We found 32316 price guide item(s) matching your search

Sir Edwin Henry Landseer, RA (British, 1802-1873)Study for 'Alpine mastiffs reanimating a distressed traveller'pencil, pen and brown ink 20.3 x 30.8cm (8 x 12 1/8in).Footnotes:ProvenancePossibly anon. sale, Christie's, Landseer sale, 8 May 1874, lot 550. With the Carroll Gallery, London.LiteratureD. Brown and R. Ormond, Sir Edwin Landseer: Living Life Boats: Edwin Landseer's Alpine Mastiffs & A Rescue in the Alps, London, Matthiesen Ltd., 2019.This work is a sketch for the painting of the same title dated 1820, currently held in the collection of the National Gallery of Art, Washington DC.For further information on this lot please visit Bonhams.com

NO RESERVE Africa.- Livingstone (David) Missionary Travels and Researches in South Africa; including a sketch of sixteen years' residence in the interior of Africa, first edition, first issue with folding engraved frontispiece, engraved portrait (damp-stained at head), 22 wood-engraved plates, one folding diagram, 2 folding maps, illustrations, spotting to endpapers but a clean copy generally, armorial bookplate of Sir William Eden to front pastedown, later half calf, some chipping to head of spine, 8vo, 1857.

MIXED SPORTS, selection, mainly framed prints (25), inc. most cricket, snooker, football, rugby; watercolour sketch by JAAK, showing Geoffrey Humpage; Garfield Socbers & Jonty Rhodes (both signed), 2011 England Ashes, Brian Lara 501, Elba Employees CC 1938, reprint Vanity Fair; golf, set of four, Arnold Palmer newspaper; snooker photo (possibly Joe Davis; full-size cricket bats (3), Gunn & Moore (c1910), Surridge (c1950), another signed by Ian Botham etc., broken glass (3), G to EX, 34*

DAILY SKETCH, World Cup Souvenir Cards, complete, VG to EX, 40

Two Peter Godlington original artworks, a sketch plus two amateur paintings by O and N Dickel

Marc Chagall (1887-1985)Sketch for the window of the Hadassah Synagogue in Jerusalem, color lithograph from 1962, 20x16 cm, purchase Chagall Galerie Wuyt

A pencil sketch indistinctly signed Mark Gibbons; a pencil signed limited edition print "The Cobb" and a print on canvas

Pencil sketch depicting Thames River barges and other craft at Limehouse Reach

Early 20th Century School, a scene of butterflies around wildflowers, oil on board, indistinctly inscribed verso, image size 12" x 9" (30 x 23cm), along with an early 20th Century sketch of horses on a beach by a fishing vessel, oil on board, 12.75" x 13" (32.5 x 33cm), both unframed, (2).

Ultimate Spider-Man Hardcover book (2002). Limited Edition No 23 of 69 copies signed by Brian Michael Bendis and Mark Bagley and signed and re-marked with a Spider-Man head sketch to the cover by Art Thibauld [nm+]. No Reserve

‡ LAURENCE STEPHEN LOWRY RBA RA, 1973, offset lithograph printed in colours - 'Deal', sketch of boats at harbour, signed in blue biro, from the edition of 850, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstampDimensions: 17.4 x 25cmsProvenance:private collection France, consigned via our Cardiff officeCondition Report:minor scuffs to frame

Royal commemorative magazines and newspapers, mostly in good condition and to include:Punch (1910);Daily Sketch (1934);21st Birthday Pictorial Book (Pitkin Ltd 1937);2 x Sunday Graphic and 2 x Sunday Pictorial (1952);Radio Times, Daily Mirror, John Bull and Illustrated (1953);Picture Post (1952 and 1953);Country Life (1963 1986, 2000 and 2012);Daily Mail (1973);London Illustrated News 1977 and 8 later editions;40 others to include 12 x Hello.

‡ WILL ROBERTS pencil sketch - figures walking along roadway, signed and dated '96Dimensions: 20 x 29cmsProvenance:private collection Powys, consigned via our Cardiff officeCondition Report:framed and glazed, no problems

Two Victorian pocket sketch books with annotated and dated watercolour studies of foreign destinations incl. Pyramids, Barbados, Shipping, Cable Car etc, few GB with label from Capt. Causton Aug 1916 (2)

The Grange Goathland - Monochrome study of a man with barrow in a mill yard, a pencil sketch of a bridge, both unframed and inscribed verso Thos. Fothergill, unframed watercolour of a Country House, inscribed verso John Fothergill, Beverley, December 21 1803, Road, Rocks & Chapel, unframed pencil, inscribed verso Varley Bath, two unframed mounted watercolours of Fishing boats, other unframed prints and drawings, (18)

GROUP OF SCOTTISH CONTEMPORARY SCHOOL PICTURES,comprising Frank McFadden sketch, Glasgow Kiss Celtic & Rangers print, pastel by Gillian Car, and a photograph two signed Peter Howson prints (6)

SIGNED MAGGIE BLAIR 1886 SKETCH OF A LADYdepicting her filling up water from a water pump, signed Maggie Blair 1886 to bottom right corner, 63.8cm wide x 80cm tall, along with several other pictures

Attributed to Thomas Rowlandson, pen and ink sketch, a country figure, unsigned, 17cm x 10cm, framedSlight paper discolouration, faint damp stain in bottom left-hand corner of the mount

George Henry Harlow (1787 - 1819), the original pencil sketch for the painting "The court for the trial of Queen Katherine" from Shakespeare's Henry VIII, exhibited at The Royal Academy Somerset House 1817, with handwritten key of the characters and actors below, overall sheet size 30cm x 23cm

Helen Turner (Scottish born 1937) Framed oil on canvas, signed 'Cottage at Corton, Arisaig' 65cm x 80cm Provenance: Ayr Sketch Club 1991 Maclaurin Art Gallery catalogue No.101CONDITION REPORT:The oil on canvas, behind glass appears to be in excellent condition throughout

Jessie Marion King (British 1875-1949)Framed signed sketch,'Country Landscape with Cottage'19.5cm x 27cm Label verso

Georgian satirical sketch titled "The Swings" published April 2nd 1812 by J. Rowland and Son. The content of which is of a vulgar nature depicting a uniformed figure and lady. In excellent condition with no foxing present.

ENGLISH SCHOOL (EARLY 20TH CENTURY) - Portrait of a young woman wearing a pink bonnet, oil on canvas board, framed, 43cm x 31cm, frame size 50cm x 38cm, also a pencil sketch and an oil landscape sketch. (3)

An autograph book with various signed photos of stage and screen celebrities along with a sketch book and 'Sixty Old Time Variety Songs' book. H.28 W.22cm. (largest)

Willy Sluiter (1873-1949), An elegant company enjoying a drink on the boulevard of Scheveningen, charcoal and watercolour on paper, 37x47 cm, Lots 56-83: A Distinguished Collection, signed, dated and annotated 'Willy Sluiter/Scheveningen/1930-' (lower right), Please compare to a preparatory sketch by the artist sold at: Auction, AAG, Amsterdam, 17 June 2019, lot 75.

Bernstein, LeonhardLawrence/Massachusetts 1918 - 1990 New York City, war ein amerikanischer Komponist und Dirigent. "Sketch for Final Canons from Mass",1981, Exp. 22/500, handsign., Lithographie/Papier, HxB: ca. 71/52,5 cm (gesamt). Gerahmt.

Iain Macmillan (British, 1938-2006): A Series Of Five Outtakes From The Beatles' 'Abbey Road' Sessions,1969,comprising five photographic prints from the 'Abbey Road' sessions as shot by Iain Macmillan, each showing The Beatles in various formations as they walk across the Abbey Road pedestrian crossing, each print applied to board and numbered, 1, 2, 3, 4, and 6 in black ink to the border, (frame no.5 missing, as this was the one used for the album cover), prints 12in x 15in (30.5cm x 38cm)board 15in x 15in (38cm x 38cm) (5)Footnotes:Provenance:Property from the Iain Macmillan Collection.Having met John Lennon at the Indica Gallery with Yoko Ono in 1966, Lennon later invited Macmillan to photograph the Beatles for the cover of their final album 'Abbey Road'. Given the Beatles recorded most of their music at the EMI Studios on Abbey Road, St John's Wood, London, they decided to name their last album after the road. Armed with a sketch Paul McCartney had given him a couple of days before of what the picture should look like, Iain knew he didn't have long to get the right shot for the world's most famous band.On 8th August 1969, at around 11:30 am, a hired policeman stopped the traffic, Iain climbed up a large stepladder in the middle of Abbey Road and took just six pictures of the Beatles crossing the street. In approx 10 minutes Iain shot the band in various orders, but it was frame no.5 that was used for the cover of the album - the only photo where all four of them are striding in perfect formation.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Martin Wiener (1913-2001): The Rolling Stones Hands1970,ink on paper, depicting hand-drawn 'hands' from the artists' 'Hands Series' in which he got musical personalities to sign their hands, with large signatures by Mick Jagger, Bill Wyman and Charlie Watts in black inks, 40in x 27in (101.5m x 68.5cm)Footnotes:Provenance:Gifted by the Artist's Estate to the current vendor who was a long-term friend of the artist and his family.Raised in Brooklyn, Wiener found art when he moved to California having drifted into writing plays and comedy sketches for radio, television and films. 'The only incident that sticks in my mind is the weekend I spent with Roy Rogers, American Cowboy singer in San Francisco', says Wiener. 'Then one day lightning struck! I was assigned to write a comedy sketch for Dinah Shore and Peter Lind Hayes...This new experience of drawing opened my eyes and heart to the one activity that now had real meaning to me.' After moving through drawing, watercolours and oils, he gave up his Hollywood activities and moved to Paris to focus on his art.The subject of 'hands' was a recurrent theme in Wiener's work. He had an exhibition called 'A Show of Hands' (an exhibition of musical drawings) held and displayed at the Royal Opera House Covent Garden for a number of months in 1971. Other notable people's hands include the Stan Getz Quartet, Yehudi Menuhin, Sir Colin Davis, Golda Meir and many other great musicians, conductors and political figures of the 60's and 70's. His work has been exhibited at numerous institutions in the UK, USA, France and beyond, including the Tate, Barbican, BFI, American Embassy Cultural Centre in Jerusalem, the San Diego Museum, Bodley Gallery in New York, and Oxford University, among many more.Literature:Wiener, Martin, 'Taking a Line for a Walk', Scarecrow Press, London, 1985.For further information on this lot please visit Bonhams.com

Roderic O'Conor, Irish (1860-1940) "Study of a seated Nude, (possibly the artist's wife Renée)," pencil sketch, approx. 38cms x 22cms (15" x 8 1/2"), stamped with artist mark lower right, unfinished sketches on reverse. (1)

Markey Robinson, Irish (1918-1999) "Cannes, South France," watercolour sketch, approx. 9cms x 14cms (3 1/2" x 5 1/2") signed  and inscribed cloth mount, pine frame. (1)

John Butler Yeats, RHA (1839-1922) "Smiling Lady in a Hat," pencil sketch, depicting profile of an attractive young lady wearing large hat, approx. 15cms x 10cms (6" x 4"), signed  and dated "J.B. Yeats, May 1910", mounted, gilt frame. (1)

John Butler Yeats, RHA (1839-1922) "Sketch of George Russell (AE)" pencil, depicting a Gentleman with long beard and pence nez standing pointing his hand, approx. 18cms x 13cms (7" x 5") mounted and framed. (1)

John Butler Yeats, RHA (1839-1922) "Lily Yeats," pencil sketch, depicting young Lady seated, approx. 16cms x 10cms (6 1/2" x 4") signed  'Lily - Sept. 19th '88', mounted and framed. (1)

John Butler Yeats, RHA (1839-1922) "Sketches of the Yeats Children (Jack & Lily) with faded sketch of the artist in the centre, pencil, approx. 9cms x 15cms (3 1/2" x 6") mounted and framed. (1)

Petrus Johannes van Reysschoot, Flemish 1702-1772- Portrait of a young man, half-length, wearing a red cap, c.1730; oil on canvas, 71.4 x 54 cm. Provenance: Private Collection, UK. Note: The attribution of the present work has been confirmed by Dr Brian Allen and represents an important addition to the oeuvre of van Reysschoot. The identity of the sitter is unknown, though his informal open shirt and cap suggests that he may himself be an artist. It is possible, also, that he relates to the figure of the transverse flute player in the artist’s ‘Elegant Party taking Coffee on a Terrace a formal Garden beyond’, offered at Sotheby’s, London, 24 April 2008, lot 117. A red chalk sketch in the Rijksmuseum additionally bears facial and sartorial similarities [RP-T-1992-93-64(V)] and conceivably represents a preparatory drawing for the present work.A Flemish artist from Ghent, van Reysschoot travelled to England in the 1730s, having won a prize at the Paris Academy in 1730. The present work likely dates to the early years of this decade in London, and, as Brian Allen has pointed out, can be compared in handling to another work from this period, dated 1732, ‘Portrait of a boy in tartan, called Prince Henry Benedict Stuart’ (Wolrige-Gordon Collection, Aberdeenshire). The present work further echoes the grace and animation of the sculpture busts of Louis-François Roubiliac (1702-1762), who Reysschoot had studied alongside in Paris. Van Reysschoot spent a large part of his career in England, which earned him the nickname 'den Engelschman' ('the Englishman'), returning to his native Ghent in the mid-1740s. In England he painted portraits, religious, historical and sporting subjects, and Watteauesque conversational pieces, with many of his works exhibiting the influences of both Francis Hayman (1708-1776) and John Wootton (1686-1764). He had a strong portrait practice amongst the Midlands gentry and was also employed by the family of the Jacobite 4th Duke of Beaufort, as evidenced by the existence of a signed set of portraits there. A portrait by van Reysschoot was sold recently at Sotheby's, London, 5 July 2018, lot 193. Please refer to department for condition report

Edwin Ellis, RBA, British 1841-1895- A coastal view with fisherfolk moored on the shore; oil on canvas, indistinctly signed (lower left), with a sketch of a woman standing by a lake (verso), 51 x 76.5 cm. Provenance: Private Collection, UK. Note: Ellis, despite being a Nottingham-born painter, was best-known for his coastal scenes, ranging from rough and stormy seas to moored boats in calm coves, as in the present work. This piece exhibits the loose and Impressionistic brushstrokes which define Ellis’s approach, capturing the freedom and freshness of the British coast.Please refer to department for condition report

Attributed to Henry Hucks Gibbs, British 1819-1907- View of Dunwich, near Southwold; oil on canvas, bears inscription 'Sketch at Dunwich, near Southwold / on the coast of Suffolk. / H. Gibbs' on the reverse, 24.5 x 34.8 cm., (unframed). Provenance: Private Collection, UK. Please refer to department for condition report

Italian School, early-mid 19th century- Architectural illustration of a classical church; pen and black ink and watercolour on paper, 23.5 x 26.5 cm., with a grey wash sketch of a mountainous landscape (verso), (unframed). Provenance: The estate of the late designer Anthony Powell. Please refer to department for condition report

Italian School, late 18th/early 19th century- St Luke with an ox and a putto; pencil on paper, indistinctly numbered '29' (upper centre), with a pen and brown ink tracing of the same scene with an additional sketch of a seated putto on the reverse, 11.8 x 16.5 cm. Provenance: Private Collection, UK. Please refer to department for condition report

Carlton Alfred Smith, RI, RBA, ROI, British 1853-1946- A lady walking in a garden, holding a basket; pencil and watercolour heightened with white and scratching out on paper, signed 'Carlton A Smith' (lower left), with an oil sketch of a woman seen from behind on the reverse of the card mount, 13.2 x 9.8 cm., two (2). Provenance: Private Collection, UK. Note: Smith specialised in watercolour and oil paintings of genre and rural scenes. He studied at the Slade School of Fine Art and initially worked as a lithographer. He exhibited at the Royal Society of British Artists, the Royal Institute of Painters in Water Colours, the Royal Institute of Oil Painters and also at the Royal Academy of Arts. In the present work, Smith adopts an earthy palette of greens and browns to depict the natural elements of the garden, contrasting these with the cream hues of the lady's dress. A warm light, emanating from the left, highlights her in her surroundings.Window mount is glued to card mount. Please refer to department for condition report

Flemish School, late 17th / early 18th century- Sketch of a man, possibly a soldier or an Ottoman; oil on paper laid down on board, 26.1 x 20 cm., (unframed). Provenance: Private Collection, UK. Note: Likely a fragment from a larger composition. Please refer to department for condition report

Paul Sandby, RA, British 1731-1809- Sketch of a lady, full-length, wearing a long dress and hat, viewed from behind; pencil and grey wash on paper, 12.3 x 5.1 cm., together with two pencil and watercolours 'Circle of Paul Sandby', 7.4 x 10.3 cm. and 7.7 x 6 cm. (oval), three (3). Provenance: with William Drummond (1934-2018).; By descent. Please refer to department for condition report

Samuel Hieronymus Grimm, Swiss 1733-1794- Ruins of Verdley Castle, Sussex; pen and black ink, and grey wash on paper, signed 'S. H. Grimm fecit' (lower edge), 11.4x 16 cm, (unframed). Provenance: Private Collection, UK. Note: This sketch was used as the basis for the engraving of 'Inside of Verdley Castle, Sussex', which was published in Francis Grose's 'Antiquities of England and Wales', 1786. Please refer to department for condition report

1950s'60s album of signatures and photographs of entertainers and comedians etc including Harry Secombe, Frankie Vaughan, Alma Cogan, Benny Hill, Adam Faith, Cliff Richard and The Shadows, Harry Corbett & Sooty, Harry Worth, Tommy Cooper, Jimmy Clitheroe, Dick Emery, Leslie Crowther, Norman Vaughan, Frankie Howard, Rolf Harris with sketch, Black & White Minstrels etc; another pre-WW1 autograph album with signatures, sketches, watercolour paintings etc; various folding maps; postcards etcCondition Report:Reasonable condition consistent with age and use.

Original Pencil Sketch of RAF Tornado by C. Bowes

Original Pencil Sketch by C. Bowes

Framed Original Pencil Sketch of Two Hurricane Aircraft by C. Bowes

Framed Original Pencil Sketch of Two Buccaneers Over The Humber Bridge by C. Bowes

Framed Original Pencil Sketch of a Blackburn B2 Over The Humber Bridge by C. Bowes

Original Pencil Sketch of Two Meteor Aircraft by C. Bowes

λ DORA HOLZHANDLER (BRITISH 1928-2015)THE PIPER Oil on canvas laid to boardSigned and dated 1962 (lower right) with sketch (verso)58.2 x 36.8cm (22¾ x 14¼ in.)Provenance:Sale, Christie's, Interiors, 29 May 2012, lot 500 (part lot) Condition Report: Light rubbing to the edges. Otherwise the work appears to be in good original condition. Condition Report Disclaimer

20thC School. Still life, vase of flowers, oil on canvas, unsigned 52cm x 35cm after gross stating his case, a case of courting prints, various other prints pictures, framed bank notes to include, Beale one pound ten shilling etc., shipping picture, sketch print etc. (a quantity)

[McGrigor, Sir James]. Instructions for the Regulation of Military Hospitals and the Sick with Divisions of the Army in the Peninsula under the Command of Field Marshal the Marquis of Wellington, Lisbon: printed by Antonio Rodriguez Galhardo, 1813, 143 pp., two folding tables, occasional light spotting, modern calf-backed boards, 8vo, together with Sketch of the Medical History of the British Armies in the Peninsula of Spain and Portugal during the Late Campaigns, Read June 20, 1815, from vol. VI. of the Transactions of Medical and Chirurgical Society, 1816, 111 pp., a lew light stains towards end, modern half morocco, 8vo, plus Thomson (John). Report of Observations made in the British Military Hospitals in Belgium, after the Battle of Waterloo; with some Remarks on Amputation, 1st edition, Edinburgh: William Blackwood, 1816, 16 pp. catalogue at end, occasional light spotting and toning, bookplate of Robert Mowbray, original boards, rebacked, some spotting and edge wear, 8vo, with two others: John Hennen's Principles of Military Surgery, 2nd edition, Edinburgh, 1820 (ex-libris) and G.J. Guthrie's Commentaries on the Surgery of the War in Portugal, Spain, France, and the Netherlands, 5th edition, 1853QTY: (5)NOTE:First two works exceptionally scarce, only one institutional copy located for first work and not in the Wellcome Collection of the works of James McGrigor, the second work only one copy in the Wellcome Library.Sir James McGrigor (1771-1851) was appointed Surgeon-General to the Duke of Wellington's army during the Peninsular War.and was in large part responsible for establishing the Royal Army Medical Corps. He improved standards of hygiene for the wounded in field hospitals, introducing the stethoscope in 1821 and served as Director-General of the Army Medical Service from 1815-51, enacting many reforms.

Peninsular War. Memorials of the Late War, 2 volumes, Constable's Miscellany, volumes XXVII-XXVIII, Edinburgh: Constable and Co., 1828, additional titles with engraved vignettes, a few minor spots, contemporary red calf gilt, slight fading to spines, 8vo, together with A Treatise on Military Finance; containing the Pay of the Forces on the British and Irish Establishment, with the allowances in camp, garrison and quarters &c., London: printed for T. Egerton, 1801, half title, 4 pp. advertisements, contemporary sheep, 'Major Vivian, 7th Lt. Dragoons' stamped in gilt to upper cover, rebacked, light worming to lower cover, 8vo, plus James (Charles). The Regimental Companion: Containing the Relative Duties of every Officer in the British Army, 2 volumes, 4th edition, London: [printed for T. Egerton, Military Library, 1803, folding plans, a few spots, modern half calf gilt over boards, 8vo, with 11 others including Religio Militis; or, Christianity for the Camp, [by J.M. Sherer], 1827, inscribed by the author, Recollections of an Old Soldier. A Biographical Sketch of the Late Colonel Tidy, C.B., 24th Regt... by Mrs Ward, 1849, and Deputy Inspector General of Army Hospitals, Charles Collier. A Life Sketch by his daughter, M.A.E.L., printed for private distribution, 1870 QTY: (16)

Verner (Colonel Willoughby). History & Campaigns of the Rifle Brigade, 2 volumes, London: John Bale, 1912-19, folding maps and illustrations, a few colour, 2 maps contained in volume II rear pocket (some toning), volume I front hinge a little tender, all edges gilt, original cloth gilt, volume II upper joint split, some edge wear and a few marks, 4to, together with Kincaid (Captain J.). Adventures in the Rifle Brigade, in the Peninsula, France, and the Netherlands from 1809 to 1815, 1st edition, London: T. & W. Boone, 1830, 351 pp., bound without half title and advertisements, occasional minor spotting, later half calf, spine slightly rubbed at head, 8vo, plus Leach (Jonathan). Sketch of the Field Services of the Rifle Brigade, from its Formation, to the Battle of Waterloo, 1st edition, London: Boone, 1838, 32 pp., modern half calf, 8vo, with 6 others on the Rifle Brigade, including William Surtees' Twenty-Five Years in the Rifle Brigade, 1833, Biographical Sketch of Major General John Fitzmaurice K.H. written for private circulation. 1908 the centenary of the formation of the 95th Rifle Corps now the Rifle Brigade, Anghiari, 1908, author's presentation copy, Gerald Boyle's The Rifle Brigade Century, 1905 (with a letter from the author pasted at front), and Sir William Cope's History of the Rifle Brigade, 1877 (2 copies) QTY: (10)

Wilson (Robert Thomas). History of the British Expedition to Egypt; To which is subjoined, a sketch of the present state of that country and its means of defence, 2nd edition, London: printed by C. Roworth, 1803, half title, engraved portrait frontispiece of Sir Ralph Abercromby, folding engraved maps of the Nile, 3 folding partly hand-coloured battle plans, 2 folding tables, some light toning to plates, light offsetting and spotting, modern calf-backed boards, spine slightly faded, 4to QTY: (1)

[Acton, John]. An Essay on Shooting, Containing the various methods of forging, boring, and dredging gun barrels, 2nd edition, London: T. Cadell, 1791, half-title, early manuscript notes to verso of final leaf, contemporary marbled calf, gilt decorated spine with red morocco title label, neatly repaired at head & foot of spine, upper joint lightly cracked, 8vo,[Pigott, Charles], The Jockey Club, or a Sketch of the Manners of the Age, 3 parts in one, mixed editions (10th, 6th & 2nd), London: H.D. Symonds, 1792, half-title to parts 1 & 2, contemporary red half morocco, 8vo,Sporting Magazine, The Sporting Magazine or Monthly Calendar of the Transactions of the Turf and Chase and every other diversion interesting to the man of pleasure, enterprise & spirit, volumes 13-18 & 20-24 (new series), London: J. Pittman [& M.A. Pittman], 1824-29, together 11 volumes, engraved titles and numerous plates, occasional light scattered spotting, original cloth-backed boards, some wear to joints and extremities, 8vo, plus The Sporting Review..., edited by 'Craven', London: Rudolph Ackermann, 1839, engraved title and plates, scattered spotting, contemporary half calf, lacking spine, 8voQTY: (14)

Burnes (James). A Narrative of a Visit to the Court of Sinde; A Sketch of the History of Cutch; From its First Connexion with the British Government in India till the Conclusion of the Treaty of 1819; and Some Remarks on the Medical Topography of Bhooj, 1st UK edition, Edinburgh: John Stark, 1831, 2 folding maps (of Sinde and Cutch) with outline hand-colouring, errata leaf at rear, some spotting, lacks genealogical table, recent cloth with gilt title to spine, 8voQTY: (1)NOTE:The first Bombay edition of 1829 is even more scarce than this rare reprint edition.

[Fisher, Thomas]. The Kentish Traveller's Companion..., 4th edition, Canterbury: Simmons, Kirkby and Jones, 1794, folding table frontispiece, three engraved folding maps, contemporary signature at head of title dated 1798 with related armorial bookplate of Sir Edward B. Baker Bt. to upper pastedown, contemporary half calf, neatly rebacked with gilt decorated spine and morocco title label, 12mo in 6s, together with:Easton (James), The Salisbury Guide, giving an account of the antiquities of Old Sarum ... the ancient and present state of New Sarum, or Salisbury ... with a copious description of the Council-House ... the Cathedral, Stonehenge, and seats of the nobility and gentry..., 18th edition, Salisbury: Printed and sold by J. Easton, 1796, publisher's advertisement leaf at front, engraved folding frontispiece, four plates (3 folding) and one engraved strip road map, one woodcut illustration, few early manuscript notes, front free endpaper inscribed 'from Mr James Easton the Editor, Nov. 12 1796', contemporary calf, rebacked, board corners worn and showing, 12mo,Woolmer (Shirley), A concise account of the city of Exeter, its neighbourhood, and adjacent watering places..., 2nd edition, Exeter: Printed and sold by S. Woolmer, 1811, engraved frontispiece, leaves A3 & A4 misbound, light toning and occasional light spotting, edges untrimmed, original boards, printed title label to upper board, 12mo in 6s,Cheltenham, The New Guide to Cheltenham: being a complete history and description of that celebrated watering place..., Cheltenham: S. Bettison, [1820?], 204 pp., folding engraved frontispiece, additional engraved title, folding engraved map, five uncoloured aquatint plates and one engraved trade advertisement plate, modern calf-backed marbled boards, 12mo in 6s,Brady (John H.), The Dover Road Sketch Book; or, Traveller's Pocket Guide, between London and Dover..., Canterbury: Henry Ward, 1837, engraved folding map frontispiece, eight lithograph strip road maps on four leaves, advertisements at rear, modern half calf, 8vo in 4s,[Feltham, John], A Guide to all the Watering and Sea-Bathing Places; with a description of the Lakes; a sketch of a tour in Wales, London: Richard Phillips, [1803], 49 engraved maps, plates and plan (some folding), upper blank margin of title excised, modern blind-panelled brown morocco, earlier morocco spine labels retained, 12mo in 6s, plus seven other 19th century guides etc.QTY: (13)

[Hawker, Peter]. Journal of a Regimental Officer during the recent campaign in Portugal and Spain under Lord Viscount Wellington, 1st edition, London: printed for J. Johnson, 1810, folding engraved partly coloured plan of the Battle of Talavera, advertisement leaf at end, pp. 98-99 with some underling and annotations, light offsetting to title, contemporary red calf, upper cover stamped in gilt 'Earl of Portarlington, Lt.-Colonel 23rd Light Dragoons, 1809', spine faded, some light worming and marks, 8vo, inscribed at head of title "Lt. Colonel Lord Portalington", with further inscription crossed-through and note at foot of title, together with Burroughs (George Frederick). A Narrative of the Retreat of the British Army from Burgos; in a series of letters. With an introductory sketch of the Campaign of 1812; and military character of the Duke of Wellington, 1st edition, Bristol: Joseph Routh for T. Egerton, W. Sheppard and others, 1814, 88 pp., errata leaf at end, a little light spotting, later half calf, edges slightly rubbed, 8vo QTY: (1)NOTE:Peter Hawker (1786-1853) served during the Peninsular Campaign, leading his squadron of the 14th Light Dragoons in the Battle of Douro in May 1809 & earning the battle honour 'Douro' for the regiment's colours. He is best known for his works on shooting and wildfowling, most notably his Advice to Young Sportsmen, 1814.