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Saber, Clifford, 'Desert Rat Sketch Book' in worn slipcase, together with an Ekco Model 'U353' radio in working order.

Cruikshank (George). Cruikshankiana. being a collection of the most celebrated woks of George Cruikshank, Frederick Bentley, [1835], title page and thirty-nine (only of eighty-three) uncoloured etchings, gutta percha perished and contents shaken and loose, marbled endpapers, all edges gilt, contemporary quarter morocco gilt, folio, together with My Sketch Book, volume 1, 1834, decorative title, thirty-six uncoloured caricatures, binder's staples rusted, a few leaves detached, slight fraying to foredge, publisher's decorative printed paper wrappers, stained and frayed, oblong 4to, with Heath (Henry), Omnium Gatherum, circa 1845, decorative title, frontispiece, fifty-six uncoloured caricatures, preliminaries frayed with loss, front blank detached, hinges and joints cracked and loose, quarter cloth with printed boards, heavily worn and frayed, oblong 4to, plus Cruikshank (George), Mayhew's Great Exhibition of 1851, eleven (complete) uncoloured etchings, some overall toning and marginal chipping, contained in original cloth gilt portfolio, some rodent damage to corners, stained, slim folio, the folio also contains other prints and ephemera relating to George Cruikshank, including music covers, broadsides, portraits and caricatures, various sizes and condition Sold as a collection of plates, not subject to return. (4)

*Cruikshank (Isaac Robert, 1789-1856). The Dual - or Charley longing for a pop, S. W. Fores, 1798, etching with contemporary hand colouring, 265 x 405 mm, together with A specimen of Scotch modesty, S. W. Fores, 1798, engraved caricature with contemporary hand colouring, central vertical fold, slight staining, 350 x 480 mm, with Administring to an old friend!! Or the rapid effects of Whitbread's Intire, S. W. Fores, 1805, etching with contemporary hand colouring, trimmed to plate mark, 345 x 245 mm, plus Long heads upon change. Or the return of Ld. Lauderdale, T. Tegg, circa 1810, etching with contemporary hand colouring, some dust and finger soiling to margins, 250 x 350 mm, and The three orders of St. Petersburgh, S. W. Fores, 1800, etching with contemporary hand colouring, 330 x 220 mm, together with Strong symptoms of loyalty, S. W. Fores, circa 1800, etching with contemporary hand colouring, 245 x 375 mm, with One of the family!!, S. W. Fores, 1795, etching with contemporary hand colouring, trimmed to plate mark, 345 x 245 mm, plus A Hint for another statue - or a sketch of a modern weather cock, S. W. Fores, 1804, etching with contemporary hand colouring, trimmed with thread margins, 325 x 220 mm, and Taking an emetic, S. W. Fores, 1800, etching with contemporary hand colouring, one marginal repaired closed tear, trimmed to plate mark, slight marginal staining, 295 x 215 mm (9)

*Cruikshank (Isaac Robert, 1789-1856). The city sheep shearing, S. W. Fores, 1809, etching with contemporary hand colouring, slight adhesion scarring to verso, 220 x 335 mm, together with Symptons of affection or a specimen of marital prowess, S. W. Fores, 1791, etching with contemporary hand colouring, 260 x 400 mm, with The Doctor administering his gilded pill..., S. W. Fores, 1802, etching with contemporary hand colouring, 330 x 225 mm, plus The Phantasmagoria - or - a review of old times, T. Williamson, 1803, etching with contemporary hand colouring, 245 x 350 mm, and The quarrell abount pensions amicably settled, S. W. Fores, 1796, etching with contemporary hand colouring, trimmed to plate mark and window mounted, 255 x 370 mm, with A hint for another statue - or a sketch of a modern weather cock, S. W. Fores, 1804, etching with contemporary hand colouring, trimmed to plate mark, 340 x 240 mm, and Petition Mongers in full cry to St. Stephens!! Beware of wolves in sheeps clothing, S. W. Fores, 1795, etching with contemporary hand colouring, trimmed to plate mark, some dust and finger soiling to margins, 270 x 325 mm, together with eight further caricatures by Isaac Cruikshank, but all uncoloured, various sizes and condition (15)

Gillray (James, 1756-1815). A collection of twenty caricatures, circa 1810, twenty caricatures, all with contemporary hand colouring, including 'Dreadful hot weather', 'The state waggoner and John Bull', 'Metallic -Tractors' (2 copies), 'An old English Gentleman pester'd by servants wanting places', 'Taking physick', 'Wide Awake', 'Be gone dull care, I prithee begone from me!', 'Company shocked at a lady getting up to ring the bell', 'A broad hint of not meaning to dance', 'A military sketch of a gilt stick, or poker emblazoned' (2 copies), 'A decent story' (2 copies), 'The Introduction of the Pope to the Convocation at Oxford by the Cardinal Broad bottom', 'Waltzer au mouchoir', 'Juge de paix', 'A Spencer & a Thread-paper', 'Gentle emetic' and ' Cockney and his wife going to Wycombe', all with faults, including trimming with loss, tears, toning, laid down and spotting, various sizes Sold not subject to return. (20)

*Laurie (Robert & Whittle James, publishers). A collection of twenty-one engravings, circa 1800, uncoloured engraved caricatures, including 'The Watchful Farmer', 'Modern Bull Fighting or Cuckolds Quarrels', 'Russian Nuptials', 'The Yorkshire Concert', 'Raising Evil Spirits', 'A Spouting Club', 'Meeting in a Narrow Lane', 'Whipping Tops and Bottoms', 'A Touch at the Times', 'The Curate on a Visit', ' Claiming the Flitch of Bacon', ' Light Summer Travelling - only Six inside, Children half price', 'A Scolar, a Bald man and a Barber', 'A Grave Physician & Lively Cobler', 'Blindmans Buff' and 'The Meeting at the Church Door', margins frayed and chipped, some adhesion scarring to verso, mostly 250 x 200 mm, together with Woodward (George Moutard), A collection of twenty-one caricatures, circa 1800, uncoloured etched caricatures, including 'Jolting Preventives', 'An Itinerant Theatrical Sketch', 'A Fancy Sketch to the Memory of Shakespeare', 'Shewing the family pictures', 'A Country Farmer & Waiter at Vauxhall', 'Clerical Politeness', 'The Cabinet Council', 'Antiquarians viewing Queens Cross' and 'The Effect of Imagination', occasional duplicates, occasional marginal closed tears, each approximately 250 x 185 mm (42)

Burton (Richard F.). The Nile Basin. Part I. Showing Tanganyika to be Ptolemy's Western Lake Reservoir... Part II. Captain Speke's Discovery of the Source of the Nile. A Review, by James M'Queen, 1st edition, 1864, half title, three maps, title and final leaf backed onto linen (library withdrawn stamp at foot of title verso), a little light toning and soiling, modern brown cloth, 8vo (Penzer, pages 74-75), together with Beecham (John), Ashantee and the Gold Coast: Being a Sketch of the History, Social State, and Superstitions of the Inhabitants of those Countries: With a Notice of the State and Prospects of Christianity among them, 1st edition, 1841, folding engraved map, some light offsetting and spotting, modern brown cloth, 8vo (2)

Cigarette Cards, Mixture, contained in a larger size ringbinder, various sets to name, Ansties Stonehenge and The Victory (sectional), Morris Measurements of Time, How to Sketch and Shadowgraphs, Mitchells Scotlands Story, Carreras Tapestry Reproductions (sectional), Ogdens British Birds & Their Eggs, Wills Lucky Charms, Roses, Roses 2nd Series and Roses (different) and The Boyhood of Raleigh (sectional), Players Bygone Beauties, Fire Fighting Appliances, Miniatures and Butterflies, Millhoff Art Treasures, (gd/vg)

A UNFRAMED MOUNTED OVAL PENCIL SKETCH OF A COUNTRY STONE BUILT COTTAGE

•HAROLD RILEY (1934) MIXED MEDIA SKETCH 'His Royal Highness Prince Charles, Gala Night, Palace Theatre, Manchester' Signed and titled and with notation 15" x 10 3/4" (38 x 27cm)

HARRY RUTHERFORD (1903 - 1985) OIL PAINTING ON PANEL 'Opera Singer' 24" x 20" (61 x 51cm) (Provenance No. 351 in the Studio of Works catalogue) together with 'SQUARED-UP' PENCIL SKETCH ON PAPER For the oil painting the 'Opera Singer/Baritone' 10" x 7" (25.4 x 17.7cm) (Mounted but unframed)

•JOHN THOMPSON (1924 - 2011) MIXED MEDIA 'Sketch from Group Series (2000)' Signed with monogram, inscribed, titled and signed verso 9" x 6 1/2" (22.5 x 16.5cm)

ALBUM 1 (VELLUM BINDING, C. 39 X 32CM.),Put together by Pierre Dupont, Tapissier du Roi (d. 1640), collection of 3 black chalk drawings (portrait 37 x 26cm.; grimacing figure, possibly Dutch, 38 x 28cm.; Jester, 37 x 27cm.) 3 pencil drawings (sailing ship, 25 x 18cm.; an angel, on yellow paper, 37 x 25cm, blank corner torn away; women dressed in black, 31 x 21cm., on brown paper);  3 oil sketches (after a Lombard painter, possibly a background figure from Christ in the House of Martha, 37 x 23cm., trimmed; woman in cloak, either 17th century or 19th century oil sketch of a 17th century drawing, 26 x 20cm. ; a sheep's head, 200 x 15cm., cropped), 1 watercolour (head study of man in exotic headdress, probably Dutch, late 16th century, 22 x 13cm., cut round & mounted); & 29 engravings, largely C17th, some defective; Album 2 (old calf binding, c. 40 x 56cm.), 25 chiefly 17th century engravings, some trimmed, all stuck in, mostly at corners, some defective; sold as a collection of prints not subject to returnSee footnote for full listing of items.

FIFE & ST. ANDREWS, A QUANTITY, INCLUDING[DOUGLAS, WILLIAM]. SOME HISTORICAL REMARKS ON THE CITY OF ST. ANDREWS IN NORTH BRITAIN. London, 1728. First edition, 8vo, wrappers, title slightly dust-soiled, errata slip pasted to title verso, Maclaren, Charles A Sketch of the Geology of Fife and the Lothians. 1839. 8vo, 6 coloured folding maps and plates, original cloth, library stamp on a few plate versos, rebacked; Knox, James The Topography of the Basin of the Tay. 1831. 8vo, original cloth, [without the separately issued Map], , faded; Seton, George Memoir of Alexander Seton Earl of Dunfermline. 1882. 4to, plates, half morocco, slightly rubbed; Chalmers, Peter Historical and Statistical Account of Dunfermline. 1844, plates, contemporary half calf; Chalmers, Thomas A Series of Discourses. 1822, 8vo, half calf; [Muir, J.S.] Descriptive Notices of some of the Ancient Parochial and Collegiate Churches of Scotland. 1848. 8vo, plates, contemporary half calf, rubbed; Fergusson, David Tracts. Edinburgh, Bannatyne Club, 1860. 8vo, original cloth, rebacked; Conolly, M.F. Fifiana, or Memorials of the East of Fife. Glasgow, 1869. 4to, plates, original cloth, slightly spotted, rebacked retaining spine; M'Intosh, W.C. The Marine Invertebrates and Fishes of St. Andrews. 1875. 9 plates, some coloured, contemporary quarter calf; Additions to the Marine Fauna of St. Andrews since 1874. 1927. 4to, presentation copy, 3 coloured plates, original blue cloth gilt; Forth Bridge, The Reprinted from "Engineering" Feb. 28, 1890. Folio, red half morocco, rubbed; Liddall, W.J.N. The Place Names of Fife and Kinross. 1896. First edition, 8vo, original cloth; St. Andrews and Elsewhere. 1894, 8vo, original cloth; Gifford, William. An Ancient Seaport on the Shores of the Forth. Dunfermline, 1914. First edition, original cloth, slight text discolouration; Carnegie, Andrew Our Coaching Trip. New York: Private Circulation, 1882, original cloth; Walker, J.R. Pre-Reformation Churches in Fifeshire. 1885. Folio, original cloth; Dron, R.W. The Coal-Fields of Scotland. 1902. 8vo, original cloth; Bridge, J.H. The Carnegie Millions and the Men who made them. 1903. 8vo, original cloth, faded; Kirkcaldy, Sir William Memoirs and Adventures. 1849. 8vo, half morocco; Tomson, A. Eighty Years' Reminiscences. 1904, 2 volumes, 8vo, original cloth, spine faded; [St. Andrews University] Votiva Tabella. 1911. 4to, original vellum gilt, t.e.g.; Rintoul, L.J. & E.V. Baxter. A Vertebrate Fauna of Forth. 1935, dustwrapper; and many others on Fife (quantity)Provenance: From the collection of Larry Hutchison

SCOTTISH ANTIQUARIANA COLLECTION OF 10 VOLUMES COMPRISING [DUNCOMBE, G.] Scutum Regale, the Royal Buckler, or Vox Legis, a Lecture to Traytors. London, 1660. 8vo, engraved frontispiece (caption cropped) and 2 plates, 1 folding, contemporary sheep, P1-8 slightly wormed, rubbed, [ESTC R17723]; Mackenzie, Sir George Jus Regium, or the Just and Solid Foundations of Monarchy. London, 1684. 8vo, modern quarter calf, title repaired in inner margin, lacks frontispiece portrait, [ESTC R945]; Creech, William An Account of the the Trial of William Brodie and George Smith. Edinburgh, 1788. First edition, 8vo, 2 plates, original boards, uncut, rebacked; Criminal Trials illustrative of the tale entitled "The Heart of Mid-Lothian". Edinburgh, 1818. 12mo, frontispiece, modern quarter calf gilt; [Glencoe] Authentic Narrative of the Massacre of Glencoe. Glasgow, 1818. 12mo, modern cloth' [Glencoe] The Massacre of Glencoe. Edinburgh, 1819. 12mo, modern boards; Chalmers, George The Poetic Remains of some of the Scotish Kings. London, 1824. 8vo, engraved frontispiece and folding facsimile, contemporary salmon morocco gilt, g.e., joints rubbed; [Edinburgh] An Historical Sketch of the Municipal Constitution of the City of Edinburgh. Edinburgh, 1826. 8vo, folding tables neatly mounted on vellum, contemporary black morocco gilt, g.e.; Historical Reprints taken from the Free-Holder. 12mo, 7 items, each limited to 200 copies, later blue cloth;; Richardson, M.A., publisher. Newcastle Reprints of Rare Tracts. Chiefly illustrative of the History of the Northern Counties. Newcastle, 1847, 8 tracts in one volume, each limited to 100 copies, 19th century maroon half morocco, rubbed, very slight dampstaining to extreme outer edge of some leavesProvenance: From the collection of Larry Hutchison

An artist's folio containing watercolour studies, oil painting portraits, sketch book etc

Three paintings by F.P. EareeTwo paintings, one sketch

ERIC WARD. Seated nude. Pencil sketch, signed. 40 x 19cm.

Manner of Thomas Gainsborough (1727-1788) - Oil painting - Rural landscape with family and pony on a pathway, relined canvas 18.5ins x 21.75ins, in gilt moulded frame Note: Ink inscription to verso "Sketch by Gainsborough"

Euphemia Dawson Turner (19th Century British) pencil and watercolour on paper, A View of Kew Bridge with the Kew Bridge Pumping Station beyond', 26.6 cm x 49.8 cm, , with a label to the mount reading 'A sketch of Kew Bridge made by me (Effi Dawson Turner) about 1873 when I was living with my cousin Sir Joseph Hooker F.*** Director of Kew Gardens', framed and glazed

John Pettie RA (1839-1893), Sketch for the portrait of Dr Oswald Dykes, oil on canvas, 42.5cm x 30.5cm

Miroslav Tichý (1926 - 2011) Untitled sketch and study, probably circa 1960s. Pastel on paper with pencil sketches verso. 26 x 33.5cm (10 1/4" x 13 1/4").

Barrie, James - "Historical Sketch of the Hawick Golf Club" 1st ed 1898 published by James Edgar Hawick, in original red and gilt pictorial cloth boards and spine, c/w numerous illustrations and an appendix with list of members, rules, bye laws, et al, and original folding course plan to the rear half laid down to free end plate - (boards and spine soiled, scuffed and stained slight bruising to top and tail of spine) (AF).

Meiklejon, J (c.1880's) "GOLF AT ALNMOUTH" - original sketch signed and dated by the artist along the border and dated 1883 - oval image measures 3.5 x 8.25" - overall 11.25 x 16" c/w original clipped label laid down on the back which reads "Sketched by Mr Meiklejon - Father of a Sea-Bank boy" Note: Old Alnmouth Golf Club is the oldest 9 hole golf course in England established in 1869 in the same year as Royal Liverpool (3rd Oldest Club in England) and was designed by young Mungo Park the club's first professional and Open Golf Champion in 1874

A framed pencil sketch of an elderly gentleman possibly a farmer.

A framed surrealist pencil sketch, monogrammed N.B.

A wicker basket of children's toys to include etch-a-sketch screen, Abacus, figurines etc.

Mary Beresford Williams Ltd Edition screen print, charcoal sketch & 2 x landscapes

View of Angel Hill, Bury St Edmunds - heightened print; together with Ernest Borough Johnson - figure scene, pencil sketch, signed and inscribed 1902 lower right (2)

"From Her Sketch Book", watercolour on paper, with studio stamp, 23 x 18 cm

Patrick DesJarlait Sr. (1921 - 1972). Modernist color pencil and graphite drawing of a Native American family in profile. Signed along the lower right.Provenance: Private collection, Minnesota.Biography: Patrick DesJarlait was a successful Ojibwe artist devoted to painting scenes of his traditional culture.  He grew up on the Red Lake Reservation in Minnesota, and later made his home in the Twin Cities. Throughout his career he painted iconic scenes of Ojibwe life, such as wild rice harvesting, walleye fishing, and dancers in traditional costumes.  DesJarlait explained: “I felt compelled to tell the story of my people through my paintings.”DesJarlait grew up in a cozy log cabin in the woods near Red Lake, with his parents and 6 brothers and sisters.  Like other Ojibwe families of the 1920s, they didn’t have a lot of money, and lived off the land as much as they could.  The climate could be harsh up in northern Minnesota, but each season brought new opportunities. In the spring, many families made a temporary camp and harvested maple syrup.  Desjarlait liked to sketch everyone at work, giving him the nickname “little boy with the pencil.” In the fall they harvested wild rice, and throughout the year they fished and hunted.  Every summer the Red Lake Ojibwe celebrated with their annual pow-wow, and DesJarlait always looked forward to watching the elders dance in their traditional beaded costumes.In his early years, DesJarlait developed a strong connection to his land and his people, and expressed this through his many drawings.  During elementary and middle school, he was sent to various boarding schools for Native American children, as part of the government’s program to indoctrinate them into mainstream culture.  Ojibwe language, games and crafts were prohibited for the children. Desjarlait continued to create drawings during his study time when allowed, although his subject matter was somewhat restricted.In High School DesJarlait returned home to Red Lake and attended public school.  There were no art classes available, but the drama teacher encouraged him to create elaborate set designs for each of their productions.  She also helped him obtain a scholarship to study art at Arizona State College in Phoenix. He never imagined a life beyond the reservation, and this opportunity changed his life.  At Arizona State he took Art Appreciation classes, along with drawing, painting, and ceramics. He was impressed with the styles of Native American painters of the Southwest, along with other modern artists like Picasso and Rivera.While he was in Arizona, the U.S. entered World War II.  DesJarlait was recruited by the Army to work in a nearby Japanese-American Internment Camp.  At the camp he organized art classes for the detainees, some of whom were accomplished artists themselves.  Next he moved to San Diego, where he worked for the Navy making instructional videos on topics like assembling torpedos.  Some of these films were animated, so he began to learn more commercial artistic practices as well. While in San Diego, an art gallery held the first solo exhibition of his paintings.After the war, Patrick DesJarlait moved back to the Red Lake reservation and married Ramona Needham.  Encouraged by his experiences in the Southwest, he spent the next year trying to create his own unique artistic style.  He preferred working with watercolor, but added minimal water to his pigments to achieve a bright color palette. Painting was a slow and painstaking process for him, each brushstroke was small and intentional.  The brushstrokes were not blended together, but each remained clearly visible in the final piece. “These individual little strokes were to me like the tiny particles that make up our world and everything in it.”  His subject matter focused on the traditional way of life of his people. Red Lake Fishermen and Maple Sugar Time, both dated to 1946, were the first paintings in his new signature style.After his year at home on the reservation, DesJarlait and his wife moved to the Twin Cities, where they would raise their 5 children.  He found a job in advertising, making print ads and commercials. Several well-known logos were his creations, such as the Land O’Lakes logo with the Native American woman and the Hamm’s Beer bear.  He continued to work on his own paintings in the evenings, and eventually was successful enough to make a living with his art. When he passed away in 1972, he was buried with one of his favorite paint brushes to take with him to the spirit world.  Today his work is popular with corporate and private collectors around the country and held in many prestigious museums. His paintings are treasured both for their visual beauty and their cultural record of the Ojibwe people.Dimensions: Sight; diameter: 7 3/4 in. Matted; height: 12 in x width: 12 in.Condition: Good condition; for a detailed condition report, please contact us.

Quantity of 19th c. pages from a lady artist's sketch book (18)

[Autograph] Ryan, John, Captain Pugwash and the Huge Reward, Gungarden books, 1991, bearing a pen and ink sketch of Captain Pugwash and the signature of the author to the title page (two copies, both signed the same way)

Dame Laura Knight (1877-1970) Study of two lovers, standing above an inscription "Altho I early have not been of late / I send best wish for sixty eight. Laura K." pen and black ink, mounted together with 16 Langford Place notepaper signed by the artist in ink, framed under glass, sketch 24 x 19 cm

'My Hunting' sketch book, by Lionel Edwards, 1928

Pacific.- Shillibeer (Lt. John) A Narrative of the Briton's Voyage to Pitcairn's Island; including an Interesting Sketch of the Present State of the Brazils and of Spanish South Americia, second edition, 12 etched portraits and plates, 2 folding, one printed in sanguine, some light spotting, original boards, uncut, a little rubbed and soiled, corners bumped, [Ferguson 697; Hill 1563; Sabin 80484], 8vo, 1817.⁂ The Briton set sail from England on New Year's Eve 1813, visiting Rio de Janeiro, St. Helena and the Cape of Good Hope before arriving at Pitcairn in September 1814. "A very interesting narrative including some curious details regarding the mutiny of the Bounty, and the meeting with the last survivor, John Adams..." Hill. There is also a portrait of "Friday Fletcher October Christian", the son of Fletcher Christian and the first child born on the island to the mutineers, and views of Rio, Pitcairn and the island of Juan Fernandez. This second edition was issued the same year as the first which was published in Taunton.

Attributed to Cecil Aldin Pencil Sketch. The small sketch depicting two mounted figures, approx  19 x 14 cms. glazed and framed. 

GEORGE RICHMOND. (1809-1896) SKETCH AT MARGATE, SIGNED , DATED 1850 AND INSCRIBED WATERCOLOUR. 18 x 25.5cms.

ATTRIBUTED TO ROBERT HOPE A LADY SEWING Further pencil sketch of a lady sewing verso, oil on board 26.5cm x 23.5cm (10.5in x 9.25in)

[§] SIR WILLIAM MACTAGGART R.S.A., R.S.W. (SCOTTISH 1903-1981) BOATS IN HARBOUR Charcoal 24.5cm x 34cm (9.75in x 13.5in) and a further charcoal sketch by the same hand 'Trees and Cottages' (2)

WWI and WWII, Family Group: 1914-1918 Trio 1891 Pte. F. T. Wilson. Manch.R., 1939-1945 Service Medal, Star and Africa Star R.F.N. J. D. Wilson 6967298, only 1939-45 Star engraved, photograph and album and Sketch Book, also 9th Army Italy Commemorative Medal, Far East Comand April 1953 Entertainment Medal, (10)

Set of four Crimean War chromolithographic engravings by W Simpson, published by Day & Sons, 1855, titled 'Kertch from the North', 'The camp of the 2nd Division looking east', 'Huts and warm clothing for the army', and 'Sketch in the interior of the Mamelon Vert', 33cm x 49cm, all similarly framed

Original oil painting of a shore scene by Rachel Long, local artist and a framed pen and ink sketch of Canada geese.

Copy of Daily Express 1942 with headline Singapore last stand The Daily Sketch 1941 Russians Smash German Army Daily Mail 1941 Japan Declares war of Britain and USA

A box of Art reference and other books inc Desert Rat Sketch Book by Clifford Saber

An architectural drawing sketch, for ten cottages, for the Freeman of the Borough of Leicester, partially decorated in colours with plans and dated 1855.

Lise B Moorcroft, 20th/21st century A tall vase tubelined in pastels with lillies, signed to the unglazed base, 53cm high, sold together with an artist's sketch of a lily (2)

Newspapers(8) - range from 1954-1981 includes Daily Sketch -Eastern Evening News-East Anglian Daily Times etc

Art Book - A delightful Presentation pack of (2) sketch books-beautiful sketch pictures and a introduction book by Graham Reynolds, Published 1979

Winsor and Newton sketch book-14.1/2"x10" containing some water colours and pencil drawings, some blank pages still left to use, a nice old item for the art enthusiast.

Two hand-coloured woodcut prints - "The Harbour of Hong Kong - from an original sketch"; and "Victoria, Hong Kong - Queens Road West", one indistinctly signed in the block.

Miroslav Tichý (1926 - 2011) Untitled to depict two girls dancing, probably 1940-50s. Coloured pencils on paper with ink sketch verso. 60.5 x 44cm (23 3/4" x 17.5").

Miroslav Tichý (1926 - 2011) Untitled, probably 1940-50s. Ink on paper with sketch verso. 30 x 42cm (11 3/4" x 16.5").

Miroslav Tichý (1926 - 2011) Pair of untitled studies. Probably circa 1960-70. Ink on paper with sketch verso, pen on paper. 30.5 x 43cm (12" x 17") and 30 x 42cm (11 3/4" x 16.5").

FREDERICK HENRY TOWNSEND (BRITISH 1865-1920), 'KATE OF THE TOLL HOUSE', a pen and ink sketch of a man and woman sitting on a settee, signed and dated 1900 lower left, original information label verso, mounted, framed and glazed, approximate size 18cm x 26cm

Walt Disney Sketch Book, Snow White and the Seven Dwarfs, publisher William Collins Sons & Co Ltd, London and Glasgow 1938 CONDITION REPORT: The book is canvas bound with an external plastic wrapping. Both the canvas and the plastic are in good condition. The binding is very secure. Pages with typical slight yellowing and foxing but generally are in excellent condition. There is a colour plate for each character except the last, 'The Huntsman'. I am unsure if this is intentional as there is no evidence of a missing page. There are 12 colour plates in total.

An interesting and comprehensive collection of 19th century and later artists materials including inlaid wooden artists box, with chequered string inlay and fitted single drawer, a paint box by Lechertier-Barbe & Co of Regent Street, fitted with loose pigments, tubes of pigments, etc, further black tin paint boxes, brush holders, etc, a quantity of early 20th century sketch books, folding easels, pencils, etc, together with a collection of unframed prints, drawing etc,

A large and interesting collection of late 19th and early 20th century children's books including The English Struwwelpeter, Five Kate Greenaway picture books, R Caldecott's Picture Book, etc, together with Struwwelhitler - A Nazi Story Book, produced by the Daily Sketch War Relief Fund

A Collection of Various Water Colour Sketches, Sketch Books Etc

A Vintage Leather Case Containing Paints, Palettes, Sketch Books and Other Artist Materials