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English School, mid 19th century - Watercolour - Rufford Abbey, unsigned, inscribed in sepia ink verso 'Mr Lester, Composition from Rufford Sketch', 27.5cm x 37.5cm, framed and glazed

A small sketch by WA Frith RA, profile of Mr Punch, 9cmH; together with Two AW Lloyd caricatures of Mr Punch, each approx. 19x19cm (3)

William Verner Longe (1857-1924), a pair of watercolours of jockeys up, 'M Cannon on Orme' and 'Isinglass, a sketch at newmarket 1893', signed and titled, 29x44cm

1980's boxed vintage games and toys including Peter Pan Etch-A-Sketch, Sprio 2000, Spirograph, Berwick Tom & Jerry Compendium, Chad Valley Spirotot, Peter Pan Paul Daniels Magic Set 100, MB Games Go For Broke and Operation etc (2)

Joyce Himsworth, a collection of Art Deco watercolour and sketch designs for ceremonial and other silverNote: Born in 1905, Himsworth studied at the Sheffield College of Art and the Central School of Arts in London under H G Murphy, exhibiting designs and pieces at the Sheffield Art Crafts Guild from 1925. Most of her output was for commission and many pieces are now in museum collections in London and Sheffield.

Andrew Lanyon (British, 1947), sketch for 'Nightfall', signed and titled verso, watercolour, 8.5 by 9cm, framed. Note: Artist Resale Rights apply

A group of documents and printed material relating to The Saint including sequels, reboots and collaborations with UNICEF1980s-1990sIncluding a file of documents and correspondence relating to a 'The Saint' and UNICEF charity auction, with scans of an original Saint sketch by Sir Roger Moore for the auction; a nine-page fax from December 1991 discussing the prospect of a new 'The Saint' film, and the potential for Sir Roger Moore to star as an 'elder Saint'; an issue of Vulcan: The Magazine of Classic Film and Television containing an article on 'The Saint'; a copy page from the TV Times titled 'Roger Moore Tests the Sceptre'; issue 12 of the 1980s publication Primetime: The Television Magazine with an article on the making of 'The Saint', 21.5cm wide x 30.5cm high (8 1/2in wide x 12in high) overall (qty)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

WILLIAM JOSEPH JULIUS CAESAR BOND (ENGLISH 1833-1926) BOATS AT ANCHOR Oil on panel Signed and dated '01' (lower right) 17 x 14.5cm (6½ x 5½ in.) It has been suggested that this is the preparatory sketch for lot 231 Condition Report: Light rubbing and abrasions to the framing edges, and some light surface dirt. Inspection under UV reveals no evidence of restoration or repair. Overall appears to be in good condition. Condition Report Disclaimer

A LATE VICTORIAN OAK CENTRE TABLE BY GILLOWS, LATE 19TH CENTURY The drawer stamped 'GILLOWS 16534', the lock stamped 'HOBBS & CO LONDON', the cushion shaped frieze and arcades to all four sides 75.5cm high, 82.5cm wide, 50cm deep Literature: S. Stuart, 'A Survey of Marks, Labels, and Stamps used on Gillow and Waring & Gillow Furniture 1770-1960', Regional Furniture, 1998, pp. 58-93. https://bifmo.furniturehistorysociety.org/entry/gillow-company-1862-1897. Accessed 25 June 2023. This table is in the 'Jacobethan' style fashionable from the latter part of the 19th century, a style comprising Renaissance, Elizabethan and Jacobean motifs. 'Several combinations of marks and numbering systems seem to have been utilised by Gillow's branches [London and Lancaster] during the nineteenth century' (Stuart, p. 81). The impressed '16534' stamp on the drawer of this table denotes the Gillows' pattern number, entered into the relevant Gillows' Estimate Sketch Book on the page opposite the drawing, sometimes with the journeyman's name responsible for the work. The Estimate Sketch Books, however, only survive for Lancaster, not for London, and not all of Gillows' designs are included (ibid., pp. 66, 72). In circa 1884, when this table was probably made, the omission of an 'L' prefix to the pattern number suggests that the table was probably made in London rather than Lancaster; an 'L' prefix identified Lancaster from circa 1870. This suggestion is reinforced by the 'GILLOWS' stamp, also on the drawer, rather than 'GILLOWS LANCASTER' or 'GILLOWS & Co LANCASTER' (ibid., p. 65). If this table was made in London, it was probably at Gillows' 'works' at George Street, Grosvenor Square, established in 1881, and as Susan Stuart suggests, London may have had their own numbering system (ibid., p. 79).    Condition Report: N.B. The photograph on page 60 of the catalogue shows a key resting on the corner of this table top - this key is not for this table, the key is part of lot 123. There is no key for this table.Overall there are some scratches, marks, dark stains, knocks, cracks and abrasions consistent with age and use.Observations include:Open joins to the three plank top. The top has a slight bow, raised slightly to the front with a small gap between the frieze and top.There are chips generally to some edges and corners including the top, supports and feet.There are impressions to the drawer front where the swing handle touches the drawer front.The table has the same carved decoration to all four sides, the legs are carved to all four sides.One carved rectangular capital to the frieze above a leg is missing one narrow section.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

SIR EDWARD COLEY BURNE-JONES (ENGLISH 1833-1898) BACCHUS, A SKETCH FOR THE FEAST OF PELEUS Pencil With inscription 'E. BURNE-JONES' (lower right) 16.8 x 11.7cm (6½ x 4½ in.)Provenance: Christie's, London, 18 November 2004, lot 141,where purchased by Robert Kime Literature: The Burne-Jones Catalogue Raisonne (un-numbered) This study shows Bacchus who is seated at the right-hand end of the table in Burne-Jones small and highly finished painting The Feast of Peleus (Birmingham City Art Gallery). Stylistically, the drawing can be dated to the early 1870s, which is consistent with the picture's development. Designed in 1870 for the predella of the so-called Troy triptych, a project never completed in its entirety, it was begun in 1872, worked on in 1874, 1875 and 1879, but only completed in 1881. It was exhibited at the Grosvenor Gallery (Summer Exhibition, no. 157) the following year, having been sold to William Graham, the wealthy businessman and Liberal M.P. for Glasgow who was Burne-Jones's staunchest patron.We are grateful to The Burne-Jones Catalogue Raisonne, for their help in preparing this catalogue entry. Condition Report: There is discolouration caused by staining throughout the sheet. A number of white blemishes to the three hands / arms at the upper left quadrant. Some light surface dirt scattered throughout. Unexamined out of glazed frame.Condition Report Disclaimer

French school, 19th century, ‘ Madonna Della Seggiola’ pencil sketch, dated 1884; others, prancing horse, mixed media, and coastal landscape, (3).

SNAFFLES: "MY SKETCH BOOK IN THE SHINY" dedicated to "The good chaps at the Meerut and the Master Whips of the P.V.H"Provenance: From a private East Sussex vintage fishing tackle collection.

R.R. Scotsborough, sepia watercolour of a country cottage, signed in pencil, dated 1853, 14cm x 22cm; and J. Hunslow, small pencil sketch of figures with boat on a lake, viewed through an archway (2)

E. Moore, pencil sketch of a cottage by a river, pencil signed dated 18th March 1902, 21cm x 28cm

Late 19th/early 20th century charcoal sketch, nude life study, inscribed Helen, 60cm x 28cm, framedSeveral horizontal crease marks and some light foxing

Quantity of pictures and prints and cartoons, all cleared from the famous chefs Roux brothers, La Gavroche to include a pencil sketch of an Elephant  by Rachel Goodyear(b. 1978) in a glazed wooden frame. 41cm x 29cm. From La Gavroche. 

Boer war related pencil sketch of two mounted soldiers, signed lower right, W B Wollen, marked Blom Fontaine, 1900, together with two Boer war related battle scenes, in glazed burr walnut frames, possibly water colours or pastels, largest

§ § Jeffrey Pratt (British, b.1940) Caribbean mother and child on the seashore, a sketch of Indian women versooil on boardsigned62 x 39cm***CONDITION REPORT***Oil on board, paint in good order but some brown dirt marks running down the centre of the picture, plain cream painted frame, oil sketch of women wearing saris versoPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Bath local history / interest - a collection of mostly Victorian 19th Century Bath related ephemera, presented in two vintage tin safe cases likely previously in the possession of a solicitor or banker. The contents to include indentures, deeds, receipts, wills, probates, paperwork, an architect's sketch map, letters, cheque books etc. With deeds relating to the estates of Ellen Bernard, Henry Hancock, Morgan Joseph Esq., Dora Twyford, and others. Oldest indenture to date to 1812, with many relating to land in Batheaston, Lyncombe, Widcombe, etc. Including an interesting architect's plan depicting the improvement to James Street signed Charles [Chas.] R. Fortune, 1907. Oldest indenture dated 1841. Presented in two early-mid 20th Century tin safekeeping boxes, one produced by E. Tucker of Weston, the other unmarked. Larger tin measuring approx. 32cm x 39cm x 30cm.

P. Lester (Contemporary), watercolour, 'Tuscan Farm', signed and inscribed, 53 x 32cm, Alan Reed (b.1961), two colour prints including 'George Heriots School for Victoria Street', limited edition 223/950 and 7/950, signed in pencil, together with an ink and watercolour sketch by Nick Chappell, largest 42 x 28cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

JOSEPH MILNER KITE (1862-1946) A SKETCH OF A MALE FIGURE. the full length study depicts a male figure in working clothes, signed bottom right, charcoal on paper, approximate size 55cm x 35cm, Condition Report: dirty marks to the paper, small tears and creases to the edges (PROVENANCE: Arnold Fellows Collection)

JOSEPH FARINGTON (1742-1821) 'KENDAL CASTLE' a pencil sketch depicting the castle ruins, signed titled and dated August 23 1786, approximate size 13.5cm x 22cm, together with an unsigned pencil sketch 'View of Kingswear and the mouth of the Harbour at Dartmouth' dated Oct 5 1809, approximate size 20cm x 37cm probably by the same hand and a small unsigned coastal study with an attribution to Farington, ink wash on paper, approximate size of paper 6cm x 8cm, Condition Report: dirty marks to the paper (3) (PROVENANCE: Arnold Fellows Collection)

HERCULES BRABAZON BRABAZON (1821-1906) A STUDY OF A FEMALE FIGURE KNEELING BEFORE A BED, initialled bottom right, watercolour on paper, approximate size of visible image 33cm x 23cm, together with a pencil sketch of a young child, bears HBB initials and a date of 1829, approximate size of paper 23cm x 15cm, Condition Report: some image loss to the watercolour, mount dirty, child sketch has some staining and dirty marks (PROVENANCE: Arnold Fellows Collection)

WILLIAM HEATON COOPER (1903-1995) 'SCAFELL EMERGING FROM A SHOWER', a sketch of the Lake District mountain, signed bottom left, titled under mount, coloured pencils on paper, approximate size of visible image 30cm x 43cm, Condition Report: foxing across the sketch, discolouration to the edges from the mount (artist resale rights apply)

TWO BOXES AND LOOSE PAINTINGS AND PRINTS ETC, to include a small quantity of loose watercolours, indistinctly signed, dates include 1949 and early 1950's, two unframed watercolours signed M.L.A. Boggi, unsigned sketch pad with landscape watercolours dated 1998, two unsigned and undated watercolours depicting a sailing ship in a harbour, topographical prints etc

Henry Wykes (Anglo-Australian, 1874-1964) Portrait of a clergyman, circa 1950s signed lower right oil on artist's board 46 x 36cm; together with a portrait sketch of a gentleman by the same hand

French School, 20th Century A sunlit park scene with figures and a pavilion beyond, probably a sketch Oil on canvas 39.5 x 49.5 cm

Sketch Book. Christopher Clairmonte. Limited edition of 500. This copy is number 382. Published by Patrick Seale Gallery, London. 8¼" x 12". Fine copy in publisher's black boards, titled in gilt. From single vendors book collection. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99. 30kg box UK £15, EU £40, ROW £60

Interesting Early Cartoon Art titled 'Bulldozian Staff in Session' - Military meeting or reminiscent of an Daily Mail or Daily Express sketch - 51.5x45cm

Early 1900's Art Sketch and Whimsical Stories & Drawings Books

Peter Cushing (1913-1994) - Watercolour - Still life, white roses in a blue bowl, signed, 11ins x 14.75ins, framed and glazed with handwritten note by Peter Cushing to verso "(Note - regarding this sketch of white roses in a blue bowl) I called out to Helen 'How long until lunch, dear?' 'Twenty minutes' she replied. So that became its title 'TWENTY MINUTES' because that's how long it took me to paint the subject (circa '58)" and signed Provenance: Listed in Peter Cushing's 'Here and There' exhibition of 1958 at The Fine Art Society, London as exhibit number 5 'White Roses in a Blue Bowl'

Peter Cushing (1913-1994) - Watercolour - Dress Designs, five individual watercolour dress designs, taken from fashion plates dating from 1858-1880, mounted together, each sketch unsigned, however the frame has notes and is signed to the verso and there are handwritten notes on paper about each design stuck to the back of the frame also, circa 1975 Note: Four of the sketches are illustrated on page 303 of 'The Peter Cushing Scrapbook'

Peter Cushing (1913-1994) - Watercolour - 'Dr Syn', unsigned, 6ins x 9.25ins, in silver gilt swept frame and glazed, and pencil sketch of coastal scene with buildings to middle ground, unsigned, 6.5ins x 4.25ins, framed and glazed (2) Note: 'Dr Syn' painting appears in 'The Peter Cushing Scrapbook' page 304

After Sir Frank Dicksee (British 1853-1928): 'Harmony', textured hand coloured line engraving signed and dated 1878 in the plate 40cm x 23cmNotes: Shortly after Dicksee was granted a studentship to enter the Royal Academy Schools, he joined the Langham Sketching Club. One evening the set subject was 'Music'. Encouraged with the sketch he had made Dicksee decided to make a repetition of it in oil. In 1877, when he was only 24 years old, the painting was exhibited at the Royal Academy with the new title Harmony. Presented to the Tate by the Trustees of the Chantrey Bequest 1877. Harmony is one of the most well known pictures by Dicksee

Percy Morton Teasdale (Staithes Group 1870-1961): Seated Lady, pencil sketch unsigned 45cm x 29cm

W B Rowe (British exh.1914): Windmill under Stormy Skies, oil on panel signed, with loose pencil sketch of the same subject verso 25cm x 32cm

***Adrian Maurice Daintrey (1902-1988) - Watercolour and ink sketch - Garden and house with bell tower, signed and dated 1959 August, 20ins x 14.5ins, in mount but unframed

Thomas Barker of Bath (1769 - 1847), Pant-y-Goitre on the Usk, woodland scene, pen, ink and wash, Thomas Agnew & Sons, London label verso, no. 20169, label verso 'Pont Y Goitre on the Usk by Thomas Barker of Bath (1769 - 1847) from the artist's Pontypool sketch book, 13 x 11.5cm, gilt framed

A framed Watercolour preliminary sketch of Raleigh Hotel Budleigh Salterton Seafront - architect W.A. Aickman, 39 Bloomsbury Square. 65cm x 44cm

A framed and mounted Pencil sketch depicting a street scene with urchins by John Leech (no visible signature).

A Charcoal sketch of young girl holding flower, a dog dressed as a miner outside a coalpit and a print "To Sue".

A small contemporary signed Sketch of sheep and lambs. 29cm x 36cm.

A framed and mounted Sketch Pad Drawing by John Leech, signed, depicting a scene at The Dockside, Harwich, as stated verso, 14 1/4'' x 10 3/4''.

A framed and mounted Sketch signed J. Leech depicting a love struck Pantry boy being put down by the cook!

A young ladies finishing school signature and Sketch Book dated 3/11/1906.

John Edward Bromby RBA (British 1809-1889): 'At Goathland', pencil sketch from sketchbook unsigned, inscribed verso 8cm x 11cm

Brooklands - Large Collection of early mostly black and white photographs and documents, to include Brooklands race track 'Peculiar Perspective' stamped on back L.E.A London News & Sketch Ltd, various aircraft photographs stamped Hawker Siddeley Aviation Kingston Upon Thames. Along with the History of Brooklands Motor course book.

Crosse (John).An Account of the Grand Musical Festival, Held in September 1823, in the Cathedral Church of York, for the Benefit of the York County Hospital and the General Infirmaries at Leeds, Hull and Sheffield.York: John Wolstenholme, 1825, quarto, vii, [1], 436, xxvi, [2] pages, hand-coloured frontis, plate and single and double-page plan, monochrome folding plan, all edges gilt, re-backed calf binding (rubbed).'The Editor of the York Courant', A Description of the Grand Musical Festival, held in the City of York, September the 23d, 24th, 25th and 26th, 1823 ....York: Henry Cobb, 1823, engraved frontis, xviii, [2], 100 pages, four engraved plates, original pen & ink sketch of violinist to fly leaf, worn quarter morocco binding by Birdsall. (2)[Hugh Murray Collection]

Jonathan Martin. Report of the Trial of Jonathan Martin, for having, on the Night of the First of February, 1829, Set Fire to York Minster. Which Trial took place at the Yorkshire Spring Assizes, on Tuesday, March 31st, 1829, before Mr Baron Hullock. Baldwin and Craddock et al., 1829, portrait frontis, [6], 2*, 92 pages, disbound, some ink marks to margins and several alterations to words, worn and stained; An Account of the Alarming and Destructive Fire in York Minster, on February 2, 1829 ..... with a Sketch of the Life of Jonathan Martin ... York: R. Burdekin, 1829, second edition, [2], 5-36 pages, plate, appears to lack a preliminary leaf, tape repair to final page, recent card wraps; Knipe (William), Criminal Chronology of York Castle .... York: C.L. Burdekin, 1867, viii, 254, [6], 255-260 pages, some pencil marks to margins, original cloth (worn). (3) [Hugh Murray Collection]

Ralph Steadman, "Head Only", original paint sketch on paper, inscribed "For Felix Dennis, Head only, love Ralph Steadman", unframed, 79cm x 56cm 

Miles Edmund Cotman (British,1810-1858), after John Sell Cotman, 'Itteringham', lithograph, unsigned, dated 1841, known to have been issued in 1843 (Kitson, page 366), taken after a chalk sketch by J.S.Cotman dated 'Nov 12 1841: one of twelve lithographs. 28x39cm, framed and glazed.Dr J.S.Cotman Family Collection - 1945 list, no. 14; listed 1937: 1930-35 Norwich Castle Museum loan list no.37.Conservation: Trumpington Gallery, 2002.From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (Nee Cotman)

CIRCLE OF LAURENCE STEPHEN LOWRY (1887-1976) - Man in coat and hat standing beside railings, pencil study with blue pen border on paper, with brown pencil sketch of a street and buildings verso, signed 'L.S. Lowry' lower right, with indistinct inscriptions in corners, 18.4 x 13.3 cm, unframed

Edwin Cooper (British 1785-1833) A Bull, a pencil sketch of a bull, signed E Cooper, 21.5cm x 17cm

Archibald Knox for Liberty & Co., an Arts & Crafts silver and polychrome enamel Cymric brooch, with 9ct gold pin, maker's marks for Liberty & Co., stamped SILVER, length 4.9cm, 9.2g, model number 1309 in the Liberty Jewellery Sketch bookOverall good conditionEnamel in fairly good condition, with light abrasions and two small nicksWith case of similar ageSome light marks and scratches, in keeping with general age and wearClients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lotFor enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com

Framed Pastel Drawing of a Woman, signed lower left; watercolour by C. Phoenix, a further watercolour by G.D Robinson and a pencil sketch signed M.F. Thorp. (4)

Anna Ivanovna Akishina (Ukrainian, 1910-1991), Sketch of a Hand', oil on card, 18.5 x 20.5cm; together with a catalogue for Lots Road Galleries and receipt.

Britain's Model Soldiers, Minibrix tubs with instruction leaflets, Etch a Sketch, Sooty and Sweep nursery clock, etc:- OnE tRAY

The Times War Atlas, being a folio of Great War maps with gazetteer, 48 cm x 34 cm, together with "Daily Sketch War map of Europe and the Mediterranean", circa 1939

Eisenbahn - - Erste Böhmisch-Mährische Maschinenfabrik in Prag (Deckeltitel). Viersprachig (tschechisch, dt., franz., engl.). 2 Bände. Mppenwerk mit (zus.) 37 Doppelbll. mit zus. 74 Abbildungen. Prag, ca. 1906. Illustr. Or.-Karton-Mappen mit Deckeltitel und Jugendstilschmuck (Mappemflügel mit Läsuren). Sehr seltene Firmenschrift zum Lokomotivbau. - So (oder ähnlich) nur in 1 österr. Bibliothek, nicht in Deutschland und weltweit, nicht im Handel. - Die Doppelblätter zeigen jeweils Vollbild der Lokomotive auf der einen Seite, Skizze der Lokomotive mit technischen Detailangaben auf der anderen Seite. Very rare company publication on locomotive construction. - So (or similar) only in 1 Austrian library, not in Germany and worldwide, not in trade. - The double sheets each show a full picture of the locomotive on one side, a sketch of the locomotive with technical details on the other side.

Serigraph titled Sketch. Year 1977. Signed lower right numbered 138/200. Sight Size 32.5" x 24".  John Hultberg was an American abstract expressionist and abstract realist painter. Early in his career he was related to the Bay Area Figurative Movement, he was also a lecturer and playwright. In 1955, Time magazine declared him the latest darling of modern art.