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Lot 1111
A Quantity of Vintage Star Wars Ewoks Toys & Collectibles, including: 2 x Waddingtons Ewoks 150 puzzles, Kenner ROTJ Pre School Ewok Talking telephone, Kenner sealed Wicket the Ewok projector, Kenner Ewok Tooth Brush, 2 x Parker Brothers ROTJ Wicket the Ewok adventure game (one sealed) Ewok shoulder bag, Wicket shampoo, Wicket the Ewok musical box, sealed Wicket badge, 2 x original production Cel with certificate, sealed Cork board and an original comic sketch. (15 items)
Lot 179
Folio of drawings watercolours, sketchbooks and albums, including: two sketch books by Harriet Mary Jubb, one inscribed Southwell, November 27th 1843; another sketchbook, H M Busk, July 1865; two other sketchbooks, probably by the same hand; De La Rue Solid Sketch Book, with blank pages; album of copied verse, Harriet Percival 1809; another, Harriet Jubb, 'For my dear little girls' 1830; many loose drawings and watercolours, mostly copied works, some signed Jubb; togehter with three full plate photographs. (a quantity)
Lot 307
WILLIAM JAMES MULLER (1812-1845) 'BLACK FRIARS, BRISTOL', a sketch depicting a building in Bristol, initialled and dated 1830 bottom right, title and attribution to the mount, Walker's Galleries label verso, pen and ink wash, approximate size 13cm x 9.5cm, Condition Report: good overall condition with marks to the frame in places (Provenance: The Arnold Fellows Collection)
Lot 311
SIR JOHN TENNIEL (1820-1914) 'DISTURBED' A SKETCH OF A HYENA, a political sketch for Punch Magazine, relating to the massacre of Armenian prisoners by Ottoman Forces, pencil on paper, initialled bottom left, glazed verso is a copy of the sketch as it appeared in Punch on the 9th March 1895, engraved by Joseph Swain, approximate size of sketch 15cm x 20cm, Condition Report: cracked glass, dirty mark to the underside of the glass (Provenance: The Arnold Fellows Collection)
Lot 313
FRANCIS DODD (1874-1949) 'PORTRAIT OF PROFESSOR FREDERICK BROWN', a seated three-quarter length portrait sketch of Brown who was Professor of Art at the Slade, signed and dated 1920, approximate size 37cm x 27cm, Condition Report: foxing across the paper, dirty marks in places, unglazed, frame broken (Provenance: The Arnold Fellows Collection)
Lot 314
ATTRIBUTED TO JOHN SELL COTMAN (1782-1842) 'BOATS - A LEAF FROM HIS SKETCH BOOK', a study of working boats on the shore at low tide, attribution to the mount and Walker's Galleries label verso dated 1935, pencil on paper, approximate size 12cm x 17cm, Condition Report: dirty marks and some foxing to the paper, frame marked in places (Provenance: The Arnold Fellows Collection)
Lot 4
Yoshitomo Nara (B.1959), Color Pencil Sketch on Paper Image Size: 18 by 13 in. (45.2 by 33 cm.) All measurements are approximate. Signed (lower right) Yoshitomo Nara (b. 1959) is a Japanese artist. He lives and works in Nasushiobara, Tochigi Prefecture, though his artwork has been exhibited worldwide. Nara has had nearly 40 solo exhibitions since 1984. His art work has been housed at the MoMA and the Museum of Contemporary Art, Los Angeles (LACMA). His most well-known and repeated subject is a young girl with piercing eyes. Please read our policy carefully:1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Lot 29
Gustav Klimt (1862-1918), Sketch on Paper Image Size: 18 by 13 in. (45 by 32 cm.) All measurements are approximate. Signed (lower right) Gustav Klimt (1862-1918) was an Austrian painter known for his decorative and erotic paintings that were influenced by Art Nouveau and Symbolism. He was born in Vienna and studied at the Vienna School of Arts and Crafts. Klimt's art is characterized by its lavish use of gold leaf, ornamental patterns, and sensual female figures. He co-founded the Vienna Secession movement, which sought to break away from traditional academic art and embrace new artistic styles. Klimt's works have been exhibited in galleries and museums around the world, including the Belvedere in Vienna and the Museum of Modern Art in New York. He is considered one of the most important artists of the Viennese Secession. Please read our policy carefully:1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Lot 278
Peter Helck, American (1893-1988), 'The Old Vanderbilt Cup',signed, preliminary pencil sketch on draftsman's paper, in preparation for the painting 'Robertson comes through', 15 x 20 inches, mounted, framed and glazed; together with a 1960's color print of 'Climb to the Clouds' after Helck, laid on canvas, 12 x 17 1/2 inches, and a copy of the book Peter Helck: The Checkered Flag. (3)Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 100
William Samuel Parkyn (1875-1949) ARCA, ARWA, SMA, PS, London Sketch Club. Pair of watercolours of Trebah Botanical Gardens in Mawnan parish near Falmouth, Cornwall in the style of Beatrice E Parsons (1870-1955) with an inscription to verso signed by Mr.W.Parkyn believed to be William Samuel Parkyn (1875-1949) ARCA, ARWA, SMA, PS, London Sketch Club
Lot 45
Liberty & Co., an exceptional Arts & Crafts gold and silver, moonstone and sapphire cabochon forget-me-not openwork necklace, with demantoid garnet highlights and gem-set floral back-chain, designed attributed to Arthur & Georgie Gaskin, length of drop 4.7cm, length of chain 39cm, 26.5g Note: for similar examples see Liberty Jewellery sketch book, p. 298 & 307Condition- Overall good condition- Moonstones are very well matched, with strong blue adularescence- Garnets are a vivid green hue, with good to fair clarity- Sapphires are a well matched, deep blue hue, with good to fair clarity- Gems are in good to fair condition, with minor to moderate abrasions- Spring ring clasp of safety chain is stamped 9k- No obvious maker's mark or signature visible- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Lot 106
§ Roy De Maistre C.B.E. (Australian / British 1894-1968) Preparatory Sketch for 'On The Slips', 1931 initialled (lower left), inscribed and dated Socoa s*** 28th 1931, pen, ink and wash on paperDimensions:38cm x 28cm (15in x 11in)Provenance:ProvenanceCelia Broadbent (neé Keogh) and by direct descent to the present owner.Celia Broadbent was de Maistre’s cousin once removed, and his executor and friend; her mother, Camilla Keogh, was the subject of ‘La Folie', considered one of de Maistre’s major works.Note: Roy de Maistre is celebrated as an Australian pioneer of abstraction. After graduating from Sydney’s Royal Art Society, de Maistre worked as a colour therapist to aid World War One soldiers suffering from shellshock. A 1923 scholarship enabled him to travel to London, Paris and St Jean de Luz, where he encountered European modernism; Cubism, in particular, had a profound impact on his style. In 1930 de Maistre settled in London, where he befriended Francis Bacon, encouraged him to take up oil painting and is credited for expanding Bacon’s technical and art-historical knowledge. The two artists took neighbouring studios on the King’s Road, Chelsea, and their output in the early 1930s demonstrates mutual influence. De Maistre predominantly painted portraits and interior scenes. He also maintained an interest in religious subjects which intensified following World War Two; his 1954 ‘Stations of the Cross’ remain on display at Westminster Cathedral. A retrospective of De Maistre’s work was held at the Whitechapel Gallery in 1960, and his work is represented in important collections including Tate Britain, the National Gallery of Australia, and the Arts Council of Great Britain. The present collection comes from de Maistre’s cousin-once-removed Celia Broadbent, who was his executor and friend. Celia’s mother was Camilla Keogh, subject of ‘La Folie’ (1946-47), considered one of de Maistre’s major works.
Lot 4
Mr Jago (British, b. 1973)Gutta Sketch #2 2009Gutta and ink on acrylic paper Signed and dated pencilFramed76 x 56 cm (30" x 22")Duncan Jago’s career as Mr. Jago began as a formative artist in Bristol’s acclaimed graffiti scene. He initiated the Scrawl movement, a school of street art that elected members based on their abilities with line, movement, and narrative composition. Jago was featured in the seminal, eponymous book Scrawl published in 1999. Having studied illustration at the University of the West of England, Mr. Jago’s style, initially heavily illustrative, has evolved into something far more abstracted and expressive. Mr. Jago has taken spray painting to a level of sophistication rarely seen in the medium; there is maturity and depth to his use of colour which he uses to describe the natural world and the cosmos, as he says: “A love of nature has been the biggest influence on my work, the forms and flows that exist within it seem to be appearing … more and more nowadays.” These references to landscape imagery with less emphasis on gesture and brushstrokes, combined with a strong focus on colour and its emotional function, is strongly reminiscent of the mid-century Colour Field movement, pioneered by the Abstract Expressionist Mark Rothko. Mr Jago is also influenced by painters such as Jules Olitski, Dan Christensen and Albert Stadler.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 38
Nuremberg Chronicle - Creation of Eve - Possibly Dürer sketch -1493 / Description: Old coloured woodcut from the first edition of Hartmann Schedel, "Liber Cronicarum", from 12 July 1493. . The wood blocks were designed by Michael Wolgemut and his stepson Wilhelm Pleydenwurff and their assistants, including the young Albrecht Dürer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, who was Durer's godfather. Wohlgemut was Albrecht Durer's tutor between 1486-90. The young Dürer was working in the workshop in the years 1486-1489 when many of the early designs for the Chronicle were made and he was probably involved in a certain amount of them. In the case of this 'creation of Eve' the sketch (which still exists) is possibly by Albrecht Dürer, this attribution is supported by the striking resemblance between the head of Adam and the figure of the first woodcut of Durer's Apocalypse. (See Adrian Wilson - 1976: The' making of the Nuremberg Chronicle, p.100.). The further woodcut drawing and carving however lost some of the fluidity of the sketch. Here we have a fine oldcoloured example of this impressive woodcut from the old coloured luxury editions of the Cronicarum who were of the most expensive ones. / Dimensions: 25,50 x 22,50 cm / Condition: Excellent condition. / Literature: Liber Chronicarum, here a first edition , printed by Anton Koberger in Nuremberg on 12 July 1493 in old colouring. The luxury editions in old colouring are mentioned in literature and were of the most expensive. --- Adrian Wilson - 1976: The making of the Nuremberg Chronicle. / Medium: Woodcut /Circa: 1493
Lot 39
Nuremberg Chronicle - Creation of Eve - Possibly after Dürer sketch -1493 / Description: Old coloured woodcut from the first edition of Hartmann Schedel, "Liber Cronicarum", from 12 July 1493. Adam works hard as Eve suckles Cain and Abel after the expulsion from Eden. From 'Nuremberg Chronicle' or 'Liber Chronicarum' by Hartmann Schedel (1440-1514). The wood blocks were designed by Michael Wolgemut and his stepson Wilhelm Pleydenwurff and their assistants, including the young Albrecht Dürer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger. Wohlgemut was Albrecht Durer's tutor between 1486-90. Since the young Dürer was working in the workshop in the years 1486-1489 when many of the early designs for the Chronicle were made he might be involved. In the case of Adam and Eve after they left Eden, the preliminary sketch has been preserved. (See Adrian Wilson - 1976: The making of the Nuremberg Chronicle, p.105). The rhythmic flow of the thick and thin lines of this sketch is that of a master hand and the treatment of the facial features suggests Durer's sketch of the Madonna enthrone with Saints, now in Musée Bonnat, Bayonne. The tree of Cain and Abel on the backside is as also based on a preserved sketch (See Adrian Wilson - 1976: The making of the Nuremberg Chronicle, p.105), also one of the few designs possibly made by Dürer. Here in a good impression from the old coloured luxury editions of the Cronicarum who were described as the most expensive ones. / Dimensions: 25,50 x 22,50 cm / Condition: Excellent condition. / Literature: Liber Chronicarum, here a first edition , printed by Anton Koberger in Nuremberg on 12 July 1493 in old colouring. It is one of the best-documented early printed books. It is classified as an incunabulum, a book, pamphlet, or broadside that was printed (not handwritten) before the year 1501 in Europe. The luxury editions in old colouring are mentioned in literature and were of the most expensive. ----- Adrian Wilson - 1976: The making of the Nuremberg Chronicle. / Medium: Woodcut /Circa: 1493
Lot 755
William Rothenstein (1872-1945) lithograpgh print of Henry James from original 1898 sketch, sheet size 23cm x 32cm, inscribed in pencil 'to Miss Flora Russell W. Rothenstein Feb 1937'. 'Henry James' written in pencil to reverse.Condition: some general foxing and small tear to page bottom right.
Lot 199
Scotland.- Pennant (Thomas) A Tour in Scotland 1769, third edition, vignette title, 21 engraved plates, 9 folding, Warrington, 1774; A Tour in Scotland and the Hebrides 1772, 2 vol., 89 engraved plates, Chester, 1774, occasional off-setting, contemporary calf, rebacked § Edwards (Lionel) My Scottish Sketch Book, frontispiece, plates, original cloth, slight staining to fore-edge, slight bumping to spine extremities, dust-jacket, small water-staining and loss to corners, a little rubbed, 1929; and others Scotland, v.s. (c.80)
Lot 284
NO RESERVE Earnest (Jarrett) Nathalie Provosty, signed and inscribed by the artist ""To Alan, for our lives in art. Nathalie" on half-title, slightly rubbed at edges, New York, 2016 § Lieberman (Justin) Hopi Basket Weaving, uncorrected proof gallery copy, signed and inscribed by the artist with sketch of "Big Sandwich" and Union flag on half-title, original wrappers, dust-jacket, New York, 2006 § Koestenbuam (W.) & others. Lari Pittman, signed and inscribed by the artist on half-title, New York, 2011 § Peyton (Elizabeth) Ghost, Ostfildern, 2011 § Bonami (Francesco, editor) Rudolf Stingel, New Haven & London, 2007 § Sussman (E.) & others. Eva Hesse, San Francisco, 2002 § Bilsborough (M.) & others. Sean Landers: 1990-1995, Improbable History, St.Louis, 2011, illustrations, many colour, all but the second original cloth or boards, the last five with dust-jackets; and c.45 others on contemporary American art, 4to & 8vo (c.50)
Lot 34
Collection of framed prints and engravings. George Bickham, three plates of calligraphy with vignettes and decorations, 32 x 20cm (plate); After Sandby, Brocket Hall in Hertfordshire, small engraving, mounted with a pencil sketch of the Hall Stables below dated 1784, 16 x 24cm; a map of Hertfordshire by Robert Morden, 37 x 45cm; David Roberts, Craigmillar Castle, lithograph, 38 x 51cm; L. Beck, The Young King at the Butts, woodcut, Vienna edition 1775; others by Joseph Nash, etc (17)
Lot 51
Crimean War 1854-56, nine rolled-up original large plans in colour lithography published by the Topographical and Statistical Department of the War Office, with blind stamped royal arms, largest circa 104 x 67cm. Included are Plan of Skutari, Barracks and Hospitals; Plan of the Town and Fortress of Erzerum the Capital of Turkish Armenia; Plan of the Bay and Fortifications of Eupatoria; Plan of the Defences of Sevastopol, with the LInes of Attack of the Allied Armies; Sketch of Encampment of the British Troops ... at Varna by Colonel Hamilton (9)
Lot 318
Diana Spencer: a hand-signed pencil portrait sketch on paper (by an amateur hand), dated 1996, 28.5 cm x 20 cm framed and glazed. The drawing had been done by a member of the vendor's family and sent to Diana, who signed it in black marker and returned it to him. The family later forwarded it to Sport & Star Autographs Ltd, who provided a certificate confirming that the signature was, in their opinion, authentic. The drawing was completed only around a year before Diana's death in 1997.Retained by the family of the late artist, and stored away from direct sunlight.Good clean condition
Lot 264
JOHN KEPPIE RSA FRIBA JP (SCOTTISH 1862 - 1945), ON THE SOLWAY watercolour on paper, signed, titled and dated 1928framed and under glass, along with two small sketches, including a prepatory sketch for the watercolour, and another image size 31cm x 29cm, overall size 49cm x 49cmQty: 3Label verso: Alex Henderson & Son, Glasgow.
Lot 299
* BERNARD ANTOINE RIGHETTI (FRENCH 1882 - 1965), A VIEW TO MONTE CARLO watercolour on paper, signedmounted, framed and under glassimage size 27cm x 42cm, overall size 44cm x 58cmComment: undated but believed to be completed in the 1920s.Note: Righetti was a superb watercolourist and also painted in oils. He lived in the south of France and painted around the area. His is reported to have owned three small galleries which reflected the commercial success of his work. His pictures appear at auction in the UK infrequently but Cheffins (Cambridgeshire) sold another example of this view (possibly a preparatory sketch) and in modest condition, catalogued only as "B. Righetti" for £360 on 22nd September 2010 lot 527.
Lot 354
Four mid 19th century albums c.1855comprising an album of watercolours, drawings and verse to include a laid down study of a sportsman with two pointers signed E J. Gilmore, crayon study of two boys playing cards, pencil sketch of Ross castle Killarney, initialled WRR 1855, The Obelisk Newton Park, hand coloured lithographs, an album containing botanical watercolours, two watercolour and pencil studies of rustic figures signed G. Copeland, 1832, a view of a continental market square, a scrap album containing numerous laid hand coloured humorous prints, pencil and watercolour study of a fog springing wildfowl, a decoupage album with verse, loose prints, (4)Condition:album of watercolours and drawings lacking both boards and spine, album of prints lacking boards and spine some pages dog earedwith loses, some pages lose, contents mostly clean decoupage album all stuff down - some torn removed spottign and offsetting. no spine
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