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A framed humorous sketch by Doug Smith

Arnold Daghani - 1909 - 1985 black ink sketch of Nudists - dated 1951 - 26 cm x 42 cm Condition report: Tear to top right

Tome Browne - a charcoal sketch entitled - Tally Ol - 80cm x 65cm in an oak frame Condition report: No obvious damage paper appears stained

A Peter J Morrell watercolour - Lt Sampford Mill House - 34cm x 42cm and a watercolour - Levant - Elizabeth Rosemary 40cm x 51cm and a sketch highlighted in white entitled - The Rasta signed Eker with a Jamaican Hills gallery label - 28 cm x 24 cm

An oil sketch figures in a North African courtyard, 27 x 21cm

PHIZ - 'SKETCHES OF THE SEASIDE AND THE COUNTRY', George Cruikshank - 'My Sketch Book', Graham Everitt - 'English Caricaturists and Graphic Humourists of the Nineteenth Century', 1886, together with various other sketch and cartoon books including Bateman, Staniforth, Hutchinson's Punch Anthologies etc. (17)Buyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping Condition Report:Please note: every page of every book is not checked, if you are unable to view yourself please ask for detailed information

C. H. BENNETT - 'SHADOWS', published by W. Kent & Co., London, contains 23 hand coloured plates, VictorianBuyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping Condition Report:Boards rubbed and scratchedFoxing throughout Pencil sketch on reverse of one plateThere are 25 hand coloured plates in total, including the frontispiece and the title page

[HISTORY] Bryant, Arthur. The Battle of Britain / Shanks, Edward. The Few, bound as one, limited edition 61/300, reprinted from the Daily Sketch of 1944, blue cloth gilt, octavo.

§ Monica Rawlins (Welsh, 1903-1990) Study of a small Gypsy Girl in a red skirt and black cloak pencil and watercolour on paper, with another sketch of a girl to the reverse 32 x 17cm (12 x 7in) Provenance: From the collection of Elisabeth Luard, Brynmeheryn. Small tear to the left of her cloak, dirty and with some foxing.

Joan Wanklyn (20th Century) Sketch for Painting 111 Dragon Battery RA, pencil on paper, signed and dated 1979 lower right, framed, mounted abd glazed, 70 x 55cm

Attributed to RONALD OSSORY DUNLOP; oil sketch, reclining nude, unsigned, inscribed on label verso, 34.5 x 51cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Attributed to RONALD OSSORY DUNLOP; oil sketch, female nude study, unsigned, 34.5 x 51cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

19th century English School, Scotsman with a figure in furs, pencil and watercolour sketch inscribed 'This dress is put on to gratify the curiosity of the visitor - it is made of goat skins', by repute from a sketchbook dated 1826, Anthony Reed, Cork Street, Gallery label to the reverse, 9cm by 17cm

Roger Hilton 1974, a mixed media on paper sketch of a nude female, initialed and dated lower right, 29cm x 21cm

Charles Comber, Pair, Oil on Board, Dutch style skating scenes, A Linton, Landscape with bridge, Oil on board 24cm X 44cm, unframed oil on canvas, Sunset, oil sketch.

Field Marshal The Viscount Montgomery Signed signed print. This print by Egbert C Reed, depicts a head and shoulder portrait of “Monty” wearing his famous black beret and flying jacket. Singed in ink ”Montgomery of Alamein F.M”. also ink name Egbert C Reed. Signature clear. Size 8 x 10 inches The original sketch made in 1944.

A quantity of engravings and maps, including multiple maps of Rutlandshire, and a pencil sketch

Attributed to Henry Raeburn, (1756-1823), Portrait sketch of Doctor Nathanial Spens in the uniform of the Royal Company of Archers, oil on canvas, unframed, 60.5cm x 40cm.

MONTGOMERY OF ALAMEIN (Viscount) El Alamein to the River Sangro - Normandy to the Baltic. Limited Edition. coloured portrait, num. photo. plates & sketch maps; gilt black morocco, panelled spine, inner gilt dentelles, marbled e/ps., g.e., & in the original cloth slipcase, roy. 8vo. The Arcadia Press, 1971. * limitation of 265 numbered copies, signed by the author on title; unsigned binding (? by Zaehnsdorf).

JAMES WARD (1769-1859)The Dairy Farm,coloured engraving, published by R. Ackermann, 1801 16 1/2 x 23 1/2 in; three engravings after Morland, titled 'Breaking the Ice'; and 'The Public House Door' and 'Boys skating'; a colour reproduction after George Stubbs; and an ink and watercolour sketch signed 'McIntyre'; six (6)

GEORGE DU MAURIER (1834-1896)'The Anglo-Saxon Complexion - Fran Von Schaneiligrath - 'ach Himmel! Mister Chones! Vat (sic) beautiful hides they haf, the young English wifes!'pen and ink sketch, inscribed as title6 1/2 x 10 in (16.5 x 25.4cm)

HARRY BECKER (1865-1928)Haymakingcharcoal7 1/4 x 7 in; and a pencil sketch by the same artist depicting 'A man wearing a Cap'; two (2)

A pencil sketch of Bob Dylan signed N. Klldy '79, 34.5 x 24.5cm, framed and glazed, together with three framed and glazed posters of Bob Dylan to include his concert at the Manchester Evening News Arena, the largest 55 x 42cm, all framed and glazed (4).

ROGER DEAN (1944-); A coloured pencil sketch of a mythical winged creature clutching an emerald sphere 27.5 x 38cm card mounted with certificate verso from Friedlander Publishing Group 1994. * The artist is famous for designing many album covers for groups to include "Yes" and "Uriah Heap", together with video game artwork for companies such as Psygnosis.

UNATTRIBUTED; pastel sketch, depicting a standing nude female, unsigned, 62 x 41cm and a similar charcoal example, indistinctly signed lower right, 53 x 43cm, both framed and glazed (2).

Paul Cox, Landscape and Line, pen and ink on paper, together with a Ray Atkins pencil sketch.

A Watercolour Sketch of a Young Girl.

WILLIAM LIONEL WYLLIE (BRITISH, 1851-1931) A pair of sketches for the launching of a lifeboat Pencil 7½ x 4¾in. (19 x 12cm.) Provenance: Trade labels for Colin Denny Limited; and the Warehouse Gallery, London attributing these sketches from a sketch portfolio.

AFTER LEMUEL FRANCIS ABBOTT (BRITISH, 1760-1803) Nelson - Grid Study to include Chelengk Watercolour and pencil on card, bears inscription Robert Southey 27 July 1830 (lower left folded corner on reverse), mounted as an oval with manuscript provenance labels for Leggatt Brothers to reverse 9 x 7½in. (23 x 19cm.) unmounted Provenance: Robert Southey; Deputy Heath of Bassishaw Ward, City of London; Leggatt Brothers; Private Collection; Sotheby's Marine Picture & Nautical Works of Art Sale, 3rd May, 1995, lot 1, to present vendor. Literature: Walker, R: The Nelson Portraits, Royal Naval Museum, 1998, p.31 & 206; Slope, N: Nelson's Chelengk, Nelson Society Dispatch, Vol II part 9 Winter 2014, p.535-549. The label from Leggatt Brothers is dated 9th November 1906 and reads: Dear Sir, We beg to inform you that we purchased the sketch of Lord Nelson from a Mr Heath, who informed us that it was given by Southey to Mr. Deputy Heath, of the Bassishaw Ward of the City ' Yours respectfully.. which indicates that the late Richard Walker, author of Nelson's Portraits, was labouring under a misapprehension when he re-attributed this study to the artist James Heath (1755-1828), who whilst certainly contemporaneous, was more familiar with engraving other artists work for printing, mostly landscapes. Bassishaw Ward is the smallest of the twenty-five wards who provides an Alderman to their Court at Guildhall and there is no apparent link between Deputy Heath and the artist other than sharing a surname. The second label re-affirms Southey's ownership until 1830 and that it was used as a frontispiece in his Life of Nelson - in fact, it was was the not dissimilar head study by Simon de Koster that was used.

CHARLES EDWARD DIXON (BRITISH, 1872-1934) A view of a busy New York Harbor with the Statue of Liberty beyond Watercolour Signed, dated and inscribed 'Charles Dixon 99 / - Langham Sketch -' (lower right) 10 x 21¾in. (25.5 x 55.5cm.) Provenance: With Oliver Swann Galleries, London label to verso.

Harry Riley (1895-1966) Two watercolours "Austria 1958", labelled verso, 31.25cm x 24.5cm Alpine scene and estuary scene, signed, 33cm x 48.5cm (both unframed) Harry Riley (1895-1966) was a popular and prolific, principally commercial, British artist, who flourished from the 1920s until the 1960s. This collection comprises his remaining studio, offered to the market by his granddaughter and numbers over 100 lots. Harry Riley is iconic in British Post War art history. As a poster artist and commercial illustrator his work was seen by millions on trains, in the underground, in magazines and on TV. However relatively few of his works were sold to the public, so this represents a unique opportunity to acquire his original oils, pastels and watercolours. Harry Riley was elected a member of the Royal Institute of Painters in Watercolour and was a member of, and at one time president of, The London Sketch Club. The collection includes a series of sketches of life classes attended by his fellow artists. From his own collection of original artwork also included in the sale are works by John Hassall, O.E Brabbins, Frederick Donald Blake and Edward Wesson, friends and fellow members of the Wapping Group of artists. The familiar railway posters, for which he is probably best known, show sunny beaches, suave men, fashionable women and perfect Janet and John children escaping from drab grey homes radiating happiness in Aberystwyth, Barmouth, Cardigan, Porthcawl, Penzance, Weston super Mare, Woolacombe, Mortehoe, Newquay and Plymouth. His commercial drawings were iconic in setting the style for a generation through fashion journals, motoring ads, and comics. Specialising as a figure artist, he drew for Fortnum and Mason, Selfridges, The Champion, The Girls Favourite, The Autocar, British Rail, BOAC, Qantas and many others. As well as being an accomplished cartoonist for The Daily Mail, he presented drawing on TV in the '50s. He produced WWII poster propaganda and wrote articles for the press. He was a character actor and variety entertainer and even modelled for his illustrations of Burton clothes. Live Bidding: If you would like a condition report on this lot, please contact us at info@cotswoldauction.co.uk or 01242 256363

A small quantity of Bristish coins, incluidng a 1900 Victorian coin, pasted into sketch book

A framed pencil sketch study of a nude, indistinctly signed, 29cm x 41cm

ERIC ENNION Goshawk and Partridge, field sketch, Watercolour, inscribed below mount, 23 x 30cm, mounted in glazed frame

CECIL ALDIN "JUST AMONG FRIENDS, PAGES FROM MY SKETCH-BOOK", illustrated by Cecil Aldin, 1934; and P.R. CHALMERS "A DOZEN DOGS OR SO", 1928 (2)

A framed historical map of the London Underground railways and a framed sketch of a Pullman railway carriage

An Art Nouveau silver pendant made by William Hair Haseler, for Liberty & Co and Designed by Archibald Knox. With two sections of green and rust colour enamel decoration. Marked WHH and Birmingham marks for 1905. Sketch number 8149. 4.2cm high. On a fine link silver chain. For similar examples see Archibald Knox by Stephen Martin page 255. And Liberty Style by Victor Arwas page 71.

Enrico Caruso (1873-1921) Self Caricature signed, dated 1902, pencil sketch on paper, 16cm x 10.5cm

Robert Oscar Lenkiewicz (1941 - 2002) Portrait of Elizabeth Anne Rivers signed, pencil sketch, 39cm x 27.5cm Provenance: Sketched outside the artist's studio on the Barbican, Plymouth

English School (20th century) Portrait of David unsigned, pencil sketch, 36cm x 25cm; two other preparatory 'leg' sketches in pencil, H.E Ward, signed in pencil, unframed (3)

REGINALD JAMES LLOYD Figure Study (2) Pen sketch Signed and dated 1966 25 x 35cm

'Simeon Stafford' The book by Jonathan Riley Together with a pencil sketch by the artist

REGINALD JAMES LLOYD Cliff Study Ink sketch Signed and dated 1962 Further inscribed to the back 23 x 18cm

MISOME PEILE Portrait of a young child Watercolour Signed 15 x 23cm Together with a pastel sketch of a baby

ALBERT MARQUET Deux vaches Ink sketch Initialled Labels to the back 10 x 18cm

'A Celtic Artist: Breon O'Casey' The book by Jack O'Sullivan Signed and with sketch by the artist Published by Lund Humphries in 2003 Dustcover Condition Report: Good condition.

ALFRED WALLIS Boat and lighthouse Pencil and ink sketch on brown paper Unsigned 20 x 11cm (See illustration) Provenance: From the estate of Stanley Cock, the curator of the St Ives Museum, to whom it was gifted by Willie Can of the 'Doll's House', Alfred Wallis's landlord. Please contact the office for further information. Condition Report: Slight foxing, what might be a small rip to the top left hand corner, generally good.

BENNO ELKAN Head of a Young Man Pencil sketch Signed and dated 1900 51 x 40cm

MAGGI HAMBLING Nude Charcoal sketch on T.H Saunders paper Signed, dated '92 and inscribed 'for Jose with love' Labels to the back 61 x 49cm Note: The model in this sketch is Amanda Barrie

REGINALD JAMES LLOYD Road Through the Hills Ink sketch with pencil Signed and dated 1962 Inscribed to the back 21 x 17cm

'Terry Frost: Act & Image, Works on paper through six decades' The book published by the Belgrave gallery, London & St Ives, in 2000 Signed by the artist and with spiral sketch to the title page Dustcover

Attributed to W. Savage Cooper, 'Rabbiting' The monochrome sketch depicting figures hunting rabbits, unsigned, framed, 13x19cm.

Watercolour and wash sketch of a landscape with artists notes, dated 2nd May. Measures 18 cm by 25 cm in a swept gilt frame

Circle of William Huggins (1820-1884) British. Sketch of a Bulls Head, Oil on Card, Indistinctly Inscribed, 5.5" x 6.75".

After John Constable (1776-1837) British. "Near Reading, Sketch", A Wind Swept Landscape, Oil on Panel, Inscribed on label verso, In a Fine Carved Giltwood Florentine Frame, 6" x 8".

Hubert Ernest Bulmer (Exh 1901-1914) Architectural Study pencil sketch, 23cm x 31cm

A 19TH CENTURY PENCIL SKETCH OF SHEEP

AN OIL ON BOARD SKETCH OF A MOUNTAIN LAKE SCENE, together with an unframed naive 19th century watercolour of a castle

Lucy Kemp-Welch (1869-1958) - Study of horses' heads, pencil sketch, signed lower centre, 11.5 x 16 cm Condition Report Discoloured around edges under mount

John Tennent (b. 1926) - Sketch of avocets and other water fowl, crayons, signed and dated '80 to lower right, 78 x 58.5 cm Condition Report Glass a/f Image good condition