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Paul Henry (1876-1958) The Storm c.1898-9 Charcoal on paper, 36 x 44 cm (14 x 17¼") Signed Provenance: Private collection, London, thence by descent Exhibited: Goupil Gallery Salon, London, October-December, 1908 (130); Goupil Gallery, London, March, 1909 (226); Water Colour Society of Ireland, Mills' Hall, Dublin, March, 1920 (122); Paintings by Mr. & Mrs. Paul Henry, Magee's Gallery, Belfast, 17-31 March, 1924 (23); Paintings and Charcoals: Paul Henry RHA, Waddington Galleries, Dublin, 21 February-3 March, 1952 (29); Paintings and Drawings by Paul Henry, The Studio, Sidmonton Square, Bray, until 8 November 1956 (27); Paul Henry: Retrospective Exhibition, Ritchie Hendriks Gallery, Dublin, and Belfast Museum & Art Gallery, Belfast, May-July, 1957 (73); Paul Henry: Paintings & Drawings, Shannon Free Airport, Limerick, August, 1957 (35) Literature; S. B. Kennedy: Paul Henry, Yale University Press, New Haven and London, 2000, p.39; Paul Henry: with a catalogue of the Paintings, Drawings, Illustrations, Yale, 2007, p.128, catalogue number 151 Reviewing Henry's 1924 Belfast exhibition, Belfast's News-Letter (18 March 1924) commented, possibly of this drawing, that it 'conveys a wonderful sense of elemental fury.... In the foreground are two tall gaunt, leafless trees, bending over before the onslaught of the storm … and overhead the sky is filled with heavy onimous clouds.' Priced at 12 guineas (£12.12) in the 1908 Goupil Gallery Salon exhibition catalogue, this was considered a finished drawing and not merely a sketch. Although the literary reference in Kennedy, 2007, illustrates another drawing, that reference now seems undoubtedly to refer to this work. Dated c.1898-9 on the form of the signature. Dr. S.B. Kennedy, October 2014

WARNER, Richard - A Walk Through Wales, in August 1797: tinted aquatint frontispiece, sketch maps, cont. half calf board detached, 8vo, 1798. With - Bingley, W. R. Excursions in North Wales, large folding map, org. cloth, 8vo, 1838-9. * author's signed presentation copy (2)

A leather bound album, with two pen and ink sketches and a watercolour sketch.

G. SMITH. Portrait of a Gentleman, quarter-length, signed and dated 1848, charcoal heightened with pastel, 13 x 10 in; an oil sketch on board depicting ‘Figures conversing’ ascribed to Thomas Faed; and a set of six colour mezzotints by William Allingham depicting pastoral subjects with figures; eight (8)

Barrie, James - "Historical Sketch of the Hawick Golf Club" 1st edition 1898 published by James Edgar Hawick, in original red and gilt pictorial cloth boards and spine, c/w numerous illustrations c/w tissue guards and an appendix with list of members, rules, bye laws, et al, and original course plan to the rear -overall (G) plus Centenary Dinner Menu 1877-1977 held at Town Hall Hawick – Chairman Jack White (G) (2)

May, Phil (b.1864 – d.1903) "GOLFING CADDIE" pen and ink line sketch signed by the artist – image 12 x 9" – in plain mount. Note: Phil May is often referred to as the ` grandfather of British illustration` , Phil May was one of the most influential black-and-white artists of his generation

Eileen Soper (British, 1905-1990), 'Sketch of a Cat', unsigned, gallery label to verso, pencil drawing on paper. H.13.5cm W.17cm. Together with one other similar to verso. Provenance: The Estate of George and Eileen Soper The Chris Beetles Gallery, London

Theodore Alexandre Steinlen (French, 1853-1923), 'Sketch, two French soldiers', signed and dated 1915 in plate lower left, bears pencil inscription lower right, limited edition lithograph on okra tinted paper, numbered 89/400. H.53.5cm W.38cm. Together with one further aquatint etching on paper by the same hand, signed lower right. H.33cm W.24cm, together with two further prints.

NIGHTINGALE, BASIL (BRITISH) (1864-1940), . ‘Take my horse Brown, an incident with the Blackmoor Vale - a sketch from memory by one who was there’, watercolour/wash heightened, signed and dated 1888, framed, 35cm x 53cm

GILLOWS OF LANCASTER CUSTOM MADE ANGLE OR CORNER SETTEE ON MAHOGANY LEGS, the `L` shaped buttoned back above a conforming stuff over seat with rounded forecorner, covered in fringed old gold plush and raised on turned front supports with brass castors 33 1/2"" (85.1cm) high, 42"" (106.7cm) long, 31 1/2"" (80cm) deep, supplied with a photocopy of sketch/estimate book for 1883-1892, page No 838, dated August 1889, detailed client`s name, list of materials, with costings and a plan view

Circle of James Stark, pencil and watercolour sketch - wooded landscape, in glazed frame, bearing label to reverse - Ex Victor Rienaecker Collection, 20cm x 29.5cm

A pair of oval portrait miniatures depicting 18th century couple and a 19th century carved Roccoco gilt frame containing oval portrait sketch

After William Hogarth - The politician; monochrome etching - study of a cat, etching, and Terriers ratting - pencil sketch (3)

William Turner of Oxford (1789-1862), "Wootton Mill, Oxford", signed and titled, pencil sketch, 13 x 21cm, together with companion of Wood Eaton Church, titled, pencil, 15.5 x 20.5cm. (2)

English School (19th century), oval portrait of a young boy with blue eyes, pencil sketch, initialled CJE, 49cm x 39cm

GEORGE DANCE JUNIOR R.A. (1741-1825) ""A consultation on a very difficult case"", signed and titled in pencil, pencil sketch on paper, 7.75"" x 11.25"". See illustration Provenance: Christie`s King Street Lot 17, 7th December 1994. Private collection Somerset

Nathaniel Neal Solly (British) 1811-1895, The artists own sketch book containing 225 original watercolours including sea scape, still life, pastoral, country scenes amongst them each work with hand written title, approx 38 x 54 cms, dedication to inside front cover.

After John Sell Cotman, study of Postwick Grove, Norfolk, pencil sketch, 7.5cm x 11cm. Provenance: Schutz, Gillingham Hall, Norfolk, Lot 600 Philips Bury St. Edmunds 1996

Edward William Cooke R.A. (1811-1880) Studies of two Paddle Steamers Pencil 13 x 8cm; 5¼ x 3¼in Provenance: Martyn Gregory Cooke Exhibition 3/10/1996 With an unframed pencil sketch of Broadstairs Pier on 19th Sept 1830 attributed toCooke formerly inthecollection of Sir Edward Heath (2)

Waller Hugh Paton R.S.A. R.S.W. (1828-1895) A Wooded Stream Isle of Arran Scotland Signed dated 19.th Sept. 1855 and inscribed Arran Watercolour with bodycolour over pencil on buff paper 23 x 33cm; 9 x 13in Provenance: J.S. Maas & Co. London Boughtby Sir David Scott (1887-1986) January 1974 for £130 By family descent until 2008 Paton was a pupil of J.A. Houston. As a young man his family including his brother the artist Sir Joseph Noel Paton often spent summer holidays on Arran where they would sketch. Ruskin and Millais were both friends of his brother Noel and he has been described as the leading exponent of the Pre-Raphaelite landscape in Scotland. Paton exhibited views of Arran at the Royal Scottish Academy from 1854. ++Some foxing and discolouration to sky otherwise good condition

Sir John Lavery (1856-1941) The Lady Mayoress Lady Jenks [A study for the presentation to His Majesty King Edward VIII of the Charter of the Master Mariner’s Company] Titled Oil on canvas laid on board 35 x 22cm; 13½ x 8½in Provenance: LetterfromWakefield House regarding the presentation and the sketch With an edition of Sphere May 4 1935 and a newspaper clipping showing the full presentation painting (2) ++One or two areas where canvas has lifted and detached from board but paint stable otherwise good condition

A collection of various watercolour and pencil sketch drawings, unframed

A watercolour & gouache depicting the sinking of the Cunard liner 'The Lusitania', signed with monogram and dated 1918, further pencil sketch & annotations to verso, H 28 x W 40 cm, unframed

•JOHN BELLANY CBE, RA, HRSA (Scottish 1942 - 2013) GIRL WITH FISH Signed, pencil sketch, 40 x 28cm (15 3/4 x 11")

ORIENTAL SCHOOL "Ducks and ducklings by water's edge", acrylic on board, unsigned, together with a pen and ink sketch of a jester upon a monocycle and a pencil still life study of fruit in a bowl

Julia Sourell (20th Century) Portrait of a seated woman, chalk drawing, 56cm x 36cm, together with a further pencil sketch landscape

20th Century British School, Female figures gathering faggots on a woodland path, oils, 31.5 cm by 37 cm approx; together with an over painted print of a gentlemen, a print of a gentlemen and an oval monochrome print of a sketch of a lady (4)

Oak framed sporting and hunting sketch prints (11)

Map Illustrating the Extermination of the American Bison Prepared by W.T. Hornaday [with report] The Extermination of the American Bison, with a Sketch of its Discovery and Life History . This poignant map was prepared by W.T. Hornaday for a report to the U.S. National Museum, Smithsonian Institution. It traces in red the boundary of the area once inhabited by buffalo. The area outlined in blue and green reflects the tragic and systematic destruction of these herds. The numbers in green represent the location and number of the wild buffalo in existence January 1, 1889. Barely 800 bison were known to exist when this map was published. Included with the map is the historically important article ""The Extermination of the American Bison, with a Sketch of its Discovery and Life History."" Disbound, the 182 pp. of text includes 21 plates and provides an important historical context for the map. The map, issued folding, is very clean and bright with a binding trim at left and an associated 1.5"" binding tear closed on verso with archival tape. Report is near fine. 17.4"" W x 22"" H . Smithsonian Institute, 1889

Report from the Secretary of the Treasury, Communicating the Annual Report of the Commissioner of the General Land Office . This original report (116 pp.) contains eleven early maps by the General Land Office including: Diagram of the State of Missouri, 1841 (21 x 17""). Shows the entire state with townships. Major towns are located. Diagram of the State of Illinois (12 x 21.5""). Shows the entire state with townships. Major towns are located. Sketch of the Public Surveys in Iowa Territory (7 x 10""). By W.J. Stone, this map is centered on Iowa City and locates Salem, Bloomfield, Elkford, Davenport, etc. Good watershed detail and the progress of surveys is indicated. Sketch of the Public Surveys in the Northern Part of Michigan (15 x 17.8""). By W.J. Stone, this map locates Grand Traverse Bay, Saginaw Bay, Mackinaw Island and shows good watershed detail north from the Kalamazoo River. [Four maps of Louisiana] Map of the South Western District (10 x 13.5"") ; South Eastern District (10 x 8"") ; Map of the District North of Red River (9.5 x 8.5"") ; and St. Helena District (8 x 5""). Each township is noted. Diagram of he Surveying District South of Tennessee (11 x 16.5""). Centered on Jackson, the map names Grand Gulf, Natches, Vicksburg, Granada, and Columbus. Good detail of the Pascagoula, Pearl, Big Black and Yallobusha rivers. Locates the Choctaw Cession of 1830 and the Old Choctaw Boundary. A Plat Exhibiting the State of the Survey in the Territory of Florida (23 x 10""). This early, interesting map shows the status of public land surveys in the Eastern and Western Land Districts of the Florida Panhandle. The boundary of the Forbes Purchase is shown. St. Augustine, Amelia Island, and Tallahassee are named. From the Surveyors Office in Tallahassee by Robert Butler Survey General Territory of Florida. Arkansas (17 x 15""). This map shows the status of public land surveys in the state as of September 30, 1840. There is very light scattered foxing to some of the maps, otherwise clean and bright. Text is generally clean with the front page loose. 5.8"" W x 9"" H . General Land Office, 1841

Map of the Theatre of the Indian War, Showing the Location of the Battles of June 17 and 25 . This is one of the earliest, if not the earliest, detailed map to display the area and events leading up to the Battle of the Little Big Horn in which Custer and 267 of his men were killed. The map is still bound in the July 8th, 1876 complete issue of Graphic Magazine and includes a description of the battle and the events leading up to it. It was compiled from a War Department map of Captain Raynolds and Lieutenant Maynadier with the location of the two battles and General Terry`s camp superimposed over it. Details of the battles were slow to reach the East Coast so the map and accompanying article likely represents the best attempt at the time to shed light on these two battles. In addition to the map, there are several other illustrations within the newspaper including an impressive double-page sketch of the centennial celebration in Philadelphia. Overall very good condition for newsprint with some light toning along sheet edges and a few edge chips and tears. 12.3"" W x 15.6"" H . . 1876

Geographical, Statistical, and Historical Map of New Hampshire . This first edition map is on a full folio sheet (20.6 x 16.8"") with surrounding text describing boundaries, climate, natural curiosities, chief towns, religion, commerce, government, history and more interesting information. The state is up to date with six counties delineated. A list of governors beneath the map spans from John Cutts in 1680 to Samuel Bell in 1821. The historical sketch details New Hampshire`s history from John Smith`s discovery to statehood, concluding with the following: ""Since the adoption of the federal constitution, no event of historical importance has occurred in New Hampshire."" Battles with the Indians are marked with flags around Dover and Charlestown. Engraved by Young & Delleker. Original color. Trimmed close to neatline at bottom, with short centerfold separations at top and bottom that have been professionally repaired. 8.9"" W x 12"" H . Carey & Lea, 1822

[References to the Above Sketch of Fort Du Quesne, Now Pittsburgh, with the Adjacent Country] . This small map is one of the earliest to name Pittsburgh and is included in the January 1759 issue of the London Magazine. It identifies fourteen locations including the Monongahela River, Alleghany River, Fort Du Quesne and a few Indian tribes. Arrows drawn on the map indicate the flow of the rivers. In November of 1758, British General Forbes` army seized control of the fort and surrounding vicinity and renamed it ""Pittsburg."" A letter of his account is found on page 42 of the issue. Also included is an attractive frontispiece and title page for the 1759 year. Very light toning and minor soiling primarily in the blank margins. 3.9"" W x 4.1"" H . Anon., 1759

Chart of the Coast of Africa from the Strait of Gibraltar to Sierra Leone Compiled Chiefly from the Surveys Made by the Order of the British Board of Admiralty . This large blue-backed sea chart is on 3 joined sheets and covers the Atlantic Ocean from the southern edge of Portugal and Spain down the African coast to Liberia. There is a great deal of hydrographical information, including soundings, compasses, currents, lighthouses (marked with red and yellow), various paragraph-long navigational notes, and more. Islands such as the Azores, Madeira, Canary, and Cape Verde also appear. In addition to 6 land approach views, there are also 12 insets running along the top of the chart: Mazaghan, Rabat and Sale, Mogador, Goree Bay, Entrance to the Cazamance, Isle de los Anchorage, River Senegal, Approach to the River Gambia, The Coast in the Vicinity of Sierra Leone, Sketch of Portendik, Agadir of Sta. Cruz, and Sierra Leone. North is oriented to bottom left. The chart was based on the latest surveys of the coast, which occurred over 40 years before publication, from 1822 to 1835. A blue ""Imray & Son London 1876"" stamp appears below the title. Overall very good condition with original color (red and yellow) on lighthouses, light soiling, and scattered foxing. 73.1"" W x 40"" H . Imray, James . 1875

[Lot of 2] Quadrupede Nomme Kanguroo, Trouve sur la Cote de la Nle. Hollande [and] Le Potouroo. Caractere des Pattes et des Dents . A. Quadrupede Nomme Kanguroo, Trouve sur la Cote de la Nle. Hollande, by Captain James Cook, from Relation des Voyages Entrepris par Ordre de Sa Majeste Britannique, circa 1774 (6.5 x 8.1""). Attractive sketch of a native Australian Kangaroo, engraved from an oil painting by George Stubbs, a famous 18th century artist working in London. Stubbs modeled his painting after a skin brought back to England by Joseph Banks, who accompanied Capt. James Cook on his first voyage to the Pacific in 1768-1771. Engraved by Francois Godefroi. This engraving was first published in the English edition of Account of the voyages undertaken by the order of His present Majesty for making discoveries in the southern hemisphere by John Hawkesworth in 1773, which was republished in French the following year. Condition: On a sturdy sheet with light marginal soiling. B. Le Potouroo. Caractere des Pattes et des Dents, by Anonymous, circa 1840 (6.6 x 3.8""). This unusual print shows a potoroo, a small marsupial often referred to as a kangaroo-rat. It depicts their claw-like paws and a profile of the creature`s skull. Although they were once a common sight for early Australian settlers, all three remaining species of potoroo are on the verge of extinction. Condition: Minor soiling, mostly confined to the blank margins. See description . See description . . 1774-1840

ROBERT LENKIEWICZ (1941-2002) pencil sketch of L.R Boyles `Curly` chairman of Ilfracombe RNLI circa 1970, signed 42cm x 30cm t/w ROBERT LENKIEWICZ (1941-2002) pencil sketch Jean Boyles (of Ilfracombe) signed 42cm x 30cm

ATTRIBUTED TO FREDERICK GORE, CBE, RA (1913-2009) SKETCH FOR MURALS OF LONDON AT NIGHT inscribed verso, 70 x 90cm and another (see footnote) unframed (2) The canvas has been removed from the stretchers to reveal another composition of Sunflowers in an earthenware jug. There is a fragmentary printed label of the Redfern Gallery Ltd on the stretcher. ++Both works in reasonably good original condition free from tears or holes requiring a light clean and superficial conservation only

Philby (H. St. J.B.). The Background of Islam. Being a Sketch of Arabian History in Pre-Islamic Times, Whitehead Morris, Alexandria, 1947, contemporary previous owner inscription, small library copy label to front pastedown, original cloth-backed printed boards, light edgewear, 8vo. Limited edition, 311/500 signed by the author. -1

McCulloch (J.R.). The Principles of Political Economy: With a Sketch of the Rise and Progress of the Science, 2nd ed., 1830, recent blue half morocco, gilt dec. spine with raised bands, 8vo -1

Crosse (John). An Account of the Grand Musical Festival, held in September 1823 in the Cathedral Church of York; for the benefit of the York County Hospital, and the General Infirmaries at Leeds, Hull, and Sheffield: to which is prefixed, a sketch of the rise and progress of Musical Festivals in Great Britain, York, 1825, four hand-coloured aquatint plates, one folding lithographic plan for a new concert room, list of patrons, conductors, vocalists, chorus and instrumentalists at front, single-page of corrections at rear, with advert for the second Yorkshire Grand Musical Festival to verso, some light spotting to preliminaries untrimmed, modern quarter red calf gilt, 4to. An important contemporary history of the huge concerts held in York Cathedral in 1823, as well as a general history of music festivals in Great Britain from the period of Handel to the period of this publication. -1

* Delius (Frederick, 1862-1934). A profile portrait sketch of the composer Frederick Delius, believed to be taken from life, by the cellist Francis Peracchio, c.1929, pencil on verso of a London hotel restaurant menu, captioned Delius but unsigned, pin hole to upper edge, 26.5 x 21cm (10.5 x 8.25ins). A note in the hand of Anthony Gasson accompanies the drawing giving details; Francis Peracchio was the nephew of the recorded artist G. Peracchio and was himself a cellist, playing at the Carlton Hotel, Berkeley Hotel and at the BBC. He sketched regulars at the restaurants including Toscanini, and was the subject of many favourable comments. Delius suffered the effects of syphilis and by this time was blind and had poor mobility if not paralysis. He was reliant on his amanuesis Eric Fenby, as well as the financial support of Thomas Beecham. -1

* Fawley (Charlotte, 20th century). “Dame Joan Sutherland, ‘Anna Boleyn’, Covent Garden”, 1988, pen & ink sketch on paper of two figures, signed, dated, and titled in pencil to lower margin, sheet size 42 x 29.5cm (16.5 x 11.5ins), together with four others similar by Fawley, comprising a pen & ink sketch on paper titled ‘Three Studies of Ricarelli, Rehearsal Gala Concert’, and three watercolours on paper, two depicting scenes from The Marriage of Figaro, Glyndebourne (one showing Felicity Palmer), 1990, and the other titled ‘Der Rosenkavalier, The Royal Opera House’, 1989 -5

* Handel (George Frideric, 1685-1759). A head and shoulders portrait after Thomas Hudson (1701-1779), oil on panel, probably late 18th or early 19th century, 24 x 19cm (9.5 x 7.5ins), old gilt frame with title and artist label attributing the portrait to Thomas Hudson to lower edge, David Messum gallery label to frame verso. Provenance: Purchased by Anthony Gasson from David Messum Gallery in 1983 Hudson is known to have made two portraits of Handel - one in about 1748 and one in 1756 [now in the National Portrait Gallery, London], commissioned by Jennens, and similar to this example. A small whole-length sketch for the Jennens portrait is in the Royal Collection and copies after the same painting are now in the Fitzwilliam and at the National Gallery. -1

* Wagner. Wotan and the Valkyries, Die Walkure, Act III, by A. C. Michael (active 1903-1916), 1906, grisaille watercolour on Winsor & Newton board, heightened with bodycolour, signed and dated lower right, 34 x 54cm (13.5 x 21ins). A.C. Michael worked as an illustrator for The Morning Star, and other London papers. It is likely this sketch was taken from one of three performances of Die Walkure given at Covent Garden in May 1906 -1

* Tippett (Michael, 1905-1998). Autograph letter signed, ‘Michael Tippett’, Whitegates Cottage, Oxted, Surrey, 7th May 1946, to Mr [John] Ward thanking him for his letter and hoping to meet him in town to talk about it, telling that he is tied up with a ‘V remarkable performance’ at Morley Lodge, saying that even should they meet ‘I can’t make any promises for because, as you will see when they meet, I am at several disadvantages in the matter of such sort of music! but if you don’t mind the sparing the time to discuss, I would welcome a talk’, two pages on printed letterhead, 8vo, together with an enlarged lithographic facsimile of a rough draft sketch from ‘New Year’, signed by Michael Tippett across lower blank staves, one pae, 54 x 42cm, plus the original letter concerning the draft sketch sent to Anthony Gasson by Nicholas Wright on Sir Michael Tippett headed paper, dated 4 January 1990 Tippett organised at Morley the first British performance of Monteverdi’s Vespers, adding his own organ Preludio for the occasion. -3

Murchison (Roderick Impey). Siluria. The History of the Oldest Fossiliferous Rocks and Their Foundations, with a brief sketch of the distributions of gold over the Earth, 3rd ed., 1859, col. frontis., numerous b&w illusts. and plts., light spotting throughout, orig. gilt dec. cloth, spine faded and rubbed, 8vo, together with De La Beche (Henry T.), Report on the Geology of Cornwall, Devon and West Somerset, pub. H.M.S.O., 1839, col. folding map frontis., numerous b&w illusts., ex-libris stamp to title page and front endpaper ‘Office of Commissioners of Railways’, some light spotting, orig. cloth binding, spine faded and rubbed, 8vo, and Rutter (John), Delineations of the North Western Division of the County of Somerset and of its Antediluvian Bone Caverns, 1st ed., 1829, numerous b&w illusts. and plts., ex-libris stamps to front endpaper and half title, ‘Incorporated Law Society’, contemp. green half morocco, rubbed spine, large 8vo, plus other 19th c./20th c. geology reference, some in d.j.s, 8vo/folio (6 shelves & 2 cartons)

Louis Wain, pencil sketch of a cat, dedicated and signed 1902, framed and mounted, 28cm x 20cm

Henry Silkstone Hopwood (Staithes Group 1860-1914): Staithes Fisherman by the Fireside, watercolour sketch signed 26cm x 28cm

E* L* Ford (early 20th century): 'British Airship SSZ56', monochrome wash sketch signed and dated '18, 39cm x 59cm

Charles Cutts Elmhirst (Staithes Group 1872-1937): 'Sketch at Thorne (Doncaster)', oil on canvas signed, titled and dated 1896 verso 75cm x 50cm

Herbert Railton (British 1858-1910): 'Eaton Hall', pencil sketch signed 29cm x 42cm and two other compilation views of 'the Angel Woolhampton' & 'the Cloisters Chester' pencil/lithograph 38cm x 23cm approx (3)

Dame Laura Knight (Staithes Group 1877-1970): Three Fishermen with Man and Boat verso, pencil drawing from the artist's sketch book unsigned 21cm x 15cm Provenance: the Robert (Pat) & Mary Patterson collection. Pat was curator of the Castle Museum York (1951-1972) under his charge it grew to be the most visited museum outside London. They lived in Runswick Bay DDS - Artist's resale rights may apply to this lot

Sir George Clausen (1852-1944) - Landscape scene, pencil sketch, 10 x 13cm

A framed watercolour - Hastings beach fishermen and boats - signed lower left - Tristram Ellis 1886 - 24 cm x 53 cm Condition report: Some slight soiling to top edge of printing, rough pencil sketch of an anchor to bottom right corner no other obvious faults

A sketch book from 1917 with portraits and flowers, one signed Alice Doran of John Keats, etc.

John Stanton Ward RA (1917-2007) - Dame Edith Evans, pencil sketch, signed, titled and dated 1948, 35 x 54cm, sold with similar sketch verso

DUNCAN GRANT (1885 - 1978) Framed, unsigned, pastel sketch on paper, figurative study of two reclining figures, titled on label verso, `Two Figures`. Grant was a member of the Bloomsbury Circle as well as the Camden Town group, 17.5cm x 22.5cm. Provenance: The Bloomsbury Workshop, London; From the artist`s estate, see label verso. (ARR).

BERNARD SLEIGH R.B.S.A. (1872 - 1954) Framed, signed with monogram, pencil sketch on paper, heightened with white, Pre Raphaelite sketch of a young man holding a sword, with one foot over a map of France, inscribed `France`, to top right, 21cm x 12cm .

JOHN SCARLETT DAVIS (1804 - 1844) Framed, unsigned, pencil sketch on paper, showing figure studies and interior details of a church, with study of a building on wooded cliff to verso (unseen), together with a framed, indistinctly signed, oil on canvas, early 20th Century river scene with ducks before overhanging trees and foliage, 21cm x 13cm and 17cm x 24cm, (2). Provenance for pencil sketch: Sanders of Oxford, see label verso.

WILFRED KNOX (1884 - 1966) Framed, signed, dated 1946, oil on canvas, maritime scene showing a large British battle ship with rowing boat off the English coast, together with a framed, unsigned, pencil sketch on paper, preparatory drawing of the same composition, 39.5cm x 50cm and 26cm x 37cm, (2).