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Harold Riley The Belfry sketch book print 48 cm x 60 cm including frame

Harold Riley The Belfry sketch book print 48 cm x 60 cm including frame

A large collection of art supplies including sketch books, paints and accessories

D Brownsworth, (19th century), an oil painting on board, oval, still life grapes, signed and dated 1886, 30 x 24cm, framed and glazed, and a pastel sketch, coastal landscape, 17 x 24cm, framed and glazed

ARTIST: Raymond Dorleans (Haitian, 1947 - 2000)NAME: Haitian LandscapeMEDIUM: oil on canvasCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 12 x 16 inches / 30 x 40 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 121029US Shipping $49 + insurance.BIOGRAPHY:Raymond Dorleans had his first art exhibit in 1973. His paintings are characterized by dark blue-green landscapes with bright figures. His art is represented in many private art collections worldwide, cited in many Haitian art books, and has been sold at Sotheby's.Raymond Dorleans is a leading artist in Haiti, being a very skilled designer and sketch artist. He began painting studying with painter and metal-artist Edgar Brierre (b. 1933) and had his first art exhibit in 1973. His work is characterized by dark blue green landscapes with bright figures.

Pair of Manchester City Pencil Sketch Prints by William Geldart (1936-) - both 72x54cm

20thc School, Naval Battle, Oil, measures 46cm x 35cm and another portrait sketch, oil, (2)

John Edward Bromby RBA (British 1809-1889): 'At Goathland', pencil sketch from sketchbook unsigned, inscribed verso 8cm x 11cm

A. Kovalova: Four charcoal sketches, comprising a drawing of three tall trees, 1986, signed to lower center, 30 by 21cm, framed and glazed, 56 by 43cm, a drawing of an exaggerated hillside, topped with nine trees, 1986, signed lower right corner, 30 by 21cm, framed and glazed, 56 by 43cm, a landscape scene with trees in the distance, 1986, signed lower right corner, 30 by 21cm, framed and glazed, 56 by 43cm, a sketch of a veiled figure holding an orb, 1986, signed lower right corner, 28 by 15.5, framed and glazed, 56 by 43cm. (4)

A. E. Halliwell (1905-1987) - Pencil sketch for Poster - Spanish interior with a lady playing guitar while others look on, unsigned, circa late 1920s, 12ins x 13.5ins

ORIGINAL WOLVERINE SKETCH BY STEVEN E. GORDON - An original drawing / sketch by Steven Gordon in pencil and black felt pen / sharpie on canvas board (9" x 12"). Signed and Dated by the artist and also Signed with character name by STEVE BLUM who provided the voice of Wolverine for the video game. The sketch and autographs were obtained June 23-26 in Valencia, California at the Tenth Annual Gathering of the Gargoyles Convention.

MS. MARVEL #1 (2014 - MARVEL) Third Printing Sketch Variant Cover by Sara Pichelli - HOT Character - First Solo Title for Kamala Khan as Ms. Marvel, soon to be seen in her own Marvel/Disney+ TV series - Flat/Unfolded - a photographic condition report is available on request

DARK TOWER: THE GUNSLINGER REBORN #1 (2007 - MARVEL) GRADED 9.8 by CGC - Variant Sketch Cover - First comic book appearance of Roland Deschain + Prequel to Stephen King's 'Dark Tower' novel series - Peter David & Robin Furth story with Jae Lee & Richard Isanove interior art and a Jae Lee cover - Flat/Unfolded - CGC 9.8 White Pages - Presented Slabbed & Sealed - NB surface crack in rear of case - comic not affected

SUPERIOR SPIDER-MAN #27.NOW (2014 - MARVEL) - GRADED 8.5 by CGC - Sketch Variant Cover - Dan Slott story with Mark Brooks cover & Giuseppe Camuncoli, John Dell interior art - Flat/Unfolded - CGC 8.5 White Pages - Presented Slabbed & Sealed

Paul Branson, (British, 21st Century), two nude sketches of Quentin Crisp, black pen on paper. Titled lower left, Quentin Crisp/Goldsmiths College, signed lower right, the reverse of one including a pen sketch of a female nude, 56cm x 38.2cm

Assorted pictures and prints to include pencil sketch, modern palette knife, oil etc (4)

Dickens, Charles: All The Year Round Vol VIII, September 13 1862 - February 21 1863, including No.s 177-200 and extra Christmas number, London, 1863, No. 26 Wellington Street, Chapman & Hall, 193 Piccadilly, and C. Whiting, Beaufort House, Strand., together with Irving, Washington (pseud Geoffrey Crayon): The Sketch Book, Complete in one volume, Dublin 1850 and Rye, Walter: A History of Norfolk, London 1885. (3)

A wood framed penal sketch depicting Chelsea Pensioners, no visible signature, 22 1/4" x 19 1/4".

Attributed to Robert Thorburn ARA (1815-1885)Daniel in the Lions DenSigned and dated 1884, pencil, ink and watercolour, together with a further pencil sketch "Old Mother Hubbard", signed E Opie, 19cm by 27.5cm and 14cm by 11cm respectively (both unframed) (2)

Sarianna Browning, a small framed pencil sketch inscribed on Reverse, House at Hatcham where Robert lived when meeting with Elizabeth Barrett, and where he wrote his love letters. Titled in pencil by Sarianna Browning. 20cm x 12cm.

English Comedian Freddie Frinton Signed Signature Piece. Signed in blue biro. Frinton was Remembered for Television Comedic Sketch Dinner for One. Signature piece attached to Wikipedia Printout. Good Signature. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

A framed watercolour sketch of 'An Orient Line Ship in Wellington Harbour' in the manner of Charles Dixon, 18cm x 42cm

Mateo Hernández (Béjar, 1884 - Meudon, 1949)"Lion and lioness" Oil on panel. On both sides. On one side it is signed with the initials "M. H.". On the back is an incomplete sketch of a tiger eating, signed with a stamp, which is incomplete as a part of the wood at the back is missing. 27 x 41,5 cm.

EDUARDO ROSALES GALLINAS (Madrid, 1836 - 1873)."Sketch of the Death of Lucretia".Oil on canvas.Attached certificate issued by Don Eduardo Rosales, great-grandson of the artist.It presents slight restorations.Measurements: 41 x 62 cm; 57 x 73,5 cm (frame).In 1871, Eduardo Rosales showed his painting entitled "The Death of Lucretia" at the National Exhibition, with which he won the first medal. This piece, which now belongs to the Museo del Prado collection, differs to some extent from this sketch, although it should be noted that the artist prepared numerous compositions in order to achieve a work that could win the medal. In both pieces we can see the artist's interest in setting the scene in an intimate atmosphere. The piece, as the Prado Museum points out, shows "The suicide of the Roman patrician Lucretia after being raped by the son of the king of Rome; an episode that would bring about the end of the monarchy and the proclamation of the Roman Republic in 510 BC and which would be widely disseminated from Neoclassicism onwards as a prime example of virtue and marital fidelity".Born into a humble family, Eduardo Rosales was trained in the Nazarenism that then dominated the Madrid Academy of Fine Arts, where he entered in 1851 and was a pupil of Federico de Madrazo. Thanks to friends and colleagues, including the painters Palmaroli and Álvarez Catalá, Rosales travelled to Italy by his own means in 1857 in their company. During the trip he visited Bordeaux and Nîmes, where he was impressed by the historical paintings of Léon Cogniet and Paul Delaroche. In Rome he survived with difficulty until he finally obtained a government pension in 1860, which enabled him to produce his first important works. After his first great triumph at the National Exhibition of Fine Arts in 1864, he remained for some time in Madrid, where he painted several portraits, both family and commissioned. In 1865 he travelled to Paris with Martín Rico and Raimundo de Madrazo, and returned there two years later. However, these years of his life were spent mainly in Rome, where he worked intensely before returning to Spain in 1868 following his marriage. During this period he received important aristocratic, religious and governmental commissions, although he was also interested in types and landscapes during his stays in Panticosa and Murcia. Towards the end of his life, after a controversial success at the National Exhibition of 1871, he was proposed as the first director of the newly founded Spanish Academy in Rome in 1873, a post he did not take up as he died. A leading figure in 19th-century Spanish painting, from his earliest works we can recognise a personal style that tends towards a monumental, historicist but at the same time synthetic style, still with cold ranges, in the orbit of Romantic purism. His mature style is forged through a personal interpretation of the pictorial myths of his time, within an international academicism, although dominated by Velázquez, until he reached a completely modern plastic autonomy. Although he worked in portraiture, religious painting, painting of popular types, etc., his artistic career was strongly determined by his success in official exhibitions.

Rushton (William) Original sketch of Kingsley Amis, pen and ink, signed in pencil in the lower right, title inscribed upper left "Difficulties with Girls, None with Calvados", 125 x 135 mm. (4 3/4 x 5 1/4 in), under glass, framed, 1988; and another by the same (2)⁂ Willie Rushton co-founded the magazine Private Eye, and achieved fame as part of That Was the Week That Was alongside David Frost, and as a regular panelist on I'm Sorry I Haven't a Clue.

Wyn CASBOLT (British) (1914-1963)'Boats From A Balcony'Grey Wash, Body Colour and PencilFurther pencil sketch to the reverse of the painting.Titled and inscribed with the artist's name to verso.17x19cmBiographical Note: Studied at the Slade under Randolph Schwabe and exhibited at the WIAC and Redfern Gallery. In the 1950's she moved towards abstraction, but she was hindered, for much of her life, by bad health.

Ralph Richard Angus BRENT (1903-2002)The Allegrity AshoreWatercolourSigned and dated 199139 x 53cmTogether with a signed pencil sketch by Eric Ward, 23 x 14cm, and a signed seascape by Jane Scott, 23 x 33cm

VARIOUS BOOKS 3 boxes, incl. bnd. vol. of The Guardian Newspaper Jan. - Dec. 1869 complete with Supplements, fr. bd. det. BARCLAY, R. Thesis Theologicae.. 1675, lacks bds. MOUNTENEY, R. Demosthenis Selectae... 1778, a mid 19th.C. portfolio of pencil sketch & watercolour sketches by Anna Flemming 1844, NEWECOME, P. The History of... Abbey of St. Alban 1793, HAMILTON ROGERS, W. Memorials of the West... 1888, & others

Fred Bottomley (British 1883-1960), The Fisherman's Yard, Mousehole; the reverse with a sketch of gentleman smoking, signed and dated to the reverse, oil on board, 28 x 40cm

Sketch of a Young Boy, signed and dated, framed and glazed, overall size measures 21" x 17".

Louis William Wain (1860-1939) - Two original art works by Louis Wain - sketch drawing and painting on Leather stuck down on board. Largest 10" x 8" Sketch 5" x 5.5" both signed.

Frank Moss Bennett - British Artist of Hunting and Genre Subjects ( 1874 - 1952 ) Oil Painting Sketch on Board - Titled ' Charles II Playing Pall Mall ' Depicting an Early Version of a Golf Type Game on the Green with Numerous Figures In Attendance. Signed and Dated 1937. Picture Size 10 x 13.5 Inches In Gold Swept Frame, Overall Size 14 x 18 Inches.

McCulloch (JR) The Principles of Political Comedy with a Sketch of the Rise and Progress of the Science, 1 vol First Edition Edinburgh 1825, rebound

A Historical sketch of the Parish of St Neot 1894; and Rowse (AL) Tudor Cornwall, second impression 1941, dustjacket (2)

Gordon Horner - a pen and ink sketch of an early airshow with spectators watching an air balloon and aeroplane, signed, the reverse stamped '9 May 1949', 56.5cm x 76cm (folded).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Je Suis Le Cahier The Sketch Books of Picasso edited by A and M Glimcher Hardback Book with Slipcase 1986 First Edition published by Thames and Hudson Ltd some ageing good condition.

EDUARDO ARRANZ BRAVO (Barcelona, 1941)."Dona-retalls", 1981.Oil on canvas.Signed and dated in the lower left corner; titled and located on the back.Measurements: 92 x 73 cm; 95 x 76 cm (frame)."Woman-cuts" is an emblematic painting of the direction Arranz-Bravo's creation took in the seventies and eighties, when he achieved a perfect harmony between the realistic sketch and the colour plane, entering with his neo-figurative language towards a redefinition of the portrait genre.Eduardo Arranz Bravo trained at the Sant Jordi School of Fine Arts in Barcelona between 1959 and 1962. He made his solo debut in 1961 at the University Club of Barcelona, but the exhibition that made him known to the Barcelona critics was organised by the Barcelona Athenaeum in 1961. Between 1968 and 1970 he formed part of the group made up of Gerard Sala, Robert Llimós and Rafael Lozano Bartolozzi. He continued to collaborate with the latter until 1982, alternating joint and solo exhibitions. His contact with these artists influenced his initially abstract style, which approached the new figuration and pop art. He has held exhibitions all over Spain, as well as in Paris, Amsterdam, Venice, São Paulo and Rio de Janeiro. In 1983 he held an anthological exhibition of his work at the Sala Gaspar in Barcelona, and between 1986 and 1988 he was in charge of the artistic direction of Jaime Camino's films "El balcón abierto" and "Luces y sombras". He took part in the VIII Salón de Mayo in Barcelona and in the exhibitions "Muestra de Arte Nuevo" (Barcelona, 1971), "Picasso 90" (Louvre Museum, 1971), "Experiencias conceptuales" (Barcelona, 1971-72), among others. In 1989 he presented an exhibition of the work of his last three years at the Museum of Modern Art in São Paulo, and an anthological exhibition at the Palau Robert in Barcelona. His prizes include the II Bienal Internacional del Deporte, the figure award of the Bienal Estrada Saladich, and the Ynglada-Guillot drawing prize. His work can be found in the Reina Sofía Museum in Madrid, the Fine Arts Museums of Vitoria and Seville, the Museum of São Paulo and the Museum of Modern Art in New York.

A framed and glazed nude pencil & watercolour sketch, with indistinct signature to lower right. Frame size approx. 74cm x 30.5cm.

A set of 4 vintage David Wright adult erotic glamour prints, framed & glazed. From "The Sketch", comprising: Brown Sugar, H.E, Splicing the Main Brace and One must get some sleep sometime. Each frame size approx. 35cm x 25cm.

Circle of Edward John Poynter, 'The Visitation', pencil sketch, bears initials, 14.5" x 11".

Bryn Parry (b. 1956), a humorous polo sketch, pen and ink, signed, 17.5" x 15.5".

Pastel Sketch Portrait of a Young Girl French School 1919 (indistinct signature)

Sutherland, 'In the studio, study of a seated nude', signed, charcoal sketch, 52cm x 38cm.

A sketch in the manner of Kyffin Williams, Welsh cottage, signed with monogram KW, pencil, 30cm x 39cm.

RAF Collection of Original Sketch of Iron Travelling Wheel Which was Received and Stamped by RAF Dated 3rd September 1924. Lord Montgomery, Bill Reid, Norman Jackson Obituaries. Original 1942 French Newspaper Article WW2 Related. German Newspaper From 12th December 1941. 26th annual Battle of Britain Ball Menu. Great Collection. Good condition Est.

A large collection of various prints including AFTER T BOWEN "Sketch of the Harbour of Samganooda on the island Oonalaska" hand coloured engraving published by Alex Hogg at the King's Arms London 1778 together with two coloured engravings "An Old Maid on a journey" and "Company shocked at a lady getting up to ring the bell", another "A view of part of St. Mary's Church, All Saints Church, The Conduit, Carfax Church &c in the University of Oxford", a set of four coloured pigeon prints published by Layton Brothers and various other prints including various titles, artists and subject matter

PIERS BROWNE (b.1942), "Strange Fits of Passion ...", coloured etching, artist proof, signed and inscribed in pencil and dated (19)90, plate size 7" x 5 1/2", gilt frame, together with a pencil sketch "Nappa, Near Wensleydale", framed, and a set of three preparatory etchings with instructions for both the above, framed as one (3) (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)Very good

Vera Bassett (Welsh,1912-1997, born Pontarddulais), 'Drawing of a Child', pencil sketch, signed, bearing United Society of Artists label verso. 23 x 21cm approx. Together with another portrait of a young girl, pencil, signed. 21 x 20cm approx. Framed. (2) (B.P. 21% + VAT)

ETCHINGS & PRINTS (3) - to include a sketch of an Abbey dated 1851, 23 x 35cms, an etching of a figure with top hat at a riverside, 25 x 35cms and an engraving of a historical battle scene

A pencil sketch of a horse. Indistinct signature (lower right), 50cm x 39.5cm, framed and glazed

George Algernon Fothergill Artist's proof "Finishing touches", signed in pencil and titled 'A Proof, George A Fothergill' lower left, ??cm x 45cm, framed "George A Fothergill's Sketch Book", parts 1, 2 and 4, limp covers, oblong folio 

Thirty two postcards, Croydon related, including twenty one RP's, Addington Church and other views of Addington including Addington Palace, together with a set of six cards, pencil sketch reproductions, Croydon and district and three photo cards of Addington

Thomas Bush Hardy, large watercolour inscribed ' Sketch for the Picture, a Wreck off Bamborough ', signed, 24.5ins x 40ins approximately, framed

An unframed watercolour, maritime scene at sunset with sailing vessel, in the manner of J.W.M. Turner, from a sketch book, 8ins x 10ins

20th Century oil on canvas, full length nude study of a resting female, monogrammed A.E.C., unframed, 20ins x 14ins, another unframed oil on canvas, winter mountainous landscape monogrammed A.J.C., and an oil sketch on paper, landscape with track on a stormy day

British 20th Century, Preparatory Sketch of an unidentified English Town. Pencil and wash. 4.5x6ins

19TH CENTURY SCHOOL, PENCIL SKETCH OF FIGURE ON A WOODLAND PATH, F/G

Harold Riley print - The Belfry sketch book 48/59cm including frame

Harold Riley print - The Belfry sketch book 48/59cm including frame

Sven BERLIN (1911-1999)Cabaret DancersPencil drawing circa 1930s10 x 15cmThis drawing is a study for a later painting exhibited as part of Berlin's first solo exhibition held at the Camborne Community Centre in 1939. The sketch was probably an earlier study from his time on the road as an Adagio dancer.