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Architectural Drawings 11 sketches in ink and wash of Scottish locations 9 mounted sketches by R. Hunter, depicting Inveraray Castle and Cherry Park, each 29 x 47cm;Sketch of the elevation of Foulden House, dated Edinburgh 22nd October 1817, 26.5 x 33cm;Sketch of the elevation, with annotations and measurements, of No.1 Royal Terrace [Edinburgh], dated 10th May 1820, signed by the architect, William Playfair, 32 x 52.5cm(11) FROM THE LIBRARY OF THE STEVENSON LIGHTHOUSE ENGINEERS

Lighthouses: sketches, watercolour sketches and prints A collection A large quantity, including:Sketch of Skerries Light House, looking west, 38.5 x 56cm;Pen and ink wash sketch of Smalls Light House, 38 x 52cm;White, P.W.? Sketch of Lundy Island Light House, 15 x 22cm;After W. Simpson. The Light-House at Cape Chersonese, looking south, tinted lithograph;Desprez & Panseron. Cayer contenant les plans et elévations de trois differents phaneaux, propre a eclairer les vaisseaux sur les ports de mer, projet par le Sieur Panseron. [Paris: Chéz l'auteur : Le Vasseur graveur : Desnos, 1781] Folio, 5 plates of 6 only;and many others(quantity) FROM THE LIBRARY OF THE STEVENSON LIGHTHOUSE ENGINEERS

Edinburgh and Scotland Collection of topographical and historical works, 18th-19th century all 4to, comprising:Wood, John Philp. The Antient and Modern State of the Parish of Cramond. To which are added, Biographical and Genealogical Collections ... comprehending a Sketch of the Life and Projects of John Law of Lauriston, Comptroller General of the Finances of France. Edinburgh: John Paterson, 1794. Near-contemporary calf, viii 291 [3] pp., engraved map, 7 engraved plates, mezzotint portrait of John Law, 3 folding letterpress pedigrees, list of plates at rear, front joint superficially cracked but holding, head of spine slightly defective;Trotter, Alexander. Observations in Illustration of his Modified Plan of a Communication between the New and the Old Town of Edinburgh. Edinburgh: for Laing & Forbes; and R. Ackermann, London, 1834. [Bound with:] A Plan of Communication between the New and Old Town of Edinburgh, in the Line of the Earthen Mount ... Second Edition, greatly enlarged, with Additional Plates. Edinburgh: Oliver & Boyd, 1829. 2 works in 1 volume, contemporary cloth-backed boards, printed pink paper label to front, Observations with engraved frontispiece view, engraved plan, A Plan with 6 lithographic or engraved plates, all folding (plate 3 with outer section reattached), the 2 works divided by a publisher's notice on pink paper (1 f., 'What follows is Mr. Trotter's Original Plan of 1828, now abandoned, as mentioned on first page of the preceding observations')Johnstone, J. & J. Historical and Descriptive Account of the Palace and Chapel-Royal of Holyroodhouse. Edinburgh: J. Cunningham and J. & J. Johnstone, 1826. First edition, one of an unknown copies with proof plates on india paper, original printed boards, rebacked, engraved dedication, vignette title-page and 8 plates, all printed on india paper and mounted, inscribed 'To Mr John Graham Macdonald Bart, from his much obliged servants the engravers' on the front free endpaper, spotting; Lees, J. Cameron. St Giles', Edinburgh, Church, College, and Cathedral, from the Earliest Times to the Present Day. Edinburgh: W. & R. Chambers, 1889. One of 50 copies on large paper, this copy out-of-series and annotated 'Publishers' Copy' on the limitation page, apparently by the author, with his signature below, contemporary half morocco (spine sunned), Chambers family bookplate to front pastedown;Gregory, James. Memorial to the Managers of the Royal Infirmary. Edinburgh: Murray & Cochrane, 1800. 19th-century half calf, bookplate of the barons Napier, front joint split but held by cords;Robertson, D. H. The Sculptured Stones of Leith. Leith: Reid & Son, 1851. First edition, contemporary green half calf (rubbed), tinted lithographic additional title-page, 18 tinted lithographic plates (slightly spotted), folding plan;and 6 others (these not collated), all with engraved plates, including: Thomas Allom, Scotland, c.1835; J. Ewbank, Picturesque Views of Edinburgh, 1825; Thomas H. Shepherd, Modern Athens, 1829; Daniel Wilson, Memorials Edinburgh in the Olden Time, 1848 (2 volumes); and similar(14) THE LIBRARY OF DR ANDREW G. FRASER MD FSA SCOT (1937-2020)The Antient and Modern State of the Parish of Cramond is also of Indian interest, containing an account of John Law's time as French governor-general of Pondicherry.

Archive of the Stevenson family Comprising books, diaries, manuscripts and photographs Books:Stevenson, Alan. Biographical Sketch of the late Robert Stevenson. Edinburgh: W. Blackwood and Sons, 1861. 8vo, original red cloth gilt, inscribed by a Stevenson, lacking initial few leaves;Records of a Family of Engineers. [N.p., n.d.] 8vo, a large number of manuscript notes and corrections, red cloth gilt;D’Arville, Nicolas. The Navigation of King James V. round Scotland… Perth: J. Brown for John Gillies, 1785. 12mo, largely incomplete but with the manuscript dedication in Robert Stevenson’s hand: “Presented by Walter Scott Esq to Mr Stevenson…1814”;Diaries:Stevenson, Charles Alexander. Diary, 1872-73, including reports of travels but also notes and sketches of various engineering sites such as the diving Bell at Anstruther;Manuscripts:Commission for Robert Stevenson, Gentleman, to be a Lieutenant in the Royal Edinburgh Spearmen, January 1804;Stevenson, Robert. ALS to James Riddoch Esq. of Kirkwall, dated October 1808, regarding progress on the Bell Rock Lighthouse, a section cut from the body of the letter;Document entitled “Evidence regarding Whalsey Skerry”;Various articles of correspondence between David and Robert Stevenson;Letter from Robert Humphrey dated March 1853, upper corner torn away, remarking upon the condition of the Bound Skerry;Stevenson, David. Note of resignation from duties due to ill health, written in a secretarial hand and signed by Stevenson;Bound genealogical manuscript from the later 19th century detailing Stevenson history;Early 18th century cashbook with additional religious writings, notes and drafts of letters, vellum bound 31.5 x 20cm, author unclear;Scheme of Division of Accounts years 1882-1901, recording accounts for the engineering firm, bound cashbook;Unsigned copy of William Earnest Henley’s poem “Why my heart do we love her so?”, with the name Geraldine switched to Katharine, a pencil note on the reverse questioning if this could have been written to Katharine de Mattos by Robert Louis Stevenson, her cousin with whom she shared a mutual friendship with Henley;Grant of Arms given to Alan Stevenson, with seal and hand-drawn and coloured arms;And othersPhotographs:Portrait of David Alan Stevenson by Drummond Young of Edinburgh; Photograph of David Alan Stevenson surrounded by family; Rochester House school photograph 1939; four family photograph albumsOther:Press cuttings album including offprints of papers by Stevenson family members, including ‘The Earthquake of 28th November 1880 in Scotland and Ireland’, Charles Alexander Stevenson, 1881; ‘Skating Diagrams’ by Charles Alexander Stevenson; ‘On a Dipping or Fog Apparatus for Electric Light in Lighthouses’, Charles Alexander Stevenson, 1888; and othersVarious scrolls, mostly typescript, writing up excerpts from family archives(quantity) FROM THE LIBRARY OF THE STEVENSON LIGHTHOUSE ENGINEERS

Collection of works about or printed in Arbroath or environs 1) With the Scottish Yeomanry. Being a Reprint, somewhat altered and extended, of Letters written from South Africa during the War of 1899-1901 by Thomas F. Dewar ... surgeon-captain ... Imperial Yeomanry. Arbroath: T. Buncle & Co., 1901. First edition, 8vo, original cloth;2) Poems and Songs from the Hackle-Shop by James Greig, Arbroath. Arbroath: Thomas Buncle, 1887. First edition, 8vo, contemporary half roan;3) Poems and Songs by Alf. T. Matthews, Arbroath. Arbroath: Arbroath Herald Office, 1891. First edition, 8vo, contemporary blue quarter roan, contents partly unopened);4) Poems on Various Subjects: Political, Satirical, and Humorous. First Series. By John Sim Sands, Writer in Arbroath. Arbroath: Stewart, 1833. First edition, 8vo, near-contemporary half calf, lithographic portrait frontispiece;5) A Record of Lunan, its Descent and Transmission, from 1189 to 1849, by William Blair-Imrie. Edinburgh: Waterston and Sons, 1902. First edition, one of 50 copies printed for the author, 4to, original red morocco gilt, top edge gilt, addressed in manuscript on limitation leaf to J. M. McBain FSA (dedicatee of Poems and Songs from the Hackle-Shop, q.v.);6) Collections and Observations Methodized; concerning the Worship, Discipline, and Government of the Church of Scotland ... by Walter Steuart, Esq. of Pardovan. Arbroath: J. Findlay for A. Brown, 1802. First edition, 8vo, viii 234 2 pp., contemporary half calf, covers detached, spotting to title-page;7) The History of Dundee ... by James Thomson. Dundee: Robert Walker, 1847. First edition, 8vo, contemporary green half calf, engraved frontispiece and additional title-page;8) Reminiscences of Arbroath and St Andrews by D. S. Salmond. Arbroath: Brodie and Salmond, 1905. First edition, 8vo, original green cloth, 7 photographic plates;9) [Angus]. Sammelband of locally-printed pamphlets, including: i) A Garland for the Ancient City; or, Love Songs of Brechin and its Neighbourhood, with Historical Notes, by Colin Sievwright, Brechin: D. H. Edwards, 1881; ii) Maryton, Records of the Past. A Lecture delivered in the Public School of Maryton, January 18, 1877, by Rev. William R. Fraser, Montrose: Alex. Burnett, 1877; iii) Brechin Cathedral: its History ... by the Rev. James Landreth, Brechin: D. H. Edwards, 1883; iv) Five Score and One: a Sketch of the Life of Mrs John Alexander, Brechin: D. H. Edwards, 1883; v) The Earl of Dalhousie and his Tenantry, Banquet at Edzell Castle, 1882; vi) For Love's Sake: being a Farewell Sermon preached in the West Free Church, Brechin ... by James M'Cosh, Brechin: D. H. Edwards, 1884; and approx. 6 others;10) Celebration of Queen Victoria's Diamond Jubilee in Arbroath. Arbroath: Brodie & Salmond, 1897. First edition, 8vo, original quarter japon;and 25 others, including Natural History of Arbroath and District by Thomas F. Dewar, 1893 (first edition, original cloth, inscribed), The Sough o' the Shuttle; or Poems and Songs by Colin Sievwright, Weaver, Kirriemuir, Dundee, 1866 (first edition, original wrappers, front wrapper near detached), Bannatyne Club, Liber S. Thome de Aberbrothoc, Edinburgh, 1848 (4to, original cloth), An Original Collection of the Poems of Ossian, Orrann, Ulin, and other Bards ... collected and edited by Hugh and John M'Callum, Montrose: printed at the Review Newspaper Office, 1816 (8vo, original boards, rear board detached, front board near detached), and similar (including broader Scottish interest)(35) Provenance: J. M. McBain FSA, author of Arbroath: Past and Present (1887); thence by descent.

Collection of signed or inscribed first editions all original boards, in the dust jackets (except The Q Annual), comprising: 1) "Rommell?" "Gunner Who?" A Confrontation in the Desert, 1974; 2) The Q Annual, 1979; 3) Goodbye Soldier, 1986; 4) William McGonagall meets George Gershwin, 1988; 5) William McGonagall - Freefall, 1992; 6) Wuthering Heights according to Spike Milligan, 1994; 7) Black Beauty according to Spike Milligan, 1996; 8) D. H. Lawrence's John Thomas and Lady Jane, 1995; 9) Frankenstein, 1997; 10) Robin Hood, 1998; 11) The Murphy, 2000; 12) Milligan's Ark, 1971, inscribed 'To Templeton, 1st Prize in the Essay Competition, 1972, (subject to be decided), from the artists', with an original sketch of an elephant to the same page, both apparently by Milligan's co-author Jack Hobbs (damp-staining to outer leaves). Together with 12 others by Spike Milligan, mostly first editions(24)

Napoleonic Interest Three works, including an imperial binding Napoléon, Le Prince. Napoléon et ses Détracteurs. Paris: Calmann Levy, 1887. 8vo, one of 75 copies on Japan, inscribed to 'S.A. la Princesse Pierre-Napoléon’ in 1885 with her ownership stamp, attractive crushed green morocco gilt with French Imperial eagle motifs and banded spine;Barré, W. History of the French Consulate under Napoleon Buonaparte… London: Thomas Hurst, 1804. 8vo, portrait frontispiece, contemporary tree calf gilt, marginal hole to pp.413-4 with no loss to text;[Lemaistre, John Gustavus] A Rough Sketch of Modern Paris… London: J. Johnson, 1803. 8vo, modern quarter calf (3)

E. YORKE (19TH CENTURY), A PAIR OF CHARCOAL AND WASH SKETCHES OF BUILDINGS IN LANDSCAPES, TOGETHER WITH A SIMILAR PERIOD PENCIL SKETCH OF A TREE. (3)

SIR ROGER MOORE ( 1927-2017) ARR. CARTOON PEN AND INK DRAWING. SIGNED AND DATED 2001. ( A RARE LARGE SKETCH DRAWING BY THE FAMOUS JAMES BOND ACTOR, WHO WAS SOMEWHAT LESSER KNOW FOR HIS ART)

SKETCH BOOKS BY DANA GIBSON AND OTHERS TOGETHER WITH AS JAPANESE BOOK PRINTED WITH BIRD WOODCUTS

JAMES HOLLAND (1799-1870), CATHEDRAL INTERIOR WITH FIGURES, WATERCOLOUR SKETCH, 10.5 X 18cm, TOGETHER WITH ANOTHER INDISTINCTLY SIGNED WATERCOLOUR ON A SIMILAR THEME. (2)

Paul Hagemans (Belgian 1884 - 1959)Chapel on the Lakesigned, dated 1957, pastel sketch, 27cm x 36cm

Sports and Pastimes, The Chase – Verney (Richard Greville, 19th Lord Willoughby de Broke 1869-1923), Hunting the Fox, London, Constable 1925 large 8vo, x + 148, frontis and 5 colour printed plates tipped in, gilt printed red cloth, gilt titles, faded, esp. spine, slight splitting at top; Siltzer (Capt. Frank), The Story of British Sporting Prints, new rev. & enlarged edn., London Halton & Truscott Smith 1929, small 4to, 413pp, 8 coloured printed plates tipped in, bound green cloth gilt titles; Dawson (Capt. Lionel, RN), Sport in War, London, Collins 1936, 4to, 98 pp., frontis and 5 other coloured prints 6 monochrome and vignettes after Lionel Edwards RI, bound green cloth gilt spine titles, spine somewhat faded; Edwards (Lionel, RI), My Hunting Sketch Book, London, Eyre & Spottiswoode, 1928 large 4to, xiii + 28, frontis and 14 colour printed and mounted plates, margins sl. Spotted, oatmeal cloth boards, impressed paper title to front board and spine, dust wrapper a slightly torn and rubbed (4)

Assorted prints/plates from various newspapers to incl The Graphic, The Sketch, London Illustrated News etc, some mounted

Frank Wooton OBE (1914-1998) Huntsman Crossing a Stream on a grey mount, oil on paper, 44.5 x 55 cm, frame 65 x 76 cmInscribed 'For Clara, an outline sketch, Frank'Provenance: The Collection of Mr Magdi Obeid, purchased John Nicholson 05/09/2018 lot 434, ex property of Clara L Stafford. Condition:The painting is a work on paper, framed under glazing - not examined external to the frame. The sheet appears in good condition- no obvious faults, tears or losses. The paint condition appears stable and well preserved, no obvious paint loss or deterioration. There is one spot of discolouration to the horse's rump (see photo). There is some foxing to the mount and the glass is a little dirty. There is some general wear and tear to the frame.

A scarce Copeland parian model of a reclining Irish Wolfhound, circa 1850, impressed marks, 25.5cm high, 32cm long; together with a Robinson and Leadbeater group titled 'Sketch From Nature', modelled as a young girl sketching a portrait of her dog, on an oval base with impressed title, 'R&L' within circle mark to the rear, 29cm high and 36cm wide (firing cracks and restoration) (2)Condition:Wolfhound - several firing cracks. Hairline to base and another two to one leg. Probable restoration to one footSketch from nature - base cracked, see images

* Prout (Samuel, 1783-1852). Lambeth, pencil on paper mounted on card, depicting a barge hulk sitting in the Thames, Lambeth Palace, London in the background, title in pencil to lower right margin, small mark to lower edge of drawing, 13 x 20.8 cm, ex Gilbert Davis Collection in pencil to verso, mounted, 33.5 x 40.5 cm, plus another smaller pencil sketch of a river scene by the same artist, both with Christie's labels to verso, together with approximately 30 other 19th and 20th century, watercolour, pencil and or chalk original illustrations of ships, studies of figures, nude studies, animals, landscapes, etc., including: Port of Gibraltar and hills in Spain, Oct 25 1839 by J.D. Harding; Male Nude Studies by John Frye Bowne; Clipper Ships by Frank Rendle, etc., various sizes, largest 55 x 74 cm QTY: (1 folder)

* Peake (Mervyn, 1911-1968). Any Kind of Six makes an Armenian Jew's Nose, brown ink, depicting the side profiles of four male heads, title in brown ink running down the right hand side, 'Eric Letutsky?' in brown ink to left hand side, sheet size 14 x 9 cm, mounted with printed slip showing artist and title, framed and glazed (20 x 15 cm)QTY: (1)NOTE:A memorial of Mervyn Peake's work was displayed at the Ilkley Literature Festival in 1975. Afterwards the organiser was gifted this sketch by his widow.

Two watercolour studies of Arab desert scenes, one signed H Linton, and a small watercolour sketch in 17th century style bearing signature. (3) (B.P. 21% + VAT)

LOCAL INTEREST BOOK - HISTORICAL SKETCH

Framed watercolour depicting Grange, Borrowdale August '02, framed watercolour depicting street scene in fishing village (with indistinct signature), Victorian pug print entitled "Tick Tick", signed lithographic print, framed Persian writing / sketch etc.

Art. Hayley (William, Esq.), The Life of George Romney, Esq., first edition, Chichester: Printed by W. Mason, for T. Payne, 1809, illustrated with 12 full-page engravings as called for, of which plate no. 3 Sketch of a Shipwreck after Romney was engraved by William Blake, contemporary diced russia gilt, light worn losses, rebacked, marbled endpapers, 4to Provenance: John Bolton (1756-1837), merchant, slave trader and owner; early 19th c armorial bookplate.

A lady's friendship album, Miss Patrick, dated April 20, [19]07, approx. [16]pp only of sentimental manuscript inscriptions and occasional pen-and-ink or watercolour inscriptions, including Lady Godiva, as well as a Lead plucked from wreath, hung in Edgware Road/in honour of King Edward VIIth (funeral), and some further ephemera in places, contemporary green cloth, oblong 8vo, another, Manuscript Album, 1907-17, approx. [25]ff of inscriptions and illustrations, including some humorous cartoons, a profile study after William Nicholson, etc., split, original wrappers, perished spine, etc., 4to, & a contemporary sketch album, partially-illustrated, including pencil sketches of Lewis Carroll's Alice in Wonderland after John Tenniel, original green cloth, oblong 8vo, (3)

Quaker Tracts. [Americana] Bownas (Samuel), An Account of the Captivity of Elizabeth Hanson, Now or Late of Kachecky, in New-England, second edition, first edition with this title, London: Samuel Clark, 1760, [ii], 28pp, bound in a sammelband of thirty-two further tracts, from both American and English presses, the latter both London and provincial, 18th-19th c:  Anon, Dress and Worldy Compliance. Philadelphia: Sold by Jacob Smedley, 1872, 43pp;The Christians' Principle Exemplified. Philadelphia: Published by the Tract Association of Friends, n.d., 4pp;William Penn's Exhortation, idem., 4pp;The Christian's Joy, idem., 2pp;Address to the Ocean, s.l., s.n., n.d., 1pp;A Concise Account of the Religious Society of Friends [...], Philadelphia: Published by the Tract Association of Friends, n.d., 20pp;On Women Preaching. Manchester: John Harrison, 1841, 14pp;Another copy of no. 6, bound-in by mistake;Remarks on Gay and Costly Apparel. Philadelphia: Tract Assoction of Friends, n.d., 12pp;An Account of the Religious Experience and some of the Trials of [...] Susanna Lightfoot. Manchester: John Harrison, n.d., 23, [1]pp;A Sketch of the Life of William Penn, Philadelphia: Tract Association of Friends, n.d., 32pp;Penington (Isaac), On the [...] Unchangeable Nature of God's Truth. Nottingham: G. Batters, 1854, 4pp;A Short Narrative of [...] Isaac Sharples, London: James Phillips and Sons, 1798, 21, [1]pp;A Short Memoir of Andrew Underhill, second edition, York: W. Alexander & Son, et al., 1827, 35pp;A Brief Member of Solomon Underhill, York: idem., 1827, 35, [1]pp;Penn (William), Innocency, Manchester: William Irwin, n.d., 8pp;Some Account of John Spalding, Philadelphia: Uriah Hunt's Sons, n.d., 72pp;Memorial of Thomas Evans, Philadelphia: Friends' Book Store, 1870, [ii], 137-162pp;Brief Remarks on the Fall of Man [...], London: Thomas Harrild, n.d., 4pp;The Sea Robbers' Cave, London: E. Couchman & Co., 1876, 4pp;Led by the Spirit of God, Leominster: The Orphans' Printing Press, n.d., 4pp;Individual Duty [...], idem., n.d., 4pp; Tuke (Henry), On Prayer, London: E. Couchman & Co., 1873, 4pp; Job Thomas, idem, 1876, 4pp; Letter by the Missionary, Dr. Judson, to a Convert, idem, 1876, 4pp;On Cruelty to Animals, idem, 1872, 4pp;John Gratton, idem, 1873, 8pp;Robert Barclay. Philadelphia: The Tract Association of Friends, n.d., 18pp; Colley (Thomas), A Tender Salutation in Gospel Love, third edition, London: James Phillips and Son, 1799, vi, 7-23, [1]pp;Hodgson (William), A Brief Account of the Sorrowful Lapse from First Principles in the Religious Society of Friends. Gloucester: John Bellows, 1862, 16pp; Bownas (Samuel), An Account of the Captivity of Elizabeth Hanson, Now or Late of Kachecky, in New-England, second edition, London: Samuel Clark, 1760, [ii], 28pp; A Short Account of the Life and Religious Labours of Patience Brayton, New-York, Printed: London: Reprinted and Sold by William Phillips, 1802, 144pp;An Historical and Descriptive Account of Leamington and Warwick, second edition, Warwick: Printed at the Advertiser-Office, et al., 1822, iv, 139, [5], folding plate, trimmed; the collection prefixed by two MS contents leaves, bound as one in Victorian tan quarter-calf over marbled boards, split joints but holding, gilt lettering piece, red speckled edges, 12mo (18 x 11.5cm) Provenance: This Book Belongs to Friends' Library. Belper Meeting [Derbyshire]. No. 166; 19th c book label to recto pastedown.

A Victorian lady's drawing-room album, mixed dates, approx. [35]ff, illustrated with 11 topographical watercolours, some sepia, including named-views in Sicily, Yorkshire views of  Scarborough, Hartlepool, [Stainborough Castle at] Wentworth Castle, others, and a loosely-inserted watercolour sketch of Rochester Castle, Kent, 2 marine 'herbarium' samples of pressed seaweeds, cut chromolithographs of seashells, cut-paper fuchsia, topographical and other mixed media prints, manuscript including Lines/during a Thunder Storm/W.M.C./York 14 March 1848, further prose and verse, etc., contemporary pictorial embossed calf, disbound, 4to, another, mid-19th c, A Token of Friendship and Sincere Regard; Presented by G. Georges, to Ann Kirk, dated from 1845, approx. [53]ff, mostly inscribed to one side only, typically glosses of and original prose and verse, as well as an 'illuminated' leaf The Momentous Question, dated December 16th 1846, some pen-and-ink or watercolour illustrations, mixed media prints, etc., contemporary green roan gilt over cloth, chipped and rubbed, 4to, (2)

Miscellaneous. [Pigott (Charles)], The Jockey Club, or a Sketch of the Manners of the Age, three-volume set: [First] - Third Parts, mixed editions, being the third, fifth and second respectively, London: Printed for H.D. Symonds, 1792, contemporary calf over marbled boards, vellum tips, the first part with detached but present upper-cover, rubbed, 8vo, Anon, Domestic Anecdotes of the French Nation, during The Last Thirty Years. Indicative of the French Revolution, first edition, London: Printed for C. and G. Kearsley, 1794, contemporary mottled calf, split, 8vo, [Horses] Bracken's Farriery Improved, ninth edition, London: Printed for W. Johnston, and A. Shuckburgh, 1763, unevenly cropped in places, occasionally the index quires' cropping being close to text, contemporary calf, 12mo, (5)

Attributed to Frank Moss Bennett (1874-1953)The Arrival of the Coachoil on canvas37.6cm x 53.5cm Bears John Noott, Broadway gallery label to the reverse. In a gilt foliate frame. Generally very good condition overall; the picture surface is stable and there is minimal further wear. Appears to be a large-scale oil sketch for a more 'finished' later piece.

Attributed to Frank Moss Bennett (1874-1953)Outside the Innbears signature and date lower right 1940oil on canvas33cm x 49cm Bears John Noott, Broadway gallery label to the reverse. In a gilt foliate frame. Picture surface is stable and bears minimal further visible damage. Appears to be a large-scale oil sketch for a more 'finished' later piece.

Frank Dickens (1931-2016) Bristow Ink on Paper Measures 52cm length Signed by the artist with message in pen. Framed and glazed. Frank William Huline-Dickens  was a British cartoonist, best known for his strip Bristow, which ran for 51 years in the Evening Standard and was syndicated internationally. A self-taught artist, he had his first cartoon published in a British national newspaper, the Sunday Express on 30 September 1959.[8] Work in the Evening Standard, Daily Sketch and Daily Mirror followed, and in December 1960 he began a three-month period at the Sunday Times, where he took his strip "Oddbod". One of the characters in that strip was developed into the bowler-hatted Bristow. The Bristow strip first appeared in regional papers, before being taken up by the Evening Standard on 6 March 1962. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

A quantity of various pictures and prints and a map, to include watercolour study depicting a shoreline; pencil sketch contained in an Oxford frame AF; Birdseye maple framed print; coloured map

A framed and glazed John Western sketch depicting Woodbridge Tide Mill together with two prints

Original pencil sketch by Robert Lenkiewicz

Attributed to Cornelius Varley (1781-1873) pencil sketch - Market Hill, Ireland, signed and dated 1808, 23 x 36cm

Group of works on paper, including figure sketch inscribed J Flaxman, watercolour of a peasant, pencil sketch of Bonnie Prince Charlie and framed group of sketches in the manner of George Chinnery

P. S. Mann (1775-1845) two watercolours, landscapes, landscapes, one signed inscribed and dated, the larger 11 x 25cm, together with a monochrome sketch of a Sussex church. (3)

English School, 18th century, three works on paper, the largest 23 x 32cm, the first with another sketch versoMultiple additional images now attached to this lot online

Attributed to Cornelius Varley (1781-1873) pencil, tumble down farm building, inscribed C Varley to rear, 12 x 19cm, together with a similar sketch and another of a tree possibly by Varley, all mounted but unframed. (3)

Norwich School, 19th century, pencil, mill beside a river, 27 x 36cm, inscribed 'Mill Bank' mounted but unframed, together with pencil and chalk of figures beside a mill by W C Smith and an 18th century pencil sketch with monastic buildings. (3)

19th century English School, pencil, Sketch of Portsmouth Harbour, 13 x 20cm and five further 19th century sketches

C C Pyne (19th century) watercolour, Warwickshire cottage, inscribed verso, 21 x 31cm and a pencil and chalk sketch signed TF (possibly Thomas Faed) and inscribed Dalkeith 1845, both mounted but unframed

Italian School, proabably 17th century, pencil sketch for a mural, 25 x 38cm, mounted but unframed

19th century Continental school, pencil sketch, La Riccia, titled verso, 12 x 15

Edward Lear (1812-1888) pen and ink, 'Ravello, 9 June 1844', 16 x 12cm, mounted but unframed. NB: Lear was in the area on Ravello on this date, evidenced by other works from June 1844 including pen sketch of Amalfi inscribed and dated 'Amalfihi/8. June. 1844' sold Bonhams, Knightsbridge, 21 March 2017, lot 15. Harvard University hold a sketch undertaken at Positano dated 12 June 1844.

18th century Continental school, red chalk, study for a mural, 25 x 31cm, together with another 18th century sketch of figures

Alfred Sola (19th century) pencil, view of Richmond castle, signed and dated 1828 verso, 16 x 23cm, together with a similar pencil sketch. (2)

A Crawford and Black complete colouring and sketch studio and an artists sketch set, both in original packaging.

George Cochrane Kerr (1825-1907) chalk and watercolour sketch not signed but family information verso. In a gilt frame size 72 by 55cm.Provenance: Privately owned, Clipsham House, Lincolnshire.Some spotting to surface.

Rene Robert Bouche (1905-1963): pencil sketch of the famous actress Leonora Corbett with interesting family history verso , frame size 61cm by 69cm. Bouché was an artist and fashion illustrator, known for his work in Vogue magazine between the 1930s and 1960s.Provenance: Privately owned, Clipsham House, Lincolnshire, sitter family relation.Some fly under glass.

Francis Marshall (1901-1980): sketch entitled concert at the Austrian embassy, frame size 64cm by 43cm.Provenance: Privately owned, Clipsham House, Lincolnshire.Some staining to mount, sketch good.

Napoleon guarding his own tomb, pencil sketch after the original Natural Curiosity of St |Helena, framed under glass, 10 x 12cm

Dame Laura Knight, R.A (British 1877-1970) cartoon sketch of a clown, pen and ink, signed and dated, 'Laura Knight Mar 1970', 24cm x 19cm, framed.

Zwei Tuschezeichnungen, Architekturdarstellungen, 18. Jh., Italien: Von zwei Säulen gesäumter Arkadenbogen, mit Giebelbekrönung sowie zwei Putten, die ein ovales Bild tragen, bez. A ... Palladio 3. ... Tab XIII.", Altersspuren, 42,5 x 24 cm (Blatt); Skizze, wohl für ein Kreuzrippengewölbe, drei der vier Felder mit tromp l'oeil Malerei, 34,5 x 43,5 cm. / Two ink drawings, architectural depictions, 18th century, Italy: arcaded arch lined by two columns, with pediment crowning and two putti carrying an oval image, inscribed A ... Palladio 3rd ... Tab XIII.", traces of age, 42.5 x 24 cm (sheet); sketch for a cross ribbed vault, three of the four fields with tromp l'oeil painting, 34.5 x 43.5 cm.

Fred Lawson (British 1888-1968): Cottage in the Dales, pencil sketch signed 16cm x 21cm

Fred Lawson (British 1888-1968): Traveller with Horse and Cart, pencil sketch unsigned 10cm x 10cm

Sir Muirhead Bone (Scottish 1876-1953): Figure on a Path, pencil sketch signed inscribed and dated 1935, 19cm x 18cm (unframed)

Collection of decorative prints with country house themes and one unsigned pencil sketch of a Garden Temple in one box max 20cm x 18cm (13)

Herbert George Hampton (1873-1936): St Paul's Cathedral, pencil sketch signed; Albin Trowski (Polish 1919-2012): 'Gypsy Caravan', watercolour and pen signed and dated '73, max 22cm x 30cm

David Blake (Bristol Savages) - Watercolour/Gouache - Study of a cat with pencil sketch to the mount, signed lower left, 25cm x 22.5cm, framed and glazed

Railway interest: SME sketch plan of Moorgate, various British Rail maps, Motorists Touring Guide; and an extremely long diagram of Epping 40'/1" central line

Artist unknown - pencil and chalkA Venice square scene with figures, 11" x 18" and one other unsigned pencil sketch of a canal scene in Venice (2)