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A HIGHLY COMPETENT PENCIL SKETCH OF A LADY, in revealing attire mounted in a red border with gilt frame.36cm x 24cm

Sketch o matic - Action Ferris Wheel - Busy Missy - Wagon Trail Paint Box - Show Beam Cartridge. A selection of 5 boxed items appearing in Excellent to Near Mint condition to include: 'busy missy' by Ideal, item appears as new when you open the box. The Action Ferris Wheel by Nasta Industries #225880 again appearing as new. Sketch-o-matic by Merit #926747 again appearing like new, some discolouration to the box. (This does not constitute a guarantee).

GEORGE MORELAND (1762/3-1804) 'RETURN FROM MARKET', a sketch depicting a male and female figures returning from market with their donkey and dog, signed bottom left, pencil on paper, approximate size 33cm x 40cm, Condition Report: although some spots of foxing are visible, most of the visible marks appear to be to the underside of the glass, foxing to the mount, some frame damage (provenance - The Arnold Fellows collection)

TWO BOXES AND LOOSE PAINTINGS AND PRINTS ETC, to include an early 20th century pen and watercolour wash sketch 'Under the bamboo tree' depicting black male and female figures sitting beside a sprouting bamboo cane, approximate size 24cm x 17cm, two landscape watercolours signed David Brown, two early 20th century prints embellished with oils, together with other assorted prints (2 boxes + loose)

HENRY LAMB (1883-1960) 'TWO BRETON PEASANT WOMEN', a study of two female figures, signed and dated 1911 bottom left, dedicated to Charles Aitken bottom right, watercolour on paper, approximate size 20.5cm x 16cm, Condition Report: colours faded, dirty mark to the middle of the sketch, dirty marks to mount, frame marked (provenance - The Arnold Fellows collection)

Attributed to Pierre Gavarni (1846-1942), watercolour on paper, Sketch of a European gentleman on Grand Tour, initialled in pencil, 21 x 28cm

Phil May (1864-1903), pen and ink, Sketch of a standing Georgian gentleman, signed and dated Paris 90, 16 x 10cm

Georges-Denys Dutheil (b.1888) (Pupil of Rodin), pencil and watercolour, Sketch of a standing female nude, signed, 42 x 26cm

After Cecil Aldin (1870-1935), 'For What We Are About to Receive', and 'For What We Have Received', a pair of coloured prints, pub. The Illustrated London News and Sketch Ltd., 28cm x 43cm, framed, together with seven other Cecil Aldin dog cartoon prints, smaller, all framed (9)

David Shepherd (British, 1931-2017), After the Rain, print in colours, signed and numbered 137/850, Fine Art Trade Guild blind stamp, 23cm x 40cm, overmounted and framed, and three other David Shepherd signed limited edition prints, Tiger Sketch, Lion Sketch and Mother's Meeting, together with another print and two David Shepherd books, An Artist in Africa, and The Man and his Paintings, both signed (7)

Selection of framed pictures and prints includes a Commemorative sketch by Barrie Linklater measures approx 25 inches by 21 inches

Ernest Proctor 1885-1935  Modern British interest a large signed pencil sketch female nude and similar 

A Great War British army booklet of four engraved plates respectively captioned "Sketch of Machine Gun and Mount", "Galloping Cart Containing Three Guns / Machine Guns in Motor Truck", "Taxi Cab Ambulance to Carry 8 Wounded" and "Trenches Sited for Enfilade Fire / Section of Entaglements Through Line A.B."

Ikeda Eisen (1790 - 1848) Label to reverse from The Japanese Gallery in London reads "from Ukiyo Gafu ,The Sketch of the Floating World" - 29cm x 23cm.

Rackham, Arthur, 'The Allies' Fairy Book', with an introduction by Edmund Gosse, first edition, London, William Heinemann [1916], with a signed pen and ink sketch by the illustrator to second page, dated 6/12/16, 8vo, original blue cloth boards.

Leo Rawlings (1918-1990), the Battle of Waterloo, monochrome watercolour/ink sketch on paper, signed, 36cm x 49cm, framedGood condition

Sir William Rothenstein (British 1872-1945), a sketch of Mrs Patrick Hamilton playing a violin, pencil on paper, signed 'WR 1922 for Miss Russell 1935' in pencil, page size 29cm x 40cm, unframed. Born Bradford 1845, Rothenstein became a key and influential figure in British art and society in the first half of the 20th Century. A master draughtsman, who was also a war artist in both World Wars & became principle at the Royal College of Art 1920 to 1935. He influenced many prominent artists including, Edward Burra, Henry Moore, Evelyn Dunbar, Edward Bawden, Eric Ravilious and John Piper.

William Rothenstein (1872-1945) lithograpgh print of Henry James from original 1898 sketch, sheet size 23cm x 32cm, inscribed in pencil 'to Miss Flora Russell W. Rothenstein Feb 1937'. 'Henry James' written in pencil to reverse.Condition: some general foxing and small tear to page bottom right.

A 19th century pencil sketch of Turner holding 1 of his watercolours, details verso, 13cm x 10.5cm, framedGood condition, label to reverse gives details and suggest provenance of Munro family collection

Campbell (Thomas, poet, 1777-1844) Autograph draft from a larger work, 2½pp., numbered 25-27 with corrections and amendments throughout, folds, slightly browned, n.d., loosely inserted into a copy of Campbell's "Gertrude of Wyoming: A Pennsylvania Tale, and Other Poems", first edition, lacks advertisements, slightly browned, 20th century half morocco, corners worn, gilt spine, rubbed, edges uncut, for the Author, 1809.⁂ The autograph notes begins: "In obedience to the behest he accordingly fin'd with his followers on a place of the Coast call'd Aziris", and ends, "I shall return to the proper Greece & trace a sketch of its different states from Thessaly inclusively down to Laconia."

J. McGregor (British 20th century) "Industrial Town (Stockport)" Signed and dated '62, titled on artist's label verso, oil on board, together with a pencil sketch of the same scene by the artist, initialled, with annotations.45cm x 90.5cm (17.75in x 35.5in) and 13cm x 18.5cm (5in x 7.25in)The painting is in very good, original condition. The varnish has yellowed universally across the painting as highlighted by a lighter strip along the top of the painting. The painting is framed but not glazed. The frame has some minor scuffs and knocks commensurate with age. The drawing is in very good, original condition with no obvious faults to report. The drawing is unframed.

L.S. Lowry R.A. (British 1887-1976) Preliminary sketch for 'Woman with a Beard' Unsigned, with the Fine Art Trade Guild blind stamp, from the edition of 750, published by Adam Collection Ltd, printed by Chorley & Pickersgill Ltd, limited edition print.27cm x 16.5cm (10.75in x 6.5in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The original metal frame has some minor scuffs and knocks commensurate with age.

A framed pencil sketch, depicting a Highland cow - signed - sold with a framed engraving entitled 'Setter and Grouse' and another

§ Sir Frank Brangwyn RA (British, 1867-1956), Venetian church porch with figures to foreground (sketch for a decorative mural), watercolour and gouache on paper, initialled lower right, 51 x 33cm, framed and glazed, bearing labels to the reverse.Provenance: exhibited at the Royal Institute of Painters in Watercolour.Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.

Paul Lucien Maze (French, 1887-1979)Guards Outside Buckingham Palace signed 'Maze' (lower right)oil on board56 x 70.5cm (22 1/16 x 27 3/4in).with a further unfinished sketch of sailors, on the reverse, by the same handFootnotes:ProvenanceGertrude, Countess of Elgin, by whom gifted to the family of the present owner, and thence by descentPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

CRUIKSHANK, Robert (illustrator). Brighton!! A Comic Sketch. London: William Kidd, 1830. First edition, 12mo (160 x 99mm.) Four wood-engraved illustrations. (Toning, 2 leaves lacking to rear.) Original printed paper wrappers, string-bound (upper cover detached). Provenance: West Sussex County Council (label and stamp verso upper cover). - And a further fourteen volumes relating to Sussex (including [Edward Berens'] 'The Smuggler. A Tale', 1823, 12mo, and 'C.D.''s 'Mrs. Wiggens's Trip to Sea, July 1842', 1843, 8vo) (15).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

BUDGEN, Richard. The Passage of the Hurricane, from the Sea-side at Bexhill in Sussex, to Newingden-Level, the Twentieth Day of May 1729, between Nine and Ten in the Evening. London: John Senex, 1730. First edition, 4to (213 x 129mm.) Original card wrappers bound-in, manuscript titling to upper cover. (Toning, stamps to title and verso and margins of some leaves.) 20th century green cloth, gilt lettering to spine (lightly rubbed). Provenance: Worthing Library (bookplate to front pastedown and stamps to margins). - And a further four volumes relating to Sussex (including 'A Tour to Worthing, or, Idle Hours Not Idly Spent, containing A Slight Sketch of the Country, Anecdotes, &c', 1805, 8vo) (5).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

ARR Property from a Private CollectionOLGA LEHMANN (1912-2001)JOsigned and dated Olga Lehmann 1934 lower right; signed and titled Olga Lehmann / Jo / Portrait on a Slade School Student's Sketch Club label on the reverseoil on board image: 37 x 30cm; 14 1/2 x 12inframed: 49 x 41.5cm; 19 x 16 1/2in(2)Exhibited:Royal Institute of Oil Painters, LondonFor another painting of the same sitter see: Sale, Christie's London, 6th September 2000, lot 16Together with another oil: British School (20th Century), Woodland*sold without reserveSurface dirt overall due to time staining and some surface spotting. Reminence of old label lower right and left, as per catalogue illustration. Some hairline cracking to upper and lower edge, as per the illustration, and some very fine very cracking elsewhere, as visible in the illustration. Overall in good, original condition, and would clearly benefit from light surface clean.

Willem Roelofs(Dutch, 1822-1897)A series of eight "en plein air" sketches in Holland,signed with initials, some titled, some dated [18]74,each 8 x 16cms, framed in pairs. Willem Roelofs, while living in Brussels, spent the summer months in Holland, where he sketched the polders near the Hague. The sketch "Gouda" depicting windmills, is a study for a picture in the collection of the Haags Museum titled "Polder Landscape with Mill near Abcoude", as stated in a letter from the museum. A copy of this letter is accompanied with the lot.

"Snaffles" Charles Johnson Payne(1884-1967)"'TBD's 'Shepherding a Convoy' A Sketch from the Monkey's Island of a Destroyer",pencil signed, hand-tinted lithograph, 30.5 x 42cms, framed.

David Roberts RA RBA(1796-1864)A working sketch for "Temple called El Khasne, Petra",inscribed 'Perta March 7th 1839',32 x 25cms, framedProvenance: label verso reading 'Presented to Sir William Strang, G.C.M.G., K.C.B., M.B.E. by King Abdullah of Transjordan on the occasion of Sir William Strang's visit to Amman on May 30th 1949'. Also with The Fine Art Society label dated April 1949. Sold by the family of Sir William Strang. For more items from the estate of Sir William Strang see lots 1044-1056 of this auction.Notes: David Roberts, already a respected topographical artist, left London on 21st August 1838 and reached Alexandria on 24th September. His purpose was to travel the Near East, making drawings of the great sites of historical and religious interest. Roberts spent three months sailing up the Nile from Cairo as far as Nubia and Abu Simbel. Back in Cairo in January 1839, Roberts made the acquaintance of Mr J. Pell, and agreed to travel with him to Syria via Suez and Mount Sinai. They and a fellow Scot, John Kinnear, along with their servants, departed on 7 February.After pausing a few days at St. Catherine's Monastery in Sinai, the party moved along the Gulf of Aqaba. At Aqaba they dined with the local sheikh, with whom they negotiated safe passage to Hebron via Petra and Mount Hor. Enduring sandstorms, bandits, illness, and physical hardships along the way, the group arrived in the village of Hebron, where they stayed with the only Christian family from 16-18 March 1839:"On turning round the side of a hill, Hebron first bursts upon you. The situation is beautiful, and the houses, gleaming brightly in the noonday sun, reminded me of England...I made two coloured sketches of the town" (the artist's journal, as quoted in Ballantine, 1866, p.124).Having learnt that Jerusalem was quarantined for plague, they made a detour via Beth Gebrin, the ancient Eleutheropolis, Gaza, Askelon, Ashdod, Jaffa, and Lod. They entered Jerusalem on Good Friday; the quarantine was removed that morning, and they were just in time for Easter celebrations. Accommodation was hard to come by, but luckily they met Elias, with whom they had stayed in Hebron, and he was able to find them lodgings. Continuing on through Galilee, Roberts stopped in Nazareth, Cana, and Acre, before reaching Baalbek in the Lebanon. By now ill, Roberts pressed on to Beirut. From there he began the long journey home, arriving in London in July of 1839.Roberts's intent was to produce lithographs, based on his sketches, for sale to the public. Both his former publishers, Messrs. Finden, and John Murray, turned him down before Francis Graham Moon agreed to the project. Roberts produced a series of finished watercolours, including the present lot, which he had worked up from sketches made during his tour.

Simeon Stafford (b. 1956) British, a view of St. Ives, oil on board, signed, 24" x 48" (61 x 122cm), unframed, with a sketch of a female nude verso.

Early 20th Century, an oil on canvas sketch of building in a landscape, indistinctly signed, 8.75" x 11", (22 x 28cm), (unframed).

Mike Hanny (Plymouth artist) 'The Box' signed pencil sketch, 70cm x 50cm, framed and glazed. Mike Hanny artist has a fascination with the natural light of dawn and the electric lights of the local streets and shops. He has lectured in both Plymouth and To

Mike Hanny (Plymouth artist) 'Guild Hall' signed pencil sketch, 70cm x 50cm, framed and glazed. Mike Hanny artist has a fascination with the natural light of dawn and the electric lights of the local streets and shops. He has lectured in both Plymouth and

Mike Hanny (Plymouth artist) 'Ebrington Street' signed pencil sketch, 70cm x 50cm, framed and glazed. Mike Hanny artist has a fascination with the natural light of dawn and the electric lights of the local streets and shops. He has lectured in both Plymou

A Late Victorian Sailor's Cotton Instructional Kerchief, printed in sepia on a white ground with scenes depicting various drill, badges, salutes and advice, together with Bosun's calls and First Aid instructions, descriptions of the Lee-Metford Mk.I and Mk.II rifles, the Webley pistol Mk.I, all enclosing a compass and inscribed Fulton-Airey Patent No.20771, all within a dark navy blue border, 70cm by 85cm; a Small Quantity of Second World War Shrapnel, one piece with a label inscribed "Rim of bomb in the 40 acre field, night of Nov.12th '40; also, a copy of Ocean Front magazine, the story of the war in the Pacific 1941-44 and a Daily Sketch War Map of Europe and the Mediterranean No.1 Sept.1939

Miss Stannard, still life sketch in oils. 26 cm x 33 cm in gilt frame. CONDITION REPORT: This oil sketch has not been examined out of its frame. From the front the paint surface is stable with some areas of craquelure. There are no apparent tears, losses or damage to the paint surface. We have no provenance with this lot.

Edward Henry Corbould (1815-1905) Sketch in Westminster Abbey – The Marriage of Henry Weigall to Lady Rose Fane, 15th August 1866 signed 'E H Corbould' (lower right)watercolour and wash heightened with white on paper46.5 x 53.5cmProvenance:Henry Weigall and by descent in his family

David Shepherd. A framed and glazed signed Limited Edition numbered print of a tiger 'Working sketch for a painting of a Tiger ' no. 290/850, approx 124cm x 88cm.

A framed pencil sketch depicting a Mediterranean harbour scene by Edward William Cooke. Measuring 30cm x 50cm

An interesting early 19th century sketch book of the 1837-1840. With numerous detailed watercolours and inscriptions.spine detached.

Arturo Rogerio Dimayuga Luz (Filipino, 1926-2021). Ink on paper drawing or sketch depicting a nude seated figure, their back to the viewer. Signed along the lower right.Height: 11 in x width: 8 1/2 in.Condition: The item is in fair condition. The paper is glued to the board. The paper is toned and browning as shown in the listing image. There is an acidic burn, most likely from the previous mat. Foxing and soiling throughout. There are minor losses along the margins. To the right upper quadrant, there is a light red vertical line mark. To the center, there is a light crease that is only visible under careful scrutiny. To the lower right and left quadrants, there are line marks that measure from 1/4 inches to 2 inches. The verso of the paper could not be inspected due to the nature of how the item is matted. Along the verso of the mat, there is soiling and heavy foxing; old tape marks and skimming visible along the margins. Along the upper left quadrant of the verso, there is a cut that does not affect the recto. No visible sign of restoration under UV light.

Joan Miro (Spanish (Catalan), 1893-1983). Lithograph on paper titled "L'echelle de l'evasion (The Escape Ladder)" depicting an abstracted scene in red, black, blue, and white, 1930. Signed along the lower center. Signed, titled, and dated January 31, 1940 with a sketch along the verso. In a frame showcasing the verso and recto.Sight; height: 13 1/2 in x width: 16 1/2 in. Framed; height: 22 1/4 in x width: 25 1/4 in.Condition: The item is in excellent condition with no visible tears, creases, or losses. No visible sign of restoration under UV light. The color is bold and bright. From the verso, the paper appears to be slightly toned. Framed under plexiglass; not inspected out of frame. Light wear to the frame.

Paul Cadmus (American, 1904-1999). Ink sketch on paper depicting a standing nude male. Signed along the lower right.Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Height: 14 in x width: 5 3/4 in.Condition: The drawing is in good condition with no visible tears, creases, or losses. No visible sign of restoration under UV light. The paper is slightly toned as expected. Towards the feet, there is an area with minor handling marks. Along the verso, there is some minor soiling that does not affect the verso.

Football memorabilia, Arsenal FC, a selection of newspaper cuttings, extracts and articles, with dates ranging between 1924 & 1932 inc. Daily Sketch Picture Page 30 Jan 1930 with pictures from Arsenal v Birmingham Cup Tie, Daily Graphic Picture Page with image of the teams for the Arsenal v Wolves Cup Tie 1925/26, a complete issue of the Athletics News Newspaper 19 Sep 1927 with various Football interest inc. Arsenal (some with tape marks, fair/gd) (1 packet)

Georgian satirical sketch titled "The Swings" published April 2nd 1812 by J. Rowland and Son. The content of which is of a vulgar nature depicting a uniformed figure and lady. In excellent condition with no foxing present.

France 1908-Military History 2xEL's written by Lieu - in Foreign Legion Casablanca Corps to his parents-letters dated 20.1.1908 and 3.3.1908 describe operational duties and a combat report both (4) pages long with sketch maps-single envelope included posted to Cher, France cancelled 21.2.08 Casablanca-cancelled received Cher

A. H. Puller : The Falls of Jummel, Perthshire, watercolour, 26 cm x 36 cm, unframed, together with a pair of topographical watercolour drawings also depicting Scottish scene, as well as a fascinating album from the 1920's containing watercolour sketches, an etching, a pencil sketch, poetry, quotations, etc, and finally a collection of vintage black & white unframed photographs depicting wedding subjects, etc. (Q)

Pair of Nora Howasth sketches of horses Condition Report: The picture on the right is an original sketch, 36cm x 28.5cm, excluding frame. The one on the left is a block print measuring 31cm x 31cm, excluding frame

A signed pastel sketch in a frame. Showing old dog in kitchen H38cm x W49cm.

Three framed pictures. A framed and glazed portrait of a young lady, a Narriett M Bennett portrait of two young girls dressed as angels, and a crayon sketch of a young girl

A Chad Valley Ooloo the Cat, the black velvet cat with clear rounded oblong glass eyes having a gold stripe to centre, cream velvet muzzle, ear lining and paws, painted detail, red felt tongue, whiskers, swivel head and white mohair bushy tail, 21cm, Chad Valley Hygienic Toys button on the back, Chad Valley woven red and white label under foot.Ooloo the Cat was the creation of cartoonist George Studdy who created the famed Bonzo the Dog character. Ooloo the Cat appeared in the Sketch newspaper in 1929 as a feline counterpart to Bonzo. The Chad Valley Ooloo the Cat was made in the 1930s.

Four framed pictures. Includes pencil sketch of a nude female, Gail E Lodge Scottish Highland terrier, L R Black Maltby church etc.

Pencil sketch of a dog called Honey, signed lower right, appears to be Lenkiewicz, 39 x 47cm inclusive of frame, along with Lenkiewicz book 'The Painter with Women - the evolution of a Project', White Lane Press 2011

Modern British, oil on canvas, Colliery at sunset, a sketch of girders verso, 60 x 50cm, unframed, smoke damaged

An early 19th century sketch book - wild birds and flowers, all indexed and described

A Japanese watercolour and pencil sketch of a Geisha, signedand sealed, 42cms high x 31cms wide

A BOX AND LOOSE PAINTINGS AND PRINTS ETC, to include amateur watercolours and sketch pads signed Barbara Baldwin, needlework pictures and assorted prints etc

TERENCE LARRY PARKES (1927-2003) 'THE LAST OF ENGLAND - FORD MADOX BROWN', a sketch from the 'Rottweiler in Art Series' depicting a dogs face peering out where the babies hand appears in the original painting, signed 'Larry' bottom right, Chris Beetles exhibition label verso, pen and ink on paper, approximate size 14cm x 20cm, mounted, framed and glazed, Condition Report: some staining in places with a scuff to the surface of the paper above the figure of the man looking at the painting (artist resale rights apply)