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Henry Moore, ' Shelter Sketch Book ', Editions Poetry London, cloth bound

Oil sketch on board, study of a wild dog, bearing label verso ' Dingo, S. R. Nolah ', N. S. W. (New South Wales ), 14ins x 18insA few scuffs and minor abrasions to the paint surface which may or may not be part of the original composition, it is very hard to tell.

Early 20th century School, a watercolour portrait of a young woman in red berret, of oval form, 33 cm high, a watercolour portrait of a lady by Miss E Graveney, and a Victorian pencil sketch of a young woman, inscribed 'Miss Loveridge' verso, all framed (3)

A framed image of a Chinese temple together with an ink sketch of an Indian couple. 24cm x 16cm not including frame and 55cm x 37cm

A framed and glazed pencil sketch of Darby and Joan, approx 32cm x 38cm.

FRAMED PENCIL SKETCH BY WENDY WOOD, 1892-1981, DEPICTING PICADILLY CIRCUS, SIGNED LOWER RIGHT WITH INSCRIPTION VERSO TOGETHER WITH FRAMED SKETCH ANNOTATED "CREETING ST MARY", CHRISTOPHER GLANVILLE ARWA VERSO

FRAMED RAUL DEL RIO POSTER, FRAME WIDTH APPROX 63CM TOGETHER WITH A SMALL FRANK JARVIS SKETCH "LONG TAILED TIT STUDIES", SIZE APPROX 17 X 24CM

FRAMED SKETCH "MAIN STREET, BLAKENEY", SIGNED P GOOCH, APPROX 14 X 20CM

WATERCOLOUR SKETCH OF HEAVY HORSES, APPROX 12 X 19CM, TOGETHER WITH A PENCIL SKETCH OF A HORSE

R. Dumont-Smith, three oil on board portraits and a watercolour sketch, largest 77 x 50cm

Attributed to Peter de Wint (1784-1849), mountainous landscape with figures and a house, charcoal sketch, housed in a wooden frame, the drawing 33cm x 18cm

Thomas Miles Richardson Snr. (1784-1848), The Old Newgate, Newcastle, pencil and watercolour heightened with white, with hand written attribution and note verso: 'Sketch by T M Richardson of the Old Newgate, Newcastle which was used as a prison. This sketch was taken at a time when a crowd is watching at the gate to see a condemned man about to be brought out to be taken in a cart up Gallow Gate to the place of execution. The cart containing a coffin, the Sherriff and the Javelin Men, the Chaplain in a three cornered hat, and some of the buys from the Green Coat School are all to be seen in this sketch. Lent by the Rt Hon Sir Gainsford Bruce', also bears label 'The Laing Art Gallery, Newcastle-upon Tyne, J Bruce Esq.', 11in x 14½in (28cm by 37cm), reframed in its original giltwood and gesso frame, dimensions including frame and mount 25in x 28in (63.5cm x 71cm), some foxing.

•After Lionel Edwards (British, 1878-1966), The Devon and Somerset Staghounds at Weir Water, print in colours, signed in pencil on the mount, 10in x 18in (25.25cm x 45.5cm), glazed and framed, and 'My Hunting Sketch Book' written and illustrated by Lionel Edwards, pub.Eyre & Spottiswoode Ltd, 1928, together with two signed limited edition prints by Alison Guest and John King (4)

Augustus Edwin John OM RA (1878 - 1961) Sketch of Dorelia McNeill in an interior Charcoal, 34cm by 24cm Provenance: Given to the current owner by Maurice G Hutchinson, who had acquired it from his father-in-law, Arthur Crosland, who was involved in the wool trade in Bradford, knew Augustus John personally and had a number of paintings and drawings by him Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration

Flemish or Dutch School (17th/18th century) Sketch of an anguished cherub Oil on canvas laid onto panel 21cm by 18cm (oval) See illustration. the canvas oval outer edges are irregular, horizontal tear or prominent crease to canvas approx 3cm above cherubs left hand eye, and approx 5cm in length. further other relatively minor losses to old craquelure or surface in general. likely small patch of retouching at the left hand side end of referred to horizontal tear/crease mentioned above. covered in a layer of dirt and discoloured varnish. horizontal repair to panel centre at reverse.

A collection of vintage scrap books including a Victorian example, part photo albums, sketch books, postcards etc

Margaret Clarkson, 'About The House Jobs' five limited edition colour prints of 500, each signed, in single frame 13 x 8cm, with personalised ink sketch and notation sticker verso, K.Pico 2 x Thai Ladies watercolours. (3)

HUNTING - Charles SIMPSON (1885-1971). The Harboro' Country. [etc.]HUNTING - Charles SIMPSON (1885-1971).  TheHarboro' Country. London: John Lane, 1927. 4to (290 x 235mm). Title printedin blue and black, 27 mounted coloured plates by Charles Simpson, including the2 extra plates for this special edition, illustrations. Original buckram-backedpaper boards, top edges gilt, others uncut. NUMBER 48 OF 75 COPIES SIGNED BYTHE ARTIST. With 10 other larger format books of related interest, namely E. A.H. Alderson's Pink and Scarlet or Hunting as a School for Soldiering(London, 1913, original buckram), Thomas Smith's Extracts from the Diary ofa Huntsman ... A New Edition (New York, 1921, original cloth-backedboards), Charles Simpson's Leicestershire & its Hunts (New York,1926, original buckram), W. A. Briscoe's The Ballad of Betsy Ann.Recollections of an Old Hunter (London, 1926,  original buckram-backed boards), Walter ShawSparrow's Henry Alken ... Being the First Volume of the Series The Sport ofOur fathers (London, 1927, plates by Henry Alken, original buckram,dust-jacket), Lionel Edwards' My Hunting Sketch Book (London, 1928,mounted coloured plates by the author, original buckram), the same author's HuntsmenPast and Present (London, 1929, mounted coloured plates by the author,original buckram), Patrick R. Chalmers' Forty Fine Ladies (London, 1929,illustrated by Cecil Aldin, original vellum-backed buckram, NUMBER 22 OF 150COPIES SIGNED BY THE AUTHOR AND ILLUSTRATOR), G. D. Armour's A HuntingAlphabet (London, 1929, mounted coloured plates by the author, originalbuckram) and As Hounds Ran. Four Centuries of Foxhunting ... With Forewordsby John Masefield and Edgar Astley Milne (New York, Huntington Press, 1930,illustrations by Cecil Aldin and Lionel Edwards, original buckram, ONE OF 990COPIES). (11) 

[MANDERSON, James (dates unknown)]. A Letter to the Prime Minister, and First lord of the Admiralty ... on the Extension of the Naval Establishments of the Country. [etc.][MANDERSON, James (dates unknown)]. A Letter to the Prime Minister, and First Lord of the Admiralty, froma Captain in the Royal Navy, on the Extension of the Naval Establishments ofthe Country; With an Engraved Sketch of the Body of Falmouth Harbour; whereinit is proved, that this Harbour, from the combination of Situation, Safety,Ease of Entrance, Capacity, and extreme Susceptibility of Improvement, is theFirst Harbour in Great Britain for all Naval Purposes connected with theAtlantic Ocean. London: J. Stockdale, [1810]. Small 4to (217 x 160mm).50-pages, folding engraved “Sketch of the Body of Falmouth Harbour and its DeepChannels” (some light staining). Later pebbled cloth (a little bowed). With 5other works of related interest in 10 vols., namely W. H. Smyth’s The Lifeand Services of Captain Philip Beaver, Late of His Majesty’s Ship Nisus(London, 1829, later paper-backed boards), Edward Tagart’s A Memoir of thelate Captain Peter Heywood (London, 1832, modern half calf), WilliamJames’s The Naval History of Great Britain (London, 1837, 6 vols.,contemporary half calf), John Baillie’s A Memoir of Captain W. Thornton Bate(London, 1859, original cloth) and J. G. Brighton’s Admiral Sir P. B. V.Brooke … A Memoir (London, 1866, original blue buckram). Provenance:from the Collection of Lt. Cdr. Andrew David (bookplate). The lot sold notsubject to return. (11) 

PURDY, John (1773-1843). The New Sailing Directory for the Ethiopic or Southern Atlantic Ocean. [etc.]PURDY, John (1773-1843).  The New Sailing Directory for the Ethiopic or Southern Atlantic Ocean … Third Edition, Revised and Corrected, by Alex. G. Findlay. London: Printed for R. H. Laurie, 1845. 8vo (215 x 140mm). Wood-engraved illustrations, tables, errata slip (title torn with severe loss, replaced in modern facsimile, variable spotting, staining and browning). Contemporary cloth-backed paper boards with printed label laid down on upper cover (worn and stained). Provenance: old pencil sketch of a coastal profile inscribed “Juan Fernandez” on rear pastedown. With 14 other books of related interest, namely Tables Requisite to be used with the Nautical Ephemeris, for finding the Latitude and Longitude at Sea … The Third Edition (London, 1802, preface by Nevil Maskelyne, Astronomer Royal, tables, modern calf-backed marbled paper boards), James Horsburgh’s Directions for Sailing to and from the East Indies, China, New Holland, Cape of Good Hope, and the Interjacent Ports (London, 1809, Part I only (of 2), modern half calf), the same author’s India Directory, or Directions for Sailing to and from the East Indies, China, New Holland, Cape of Good Hope, Brazil, and the Interjacent Ports … Third edition (London, 1826, modern cloth), C. F. Fournier’s Traité de Navigation … Quatrième Édition (Saint-Malo, 1845, tables, contemporary calf-backed boards), William Walker The Magnetism of Ships, and the Mariner’s Compass (London, 1853, original cloth, the front free endpaper inscribed, “With Commr. Walker & the Publisher’s Compliments”), New Sailing Directions for the Mediterranean Sea … A New edition, revised, and corrected to the present time, by J. S. Hobbs (London, 1854, lacks all before title, contemporary wrappers with printed label on upper wrapper, worn), William Henry Smyth’s The Mediterranean. A Memoir Physical, Historical and Nautical (London, 1854, contemporary half calf), Laurie’s Sailing Directory for the Strait of Gibraltar and the Mediterranean Sea … New Edition (London, 1856, modern buckram backed boards preserving old printed label), J. W. Norie’s A Complete Epitome of Practical Navigation … Sixteenth (Stereotype) Edition (London, 1856, plates, contemporary calf), John Purdy’s [Memoir] Descriptive and Explanatory, of the Northern Atlantic Ocean … Twelfth Edition (London, 1865, title torn and repaired with loss, contemporary cloth), George Campbell’s Log-Letters from “The Challenger” … Third edition (London, 1877, contemporary half calf), Alexander Findlay’s A Directory for the Navigation of the South Pacific Ocean … Fourth Edition (London, 1877, folding maps, original cloth), the same author’s Memoir, Descriptive and Explanatory, of the Northern Atlantic Ocean … Fourteenth Edition (London, [n.d. but c. 1878], folding maps, original cloth, rebacked) and William Thoms’ A New Treatise on the Practice of Navigation at Sea (New York, 1894, old calf). Provenance: from the Collection of Lt. Cdr. Andrew David (bookplate). The lot sold not subject to return. (15)

HUNDERTWASSER FRIEDENSREICH: (1928-2000) His real name being Friedrich Stowasser. Austrian visual Artist and Architect. Signed and inscribed 5 x 7 photograph by Hundertwasser, the image corresponds to one of his works, a watercolour, being his self-portrait (1976). Signed in bold black pencil, adding a small sketch above the signature, to a clear area of the image. VG 

HERGÉ: (1907-1983) Georges Prosper Remi. Belgian Cartoonist. Best known for creating the series of comics ''The Adventures of Tintin''. An excellent T.L.S., `Hergé´, one page, 4to, Bruxelles, 10th January 1974, on the Studios Hergé attractive printed stationery, to Monsieur Xavier Braibant, in French. The letter bears at the heading the black embossed letters of ''Studios Hergé'' alongside an embossed sketch of Tintin and Milou. Hergé responds to his correspondent stating in part `La forme très orginale (et inattendue) que vous avez donnée a vos voeux pour 1974 m´a vivement réjoui. Merci pour ce “poster” que vous avez tort de qualifier de malhabile..´, (`The very original way (and unexpected) that you have used to send me your greetings for 1974 has greatly delighted me. Thank you for the “poster” that you are wrong qualifying it as clumsy´) Further and before concluding saying in part `Grace a lui, grace a vous, mon petit Flupke est devenu un géant.´, (`Thanks to you my little Flupke has become a giant.. ´) Signed in bold dark ink at the base of the letter. Paper with attractive La Hulpe watermark. Accompanied by the original and attractive printed stationery envelope. VG Flupke is a child comic character by Hergé. “The Exploits of Quick and Flupke” (“Quick et Flupke, Gamins de Bruxelles”) was a comics series.

PREVERT JACQUES: (1900-1977) French Poet. A very attractive signed and inscribed book with sketch, an oblong 10 x 7 hard cover copy of Lettre des Iles Baladar by Prevert. Signed and inscribed to the front end page `a Christiane, Jacques son ami..´ also dated in his hand `cold summer 1953´. Prevert adds alongside two sketches, one of them being a colourful man wearing a hat and with a red flower in his hand. The 50 pages book containing over twenty full page drawings, is published by Gallimard, 1952. Small overall age wear, mostly to spine. G

HUGO VICTOR:(1802-1885) French Poet and Novelist. Unusual sketch by Hugo, to a 3 x 4.5 clipped page. The black ink drawing showing a man, standing in a profile pose, with his hands in his trousers pockets and wearing a hat. Edges slightly uneven. Very small overall minor age wear and few extremely small stains, otherwise G

FOUCAULD CHARLES DE: (1858-1916) Foucauld was a former cavalry Officer in the French army, he would later become an Explorer, and finally a Catholic Priest. Foucauld lived as a hermit, among the Tuareg in the Algerian Sahara. In 1916 Foucauld was assassinated and is considered by the Catholic Church a martyr. The Little Brothers of Jesus were found after him. An excellent and rare A.L.S., `Fr[ere] Charles de Jésus´, one page, 8vo, `Beni-Abbes (extreme Sud Oranais) Algerie´, Algeria, 10th March 1905, to his congregation superior, in French. To the upper left corner, Foucauld annotates “IESUS CARITAS´, adding a sketch of a cross above a heart. To a cleanly written letter, Foucauld states in part `I dare writing to you again to beg you to send me by post-mail the complete series of your ten volumes, Attente de Jésus, Jesus enfant, etc.. I also take the liberty of asking you to be kind and send to me “Marie d´apres l´Evangile” when the book will be printed.´ Foucauld further explains that he will pay for the books over two payments, and before concluding states `Thanking you for all the good you bring to my soul with your books, I kneel at your feet, supplicating your blessing and to implore Jesus for my conversion.´ Extremely small age wear, otherwise G to VG In 2020, Pope Francis authorized the process for his canonization.

DEANE ADA: (1864-1957) English Spirit Photographer & Psychic. Deane's most famous photographs were those taken at the Cenotaph on Armistice Day in the early 1920s in which the spirit faces of multiple deceased soldiers appeared. Causing some controversy at the time, the Daily Sketch declaring them fraudulent, Deane strongly denied any wrongdoing and was also publicly backed by Arthur Conan Doyle. A.L.S., A Deane, one page, small 8vo, Englefield Road, Islington, n.d. (June 1922), to Mr. E. L. Cock, sending him some prints and apologising for the delay in doing so. Accompanied by the original envelope. Together with a sepia 3 x 4 spirit photograph by Deane (trimmed from postcard size) and also including a L.S., A E Deane, one page, 4to, Islington, 27th June 1922, to [Mr. E. L. Cock], replying to his letter and stating 'You ask if it would be possible for me to obtain something more for you. Do you mean that you would like another sitting for a photograph? If so will you let me know & I will see if I can arrange it'. Some creasing to the letters and the first with an area of paper loss to the upper edge (not affecting the text or signature) and the photograph with slightly irregularly trimmed edges, FR to G, 3

DALLAS GEORGE M.: (1792-1864) American Politician and Diplomat, Vice President of the United States 1845-49 and United States Minister to the United Kingdom 1856-61. Dallas County in Texas, as well as a number of other American counties, cities and towns, was named in his honour. A.L.S., G. M. Dallas, one page, small 4to, London, 6th July 1856, to a gentleman, marked 'Private'. Dallas writes, in full, 'Agreeably to your request, I send you a sketch (no longer present) of the ideas which occupied my mind at Mr. Peabody's 4th of July dinner. As to the language in which they were uttered, it has escaped my memory as rapidly as it did my lips'. With an ink annotation in an unidentified hand to the upper edge. Some very light age wear, otherwise VG The American financier and philanthropist George Peabody (1795-1869) had taken up permanent residence in London in 1837 and became known for the Anglo-American dinners he hosted, as well as those in celebration of the Fourth of July, Independence Day.

FRENCH CINEMA: A very good selection of vintage signed 7 x 9.5 photographs by various French film actors, actresses and entertainers, comprising Pierre Etaix, with a lengthy inscription, also adding his usual smiling face sketch, Ray Ventura, dated January 1967, Arletty, Henri Vidal (1919-1959), a good Harcourt image, Vidal married Michele Morgan in 1950, Jacques Castelot, André Claveau, Noël-Noël, Fernand Raynaud and Victor Francen. All photographs are boldly signed to clear areas of the images, some inscribed. VG, 9

PADBERG EVA: (1980- ) German fashion Model. Signed colour 8 x 10 photograph by Padberg, the attractive image showing the model kneeling on the floor in a full length nude pose. Signed in dark ink to a clear area of the image, also adding a heart sketch in her hand. EX

BERRY CHUCK: (1926-2017) American Guitarist and Singer. A pioneer of rock & roll music. A good signed 8 x 10 photograph by Berry, the image showing the American guitarist in a full length pose, playing his guitar. Signed in bold blue ink to a clear area of the image adding a smiling face sketch. EX

Birds.- Rickman (Philip) A Selection of Bird Paintings and Sketches, number 334 of 500 copies signed by Rickman, with an original pencil sketch by Rickman mounted, frontispiece, portrait and 31 colour plates, illustrations, original half-morocco, gilt, original slipcase, a little rubbed, folio, 1979.

Dickens (Charles).- Kensal Lodge Literary Salon.- Buckley (Anne, compiler of album, sister of Mrs. James Touchet, 1794-1868) Scrap album comprising drawings, letters, photographs and cuttings, including a photograph of Ann Buckley and a copy of a portrait miniature of Buckley aged 26, with over 25 original pencil studies and watercolours, 3 signed by John Franklin, two portraits by Daniel Maclise, one of John Forster (author of 'Life of Dickens'), an anonymous group portrait of Anne Buckley and her two sisters as 'The Three Graces', 3 landscape watercolours of the Dawlish Coast by Charles Stirling, another pencil landscape study by Alfred Delamotte, a portrait sketch inscribed by George Cruikshank possibly a self-portrait or a portrait by 'Mr Ainsworth', an original drawing of the initials 'E' and 'T' by Eliza Touchet, and a pen and ink drawing of William Harrison Ainsworth probably by Count D'Orsay, and a number of anonymous portraits of young girls, alongside a collection of over 15 contemporary wood-engravings and prints; with signatures of both Catherine and Charles Dickens, both dated in their own hands June 29th 1844; tipped-in printed invitation to 'Miss Buckley' signed by Charles Dickens, dated Devonshire Terrace September 8th 1845; and numerous typed copies of letters, including 9 from Dickens to Ainsworth, the originals of which were sold at Sotheby's in 1932, together with the original pages from the sale catalogue with prices (nb 3 letters each made £105), plus other similar typed and later ms. copies of letters from George Cruikshank, Francis Marryat, Caroline Norton, Hablot K. Browne, Countess of Blessington, John Forster, W.H. Ainsworth and Catherine Dickens, presumably to one of his readings, various sizes, many neatly tipped in to album leaves, some loose, contemporary morocco, 4to, [circa 1840 and later].⁂ The remnants of what was an exceptional album relating to Dickens, Ainsworth and their literary circle. A typed note on the album, its compilation and the family background by E.A. Greswell (dated 1932) is loosely inserted.Provenance:Anne Buckley; her sister, Mrs. James Touchet (1792-1869)Then by descent to the present owners

Hunting sketch by Hablot Knight Browne on paper, 19th century. 37cm x 27cm

Framed Watercolour Sketch of Vienna 1997 by Launa Ward

Antique sketch book circa 1899

A framed oil on canvas, townscape, preparatory sketch to the reverse, unsigned. H.71.5 W.86.5cm

Blowout Sale! Star Wars Howie Weed hand signed 10x8 photos. This beautiful 10x8 photo depicts Howie Weed in his role as the Wampa from the classic Star Wars movie, The Empire Strikes Back. Howie has also added a fantastic sketch of the Wampa, along with a Grrrrr and the character name. This signed photo is guaranteed authentic, and is supplied from one of the UK's leading autograph memorabilia companies. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Frederic Whiting (British, 1874-1962)Study of a jockey oil on canvas51.1 x 30.8cm (20 1/8 x 12 1/8in).Footnotes:The present painting depicts a jockey in profile holding a saddle. It is probably a preparatory sketch for Whiting's 'The Professional'. The same jockey features in other sketches and compositions by Whiting.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Bertram Priestman (British, 1868-1951)Sketch for 'The Heart of the West Riding' signed and dated 'PB 15'(lower left)oil on canvas46 x 61cm (18 1/8 x 24in).Footnotes:ProvenanceThe family of the artist, by descent.This painting dated 1915 is a study for the large oil, 'The Heart of the West Riding' painted in 1916 which was gifted to the Bradford Museums and Galleries Collection in 1918 by Frederick Priestman.The subject of smoking chimneys in the industrial heartland of Yorkshire was a subject Priestman returned to in later years.'The combination of the grandeur of the moorland and valley landscape of Airedale with the grimly impressive industrial architecture of its cities inspired Priestman's memorable 1916 Academy painting, 'The Heart of the West Riding' (Bradford Art Galleries and Museums). The Art Journal commented that 'beauty, broadly understood, is not invariably destroyed by the presence of tall chimneys and the association of modern labour with ancient country peace.' Priestman's imagination responded powerfully to the smoking factory chimneys, viaducts, and mill buildings of his home town Bradford. 'The Heart of the West Riding' was already hanging in the Summer Exhibition by the time of the Academy elections in 1916 and probably contributed to Priestman's success in being elected an Associate.' The Edwardians and After, The Royal Academy 1900-1950 ed. Mary Anne Stevens, London 1988, p. 137.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

EDWARDS LIONEL.  A Leicestershire Sketch Book. Col. plates & other illus. Quarto. Orig. blue cloth, some fading, internal browning. 1935; also 1 other vol.  (2).

Bertram Nicholls (1883-1974) Britishpencil sketch of a cottage in the British country side, within a glazed giltwood frame, 17.5 cm x 26 cmLocation: BWR

A FRAMED AND GLAZED PENCIL SKETCH IN THE STYLE OF LOWRY - H 35 CM X W 24 CM

AN UNFRAMED PENCIL SKETCH IN THE STYLE OF LOWRY H 12 CM X W 22 CM

Seals. Portrait, pencil sketch in ornate brass frame, 23cm x 17cm.

AFTER LAURENCE STEPHEN LOWRY (1887-1976); unsigned print, a preliminary sketch for 'The Bearded Lady', impressed Artist Guild stamp, 23 x 15cm, framed and glazed.Additional InformationAs stated, this is unsigned print, minor discolouration to the edges and mount, knocks to the frame.

A gilt mirror, 60 x 83cm (af), a pencil sketch depicting a girl reading signed Kathleen Hickey and two ornithological coloured prints ‘Red Grouse’ and a ‘Partridge’, framed and glazed (4).Additional InformationMirror damaged and heavily worn throughout.

Attributed to Arthur SPOONER (1873-1962), oil sketch on card of a young gentleman, unsigned, mounted but unframed,32 x 21 cmPlease note - It looks like one of the oil sketches of Spooners which were sold at Bonhams, Chester around 15 years ago

Mid 20thC French pen & ink sketch of a pack of dogs, initialed "A.B." in fine ebonised wood frame,The ink drawing measures 7 x 26 cm

Large Peter COLLINS (1923-2001) oil sketch "Seated female nude" in fine gilt frame, studio stamped,The painting measures 50 x 61 cm

THOMAS AGNEW GALLERY, early sepia sketch "Landscape with Cliffs", Agnew label on reverse, 4.25" x 7"

G. CARELLI, 1847 dated drawing "View of Chiswick House", Agnew label, 10" x 14"; also pen and ink sketch "The Cedars, Chiswick, 1875", 7" x 16"

Henry Ryland (1856-1924)A lady holding a pitcher, another figure belowa pencil sketch, unsigned78 x 57cmCondition report: Framed and glazed, with Moss Galleries paperwork, 1990.

Attributed to Jean Francois Millet [1814-1875]-Woodland sketch, from an album,:-pen, ink and coloured chalk drawingJFM studio stamp bottom right, 6 x 10.5cm,together with the associated 1912 bill of sale from H. Boisselier, Rue de France, Fontainebleau. [2]

* Gerald Palmer [1935-2017]-Fishermen gathering mussels in moonlight, St Ouens, Jersey:-signed and dated '76, watercolour, 19 x 25.5cm,together with a watercolour sketch of a ploughman, signed and dated 1974, 25 x 34.5cm. [2]

WW1 1916-1918 autograph sketch album with many good drawings etc.

A selection of child dolls and a boxed Sketch a Graph

A pastel sketch, Celia Lockley, Packhorse Bridge Wasdale, signed, 20 x 31cm, plus frame and glazed

Two etchings, after A Maude Parsons, Dinan and Florence, both 20 x 30cm, plus frame and glazed, two etchings after Maude Parsons, St Ives, signed, 14 x 10cm, and Ponte Veches, signed, and a sketch, Maude Parsons, Trerice, 29 x 35cm, plus frame and glazed

Large glass electrolier (chandelier) with a baluster column, spiral twist scroll and other branches, pinnacles, faceted drops, drip pans and simulated candles, H 115cm 7pprox.. (One 6cm part of baluster column damaged from sketch, one arm broken from photograph, in three boxes and unexamined)

Frank Brangwyn RA (1867 - 1956), pen and ink sketch heightened with watercolour, study for the bridge of empire, 38cm x 64cm, framedSlight paper discolouration