seated in a gardensigned 'Bell Silverman'? (lower left) and dated '1904' (lower right)pencil39 x 31cmtogether with a pencil sketch of a woman, indistinctly signed and dated (lower left), 30 x 21cm(2)Condition reportBell Silverman: Very small spot of foxing centre right and top right to margin.Otherwise appears generally good.The first work in this lot is a pencil sketch.
Dated 1970 AD. An inked sketch on beige-washed card of a facing male bust with shoulder-length hair and short beard, wearing a smock; the facial features are slim and elongated, the nose and mouth exaggerated while the eyes are set high on the face; radiating lines around the head and minimal detailing to the clothing, in the Art Brut tradition of naïve treatment derived from Dadaism and other 20th century art movements, supplied within a black card reveal; on the top right attributed to F. N. Souza. 118 grams total, 50.8 x 38.8cm including mount (20 x 15 1/4"). Personal collection of Harmadar Singh Thind; thence by descent. Private family collection of a West London gentleman. British Asian artist Francis Newton Souza (12 April 1924–28 March 2002) was a founding member of the Progressive Artists' Group of Bombay. He studied at the Sir J. J. School of Art in Mumbai but was expelled in 1945, having pulled down a Union Flag during a ceremony; he also supported the Quit India Movement of which the aim was to encourage the British authorities to leave the subcontinent, and joined the Communist Party of India. In 1948, some of his paintings were shown in London as part of an exhibition on Indian art while his work was under attack from his own Goan community in Mumbai. Souza emigrated to London the following year after complaints against him were made to the police for obscenity. He is acknowledged to have inspired his protégé, M.F. Husain. Souza's career developed so that he participated in several shows, receiving positive reviews from the art world. [No Reserve] Fine condition.
Dated 1970 AD. An inked sketch on beige-washed card of a nude female reclining on a rectangular rug, the body adorned with the same pattern of hatched patches as appears on the rug; the head tilted back and the solid shading of the hair forming the only substantial element in the design, supplied within a black card reveal; middle top attributed to F. N. Souza, 1970. 123 grams total, 50.8 x 38.8cm including mount (20 x 15 1/4"). Personal collection of Harmadar Singh Thind; thence by descent. Private family collection of a West London gentleman. British Asian artist Francis Newton Souza (12 April 1924–28 March 2002) was a founding member of the Progressive Artists' Group of Bombay. He studied at the Sir J. J. School of Art in Mumbai but was expelled in 1945, having pulled down a Union Flag during a ceremony; he also supported the Quit India Movement of which the aim was to encourage the British authorities to leave the subcontinent, and joined the Communist Party of India. In 1948, some of his paintings were shown in London as part of an exhibition on Indian art while his work was under attack from his own Goan community in Mumbai. Souza emigrated to London the following year after complaints against him were made to the police for obscenity. He is acknowledged to have inspired his protégé, M.F. Husain. Souza's career developed so that he participated in several shows, receiving positive reviews from the art world. [No Reserve] Fine condition.
David LivingstoneMISSIONARY TRAVELS AND RESEARCHES IN SOUTH AFRICA INCLUDING A SKETCH OF SIXTEEN YEARS? RESIDENCE IN THE INTERIOR OF AFRICA, AND A JOURNEY FROM THE CAPE OF GOOD HOPE TO LOANDA ON THE WEST COAST; THENCE ACROSS THE CONTINENT, DOWN THE RIVER ZAMBESI, TO THE EASTERN OCEANLondon: John Murray, 1857FIRST EDITION, EARLY ISSUE, 8vo, [x] + 687 + 8 pub cat pp, one foldout frontis + portrait frontis + 22 plates + 3 maps of which two foldout and another in text + one fold out section plan, rebound with new eps, pocket map bound into textblock, name of previous owner on title page, tape repair to title page, hinge cracked, two 4 page sections with one loose stitch, tear along folds of section plan repairedPROVENANCEJürgen Witt Collection
A collection of early 20th century magazines to include 'The Sketch Book & Winter Pie' Christmas 1925, cover repaired with archive tape, page 1 marked, page 95/96 creased and marked and back cover creased, together with 4 copies of the London Magazine to include August 1911 (no covers), November 1923 (covers and spine marked with some losses, August 1926 (lacks back cover, front cover and spine marked with some losses) and January 1928 (covers and spine marked with some losses) (5).
Two framed photos of Sir Winston Churchill, together with a print of Sir Winston Churchill and a sketch of the head and shoulders of Churchill. BOOK A VIEWING TIME SLOT ON OUR WEBSITE FOR THIS LOT. IMPORTANT: Online bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.
Nash (Paul), Henry Moore, Barbara Hepworth and others..- Read (Herbert, editor) Unit 1. The Modern Movement in English Architecture, Painting and Sculpture, first edition, photographic plates, some light foxing to endpapers, original cloth, light browning to spine, spotting to covers, rubbing to head and foot, dust-jacket, spine browned, spine ends and corners chipped, rubbing and toning to extremities, pencil sketch of face to lower panel, 4to, 1934.⁂ The accompanying book for the first (and only) exhibition of the Unit One group of artists, rare in the dust-jacket.
NO RESERVE Yorkshire.- Barlow (Rev. John Mount, Rector of Ewhurst, 1814-92) [Journey from Surrey to Yorkshire], autograph manuscript (1 sketch initialled JMB), 24pp. excluding blanks, 28 pen and ink sketches, original half morocco, rubbed, spine rubbed, sm. 4to, [Ewhurst Rectory], [Surrey], 8th - 24th August 1881.⁂ "... called at Bishopsthorpe Archbishop [William Thomson (1819-90), previously served as curate at St Nicholas, Guildford] very genial showed us over new part & talked over old times." - Barlow.Places visited include: York Minster, Middlethorpe, Whitby (Abbey etc.), Sansend, "Royal Hotel from the Abbey Meadows Whitby"; "Looking towards Glaisdale"; "Hawksher Church"; "Remains of Mulgrave (old) Castle" etc.

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32316 item(s)/page