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A watercolour, 19th Century British School - "Birkdale, Southport", inscribed "spot sketch" and dated 1845.

GEOFFREY AINLEY (BRITISH, 20TH CENTURY) 'The Cricket Match, Hartley Wintney', watercolour and ink, 16cm x 24cm, together with Ian Kotrill pencil sketch of Tom O'The Wood public house, together with two other pictures (4)

R.M.CONNOLD (BRITISH, EARLY 20TH CENTURY) 'Who's That?' watercolour sketch of an early 19th Century cavalry officer, signed and dated 1902, 21cm x 13.5cm, together with two other watercolours, a print of Lichfield Cathedral and four other paintings and prints (8)

A 20TH CENTURY THREE TIER WALL SHELF, a Georgian style fret cut wall mirror, gilt framed oval wall mirror, an etching of Falmouth and a sketch of High Street, Clovelly and a small watercolour of a bridge (4)

A 1940s Charcoal portrait study of gentleman indistinctly signed and dated 1941 50 x 37cm together with a pencil sketch of an airman in uniform 61 x 43cm

Oil on canvas, the sketch panel oil titled below, religious scenes, housed within a gilt gesso frame, 40cm x 28cm

Richard Principal Leitch (1844-1882)BOAT IN A MOUNTAINOUS RIVER LANDSCAPESigned l.r., watercolour13.5 x 24cm,together with a 19th century classical pencil sketch and a lithograph of a dog

A carved oak panel; probably 17th century, 51cm high; two Stevengraphs, The Good Old Days and The Present Time, framed and glazed; English School (19th century), a coloured pencil sketch of a fisherman mending nets; and two watercolours, one of a watermill by M. Weston

William Hyams - watercolour sketch of Ditchling Mill, signed, 10 x 13in.

A modern oil on canvas, view from seashore, a pastel sketch, huntsman crossing a river, and other framed pictures

A framed pencil sketch signed G L Stampa and a framed picture Peter Pan Kensington gardens

A collection of football programmes including England games and FA Cup finals, together with a collection of large size Ty Phoo football cards, a Mexico 70 brochure and a Daily Sketch Mexico 70 set of cards in an album.

A framed pencil sketch of a gentleman, dated 1863 and a Victorian print, 'Meditation'.Approx 42x51cm

A framed sketch 'The Gay Gordons' signed 'Napoleon', 1908.

After J.H. Dowd, a hand-coloured print of a sleeping child with a Teddy and a Golliwogg, 13.5cms x 16cms, a coloured print after Joy Scherger, "High Tea", a coloured pencil sketch by Gene Spann of a group of Golliwoggs, 51cms x 39cms, and a print after Mabel Lucie Attwell, (4)

After W L Wyllie (1851-1931) - Portsmouth Harbour in war time, etching, pencil signed to lower left, 11 x 25 cm to/w three publications - 'Marine Painting in Water Colour', Cassell & Company Ltd, London, 1914; 'The Wyllie Sketch Book', Cassell & Compant Ltd, London, 1908; and 'The Tidal Thames', exhibition catalogue, Malcolm Henderson Gallery, London, 1973 (4) Condition Report Good original condition

A pastel study of a cow (sight size 27cm x 31cm) together with a pencil sketch of two horses drinking from a river (sight size 14cm x 16cm); both unsigned. (2)

A pen and ink sketch of a church indistinctly signed, 48cm x 33cm.

John Leechpencil and watercolour sketchFigures in a tavern and studies of a horseheadsigned4.75 x 6in.

Cornelius Varley (1781-1873, Study of a tree in Hyde Park, pencil, signed and inscribed lower left, 36.5cm x 33cm Spink-Leger label stating verso there is a sketch of a monument

Framed & glazed Charcoal sketch of a lady, marked DS 1919

WWII framed & glazed pencil sketch signed by the artist

Sketch Book Of British Birds By R Bowdler Sharpe, With Coloured Illustrations By A F And C Lydon. London Society For Promoting Christian Knowledge.

Attributed to James Howe (1780-1836), Horse and hound, pen and ink sketch, 24 x 39cm.

Thornton, Edward. The History of the British Empire in India, 6 volumes, library stamped, later cloth, 8vo, London: Wm. H. Allen, 1841-45; [Heriot, John] An Historical Sketch of Gibraltar, half-title, a few leaves soiled, library stamps, modern cloth, 8vo, London: B. Millan, 1792; and 7 others, similar, v.s. (14)

Thomas Rowlandson - pen and watercolour sketch 'Horse Stealers upon Trial at the Old Bailey' - 21 x 17cm titled and dated in pencil, with original Abbott and Holder Auctioneers of Bloomsbury catalogue

A watercolour and pencil sketch Study of St Albans - framed and glazed - 40 x 28cm

Matt Lucas signed 10x8 colour photo from Little Britain sketch. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.

Attributed to Edward William Godwin (1833-1886) Armchair, manufactured by Gillow & Co., circa 1875 mahogany, with red and green 'Griffen' pattern upholstery stamped 'Gillow' on ring turned legs 72cm high, 58cm across. No design for this chair has been identified in the Gillow Sketch Books for chairs, but Godwin is known to have been associated with the firm and certain attributes that feature on this chair show similarities to other examples identified as Godwin designs.

Notes From The Diary of a Doctor, Sketch Artist and Sportsman - George A Fothergill C1901

William Appleton, view of mountain, river foreground, watercolour, signed and dated 80, unframed, 24.5cm by 35.5cm, together with sketch of a bridge across a stream, watercolour and pencil, signed Campter and dated Aug 7.76, unframed, 19.5cm by 39cm

KITCHENALIA c1910 DAILY SKETCH RECIPES "A Practical Book of Cookery and Household Management".Well illustrated.Superb front cover with plenty of interesting adverts inc three in full colour. Fascinating reading. Scare book, unusual Xmas present.

India.- Rennell (James) A Bengal Atlas: containing Maps of the War and Commerce on that side of Hindoostan, second edition, letterpress title and contents leaf, engraved index map, double-page view and 20 maps, all but one double-page, some also folding, the first ten with outline hand-colouring, with a further 3 maps of Hindostan by Rennell on 8 double-page and/or folding engraved sheets bound in at end, all with outline hand-colouring, some with cartouches, additional maps added to list of contents in manuscript, all mounted on stubs, some light spotting and soiling, one or two browned, with some military manuscript maps and other material loosely inserted, modern half red morocco over marbled boards, spine elaborately gilt, folio, 1781.⁂ The 3 additional engraved maps by Rennell bound in are: Map of Bengal, Bahar, Oude and Allahabad, 1786 (2 sheets); General Map of Hindoostan, 1782 (2 sheets); General Map of Hindoostan, 1788 (4 sheets).The loosely-inserted additional material comprises: Sketch of Roads by Maj.F.Abbott, ink & watercolour on tracing paper, c.620 x 275mm.; Sketch of the Bheta-ki-Puttun on the River Beas by Capt. W.Abercrombie, ink & watercolour, c.280 x 210mm., some worming with loss; [Sketch of roads east of Amritsir], ink & watercolour, c.230 x 185mm.; Map of Cantonments of Agra, printed with hand-colouring, c.250 x 330mm.; Plan of a Church...in the Nizam's Station of Bolarum 1845/46 constructed by Capt. G.F.C.FitzGerald, lihograph with caption in manuscript, c.320 x 200mm.; Explanation of a View of the City of Calcutt, exhibiting at the Panorama, Leicester Square, engraving, c.285 x 450mm.

Africa.- Language.- Appleyard (Rev. John W.) The Kafir Language: Comprising a Sketch of its History, pencil annotations, occasional faint spotting, ink inscription, small abrasion mark to front free endpaper, various bookplates and labels, contemporary cloth, a little rubbed, slight bumping in corners and extremities, King William's Town, 1850 § Grout (Rev. Lewis) The Isizulu. A Grammar of the Zulu Language, ink inscriptions to title, occasional faint soiling, nibbling to some edges, later half morocco, Natal, 1859, 8vo & sm.4to (2)

Africa.- Mitchinson (Alexander William) The Expiring Continent: A Narrative of Travel in Senegambia, 15 plates (some damp-staining to corners), folding map (browned edge), ink inscriptions, small abrasion mark to front free endpaper verso, occasional light spotting, 1881 § Alexander (James Edward) Narrative of a Voyage of Observation Among the Colonies of Western Africa, 2 vol., 16 plates, 2 maps, occasional spotting, rebacked with original spine laid down, [Hosken p.3], 1837 § Reade (Winwood) The African Sketch-Book, 2 vol., plates, maps (2 folding), occasional light spotting, [Hosken p.166], 1873, first editions, frontispieces, original cloth, rubbed; 8vo (5)

Ballooning.- The Only Authentic Sketch of the Ascent of the Vauxhall Balloon with Mr. Cocking's Parachute, lithograph, 379 x 275mm., some light handling creasing and light soiling, mounted, W. Spooner, c.1835.⁂ Robert Cocking's unfortunate death in the first recorded parachute accident.

Isle of Wight, Dorset & Devon.- 2 sketch books, c. 60 pen and ink sketches excluding blanks, original red morocco (not uniform), first gilt, slightly rubbed, 1 vol. g.e., 125 x 168mm. & 159 x 117mm., [c. 1850] (2).⁂ Views include: Carisbrooke Castle, Freshwater Bay, Salcombe, Poole, Buckland Abbey, Buckfast Abbey etc.

A Victorian watercolour of an elderly lady, along with pencil sketch of two ladies, each in a maple frame

A Victorian scrap book, along with a later scrap books, both with various cuttings and a small sketch book

WILLIAM ETTY (1787-1849); a rare group of Sketches, from life, in pencil, ink and colour wash, including a portrait sketch of a woman looking down, drawn on the visiting card of Mrs Barber of Tang Hall; a pen and ink sketch of a female nude drawn on an envelope fragment with date mark for 1845, and various other sketches presumably made at the original Tang Hall where Etty was a visitor, together with a handwritten text of the dedication inscribed on Etty's tomb in the Church of St. Olaves, York, in a double-sided frame. 21 1/2" (54cms) x 18 (46cms) overall. Provenance: From the Estate of the connoisseur and collector Christopher Lennox Boyd.

THOMAS DUDLEY (fl. 1879-1910); Spen Lane, York, Watercolour, with figures and cottages and York Minster in the background, inscribed "Sketch by Tom Dudley". 8 1/2" (22cms) x 6" (15cms).

THOMAS DUDLEY (fl.1879-1910); view down the River Ouse from Lendal Bridge with the back of York Guild Hall on the left, Watercolour, signed "Sketch by Tom Dudley". 6" (15cms) x 9 1/2" (24cms).

Attributed to John Constable, "Scene at Wansford Bridge", unsigned watercolour sketch, contained in a printed mount, inscribed "At Wansford Bridge 1832 John Constable R.A. sketch book for 1832 John Winter Jones Collection", size of watercolour 15.5cm x 23cm

Atributed to Felice Giani (1758-1823). pen, ink & watercolour, depicting a classical scene of a figure on their death bed with several mourners, entitled 'The Entombment', mounted, framed and glazed, image size 7.3cm x 17.8cm approx., together with, Graham Sutherland (1903-1980). Five working pencil drawings taken from a sketch book, with a signature of the artist, all mounted, framed and glazed in a single frame, total size 39.4cm x 34.5cm approx., plus,

WALT DISNEY'S PINOCCHIO - orange pencil production sketch of Jiminy Cricket (created by Ward Kimball); framed & glazed (22 x 20cms., within mount); captioned beneath 'Pinocchio / Walt Disney 1940' * depicted full figure, with his open umbrella raised when singing 'Always Let Your Conscience Be Your Guide'; the film released February, 1940 winning 2 Academy Awards for best original song & best original score for 'When You Wish Upon A Star', sung by Cliff Edwards in the character of Jiminy over the opening credits & final scene;

WALT DISNEY'S DONALD DUCK IN "SELF CONTROL" - pencil production sketch of the Duck; framed & glazed (18 x 26cms., within mount); captioned beneath "Self Control" / Walt Disney 1938. * Donald depicted full figure in a hammock; the animated short film released February 11, 1938, directed by Jack King, featuring the voice of Clarence Nash as Donald Duck.

MGM STUDIOS, THE LONESOME MOUSE - pencil production animation sketch of Jerry Mouse; on the original animation paper (27 x 32cms., the figure itself 6 x 5cms.); full figure in jubilant dance mode, not captioned; animator's studio designation '50' in lower r.h. corner to indicate this original artwork's place in the scene, & 3 peg holes, faint studio stamp just shows; released May 22, 1943, the 10th in the series & the first speaking roles for the cat and mouse duo.

A collection of drawings, including a work attributed to Will Dyson 'The Last Judgement'; a sketch of a ship, a watercolour of African landscape, and a watercolour landscape with figures and a waterfall, all unframed.(4)

English School (19th century), 'In the sweat of thy face shalt thou eat bread', oil sketch on canvas, inscribed beneath image, arched design, unframed, 41.5cm x 91.5cm.

LARGE SELECTION OF ARTISTS MATERIALS to include Richardson USA 'Best' hardwood portable easel and paintbox combined two tubular metal folding easels, two hardwood paint boxes, a good selection of artists prepared boards, sketch pads, paint brushes, pastels, etc., etc., contents of approximately six boxes

A WINSOR & NEWTON 'WINDRUSH' SKETCH BOX EASEL

AN OIL ON BOARD SKETCH of a woman sitting by a table laden with food in an oval gilt frame

ENGLISH SCHOOL 19TH CENTURY; AN OIL SKETCH OF A GARDENER with a rake, wearing a bowler hat, painted on panel

The Earl of Roden on the Grand Tour, 1781Manuscript: A quarto notebook headed: "This small Treatise was written by that much beloved and amiable Nobleman Robert 2nd Earl of Roden while on his traavells in Italy, started, "Urin, April 12, 1781" Pp 1 -66, 359 - 369, rest blank or torn out.Consists mainly of "A small sketch of the lives of most famous Italian, Flemish and French painters," comprising brief biographies of 42 artists from Raphael to Lebrun. The book concludes with "some account of the Origin and causes of Earthquakes, Volcanos & c." and a brief "gasconade" in French denouncing the pretensions of Frederick the Great.Viscount Roden (he succeeded to the earldom in 1797) was then aged twenty-five. He is remembered in Irish history less for his observations on the great artists than for the savage conduct of his troop of dragoons (the "foxhunters") during the rebellion of 1798, including the massacre at the Curragh of Kildare of more than 350 rebels who had surrendered. As a m/ss, w.a.f. (1)

Early 19th Century Travel JournalManuscript: A manuscript Journal of excursions from England through central Europe (Belgium, Germany, Austria, Italy...), describing roads, hotels, towns, countryside, monuments, works of art etc. At the back are calculations of exchange rates, expenses, etc., and a pencil sketch of a coat of arms dated 1590. There are accounts of seven annual journeys through the summers of 1824 to 1827 and 1834 to 1836, the fist being by far the most detailed. The writer has not been identified, approx. 330pp, in sm. 8vo volume in full crimson mor. As a m/ss, w.a.f. (1)

An 18th Century Irish Log Book and Guide to NavigationManuscript: Paper-bound Volume compiled in 1764 by William Farrell, Commander of the ship William of Dublin. Headed: Navigation. Teaches to guide any Ship or Vessle from one Harbour to another the Chief Instrument of which is the Mariners Compass,," of which a coloured sketch follows. As a m/ss., w.a.f. Most of the volume consists of case studies of navigational problems, copiously illustrated with diagrams. The remainder comprises details of a series of voyages - to Nantes, Bordeaux, Bilbao, Cadiz, Bermuda, Barbados, Charlestown..., some from Tuscar Rock.

Drawings by the Duchess of DevonshireArtist Sketch Book An oblong roy 8vo Artist Sketch Book / Album, bound in cont. hf. crimson morocco. It contains 14 watercolours and pencil sketches, each approx. 24cms x 16cms (9 1/2" x 6 1/4"), some unfinished, of landscapes and buildings in France, made by Lady Elizabeth Foster in 1791.Lady Elizabeth ("Bess") Foster (1757-1824) was the daughter of Frederick Hervey, Earl-Bishop of Derry; the wife (briefly) of John Thomas Foster of Glyde Court, Co. Louth; the intimate friend of Georgiana, Duchess of Devonshire; and the mistress and eventually wife of the Duke.In 1791 the Duchess became pregnant by her lover the Whig politician Charles grey, and the Duke furiously gave her the options of divorce or exile. She chose the lattr, and Bess loyally accompanied her, as did Lady Bessborough (the Duchess sister) and the Dowager Lady Spencer. They travelled from London to Aix-en-Provence (when these sketches were made), thence to Switzerland and Italy, settling eventually in Naples. Returning to Switzerland in 1793, the Duchess wrote a poem "The Passage of the Mountain of Saint Gothard," which was later published in French and English with twenty illustrations, nineteen of which were by Lady Elizabeth Foster; the work has been described as "one of the finest lithographed books to have been produced in the age of the hand press."An important album of sketches by the companion of one of the most famous women of her age. As a sketch book, w.a.f. (1)Provenance: bought at the sale of Glyde Court, 1982.

Exceptionally Fine Copy[Thackeray (W. Makepiece)] The Irish Sketch-Book, 2 vols. sm. 8vo L. 1843. First Edn., 2 hf. titles, 2 frontis, text illus. thro-out, orig. embossed cloth, gilt lettered spine, both vols. in later outer protective cloth fold-overs, & in mor. backed slip case. A most desirable copy. (2)

Ebel (M.J.G.) Manuel du Voyageur en Suisse, thick 12mo Paris 1828. In Three Parts. Hf. title, engd. frontis, 4 engd. plts. (3 lg. fold. panoramas), fold. sketch map & v. lg. fold. engd. hd. cold. map, cont. hf. calf, marble sides, mor. label. (1)

[Maxwell (W.H.)] Wild Sports of The West, 2 vols. 8vo L. 1833. New Edn. 5 litho plts. (2 frontis) text illus., cont. diced calf, mor. labels; Thackeray (W.H.) The Irish Sketch Book, L. 1860. Third Edn., frontis, text illus. cont. calf, with gilt armorials, lacks labels. (3)