We found 32316 price guide item(s) matching your search

CARRACCI, ANNIBALE CARRACCI, ANNIBALE (vor) 1560 Bologna - 1609 Rom Titel: Studienkopf eines jungen Mannes. Technik: Öl auf Leinwand. Montierung: Doubliert. Maße: 35,5 x 26,5cm. Rahmen/Sockel: Rahmen. Gutachten: John T. Spike, Florenz, nach Begutachtung des Originals am 26.05.1997; D. Stephen Pepper, Florenz, nach Begutachtung des Originals am 19.09.1997. Literatur: D. S. Pepper, Annibale Carracci's Venetian portraits, in: Arte documento, 13, 1999, S. 200. Proveniez: Privatbesitz, Italien. Das vorliegende Portrait wurde 1999 von D. Stephen Pepper als Originalarbeit von Annibale Carracci veröffentlicht in einem Artikel, der über die von der venezianischen Malerei inspirierten (Kopf)Studien berichtet. Das Portrait eines jungen Mannes gilt als typisches Beispiel für Tizians Einfluss, von dem Caracci einige Werke anlässlich seines Aufenthaltes in Venedig 1587-88 kopiert hat: satte Farben, frische und freie Pinselstriche sowie die Haltung des Dargestellten. Erläuterungen zum Katalog Annibale Carracci Italien Barock 16.Jh. Originale Porträt Studie CARRACCI, ANNIBALE CARRACCI, ANNIBALE (before) 1560 Bologna - 1609 Rome Title: Study Head of a Young Man. Technique: Oil on canvas. Mounting: Relined. Measurement: 35,5 x 26,5cm. Frame/Pedestal: Framed. Certificate: John T. Spike, Florenz, after examination of the original on 26.05.1997; D. Stephen Pepper, Florenz, after examination of the original on 19.09.1997. Literature: D. S. Pepper, Annibale Carracci's Venetian portraits, in: Arte documento, 13, 1999, p. 200. Provenance: Private ownership, Italy. The present portrait was published in 1999 by D. Stephen Pepper as an original work by Annibale Carracci in an article that reports on the (head) studies inspired by Venetian painting. The portrait of a young man is considered a typical example of Titian's influence, from which Caracci copied some works during his stay in Venice in 1587-88: rich colours, fresh and free brushstrokes and the sitter's posture. Explanations to the Catalogue Annibale Carracci Baroque 16th C. Old Masters Portrait Sketch

REMBRANDT VAN RIJN REMBRANDT VAN RIJN 1606 Leiden - 1669 Amsterdam Umkreis Titel: Brustbild eins bärtigen Mannes. Technik: Öl auf Holz. Maße: 19 x 17cm. Rahmen/Sockel: Rahmen. Rückseitig: Auf der Tafel Reste eines alten Sammlungssiegels sowie Schlagmarke. Vgl. Literatur: E.v.d. Wetering: Rembrandts Paintings Revisited. Dordrecht 2017, S. 58, Abb. 16. Provenienz: Privatbesitz, Deutschland. Das Gemälde wurde im September 2020 im Labor für kunsttechnologische Untersuchungen der TH Köln mittels einer Röntgenfluoreszenzanalyse untersucht. Auffällig dabei sind neben den ab dem 17. Jahrhundert üblichen Pigmenten auch die Verwendung von Zink, Chrom und Kadmium in geringen Mengen, was zumindest auf Restaurierungen nach etwa 1840 schließen lässt und daher keinen Aufschluss über die Entstehungszeit der Malerei gibt. Eine sehr vergleichbare Kopfstudie ist auch in der Datenbank des RKD, Den Haag, unter der Abb.Nr. 232219 verzeichnet. Diese Tafel, die einem Nachfolger Rembrandts zugeschrieben wird, befindet sich in der Sammlung des Philadelphia Museums. Insgesamt sind inzwischen mindestens sieben Version dieser Tronie bekannt, von denen eine 2018 bei VAN HAM versteigert wurde. Die Darstellung dieses Charakterkopfs eines bärtigen Mannes ist als Tronie aus der Werkstatt Rembrandts bekannt und dürfte sowohl als Studienkopf für Schüler als auch als Vorlage zu Gemälden gedient haben. So bewahrt das Budapester Museum z.B. eine Rembrandt und seinem Schüler Gerrit Dou zugeschriebene Tafel mit dem Gleichnis vom Schatz im Acker, bei dem die Physiognomie des Dargestellten auf diesen Kopf zurückgeht. Wir danken Fred G. Meijer, Amsterdam, sowie David de Witt vom Rembrandthuis in Amsterdam für ihre freundliche Unterstützung bei der Katalogisierung des vorliegenden Gemäldes. Erläuterungen zum Katalog Rembrandt van Rijn Niederlande Niederländische Schule 17.Jh. Originale Porträt Studie REMBRANDT VAN RIJN REMBRANDT VAN RIJN 1606 Leiden - 1669 Amsterdam Circle Title: Bust of a Bearded Man. Technique: Oil on wood. Measurement: 19 x 17cm. Frame/Pedestal: Framed. Verso: On the plate remains of an old collection seal and striking mark. Cf. Literature: E.v.d. Wetering: Rembrandts Paintings Revisited. Dordrecht 2017, p. 58, ill. 16. Provenance: Private ownership, Germany. The painting was examined in September 2020 in the Laboratory for Art Technological Investigations of the Technical University of Cologne by means of an X-ray fluorescence analysis. In addition to the pigments commonly used from the 17th century onwards, the use of zinc, chromium and cadmium in small quantities is noticeable, which at least suggests restorations after about 1840 and therefore provides no information about the time of origin of the painting. A very comparable head study is also listed in the database of the RKD, The Hague, under ill. no. 232219. This panel, which is attributed to a successor of Rembrandt, is in the collection of the Philadelphia Museum. A total of at least seven versions of this tronie are now known, one of which was auctioned at VAN HAM in 2018. The depiction of this character head of a bearded man is known as the tronie from Rembrandt's workshop and may have served both as a study head for students and as a model for paintings. For example, the Budapest Museum has a panel attributed to Rembrandt and his pupil Gerrit Dou with the parable of the Treasure in the Field, in which the sitter's physiognomy is based on this head. We are grateful to Fred G. Meijer, Amsterdam, and David de Witt of the Rembrandthuis in Amsterdam for their kind support in cataloguing the present painting. Explanations to the Catalogue Rembrandt van Rijn The Netherlands Dutch School 17th C. Old Masters Portrait Sketch

DEUTSCHER MEISTER DEUTSCHER MEISTER um 1850 Titel: Familienportrait. Zahlreiche Kopfstudien der Mitglieder einer Familie auf einer Leinwand, vermutlich als Vorlage für ein später ausgeführtes großformatiges Gruppenbildnis. Technik: Öl auf Leinwand. Maße: 42,5 x 53,5cm. Rahmen/Sockel: Rahmen. Provenienz: Privatbesitz, Deutschland. Erläuterungen zum Katalog Deutscher Meister Deutschland Gemälde Porträt Studie Familien DEUTSCHER MEISTER GERMAN MASTER ca. 1850 Title: Family Portrait. Numerous bust studies of family members on canvas, presumably as a model for a large format group portrait created later. Technique: Oil on canvas. Measurement: 42,5 x 53,5cm. Frame/Pedestal: Framed. Provenance: Private ownership, Germany. Explanations to the Catalogue German Master Germany Paintings Portrait Sketch Families

FEARNLEY, THOMAS FEARNLEY, THOMAS 1802 Fredrikshald - 1840 München Titel: Winterlandschaft. Technik: Öl auf Leinwand. Montierung: Montiert. Maße: 10 x 13cm. Bezeichnung: Monogrammiert und datiert unten mittig: 2. Weinachtfeiertag 1829 TF. Rahmen/Sockel: Rahmen. Provenienz: Privatbesitz, Sachsen; Autkion Villa Grisebach, Berlin, 30.11.2016, Lot 149; Sammlung Prof. Dr. Thomas Olbricht, Essen. Erläuterungen zum Katalog Thomas Fearnley Skandinavien Romantik Dresdener Schule Dänische Schule 19.Jh. Gemälde Winter Studie Landschaft FEARNLEY, THOMAS FEARNLEY, THOMAS 1802 Halden, Norway - 1840 Munich Title: Winter Landscape. Technique: Oil on canvas. Mounting: Mounted. Measurement: 10 x 13cm. Notation: Monogrammed and dated lower centre: 2. Weinachtfeiertag 1829 TF. Frame/Pedestal: Framed. Provenance: Private ownership, Sachsen; Auction Villa Grisebach, Berlin, 30.11.2016; Collection Prof. Dr. Thomas Olbricht, Essen. Explanations to the Catalogue Thomas Fearnley Scandinavia Romanticism Dresden School Danish School 19th C. Paintings Winter Sketch Landscape

KALLMORGEN, FRIEDRICH KALLMORGEN, FRIEDRICH 1856 Altona - 1924 Grötzingen Titel: Kinder im Garten. Studie. Technik: Öl auf Leinwand. Maße: 43,5 x 525cm. Bezeichnung: Monogrammiert unten rechts: F.K. Rahmen/Sockel: Rahmen. Rückseitig: Auf dem Keilrahmen Nachlassetikett. Provenienz: Privatbesitz, Deutschland. Erläuterungen zum Katalog Friedrich Kallmorgen Deutschland Düsseldorfer Schule Karlsruher Malerschule 2.H. 19.Jh. Gemälde Kind / Kinder Studie Garten KALLMORGEN, FRIEDRICH KALLMORGEN, FRIEDRICH 1856 Altona - 1924 Grötzingen Title: Children in the Garden. Study. Technique: Oil on canvas. Measurement: 43,5 x 525cm. Notation: Monogrammed lower right: F.K. Frame/Pedestal: Framed. Verso: On the stretcher estate label. Provenance: Private ownership, Germany. Explanations to the Catalogue Friedrich Kallmorgen Germany Düsseldorf School Karlsruher Malerschule 2nd half of 19th C. Paintings Child / Children Sketch Garden

DEFREGGER, FRANZ VON DEFREGGER, FRANZ VON 1835 Stronach - 1921 München Titel: Portrait eines Tiroler Mädchens. Technik: Öl auf Holz. Maße: 32 x 24cm. Bezeichnung: Signiert unten links: Bezeichnung: Defregger. Rahmen/Sockel: Rahmen. Provenienz: Privatbesitz, Deutschland. Erläuterungen zum Katalog Franz von Defregger Deutschland Münchner Schule 2.H. 19.Jh. Gemälde Kind / Kinder Studie Porträt DEFREGGER, FRANZ VON DEFREGGER, FRANZ VON 1835 Stronach - 1921 Munich Title: Portrait of a Tyrolean Girl. Technique: Oil on wood. Measurement: 32 x 24cm. Notation: Signed lower left: Defregger. Frame/Pedestal: Framed. Provenance: Private ownership, Germany. Explanations to the Catalogue Franz von Defregger Germany Munich School 2nd half of 19th C. Paintings Child / Children Sketch Portrait

STERL, ROBERT HERMANN STERL, ROBERT HERMANN 1867 Grossdobritz - 1932 Naundorf Titel: Der Bratschist Alfred Spitzner. Studie zum Petri-Quartett. Datierung: 1906. Technik: Öl auf Pappe. Montierung: Auf Faserplatte gelegt. Maße: 25,5 x 17,5cm. Bezeichnung: Monogrammiert unten rechts: R. St. (später?). Rahmen/Sockel: Rahmen. Rückseitig: Sammlungsetikett mit der Inv.Nr. 58 Literatur: B. Dalbajewa und G. Porstmann (Hrsg.): Robert Sterl. Werkverzeichnis der Gemälde und Ölskizzen, bearb. v. K. Popova, Dresden 2011, WVZ-Nr. 670, mit Abb.; A. Frese und U.H. Fötzsch: Katalog, Portraits, in: Ausst. Kat. Heidelberg 2010/11, S. 39-63, Nr. 19 (vertauscht mit Nr. 20); Ausstellungen: "Robert Sterl (1867-1932) - ein Dresdner Maler zwischen Impressionismus und Realismus. Werke aus Privatbesitz" Ausst. Dresdner Bank AG, Filiale Köln 2002, Nr. 68; "Robert Sterl zum 140. Geburtstag" Ausst. Gesellschaft zur Förderung Frankfurter Malerei, Frankfurt am Main 2007, Nr. 39; "Robert Sterl. Ein deutscher Impressionist" Ausst. Kurpfälzisches Museum Heidelberg 2010/2011, Nr. 19 (vertauscht mit Nr. 20). Provenienz: Kunstausstellung Kühl, Dresden, um 1945-50; Privatbesitz, Deutschland. Informationen zur ONLINE AUKTION Robert Sterl Link zur ONLINE AUKTION Robert Sterl Erläuterungen zum Katalog Robert Hermann Sterl Deutschland Berliner Sezession Willingshäuser Schule Dresdner Sezession 1.H. 20.Jh. Gemälde Musiker Studie Historische Personen STERL, ROBERT HERMANN STERL, ROBERT HERMANN 1867 Grossdobritz - 1932 Naundorf Title: "Der Bratschist Alfred Spitzner". Study from Petri-Quartett. Date: 1906. Technique: Oil on Paperboard on beaver board. Verso: Collection label with the inventory no. 58 Literature: B. Dalbajewa and G. Porstmann (eds.): Robert Sterl. Werkverzeichnis der Gemälde und Ölskizzen, bearb. v. K. Popova, Dresden 2011, cat. rais. no. 670, with ill.; A. Frese and U.H. Fötzsch: Katalog, Portraits, in: exhib. cat. Heidelberg 2010/11, p. 39-63, no. 19 (switched with no. 20); Exhibitions: "Robert Sterl (1867-1932) - ein Dresdner Maler zwischen Impressionismus und Realismus. Werke aus Privatbesitz" Ausst. Dresdner Bank AG, Filiale Cologne 2002, no. 68; "Robert Sterl zum 140. Geburtstag" Ausst. Gesellschaft zur Förderung Frankfurter Malerei, Frankfurt am Main 2007, no. 39; "Robert Sterl. Ein deutscher Impressionist" Ausst. Kurpfälzisches Museum Heidelberg 2010/2011, no. 19 (switched with no. 20). Provenance: Artist exhibition Kühl, Dresden, ca. 1945-50; Private ownership, Germany. Explanations to the Catalogue Robert Hermann Sterl Germany Berlin Secession Willingshäuser School Dresdn Secession Paintings Musician Sketch Historical people

KALLMORGEN, FRIEDRICH KALLMORGEN, FRIEDRICH 1856 Altona - 1924 Grötzingen Titel: Liselotte nascht Johannisbeeren. Technik: Öl auf Leinwand. Maße: 63,5 x 52cm. Bezeichnung: Monogrammiert unten rechts: F.K. Rahmen/Sockel: Rahmen. Literatur: Ausst. Kat.: Friedrich Kallmorgen 1865-1924. Malerei zwischen Realismus und Impressionismus, Städtische Galerie Karlsruhe 19.03. - 26.06.2016, Petersberg 2016, Abb. S. 112; Eder, Irene: Friedrich Kallmorgen 1856-1924. Monographie und Werkverzeichnis der Gemälde und Druckgraphik, Karlsruhe 1991, WVZ-Nr. G 719. Provenienz: Sammlung Kaletta, Hamburg. Zusatzinformationen zu Gemälden aus der Sammlung Kaletta. Erläuterungen zum Katalog Friedrich Kallmorgen Deutschland Düsseldorfer Schule Karlsruher Malerschule 2.H. 19.Jh. Gemälde Kind / Kinder Studie Garten KALLMORGEN, FRIEDRICH KALLMORGEN, FRIEDRICH 1856 Altona - 1924 Grötzingen Title: Liselotte Tastes Currants. Technique: Oil on canvas. Measurement: 63,5 x 52cm. Notation: Monogrammed lower right: F.K. Frame/Pedestal: Framed. Literature: Exhib. cat.: Friedrich Kallmorgen 1865-1924. Malerei zwischen Realismus und Impressionismus, Städtische Galerie Karlsruhe 19.03. - 26.06.2016, Petersberg 2016, ill. p. 112, Eder, Irene: Friedrich Kallmorgen 1856-1924. Monographie und Werkverzeichnis der Gemälde und Druckgraphik, Karlsruhe 1991, cat. rais. no. G 719. Provenance: Kaletta collection, Hamburg. Explanations to the Catalogue Friedrich Kallmorgen Germany Düsseldorf School Karlsruher Malerschule 2nd half of 19th C. Paintings Child / Children Sketch Garden

DRESDENER MEISTER DRESDENER MEISTER um 1840 Titel: Wasserfall im Wald. Technik: Öl auf Leinwand. Maße: 21,5 x 17cm. Rahmen/Sockel: Rahmen. Provenienz: Sammlung Prof. Dr. Thomas Olbricht, Essen. Erläuterungen zum Katalog Dresdener Meister Deutschland Romantik 19.Jh. Gemälde Waldlandschaft Studie Wasser DRESDENER MEISTER DRESDEN MASTER ca. 1840 Title: Waterfall in Forest. Technique: Oil on canvas. Measurement: 21,5 x 17cm. Frame/Pedestal: Framed. Provenance: Collection Prof. Dr. Thomas Olbricht, Essen. Explanations to the Catalogue Dresden Master Germany Romanticism 19th C. Paintings Forest Scenes Sketch Water

India.- Royal Bengal Engineers.- Sketch Plan of the City of Lucknow, large manuscript map of the capital of the state of Uttar Pradesh, pen and inks, watercolour wash, traces of pencil, on wove paper, sheet approx. 660 x 1000 mm (26 x 39 1/2 in), with owner's ink inscription of William Crommelin in the upper right corner, mounted on linen, several large tears within the map with some losses, numerous nicks and tears to extremities, surface dirt, damp-stains, unframed, [circa 1860]; together with a lithographed map by H.M Smith, No. 2 Plan of the Operations Against Lucknow during the month of March 1858, mounted on various [?]Indian handmade papers, old folds, some surface abrasion and adhesive issues, damp-stains and the lower right affixed with old paper obscuring the map, in general poor condition with numerous issues, unframed, published by Surveyor Generals Office Calcutta, 1858 (2)⁂ The manuscript map bears the collectors' signature of Major William Arden Crommelin, of the Bengal Engineers, later Chief Engineer of Oudh.

Literary portrait.- Edgeworth (Maria, novelist and educationist, 1768-1849).- Sketch of Miss Edgworth when at an Evening party at Clifton in 1817, pencil on laid paper without watermark, inscribed underneath in pencil with pen and ink overlay, sheet 180 x 105 mm (7 x 4 1/4 in), old folds and careful repair to tear, handling creases, some browning and surface dirt, unframed, 1817.

Simeon STAFFORD (b.1959)Two large painted wood panels, prototypes for a circus Both signed and with a sketch by the artist verso69 x 96.5cm and 244 x 122cm (irregular)

Sir William Coldstream (British, 1908-1987)Emmanuel Church, NW6oil on board 20.8 x 26.1 cm. (8 1/8 x 10 1/4 in.)Painted in 1947Footnotes:ProvenanceThe Artist, by whom gifted toMrs Phoebe D. Pool, thence by descent toAnthony Blunt, thence by descent toJohn GoldingWith The Mayor Gallery, London, 12 January 1995, where acquired byLady DugdaleExhibitedUniversity of London, The Slade SchoolLondon, New Burlington Galleries, British Painting 1925-1950: Second Anthology, June-July 1951, organised by Arts Council of Great Britain, cat.no.17 (as London Landscape); this exhibition travelled to Manchester, City Art Gallery, August-September 1951London, South London Art Gallery, William Coldstream, organised by Arts Council of Great Britain, 27 April-26 May 1962, cat.no.45; this exhibition travelled to Leeds, University, 9 June-30 June, Bristol, City Art Gallery, 7 July-28 July, Swansea, Glynn Vivian Art Gallery, 4 August-25 August, Southampton, City Art Gallery, 1 September-22 September and Birmingham, City Museum and Art Gallery, 29 September-20 October 1962LiteratureBruce Laughton, William Coldstream, Yale University Press, New Haven and London, 2004, pp.144-7, fig.77 (ill.b&w.)Peter Rumley, William Coldstream: Catalogue Raisonné, Samson & Company, Bristol, 2018, cat.no.93 (col.ill.)'This is a study of Emmanuel Church, Lyncroft Road, from the kitchen window of 87 Marlborough Mansions, Cannon Hill, West Hampstead, where Coldstream was living with his parents and his sister Winnie. The covering of snow on the ground moved Coldstream to start painting this view on Wednesday 29 January 1947. It appears this oil sketch was painted in one session, for on Saturday, 1 February Coldstream started another painting of the church not on board but canvas.As the snow still lay on the ground I felt some inclination to paint it.. I painted again on a canvas [that] I [had] on board looking out of the kitchen window.This was the church where the funeral of Coldstream's father, Dr George Coldstream, was held on 16 December 1950.'(Peter Rumley, William Coldstream: Catalogue Raisonné, Samson & Company, Bristol, 2018, p.81)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Graham Sutherland O.M. (British, 1903-1980)Study for 'The Origins of the Land' signed, inscribed and dated 'Graham Sutherland/Study for 'The Origins of the Land'/1951/Bought from the artist, 1951,/by James Holland' (verso); further signed, inscribed, and dated again 'Graham Sutherland/Sketch for mural at Festival/of Britain South Bank Exhibition/'Origins of the Land'/1951/Purchased from the artist/by James Holland, Coordinating/Designer for Festival.' (on a label attached to the backboard)pencil, watercolour and gouache on paper laid on board27 x 50.5 cm. (10 5/8 x 19 7/8 in.)Footnotes:ProvenanceThe Artist, from whom purchased byJames HollandHis sale; Bonhams, London, 2 December 2003, lot 153, where acquired by Lady DugdaleThe present work is a study for the painting The Origins of the Land, which was made for the 'Land of Britain' pavilion in the Festival of Britain on the South Bank in 1951. This was by far the largest painting Sutherland had made by that point and was vandalised before the opening of the festival and had to be subsequently repaired. It currently resides in the collection of the Tate.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

SIR JOHN LAVERY RA RSA RHA (IRISH/BRITISH 1856 - 1941), SKETCH, THE HOSPITABLE GATE oil on panel, signed, titled and dated '86 26.5cm x 40.5cm Framed Provenance: Sotheby's, London, 22 July 1987. lot 150. Sotheby's, London, 6 May 2010, lot 4. Note: John Lavery was welcomed as a celebrity by collectors in Paisley after his return from France at the end of 1884. They were impressed by avant-garde ambitions expressed in large canvases such as On the Loing, An Afternoon Chat, (Ulster Museum, Belfast), shown at the Glasgow Institute of Fine Arts in February 1885. Although he established a studio in Glasgow, these wealthy middle-class local worthies were keen to retain his services. The wool and cotton manufacturer, James Fulton, for instance, offered Lavery a cottage/studio, close to his baronial mansion on his estate at The Glen, Paisley, while the artist produced portraits of members of his family. William MacKean, a soap manufacturer and the town’s Provost also provided portrait commissions and some of these are likely to have been shown at the artist’s first solo exhibition at the George A. Clark Town Hall at the end of November 1886. This grand edifice was funded four years earlier by the Clark family, owners of Anchor Mills, one of Paisley’s principal employers, who were also Lavery patrons. No catalogue for Lavery’s first show is known to be in existence, but he advertised it as ‘Portraits, Pictures & Sketches painted in the Neighbourhood’. We may however assume that in addition to views of The Glen, and smaller pictures painted in the garden of the MacBrides’ house at nearby Cathcart, where Lavery had worked on his most famous canvas, The Tennis Party, (Aberdeen Art Gallery), the exhibition also contained sketches like that of the ‘Hospitable Gate’. An earlier street scene, Lady on a Safety Tricycle 1885, (Government Art Collection), is however thought to be an entrance to Cartbank. This tentative watercolour lacks the bold handling, vivid realization and atmospheric qualities of Sketch of The Hospitable Gate. The swift notation and autumnal palette of this suburban street scene indicates that it was painted shortly before Lavery’s exhibition opened. Although there is little detail of the house, it is possible that it represents Chapel House in Ardgowan Street, Paisley - then on the fringe of the Blackhall Estate and the river White Cart Water. In the 1880s this four-square Georgian house on a leafy lane, was owned by James Clark, one of the brothers who inherited Anchor Mills. The building’s square façade, its placing in relation to the street, and the shallow pitch to its roof, suggests that the ‘hospitable gate’ could lead to just such a house.

* JOHN DUNCAN FERGUSSON RBA (SCOTTISH 1874 - 1961), SKETCH OF A YOUNG LADY pencil on paper 12cm x 11cm Mounted, framed, and under glass

Wales.- Gilpin (William) Observations on the River Wye, and several parts of South Wales..., first edition, the author's own copy with 2 original oval watercolour drawings and additional colouring to the plates, half-title, title with note in the artist's hand "In this copy the prints have been all touched with the brush W.G." at head, 15 etched plates coloured by the artist, trimmed and mounted on blank grey leaves, the original drawings trimmed and tipped to front endpapers and each annotated in manuscript "this sketch belongs to the description in p.9", contemporary reversed calf with initials "W.G." to upper cover and border in blind, red roan label, rubbed, joints split, spine ends worn, [cf.Abbey Scenery 546, 1800 edition], 8vo, 1782⁂ The author's own copy of his first picturesque tour. The watercolours were not included as plates in the first edition but were in later ones, making a total of 17 plates. With contemporary ink inscriptions: "W.H.Harmer bought at the author's sale" (head of half-title); note by M.H.Bloxam "The author's own copy with his original drawings. This was purchased by me at a sale at Rugby and I gave for it the enormous sum of one penny" (front free endpaper).

ELLA COATES (1884 - 1937) - BURNSALL YORKSHIRE, SIGNED, SIGNED AGAIN (ELLA G B BANKS) AND INSCRIBED WITH THE TITLE AND ARTIST'S ADDRESS ON A LABEL VERSO, OIL ON CANVAS, 37.5 X 46.5CM AND A SMALLER LANDSCAPE OIL SKETCH BY THE SAME HAND, ON PANEL (2) Both in untouched original condition but dirty and requiring a clean

Ransome (Arthur) A signed autograph note, from Arthur Ransome explaining that 'Titty is short for Tittymouse which is what she was called when ...' he then goes on to identify the lake in his stories. It appears that he had also been asked for a photograph, to which he responds 'Too ugly', manuscript ink on a card with various printed illustrations in the margins, card 142mm x 88mm; A small card with a miniature pen and ink sketch of a sailing boat, signed by Arthur Ransome, card 49mm x 83mm; in original envelope addressed to Miss Joyce Cartmell, postmarked 1939 (the smaller card has been removed from lot 3013 which was compiled by Miss Cartmell. It is believed that it was sent at the same time)

Shepard (Ernest Howard) - Original Artwork Christopher Robin, a small pen and ink sketch of Christopher Robin, signed by the artist, on card 105mm x 60mm, together with a manuscript note 'with [heart] and xx from Christopher Robin' on paper headed with the artists 'Long Meadow' address and telephone number, both items mounted in an autograph book compiled by Miss Joyce Cartmell from 1937 onwards, the book also contains mounted signatures of John Buchan and Gracie Fields

Carroll (Lewis) Through the Looking-Glass and What Alice Found There, Macmillian, 1872, first edition, 'Wade' misprint on p 21, ownership inscription to half title, small sketch to p. 128, all edges gilt, original cloth (well worn copy with split joints); Autograph Book, various signatures and illustrations including mounted signature of John Galsworthy Complied by Lister Dawson (see lot 3062) (2)

Provenanced, Arthur SPOONER (1873-1962) oil on card sketch, horseman with 2 ponies in landscape, unsigned, unframed.32 x 37 cmProvenance - Previously sold by Bonhams, Chester

L S Lowry, bears signature, pencil sketch "Viaduct", unframed,25 x 18 cm

L S Lowry, bears signature, pencil sketch "Street scene", unframed,15 x 23 cm

circle of Stella STEYN (1907-1987) oil sketch portrait of a seated woman, unsigned, framed and glazed,62 x 47 cm

17TH CENTURY FRENCH SCHOOL HEAD SKETCH OF A BEARDED MAN oil on canvas, unframed(29cm x 20cm (11.25in x 8in))

THOMAS WEBSTER R.A (BRITISH 1800-1886) THE PEEP SHOW signed with monogram, oil on panel, label verso "First sketch for Peep Show Tho. Webster R.A"(22.9cm x 22.3cm (9in x 8in))

Two 19th Century French circular bonbonnieres, one with domed reverse glass picture of a woman in traditional costume holding a distaff in an open landscape a sheep at her feet, embossed gilt paper sides within copper gilt rims, 6.5cms, the other a lady seated in her garden with a sketch book, copper gilt sides, clear glass base, 4.5cms. dia.    (2)                                                                                                                     From a Connoisseur’s Collection

A COLLECTION OF ASSORTED PICTURES TO INCLUDE A HERBERT OSWALD LUMBY PENCIL SKETCH STILL LIFE OIL ON BOARD (6)

PENCIL SKETCH

TRADE, odds, inc. Van Houten, Bell's Scotch (p/c), Daily Sketch miniatur newspaper, Imperial Airways time table 1934, Au Bon Marche (4) etc., G to VG, 11

A framed and glazed pencil sketch of Romilly John, son of the famous welsh artist Augustus John, by british artist Edgar Albert Slade. Signed by artist. 48x41cm

Attr. Jane Best-Shaw, ink sketch and watercolour of a cottage. Unsigned. 40 x29cm

Jane G Guthrie - watercolour & sketch Of a steeple chase.

A pencil sketch of a nude female, c.1970 un-attributed.

PICTURES AND PRINTS ETC, to include a late Victorian charcoal sketch of two King Charles Spaniels, no visible signature, approximate size 30cm x 47cm, watercolour of a Victorian gentleman, initialled LW?, framed pen sketches including WWII characters, oil on board Dutch river scene, signed K. Spel, continental watercolours, assorted prints etc (box and six loose)

An original pastel and pencil sketch of Village St Nevin

A red chalk drawing, Michael Jenkins, nude study, Face Down, attributed verso, 70 x 58cm, framed and glazed, a pastel sketch, attributed to Michael Jenkins, nude study, 48 x 63cm, framed ang glazed, and a selection of prints and sketches, Jenkins, nude studies, various, framed and glazed.

Late 20th century School, Woodland path, Ink sketch / drawing, signed and dated June 2nd '75, in a glazed and giltwood frame, 35 x 30cm

Edward H Chiswall, Ink sketch / drawing of ploughed fields, signed and dated '77, in a glazed frame, 37 x 33cm

A pencil sketch drawing of a Cow, indistinctly signed, possibly J ALSOP, dated 1859, framed and glazed. 25.5 x 16 cm.

Alexander Jamieson (1873-1937) Scottish Sketch, Dieppe Signed and dated 1900, oil on panel, 18.5cm by 25.5cm . Images of frame and verso will be uploaded in due course.

Small Victorian CDV / Photograph Album, leather covered, with various family portraits mainly of Children and marked to inside page ' Rachel A G Howard, Thornbury Castle, 1881 ' together with a Sketch Book containing a few sketches and watercolours, some initialled RH plus a Mid 20th century Autograph Book

Books - Leicestershire Sketch Book by Edwards, The Martyrs of Tolpuddle and Manchester Old and New, Oxford Library 4 slipcased sets of short Novels, Complete Shakespeare, English Poetry and Words and Phrases, all in slipcases, 12 volumes total

Collection of Three Pen and Ink Sketch Paintings with other Prints, etc (7)

An Early XX Century Album of Sketch and Verse, featuring many images, photographs etc, British Marvels Cadbrury's album, appears complete, other publications, Early XX Century snuff box, phial, badge, wooden puzzle.

An early 20th century oil on board painting titled ' Hartlepool Docks '. The painting showing a single ship moored to a floating harbour, with various other ships and craft to the background. Framed in a period gilt frame. To the reverse is written; 'A Sketch - Hartlepool Docks '. Artist unknown. Measures approx; 45cm x 30cm. 

GOREY, Edward (1925-2000). Dracula: A Toy Theatre. New York: Charles Scribner's Sons, 1979.  Folio. Illustrated. Original spiral-bound stiff pictorial wrappers. FIRST EDITION, SIGNED BY GOREY on the title-page. Reproducing the sets and costumes of the Broadway production of Dracula designed by Gorey. Toledano A73.[With:]Souvenir Program. "Frank Langella in Dracula." New York: Johnray Publishing & Distributing Corp., 1977. Illustrated. Original pictorial wrappers. SIGNED BY GOREY on title-page. [With:] Two postcards announcing a Gotham Book Mart exhibit of Gorey's original drawings and sketch designs for Dracula, with a celebration on Halloween, 1977.  Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[THE FRENCH REVOLUTION].   A sammelband of Dublin editions of works by Edmund Burke, Joseph Priestley, Rev. R. Nares, William Eden, and Charles-Francois Dumouriez, comprising:  BURKE. Reflections on the Revolution in France, and on the Proceedings in Certain Societies in London Relative to that Event. Dublin: for W. Watson and others, 1790. First or second Dublin edition. Todd 53aa. -- PRIESTLEY. Letters to the Right Honourable Edmund Burke, occasioned by his Reflections on the Revolution in France. Dublin: for J. Sheppard and others, 1791. First Dublin edition. -- BURKE. A letter from Mr. Burke to a Member of the National Assembly; in answer to some objection to his book no French affairs. Dublin: for G. Burnet and others, 1791. First Dublin edition. Todd 54i. -- NARES. Principles of Government deduces from Reason, supported by English Experience, and opposed to French Errors. Dublin: for B. Dornin, 1793. First Dublin Edition. -- [EDEN]. Some Remarks on the Apparent Circumstances of the War in the fourth week of October, 1795. Dublin: J. Chambers, 1795. First Dublin Edition. -- DUMOURIEZ. A Speculative Sketch of Europe. Dublin: for J. Moore and J. Milliken, 1798. Together 6 works in one volume, 8vo (206 x 199 mm). 19th-century half calf gilt, red morocco lettering-piece gilt. Provenance: John Ball (signatures with contemporary dates on the title-pages of the second, third and fourth works); Mary and James Donahoe (signatures on final leaf). Burke's Reflections on the Revolution in France, an intellectual attack against the French Revolution, in which he argues that the Revolution will fail, due to its abstract foundation, drew several notable responses.   In addition to the responses of Priestley, Nares, and Dumouriez, bound here, Burke's work drew replies from Thomas Paine (The Rights of Man, 1791) and Mary Wollstonecraft (Vindication of the Rights of Man, 1790).  Property from the Collection of Edward A. QuattrocchiFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

West Bromwich Albion, a collection of various memorabilia, relating to the club, in various condition, (1) Sheff WED v WBA, Olive Grove 1895, a nicely mounted sketch from the penny magazine, (2) 18/12/1926 Sports Budget Magazine, with WBA article, (3) 1934/1935 Postcard sent by Fred Everiss, regarding the WBA v Sheff Wed game, (4) 1947 Lets Talk About WBA, Football Handbook, (5) 1948/49 All Sports Herald, with picture of WBA on front cover

A German WWII style Hitler Youth sketch pad. With several pages of pencil sketches.

CHARLES MCQUEEN Abstract, signed, screenprint, 11 x 15cm, JOSEPH WALKER MCDERMOTT Old Woman, sketch, 16 x 15cm, H MAGEE Landscape, watercolour, 22 x 20cm and another (4) Condition Report: Available upon request

Portrait of Mrs M Poyning, aged 46, seated, in a green dress and a white bonnet inscribed to the reverse 'A Sketch by / Geo. Roth / 1773 / M Poyning / Aetatis 46 / Obiit Junii 18: 1810' oil on canvas laid down to board 15.5 x 12cm

Cecil Stuart Tresilian (1891-1971) sketch of two tigers signed pencil 11.5 x 24cm

Liam Hanley (British 1933-) Ploughed Field signed and dated '87' pencil and crayon sketch 22 x 58cm

Ronnie Corbett signed Handles for Forks ! Lithograph picturing the icon scene starring the Two Ronnies lot comes with Original Memorabilia company certificate with photo evidence. Four Candles is a sketch from the BBC comedy show The Two Ronnies, written by Ronnie Barker under the pseudonym of Gerald Wiley and first broadcast on 18 September 1976. Comic effect is largely generated through word play and homophones as a hardware shopkeeper, played by Ronnie Corbett, becomes increasingly frustrated by a customer, played by Barker, because he misunderstands what the customer is requesting. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

Headrick (James). View of the Mineralogy, Agriculture, Manufactures and Fisheries of the Island of Arran, 1st edition, Edinburgh: Archibald Constable and Co., 1807, xv 396 pp., engraved folding map (slightly spotted and offset), bookplate removed from front pastedown, contemporary tan calf, gilt arms of George Granville Leveson-Gower, 1st Duke of Sutherland (1758-1833) to sides, joints cracked at ends, chip to headcaps, 8vo (21.3 x 12.7 cm), together with: Bryce (James). Geology of Clydesdale and Arran; embracing also the Marine Zoology and the Flora of Arran, 1st edition, London: Richard Griffin and Company, 1859, vii 199 pp., hand-coloured lithographic map, no half-title (if issued), modern red half morocco, 8vo (22.3 x 13.6 cm), Necker de Saussure (Louis Albert). A Voyage to the Hebrides, or Western Isles of Scotland; with Observations on the Manners and Customs of the Highlanders, 1st edition in English, London: for Sir Richard Phillips & Co., 1822, [4] 116 pp., 5 aquatint plates, title-page repaired at foot, plates offset, modern half calf, 8vo (22.6 x 13 cm), ibid. Travels in Scotland; Descriptive of the State of Manners, Literature, and Science, 1st edition in English: London: for Sir Richard Phillips and Co., 1821, viii 112 pp., largely unopened, modern quarter leather, 8vo (22.5 x 13 cm), Fraser (Hugh C.). The Land Statistics of the Shires of Inverness, Ross, and Cromarty, in the Year 1871, 1st edition, Inverness: printed at the Advertiser Office, 1872, viii 94 pp., initial blank excised, gilt bookplate of Dudley Coutts Marjoribanks, 1st Baron Tweedmouth (1820-1894), contemporary tan calf gilt, joints slightly cracked at ends, 8vo (21.2 x 13.2 cm), and 9 others, Scottish interest, 19th century, leather-boundQty: (14)NOTESTHE DAVID WILSON LIBRARY PART III: SCOTLAND, HIGHLANDS & ISLANDS Freeman 549 (Bryce); Ward & Carozzi 1031 (Headrick). Bryce's Geology of Clydesdale and Arran is often described as a second edition, the 'first' edition appearing as Geological Notices of the Environs of Glasgow in 1855, but that iteration was only a preliminary sketch of 24 pages submitted to the British Association for the Advancement of Science.

Housman (Laurence). Selections From The Writings of William Blake, Kegan Paul, Trench, Trübner, & Co. Ltd., 1893, black & white frontispiece, period inscription to the front endpaper, minor offsetting to the endpapers, all edges gilt, contemporary gilt decorated brown full morocco bound by Bumpus, spine very lightly faded & rubbed, minor marks to front & rear boards, 8vo, together with; Thackeray (Anne Ritchie), Five Old Friends and A Young Prince, [The Works of Miss Thackeray], Smith, Elder, & Co., 1905, black & white illustrated title page, period inscription to the front endpaper, minor marginal toning, contemporary gilt decorated blue half morocco bound by Roger de Coverly & Sons, spine lightly faded & rubbed, 8vo, and Macmillan & Co [publisher], Old Christmas: From The Sketch Book of Irving Washington, 5th edition, 1886, illustrated by R. Caldecott, Our Village, by Mary Russell Mitford, 1893, 100 black & white illustrations by Hugh Thomson, Humorous Poems, by Thomas Hood, reprinted December, 1893, 130 black & white illustrations by Charles E. Brock, The Most Delectable History of Reynard The Fox, edited by Joseph Jacobs, 1895, illustrated by W. Frank Calderon, The School for Scandal and The Rivals, by Richard Brinsley Sheridan, 1896, illustrations by Edmund J. Sullivan, some light spotting, all edges gilt, all in publishers original gilt decorated green cloth, spines slightly rubbed to head & foot with minor loss, 8vo, plus other late 19th & early 20th century literature & reference, including Robert Louis Stevenson, T. S. Eliot, Edward Ardizzone, Thomas Gray, Winston Churchill, some leather bindings, many original cloth, some in dust jackets, G/VG, 8vo/folioQty: (3 shelves )

Ferguson (Malcolm). An Autumn Tour through Orcadia and the North of Scotland, 1st edition, Glasgow: Robert Anderson, 1869, 2 albumen print photographic plates (mounted), front free endpaper excised, half-title browned, a few marks, original red cloth gilt, marked, spine-ends rubbed, 8vo, together with: Edmonston (Thomas). An Etymological Glossary of the Shetland & Orkney Dialect, 1st edition, Edinburgh: Adam and Charles, Black, 1866, inscribed 'To Rear Admiral Sir William Edmonstone, Bart, with the very respectful regards of the author' on title-page, original cloth, spine faded, mark to front cover, 8vo, Fea (James). The Present State of the Orkney Islands considered. An an Account of the New Method of Fishing on the Coasts of Shetland, Edinburgh: William Brown, 1884, original cloth, 8vo, number 72 of 162 copies only, Smith (H. L. Norton.). A Collection of Armorials of the County of Orkney. Illustrated by A. M. Traill, 1st edition, Galashiels: for the author, 1902, colour frontispiece, plates, original cloth, 8vo, one of 200 copies only, Dennison (Walter Traill). The Orcadian Sketch-Book, being Traits of Old Orkney Life. Written partly in the Orkney Dialect, 1st edition, Kirkwall: William Peace & Son, 1880, original red cloth gilt, 8vo, Charleson (M. M., editor). Orcadian Papers: being Selections from the Proceedings of the Orkney Natural History Society, from 1887 to 1904, 1st edition, Stromness: for the Society by William Rendall, 1905, 6 halftone plates including frontispiece, spotting, original cloth, 8vo, and 33 others, all Orkney-related, including 13 Orkney imprints, 19th and early-20th century, nearly all in original cloth, mainly 8voQty: (39)NOTESTHE DAVID WILSON LIBRARY PART III: SCOTLAND, HIGHLANDS & ISLANDS Three copies of Ferguson's work traced in libraries world-wide, of which one in the UK (National Library of Scotland).

Scrap albums. Lady Elizabeth Courtney, Views in the South of Devon, London: Dickinson & Son, [1845], 14 tinted lithographs (complete) after drawings by Lady E. Courtney, vignette title (spotted), front free endpaper with contemporary ink manuscript inscription 'To Fanny Barnes ... from her affectionate aunt Laura Blackall', extra-illustrated with approximately 34 mounted or tipped-in items including: 8 watercolour views of scenes around Devon (2 detached), and 2 pen, brown ink and brown wash views 'Backland Beacon' and 'Dartington Parsonage' all presumably by Fanny Barnes; a sepia portrait photograph of a standing man (some surface damage); 3 lithographic views drawn printed & published by G. Rowe: 'Dartmouth, from the Ferry'; 'Mouth of the Dart, Devon'; 'East Teignmouth' (the latter tinted), and another 2 similar 'Teignmouth, from the Dawlish Road'; The Shag Rock, Thatcher, & Oarstone, Torbay - From Daddy Hole'; 11 engraved or lithographic portraits including 2 mezzotints: Mrs Gally Knight, and The Right Honourable William Harcourt (dated 1818), both drawn/painted by H. Eldrige and engraved by S. W. Reynolds, 2 stipple engraved portraits by E. Harding: The Right Honble. Sylvester Douglas after T. Lawrence, and Master Douglas after J. Hazlitt, an engraved portrait of the Rt. Hon. Charlotte Countess of Verulam, by Dean from a miniature by Hawkins (proof copy), a lithographic portrait of Thomas Blackall B.D., by F. Pistrucci, printed by C.Hullmandel, and other portraits, plus others similar including an engraving 'N. W. View of Exeter Cathedral' by W. C. Featherstone, some spotting (mainly to blank margins), occasional dampstaining (mainly to some gutters and support leaves), 1 leaf detached, contemporary deep maroon half morocco, rubbed, a little wear in places, oblong folio, together with: a Victorian scrap album, decorative title with pencil manuscript ownership inscription 'Susan H. Coall, January 1st 1837', numerous mounted or tipped-in engravings etc., interspersed with ink manuscript verse in various neat hands, such as 'The Widowed Mother', 'Home Sweet Home', 'Advice', and 'The Better Land', illustrations include: 12 Doctor Syntax hand-coloured etchings with aquatint, drawn & etched by Rowlandson (1 lacking lower left corner); some comic scenes such as 'Mr Pokey's powerful perception', 'The Roasting of Joseph'; several literary, historical and other scenes such as 'Soiree' by A. Hervieu; a selection of portraits including 'Author of the French Cook' lithograph portrait of Louis Eustache Ude by Daniel Maclise and published by James Fraser, 'The Author of "The Women of England"' by W. Holl after P. A. Gaugain, engravings of horses including Touchstone, Queen of Trumps etc.; some engraved views; a pencil sketch; and two hand-coloured engravings taken from 'A Geographical present: being descriptions of principal countries of the world', c.1817, comprising 'A Hottentot Man & Woman' and 'Man & Woman of St. Petersburg', variable spotting and soiling, some dampstaining (mainly affecting title and some support leaves), all edges gilt, contemporary embossed morocco, rebacked, worn, small 4to, with four other scrap albums, containing a quantity of mounted or tipped-in illustrations (a few loose) including: 8 hand-coloured lithographs of historical costumes, captioned in French, including Espagnole, Chinoise, Cracovienne, Odalisque, Ecossaise; engraved portraits of various beauties; 2 lithographs by M. Gauci; an engraving 'The Prince of Wales and the Princess Royal' by H. Robinson after Sir W. C. Ross; 'Entrance to the London & Birmingham Railway Station, Euston Square, London' and 'Viaduct over the River Colne, near Watford', both engraved by W. Radclyffe, the latter depicting a 5-arched railway viaduct designed by Robert Stephenson and built in 1837, with an early steam train crossing the viaduct, an apparent fireman with coal shovel visible, plus passengers sitting both in the carriages and on the roofs, a few chromolithographed flowers etc., and approx. 900 miniature engraved vignettes of topographical views (British and overseas), some appearing to be taken from the Polite Repository, plus an album containing a quantity of loosely inserted scrap items, 19th and 20th centuryQty: (7)NOTESThomas Blackall B.D. was the brother-in-law of Laura Blackall. He died aged 45, and was buried in St. Mary Major (formally next to Exeter Cathedral, now demolished) as also his parents (his father being a former bishop of Exeter) and Laura herself. Laura was the eldest daughter of an archdeacon of Totnes and wife to John Blackall M.D., physician in Exeter.